Search results for "Maria Merce Roca"
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María
María (1867) is a novel by Jorge Isaacs. Partly inspired by his own life, María is a moving story of romance, hope, and tragedy by a leading author of the Spanish Romantic movement. The novel was Isaacs’ debut work of fiction and seemed to promise him a lengthy career in Colombian literature. As he dedicated himself to politics, however, he largely abandoned his youthful commitment to writing in favor of a more conventional career. Raised in the idyllic countryside of Valle del Cauca, María and Efraín develop a love for one another that refuses to die. Forced apart by familial expectations, Efraín leaves his lover to study in Bogotá, and remains in the Colombian capital for six years. Desperate to return, he leaves the city and reunites with María, who waited patiently the whole time he was away. As the two begin preparing for a life together in their beautiful homeland, Efraín learns that his family has other plans for him. In a few months’ time, he is expected to travel to London and enroll in medical school, guaranteeing years away from his home and his young, faithful love. As the day of his departure approaches, Efraín and María attempt to recapture the simplistic joy of their youth but find themselves drifting further into doubt than ever before. María is a masterpiece of Romantic literature from a talented writer who blossomed early and never managed to live up to his astounding promise. With a beautifully designed cover and professionally typeset manuscript, this edition of Jorge Isaacs’ María is a classic of Colombian literature reimagined for modern readers.
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Venciendo El Miedo
Aqui la historia real es el viaje inconcluso del Cristo de la Veracruz desde Espana hasta la costa sur de Cuba en el ano 1713, a bordo de un mercante espanol. Se quedo en Trinidad por voluntad propia, negandose a abandonar aquella tierra segun rezan la historia y la leyenda, alli permanecio y alli continua hasta el presente, venerado en la iglesia de la Santisima Trinidad por todo aquel que cree en El y en sus milagros. La parte imaginaria nos cuenta la historia de una joven nacida en las cumbres del Macizo de Garraf, en Cataluna, que huye de su misera existencia privada de afectos y, con ese fin, se embarca como polizon en el mismo barco encargado de trasladar el Cristo a su destino; ella se sobrepone a sus miedos, enfrenta el peligro segun se le presenta dia a dia, desembarca para quedarse en el mismo lugar que lo hace la imagen sagrada. Anos despues escribe sus memorias y deja el manuscrito aprisionado en las paredes de un palacete trinitario del Siglo XVIII donde vivio hasta su muerte.
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María
María (1867) is a novel by Jorge Isaacs. Partly inspired by his own life, María is a moving story of romance, hope, and tragedy by a leading author of the Spanish Romantic movement. The novel was Isaacs’ debut work of fiction and seemed to promise him a lengthy career in Colombian literature. As he dedicated himself to politics, however, he largely abandoned his youthful commitment to writing in favor of a more conventional career. Raised in the idyllic countryside of Valle del Cauca, María and Efraín develop a love for one another that refuses to die. Forced apart by familial expectations, Efraín leaves his lover to study in Bogotá, and remains in the Colombian capital for six years. Desperate to return, he leaves the city and reunites with María, who waited patiently the whole time he was away. As the two begin preparing for a life together in their beautiful homeland, Efraín learns that his family has other plans for him. In a few months’ time, he is expected to travel to London and enroll in medical school, guaranteeing years away from his home and his young, faithful love. As the day of his departure approaches, Efraín and María attempt to recapture the simplistic joy of their youth but find themselves drifting further into doubt than ever before. María is a masterpiece of Romantic literature from a talented writer who blossomed early and never managed to live up to his astounding promise. With a beautifully designed cover and professionally typeset manuscript, this edition of Jorge Isaacs’ María is a classic of Colombian literature reimagined for modern readers.
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Broken Mirror
In its moment of great splendor the novel was held as a mirror of society: Mercè Rodoreda shatters that mirror in this, her most ambitious novel, which tells its story in brilliant fragments, a vision reflected and refracted and finally coming together in a richly articulated mosaic of life. Through this Broken Mirror, the reader sees events and characters spanning three generations and composing a kaleidoscopic family history ranging over six decades and turning upon events both intimate and historic—most notably the Spanish Civil War. Opening with Teresa Goday, the lovely young fishmonger’s daughter married to a wealthy old man, the story shifts from one perspective to another, reflecting from myriad angles the founding of a matriarchal dynasty—and its eventual, seemingly inevitable disintegration. A family saga extending from the prosperous Barcelona of the 1870s to the advent of the Franco dictatorship, A Broken Mirror is finally also a novel about the inexorable passing of time.
