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Punk 57
MATURE CONTENT 'We were perfect together. Until we met.'I can't help but smile at the lyrics in her letter. She misses me.In fifth grade, my teacher set us up with pen pals from a different school. Thinking I was a girl, with a name like Misha, the other teacher paired me up with her student, Ryen. My teacher, believing Ryen was a boy like me, agreed.It didn't take long for us to figure out the mistake. And in no time at all, we were arguing about everything. The best take-out pizza. Android vs. iPhone. Whether or not Eminem is the greatest rapper ever...And that was the start. For the next seven years, it was us.Her letters are always on black paper with silver writing. Sometimes there's one a week or three in a day, but I need them. She's the only one who keeps me on track, talks me down, and accepts everything I am. We only had three rules. No social media, no phone numbers, no pictures. We had a good thing going. Why ruin it?Until I run across a photo of a girl online. Name's Ryen, loves Gallo's pizza, and worships her iPhone. What are the chances?F*ck it. I need to meet her.I just don't expect to hate what I find.--------He hasn't written in three months. Something's wrong. Did he die? Get arrested? Knowing Misha, neither would be a stretch.Without him around, I'm going crazy. I need to know someone is listening. It's my own fault. I should've gotten his phone number or picture or something.He could be gone forever.Or right under my nose, and I wouldn't even know it. Punk 57 is a stand alone romance. It is suitable for ages 18+
R 335.00
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R 841.00
Punk
What is contemporary punk culture and how are those that practice it attempting to define their generation? We are all aware of the cliches of the leather clad and mohawked figure spitting and snarling into the camera. It has been seen a thousand times on TV, in the press and even on London's souvenir postcards. This is the image that, while once feared by conservative societies across the globe, has become a cartoon or pastiche of itself. Rendered harmless by the corporate flogging of its music, style and art, in its previous state it can no longer be classed as a subversive movement. However, punk and its core values have survived. In most ways it has morphed and evolved into something unrecognisable as its former self but the sprit lives on. This book attempts express the very nature of modern punk by looking at those closest to it.
R 1,491.06
Punks
This history of the punk movement in the United States shows how punk music, fashion, art, and attitude clashed with and ultimately influenced mainstream culture.Unlike other volumes on the punk era that focus on just the music—and primarily on British punk bands—Punks: A Guide to an American Subculture spans the full expanse of punk as it happened in the United States, from the late-1960s blast from Iggy Pop and the Stooges to the full explosion of punk in the mid 1970s to its next-generation resurgences and continuing aftershocks.Punks covers it all—not just music, but the punk influence on film, fashion, media, and language. Readers will see how punk spread virally, through fan-created magazines, record labels, clubs, and radio stations, as well as how mainstream America reacted, then absorbed aspects of punk culture. The book includes interviews with key members of the punk subculture, including new conversations with people who participated in the punk scene in the 1970s and 1980s.Includes new interviews with Ian MacKaye and Jeff Nelson, founders of Dischord Records and the punk band Minor Threat, plus reprints of interviews with singers Jello Biafra and Kathleen Hanna, two well-known punks who spoke out frequently about politics and gender issuesOffers an annotated bibliography, including a variety of entries that are both scholarly and popular, grouped by format
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Punk
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Punk Revolution!
The most wide-ranging and provocative look at punk rock as a social change movement told through firsthand accounts.Punk rock has been on the frontlines of activism since exploding on the scene in the 1970’s. Punk Revolution! is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through firsthand accounts of roughly 250 musicians and activists. John Malkin brings together a wide cast of characters that include major punk & post-punk musicians (members of The Ramones, Bad Religion, Crass, Dead Kennedys, Patti Smith’s band, Gang of Four, Sex Pistols, Iggy & the Stooges, Bikini Kill, Talking Heads, The Slits, and more), important figures influenced by the punk movement (Noam Chomsky, Kalle Lasn, Keith McHenry, Marjane Satrapi, Laurie Anderson, Kenneth Jarecke), and underground punk voices. These insightful, radical, and often funny conversations travel through rebellions against Margaret Thatcher, Ronald Reagan, Donald Trump, and Vladimir Putin and to punk activism that has taken on nuclear war, neoliberalism, modern warfare, patriarchy, white supremacy, the police, settler colonialism, and more.The result is a fresh and unique history of punk throughout the ages.
