Search results for "Martin"
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Game of Thrones: The Story Continues
THE INSPIRATION FOR HBO AND SKY’S INTERNATIONAL SMASH HIT GAME OF THRONES Discover the series behind the global phenomenon and the greatest fantasy epic of the modern age with this seven-book collection. Return to Westeros. More than a hundred years after the events of HBO and Sky’s HOUSE OF THE DRAGON, the greatest battle for the Iron Throne began… George R.R. Martin's A Song of Ice and Fire series has set the benchmark for contemporary epic fantasy. Labelled by Time magazine as one of the top 100 most influential people in the world, Martin has conjured a world as complex and vibrant as that of J.R.R. Tolkien, populated by a huge cast of fascinating, complex characters, and boasting a history that stretches back twelve thousand years. Three great storylines weave through the books, charting the civil war for control of the Seven Kingdoms; the defence of the towering Wall of ice in the uttermost north against the unearthly threat of the Others; and across the Narrow Sea the rise to power of Daenerys Targaryen and the last live dragons in the world. A Song of Ice and Fire is the inspiration for HBO and Sky’s Game of Thrones, the most-watched TV series of all time. The box-set includes:A GAME OF THRONESA CLASH OF KINGSA STORM OF SWORDS, 1: STEEL AND SNOWA STORM OF SWORDS, 2: BLOOD AND GOLDA FEAST FOR CROWSA DANCE WITH DRAGONS, 1: DREAMS AND DUSTA DANCE WITH DRAGONS, 2: AFTER THE FEAST
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Martin the Epicurean
For most of his life Martin Ferguson Smith (born 1940) has been closely engaged with the teachings of the Greek philosopher Epicurus (341-270 BC). Epicurus adopted and adapted the atomic theory developed by Democritus, but regarded scientific knowledge as subservient to the moral end, which is pleasure, specifically absence of pain in the body and absence of trouble in the mind.Martin has a particular interest in two of Epicurus' followers, each of whom regarded his master as the saviour of humanity. One is the Roman poet Lucretius (first century BC), author of On the Nature of Things, which Martin has translated and edited. The other is Diogenes of Oinoanda (second century AD), who displayed his exposition of Epicureanism in a gigantic Greek inscription, the longest one known from antiquity, in his upland home city in southwest Turkey. Diogenes addresses not only the people of Oinoanda, but also so-called foreigners who are actually fellow citizens in a world which is one country for humanity. Since 1968 Martin has been involved in Oinoanda's exploration, first independently, later in collaboration, and has seen the number of known pieces of Diogenes' work more than tripled. The new texts are among the most remarkable classical finds to have been made anywhere in the last two centuries, and the inscription has the fascination of an unfinished jigsaw puzzle.Martin was educated at Shrewsbury School, alongside John Peel, and at Trinity College, Dublin, where he was a foundation scholar, took a "first" in Classics, and wrote a postgraduate dissertation on Lucretius. After service as professor of Classics in Bangor and Durham and adventures not only in Turkey, but also in communist Albania and Romania, he moved to the remote island of Foula in Shetland. There he has lived in contented isolation for thirty years, without a shop, television, or smart phone.Alongside his classical work, he has written four "modern" books: Dearest Jean (2011); Madeleine Symons (2017); In and Out of Bloomsbury (2021); and The Artist Helen Coombe (2023). Of particular relevance to Martin the Epicurean is his Urbi et Orbi: The Epicurean Inscription and Prescription of Diogenes of Oinoanda (2026), Open Access and paperback.