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Vidas Impropias
Through the analysis of six Spanish novels, one for each decade from the 1940s through the 1990s, Rodríguez proposes a new concept of the novel of feminine development and emphasizes the importance of the voicing of women's sentiments, passions, desires, and opinions that have not been expressed before in the literature of Spain. The study begins with Nada by Carmen Laforet, and continues with La playa de los locos by Elena Soriano, La plaça del Diamant by Mercè Rodoreda, two stories from Te dejo el mar by Carme Riera, Los perros de Hécate by Carmen Gómez Ojea, and Efectos secundarios by Luisa Etxenike.
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Renegotiating Postmemory
With the disappearance of the eyewitness generation and the globalization of Holocaust memory, this book interrogates key concepts in Holocaust and trauma studies through an assessment of contemporary German-language Jewish authors.In the shifting media landscape of the twenty-first century, the second and third generations of German-language Jewish authors are grappling with the disappearance of the eyewitness generation and the hyper-mediation and globalization of Holocaust memory. Benjamin Stein, Maxim Biller, Vladmir Vertlib, and Eva Menasse each experiment with new approaches towards Holocaust representation and the Nazi past. This book investigates major shifts in Holocaust memory since the turn of the millennium, and argues that the works of these authors call for a much-needed reassessment of key concepts and terms in Holocaust discourse such as authenticity, empathy, normalization, representation, traumatic unspeakability, and postmemory. Drawing on current research in media, memory, cultural, and literary studies, Maria Roca Lizarazu develops a fresh approach which challenges the dominant focus on traumatic unspeakability by engaging with the culturally mediated travels of transgenerational and transnational contemporary Holocaust memory. Roca Lizarazu pays special attention to ethical and aesthetic challenges of contemporary Holocaust memory and how these are addressed in the medium of contemporary German-language literature. This book offers a critical new perspective on the central paradigms informing recent Holocaust and trauma studies scholarship and, in doing so, provides novel insights into a new generational approach towards Holocaust remembrance and representation. MARIA ROCA LIZARAZU is a Leverhulme Early Career Fellow in the Department of Modern Languages at the University of Birmingham, UK.
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My Life in America and What Maria Callas Taught Me
After arriving in America and blessed with a talent as yet undeveloped, Marko Lampas was drawn to an operatic career. Now, reflecting back upon his life, career and performances, he revisits his experiences and recalls how happily fate brought him in contact with Maria Callas, culminating in a relationship that combined both music and friendship. His autobiography tells it all.
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I Must Tell
This is more than just a diary. It is the stream-of-consciousness of the experiences of Maria Rolnikaite (Masha Rolnik) during the years of 1941-1945. Beginning a month before her 14th birthday and lasting for the next 3 years and 7-1/2 months of German occupation. First the Vilnius, Lithuania ghetto. Then watching her mother and sister and brother being taken to the Ponery extermination camp for execution, as she is herded to the Kaiserwald and Strasdenhof concentration camps near Riga, Latvia. Next is Maria's transfer to the Stutthof extermination camp near Gdansk, Poland. With the advance of the Red Army they evacuate west until finally liberated. This volume is her witness to the atrocities and brutality of the Nazi regime in their effort to exterminate the Jews of Lithuania, and through the eyes of an innocent teenage girl. By divine providence she survived death to provide this book. Daniel H. Shubin has translated this diary from Russian into English along with a biography and other information.
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Maria
Maria: or, The Wrongs of Woman (1798) is a novel by English writer, philosopher, and feminist Mary Wollstonecraft. Intended as a fictional sequel to A Vindication of the Rights of Woman (1792), a groundbreaking work of feminism and political philosophy, Maria: or, The Wrongs of Woman was published posthumously by Wollstonecraft’s husband, anarchist philosopher and writer William Godwin.Denied her autonomy, Maria is sent to an insane asylum by her husband, a wealthy aristocrat. Separated from her child and unable to advocate on her own behalf, Maria is fortunate to befriend Jemima, an attendant from the lower classes who empathizes with Maria’s situation. Jemima secretly provides her with books, inadvertently introducing her to the marginalia of Henry Darnford, another inmate at the asylum. The three grow close, sharing their stories with one another. Darnford reveals his troubled past and struggles with alcohol, Jemima discloses her experiences as an abused orphan-turned-prostitute, and Maria discusses her abusive marriage to George Venables. As she turned toward literature and intellectual life to avoid George’s affairs and frequent gambling, Maria found herself desperately looking for a way out. After several escape attempts, George—who had been scheming for years to frame his wife in order to divorce her—conspires to send her to the asylum, taking their child and cutting off contact with Maria. Although unfinished, Maria: or, The Wrongs of Woman explores the themes of her political and philosophical writings while illuminating the injustices suffered by women and lower class individuals in English society.With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Wollstonecraft’s Maria: or, The Wrongs of Woman is a classic of English literature reimagined for modern readers.
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