R 1,283.00
R 367.00
Punk in 50 Pieces
"This is an irresistible book that will spark a thousand arguments--and that's just on the day it's published. I'm already making my list. I haven't had so much fun with a work of criticism in years."-- Greil Marcus, author of The History of Rock 'n' Roll in Ten SongsFifty years ago punk crashed on the scene, redefining music and popular culture. In celebration of that historic event comes this cultural history exploring fifty iconic alternative songs and unforgettable moments that destroyed and redefined rock 'n' roll.Once upon a time--November 26, 1976, to be precise--a band named the Sex Pistols kicked their way into cultural consciousness with "Anarchy in the U.K." It was the public launch of punk rock, raucous music with a snarling in-your-face attitude, aggressive style, and a riotous political sensibility that came, saw, and conquered.Fifty years later, the question remains: What the hell was that?Punk in 50 Pieces retells the story of punk's cultural earthquake. Kevin Dettmar traces the evolution of this rock 'n' roll revolution, revealing how classic early punk (The Ramones, Patti Smith, Iggy Pop) gave birth to both post-punk (Joy Division, Siouxsie and the Banshees, Gang of Four) and New Wave (Talking Heads, Blondie, Devo).Standing beside classic works such as Please Kill Me, Lipstick Traces, Rip It Up and Start Again, and England's Dreaming, Punk in 50 Pieces paints a vivid portrait of an era, a sound, and the artists and attitude that made it unforgettable. It's the perfect introduction for a new generation of rebels without a cause and a master playlist for die-hards who may no longer be slam-dancing in the mosh pit but have never forgotten the music.Punk in 50 Pieces includes chapters featuring: The Sex Pistols, "Anarchy in the U.K."Elvis Costello, "Alison"X-Ray Spex, "Oh Bondage Up Yours!"Talking Heads, "Psycho Killer"The Police, "Roxanne"The Clash, "(White Man) In Hammersmith Palais"Public Image Ltd, "Public Image"The Cure, "Boys Don't Cry"The B-52s, "Rock Lobster"The Go-Go's, "We Got the Beat"The Pretenders, "Precious"The Psychedelic Furs, "Pretty in Pink"
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Punk Revolution!
The most wide-ranging and provocative look at punk rock as a social change movement told through firsthand accountsPunk rock has been on the front lines of activism since exploding on the scene in the 1970s. Punk Revolution! is a reflection on this cultural movement over the past 45 years, told through firsthand accounts of hundreds of musicians and activists.John Malkin brings together a wide cast of characters that include major punk and postpunk musicians (members of The Ramones, Bad Religion, Crass, Dead Kennedys, Patti Smith’s band, Gang of Four, Sex Pistols, Iggy & the Stooges, Talking Heads, The Slits, and more), important figures influenced by the punk movement (Noam Chomsky, Kalle Lasn, Keith McHenry, Marjane Satrapi, Laurie Anderson, and Kenneth Jarecke), and underground punk voices. These insightful, radical, and often funny conversations travel through rebellions against Margaret Thatcher, Ronald Reagan, Donald Trump, and Vladimir Putin, to punk activism that has taken on nuclear war, neoliberalism, modern warfare, patriarchy, white supremacy, the police, settler colonialism, the climate crisis, and more. The result is a fresh and unique, global history of punk throughout the ages.
R 677.00
R 458.00
Punk Spirit!
A wide cast of musicians and artists provide surprising and thought-provoking insights into punk rock from the lens of spirituality and liberation.Punk Spirit! is an oral history that examines this movement from many unique perspectives, bringing together well-known and cutting-edge bands including Sex Pistols, Minor Threat, Dead Kennedys, The Ramones, Gang of Four, Pussy Riot, Crass, Talking Heads, Propagandhi, The Slits, Bad Religion, Shelter, Rebel Riot, Blackfire, and many others. Punk Spirit! ventures into the emotional and personal experiences of punk artists and activists from around the world and highlights intelligent, thoughtful, and humorous discussions on liberation, spirituality, and living freely. They discuss a myriad of topics from creativity and anger to freedom from suffering and the ways that punk rock has opposed or embodied religious and moral tenets. Chapters dive deeply into a variety of interconnected realms of punk rock such as the subgenre of straight edge, Krishnacore and Taqwacore, evangelical punk concerts in southern California churches, illegal punk concerts in East German churches, anti-religious sentiment within punk rock, the vital connections between punk and self-expression, and the myriad ways punk rock has been combined with spiritual and religious traditions to illuminate ideas from science, atheism, Buddhism, Christianity, Judaism, Islam, and other ways of being in the world.