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Martin Battersby
The first major biography to examine the life and career of Martin Battersby (1914-1982), a forgotten yet significant artist of the twentieth centuryA polymath whose career covered numerous disciplines, Martin Battersby worked in many roles including theatre designer, muralist and fine artist, textile and costume designer, interior decorator, and collector and connoisseur of the decorative arts. This book follows his life as the son of a North London pawnbroker who went on to work with many tastemakers of the time including Rex Whistler, Bunny Roger, Arthur Jeffress, Lotte Reiniger, and Cecil Beaton. With limited training and education, Battersby built his own career as an artist, creating artworks for Paul Mellon, Evelyn Waugh, Princess Radziwill and Lady Diana Cooper. By the mid-twentieth century he was recognised as Britain's most distinguished trompe l'oeil artist.Drawing from scrapbooks kept throughout the artist's life, Martin Pel seeks to reinstate Battersby and his contributions to the arts. Living as a young queer man in the twentieth century, he sought refuge through the art of the past, rejecting the contemporary artistic world that valued brutality over humanity. He challenged the rise of Modernism and the masculine and visceral artworks of the time through his pursuit of beauty with highly decorative art in imitation of the past masters. In his last years, Battersby immersed himself in the queer leather scenes of London and New York and continued to challenge the art world by producing homo-erotic work. He died at 68, leaving behind a legacy within the decorative arts and becoming a pioneer of queer art and aesthetics.
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Record Keeper
“Because you’re worth rescue.” The unrelenting third installment in the Murphy Shepherd series from New York Times bestselling author Charles Martin. Murphy Shepherd’s last rescue mission very nearly cost him his life. He’d like nothing more than to stay close to his wife and daughters for a while. But Bones’s nemesis must be stopped, and there are so many who still need to know they are worth rescuing. As the cat-and-mouse game moves into the open, Murphy is tested at every turn—both physically and mentally. Then the unthinkable happens: his beloved mentor and friend is taken. Gone without a trace. Murphy lives by the mantra that love always shows up. But how can he rescue Bones when he has no leads? With heart-stopping clarity, The Record Keeper explores the true cost of leaving the ninety-nine to find the one. Part of the Murphy Shepherd series:Book One: The Water KeeperBook Two: The Letter KeeperBook Three: The Record KeeperFull-length novelIncludes discussion questions for book clubsAlso by Charles Martin: The Mountain Between Us, Chasing Fireflies, When Crickets Cry, Long Way Gone
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Bread, Butter, and Sugar
Based on the true story of Martin Schiller, a child survivor of the Holocaust, this gripping memoir describes the unfolding horror of the Nazi genocide seen through the eyes of a child. "Menek" (Schiller's childhood nickname) was six-years-old when the Nazis invaded Poland, and his family fled eastward from their native Tarnobrzeg. He was nine when he and his family were interned as slave laborers at the Skarzysko concentration camp, where his father perished. As the Russian army advanced, Menek and his brother were deported to Buchenwald, where Menek survived with the help of a sympathetic Block Elder (a German political prisoner) who placed him in a barrack for Russian POWs. The story of his journey continues after liberation, with their harrowing escape from postwar Poland; the brothers' travels through war-ravaged Germany to find their mother; and the anxiety of the DP camps where the family must decide between Israel or America. This memoir covers the now-emblematic features of a survivor's journey both during and after the war with the intimacy of a young boy's point-of-view, recalling his own thoughts and reactions to events as he tries to make sense of an irrational world.
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Knowledge of Ignorance
This highly original study is concerned with the theory of knowledge. It approaches the subject in a new way by exploring the recurrent paradox which equates pure ignorance with perfect knowledge, twin ideals free from the impurities and imperfections of discourse. The author combines the techniques of literary criticism and intellectual history in order to examine the literary, philosophical, theological, and political ramifications of this anxiety about, and ambition to transcend, the limits of the text. Dr Martin begins by tracing a network of interlocking motifs and images - beginning and end, nescience and omniscience, genesis and renascence, savagery and civilization - across a broad spectrum of texts from the Book of Genesis through the Renaissance (in particular the works of Nicholas of Cusa and Erasmus) to Rousseau. The central section of the book translates these temporal oppositions into the spatial antithesis of East and West in the Orientalism of Hugo, Napoleon and Chateaubriand. A final chapter draws together these apparently disparate themes in a consideration of the dichotomy of science and literature in Jules Verne's Voyages Extraordinaires.
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