R 1,354.00
Encyclopedia of Punk Music and Culture
Although its origins and definition are hotly debated among scholars and fans alike, punk rock music has an ever-evolving but always loyal fan base. The British punk movement is thought to have begun in the mid-1970s with bands such as the Clash and the Sex Pistols, and the American punk movement in the early 1970s with bands such as the Ramones, Patti Smith, and Television playing at CBGB's in New York City's Lower East Side. The punk subculture continues to evolve today, with new bands, fashions, politics and zines embodying the spirit of its founders while also influencing mainstream culture. This inclusive encyclopedia chronicles the history and development of punk, including sub-movements such as Hardcore, Post-punk, Queercore, and Emo, to provide readers with an extensive overview of the music, fashion, films, and philosophies behind it. Entries for musicians include a discography for those wanting to start, or develop, their music collections.Entries include: Advertising; Anarchy; David Bowie; CBGB's; The Clash; Movement; Drugs; Flyers; Gender and punk; Hardcore; London; The Ramones; Johnny Rotten; Malcom McLaren: The Sex Pistols; Sid Vicious; Straight Edge and Vivienne Westwood.
R 3,237.00
R 397.00
Punk Rock: So What?
This text brings together a different generation of academics, writers and journalists to provide a comprehensive assessment of punk and its place in popular music history, culture and myth. The contributors, who include Suzanne Moore, Lucy O'Brien, Andy Medhurst, Mark Sinker and Paul Cobley, challenge standard views of punk prevalent since the 1970s. They: re-situate punk in its historical context, analyzing the possible origins of punk in the New York art scene and Manchester clubs as well as in Malcolm McClaren's brain; question whether punk deserves its reputation as an anti-fascist, anti-sexist movement which opened up opportunities for women musicians and fans alike; trace punk's long-lasting influence on comics, literature, art and cinema as well as music and fashion, from films such as "Sid and Nancy" and "The Great Rock n Roll Swindle" to work by contemporary artists such as Gavin Turk and Sarah Lucas; and discuss the role played by such key figures as Johnny Rotten, Richard Hell, Malcolm McClaren, Mark E. Smith and Viv Albertine. This text kicks over the statues of many established beliefs about the meaning of punk, concluding that, if anything, punk was more culturally s
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Punk Rock and German Crisis
1977 is usually associated with West German terrorism, but it witnessed another cultural watershed: punk music. A new reckoning with the legacy of political and aesthetic spaces, this book argues the centrality of punk music for understanding crises of state and terrorist violence, American racism and German fascism, and aesthetic production.
R 1,541.80
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Global Punk
Global Punk examines the global phenomenon of DIY (do-it-yourself) punk, arguing that it provides a powerful tool for political resistance and personal self-empowerment. Drawing examples from across the evolution of punk – from the streets of 1976 London to the alleys of contemporary Jakarta – Global Punk is both historically rich and global in scope. Looking beyond the music to explore DIY punk as a lived experience, Global Punk examines the ways in which punk contributes to the process of disalienation and political engagement. The book critically examines the impact that DIY punk has had on both individuals and communities, and offers chapter-length investigations of two important aspects of DIY punk culture: independent record labels and self-published zines. Grounded in scholarly theories, but written in a highly accessible style, Global Punk shows why DIY punk remains a vital cultural form for hundreds of thousands of people across the globe today.
R 5,150.00
Punk Beyond the Music
Punk Beyond the Music: Tracing Mutations and Manifestations of the Punk Virus expands the conversation about punk from a focus on the musical genre to its surrounding cultural manifestations. Focusing on some of the most recurring practices and characteristics of punk culture —DIY, attitude, outsider identities, symbols, and politics—Iain Ellis engages many illustrative examples to investigate punk beyond the music without losing sight of its significance. Early chapters look at arts that have always existed within the punk subculture (writings, visual arts, films, and humor); subsequent sections examine areas rarely recognized as exhibiting punk characteristics (such as education, sports, crafts, and comics). Taken together, the chapters invite readers on an extensive and unpredictable journey through the evolution of punk’s developments and adaptations.
R 4,396.00
Global Punk
Global Punk examines the global phenomenon of DIY (do-it-yourself) punk, arguing that it provides a powerful tool for political resistance and personal self-empowerment. Drawing examples from across the evolution of punk – from the streets of 1976 London to the alleys of contemporary Jakarta – Global Punk is both historically rich and global in scope. Looking beyond the music to explore DIY punk as a lived experience, Global Punk examines the ways in which punk contributes to the process of disalienation and political engagement. The book critically examines the impact that DIY punk has had on both individuals and communities, and offers chapter-length investigations of two important aspects of DIY punk culture: independent record labels and self-published zines. Grounded in scholarly theories, but written in a highly accessible style, Global Punk shows why DIY punk remains a vital cultural form for hundreds of thousands of people across the globe today.
R 1,205.00
Punk Anarchism
Punk Anarchism is a radical critique of contemporary politics, offering an alternative framework rooted in anarchism, punk rock, dadaism, situationism and political nihilism. Arguing that traditional approaches to political change are ineffective in the face of the climate crisis and the failures of liberal institutions, the book advocates for rejecting the possibility of meaningful political change within the existing political system.Drawing on historical cultural movements like the Russian and Japanese nihilists of the 19th and early 20th centuries, Sean Parson calls for a politics of pure negation, centered on the destruction of the current social order, rather than its reform – advocating for a revolutionary politics that embraces resentment against the wealthy and rejects hierarchical power dynamics. Punk Anarchism asks: what if resistance were motivated by a sense of playfulness and enjoyment, rather than hope for a better future? Ultimately, Parson proposes an anti-theory of negation as a way to imagine political agency beyond traditional frameworks.
R 2,354.00
Punk Rock and the Politics of Place
This book is an ethnographic investigation of punk subculture as well as a treatise on the importance of place: a location with both physical form and cultural meaning. Rather than examining punk as a "sound" or a "style" as many previous works have done, it investigates the places that the subculture occupies and the cultural practices tied to those spaces. Since social groups need spaces of their own to practice their way of life, this work relates punk values and practices to the forms of their built environments. As not all social groups have an equal ability to secure their own spaces, the book also explores the strategies punks use to maintain space and what happens when they fail to do so.
R 3,279.09
Performing Punk
Performing Punk is a rich exploration of subcultural contrasts and similarities among punks. By investigating how punk is made, for whom, and in opposition to what, this book takes the reader on a journey through the lesser-known aspects of the punk subculture.
R 2,161.54
R 388.65
Punk Rock and German Crisis
1977 is usually associated with West German terrorism, but it witnessed another cultural watershed: punk music. A new reckoning with the legacy of political and aesthetic spaces, this book argues the centrality of punk music for understanding crises of state and terrorist violence, American racism and German fascism, and aesthetic production.
R 1,540.91
Roots Punk
Punk rock evokes dissent and disruption, abrasive and anarchic musicality, and a host of countercultural aesthetics. Featuring original interviews and over one hundred images, Roots Punk: A Visual and Oral History by longtime music journalist and author David A. Ensminger focuses on how punk merged with roots music to create a rich style that incorporated honky-tonk, rockabilly, doo-wop, reggae, ska, jazz, folk, blues, and labor ballads. This engagement transformed the notion of punk to include a wide array of vintage source material that seems more aligned with bolo ties and Stetsons than Doc Martens and safety pins. Ensminger explores the music’s aesthetics, traits, and themes. He contextualizes, clarifies, maps, and probes roots punk’s hybrid nature as well as its diverse, queer-inclusive, and multicultural strains. By painting a broad, nuanced, and well-documented picture of the genre from its earliest incarnation, he forms a kind of people’s history of the movement. Roots Punk features original interviews with members of Minutemen, MDC, the Dicks, the Plimsouls, Tex and the Horseheads, Dils/Rank and File, X, the Flesh Eaters, Beatnigs, Alejandro Escovedo, Robert "El Vez" Lopez, Blasters, and more. Whether covering sarcastic novelty forms or sincere embraces, Ensminger reveals and revels in a punk tradition lined with blues records, acoustic ballads, country, and hillbilly romp. In a time of growing conformity, replication, and commercialization, roots punk (sometimes dubbed cow-punk) offers a tantalizing revitalization and reimagination of the American songbook.
R 3,237.00
Capitals of Punk
Capitals of Punk tells the story of Franco-American circulation of punk music, politics, and culture, focusing on the legendary Washington, DC hardcore punk scene and its less-heralded counterpart in Paris. This book tells the story of how the underground music scenes of two major world cities have influenced one another over the past fifty years. This book compiles exclusive accounts across multiple eras from a long list of iconic punk musicians, promoters, writers, and fans on both sides of the Atlantic. Through understanding how and why punk culture circulated, it tells a greater story of (sub)urban blight, the nature of counterculture, and the street-level dynamics of that centuries-old relationship between France and the United States.
R 817.40
Beat Punks
Here, accompanied by dozens of unique photographs, are the very best of Victor Bockris's infamous interviews, essays, and observations on the stars of downtown Manhattan in the 1970s and 1980s. The internationally acclaimed biographer Bockris was there as a witness, friend, collabourator, and co-conspirator. Some of the stars were founding members of Beat or Punk, others were just passing through. But all of them,rockers, rebels, artists, and intellectuals,revealed more to Bockris than they did to any other writer: Allen Ginsberg, Richard Hell, Andy Warhol, Robert Mapplethorpe, Debbie Harry, William Burroughs, Patti Smith, Marianne Faithfull, Keith Richards, Terry Southern, Martin Amis, and Susan Sontag. Bockris's conclusion,that Punk owed the Beats a big debt and that the Beats were in turn re-animated by the Punks,is argued from the perspective of someone who was in the thick of it, and who loved every minute of it.
R 573.00
Punk in 50 Pieces
Fifty years ago punk crashed onto the scene, redefining music and popular culture. In celebration of that historic event comes this cultural history exploring fifty iconic songs and unforgettable moments that destroyed then helped redefine rock. “Fifty argument-starting blitzes of fury and awe, with just the right dash of playful crankiness.” Hua Hsu, staff writer, the New Yorker “This book vaults to the top shelf in the Punk Lit pantheon.” Simon Reynolds, author of Rip It Up and Start Again: Post-Punk 1978–1984 “The perfect companion for those wishing to revisit the golden age of late-70s/early-80s pop.” Jane Wiedlin, The Go-Gos Once upon a time – November 26, 1976, to be precise – a band named the Sex Pistols dropped “Anarchy in the U.K.,” and a musical movement called punk rock came, saw, and conquered. Fifty years later, the question remains: What the hell was that? Punk in Fifty Pieces retells the story of punk’s cultural earthquake and how early classic punk (The Ramones, Patti Smith, Iggy Pop) gave birth to post-punk (Joy Division, Siouxsie and the Banshees, Gang of Four), New Wave (Talking Heads, Blondie, Devo) and a rock n’ roll revolution. A great, new addition to the shelf that holds Please Kill Me, Lipstick Traces and England’s Dreaming, Punk in Fifty Pieces is the perfect playlist for discovery by a new generation of rebels without a cause and for die-hards who traded the mosh pit for two cars in the garage – but have never forgotten the music. Includes chapters featuring: The Sex Pistols, “Anarchy in the U.K."Talking Heads, “Psycho Killer"The Police, “Roxanne"The Clash, “(White Man) In Hammersmith Palais"Siouxsie and the Banshees, “Hong Kong Garden"Blondie, “One Way or Another"Joy Division, “Love Will Tear Us Apart" “I devoured Dettmar’s Punk in Fifty Pieces.” Jonathan Lethem, author of Motherless Brooklyn and The Fortress of Solitude “This is an irresistible book that will spark a thousand arguments.” Greil Marcus, author of Mystery Train and Lipstick Traces “This book is so kinetic and edifying, I found it impossible to stop reading.” Amanda Petrusich, staff writer, the New Yorker
R 526.00
Punk and Revolution
In Punk and Revolution Shane Greene radically uproots punk from its iconic place in First World urban culture, Anglo popular music, and the Euro-American avant-garde, situating it instead as a crucial element in Peru's culture of subversive militancy and political violence. Inspired by José Carlos Mariátegui's Seven Interpretive Essays on Peruvian Reality, Greene explores punk's political aspirations and subcultural possibilities while complicating the dominant narratives of the war between the Shining Path and the Peruvian state. In these seven essays, Greene experiments with style and content, bends the ethnographic genre, and juxtaposes the textual and visual. He theorizes punk in Lima as a mode of aesthetic and material underproduction, rants at canonical cultural studies for its failure to acknowledge punk's potential for generating revolutionary politics, and uncovers the intersections of gender, ethnicity, class, and authenticity in the Lima punk scene. Following the theoretical interventions of Debord, Benjamin, and Bakhtin, Greene fundamentally redefines how we might think about the creative contours of punk subculture and the politics of anarchist praxis.
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R 518.00
Anyone Can Do It: Empowerment, Tradition and the Punk Underground
For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In its political resistance, punk bears an ideological relationship to the folk movement, but punk's faith in novelty and spontaneous liberty distinguish it from folk: where punk's traditions, from the 1970s onwards, have tended to search for an anarchistic 'new-sense', folk singers have more often been socialist/Marxist traditionalists, especially during the 1950s and 60s. Detailed case studies show the continuities and differences between four micro-traditions of punk: anarcho-punk, cutie/'C86', riot grrrl and math rock, thus surveying UK and US punk-related scenes of the 1980s, 1990s and beyond.
R 3,426.43
Punk Crisis
In March 1977, John "Johnny Rotten" Lydon of the punk band the Sex Pistols looked over the Berlin wall onto the grey, militarized landscape of East Berlin, which reminded him of home in London. Lydon went up to the wall and extended his middle finger. He didn't know it at the time, but the Sex Pistols' reputation had preceded his gesture, as young people in the "Second World" busily appropriated news reports on degenerate Western culture as punk instruction manuals. Soon after, burgeoning Polish punk impresario Henryk Gajewski brought the London punk band the Raincoats to perform at his art gallery and student club-the epicenter for Warsaw's nascent punk scene. When the Raincoats returned to England, they found London erupting at the Rock Against Racism concert, which brought together 100,000 "First World" UK punks and "Third World" Caribbean immigrants who contributed their cultures of reggae and Rastafarianism. Punk had formed networks reaching across all three of the Cold War's "worlds".The first global narrative of punk, Punk Crisis examines how transnational punk movements challenged the global order of the Cold War, blurring the boundaries between East and West, North and South, communism and capitalism through performances of creative dissent. As author Raymond A. Patton argues, punk eroded the boundaries and political categories that defined the Cold War Era, replacing them with a new framework based on identity as conservative or progressive. Through this paradigm shift, punk unwittingly ushered in a new era of global neoliberalism.
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PONK!
A punk rock anti-memoir told through the eyes of a biracial Afrolatino punk academic.¡PÓNK! follows Moose, an alienated academic and lead guitarist for Pipebomb!, as he navigates through spaces in and out of South East Los Angeles: punk clubs, college classrooms, family gatherings, street protests, and euphoric backyard shows. Oscillating between autofiction, memoir, and lyric, Clayton blurs genres while articulating the layered effects of racism, trauma, immigration, policing, Black hair, performance, and toxic academic language to uncover how one truly becomes an “ally.” Borrowing from the spatial lyricism of Claudia Rankine, the genre-bending storytelling of Alexander Chee, and the racial musings of James Baldwin, ¡PÓNK!’s narrative takes back punk rock and finds safe space in the mosh pit.
R 455.00
Punk and Disorderly
A discussion of the 1970s British punk scene, this book foregrounds the participation of women as performers and songwriters in early British punk, and examines how women in the scene crafted expressions of social alienation that were informed by the intersection of classism and sexism.Early British punk rock is often associated with male bands like the Sex Pistols, The Clash, The Damned, the Buzzcocks, or The Stranglers, whose songs capture and reflect a historical moment in Britain that was defined by unemployment, nationwide strikes, racial strife, and the growing sense of hopelessness within a seemingly deteriorating British Empire. While lesser-known, the work of female punk bands like Penetration, The Raincoats, Siouxsie and the Banshees, The Slits, and X-Ray Spex also engaged with these themes, but added a gendered perspective on what it meant to be “an underdog” in Britain in the 1970s. Through a close reading of punk art, fashion, and music, this book examines how female contributors to the early British scene responded uniquely to the alienation expressed by their male peers, and demonstrates how social alienation was inflected by the intersection of classism and sexism in the work of those women who helped to shape the early British scene.
R 3,531.00
