Search results for "Quentin Riser"
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Quentin Tarantino
Here, in his own colorful, slangy words, is the true American Dream saga of a self-proclaimed ""film geek,"" with five intense years working in a video store, who became one of the most popular, recognizable, and imitated of all filmmakers. His dazzling, movie-informed work makes Quentin Tarantino's reputation, from his breakout film, Reservoir Dogs (1992), through Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), his enchanted homages to Asian action cinema, to his rousing tribute to guys-on-a-mission World War II movie, Inglourious Basterds (2009). For those who prefer a more mature, contemplative cinema, Tarantino provided the tender, very touching Jackie Brown (1997). A masterpiece--Pulp Fiction (1994). A delightful mash of unabashed exploitation and felt social consciousness--his latest opus, Django Unchained (2012).From the beginning, Tarantino (b. 1963)--affable, open, and enthusiastic about sharing his adoration of movies--has been a journalist's dream. Quentin Tarantino: Interviews, revised and updated with twelve new interviews, is a joy to read cover to cover because its subject has so much interesting and provocative to say about his own movies and about cinema in general, and also about his unusual life. He is frank and revealing about growing up in Los Angeles with a single, half-Cherokee mother, and dropping out of ninth grade to take acting classes. Lost and confused, he still managed a gutsy ambition: young Quentin decided he would be a filmmaker.Tarantino has conceded that Ordell (Samuel L. Jackson), the homicidal African American con man in Jackie Brown, is an autobiographical portrait. ""If I hadn't wanted to make movies, I would have ended up as Ordell,"" Tarantino has explained. ""I wouldn't have been a postman or worked at the phone company. . . . I would have gone to jail.""
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Reason and Rhetoric in the Philosophy of Hobbes
Quentin Skinner presents a fundamental reappraisal of the political theory of Hobbes. Using, for the first time, the full range of manuscript as well as printed sources, it documents an entirely new view of Hobbes's intellectual development, and re-examines the shift from a humanist to a scientific culture in European moral and political thought. By examining Hobbes's philosophy against the background of his humanist education, Professor Skinner rescues this most difficult and challenging of political philosophers from the intellectual isolation in which he is so often discussed. This book presents a splendid exemplification of the 'Cambridge' contextual approach to the study of intellectual history with which Professor Skinner himself is especially associated. It will be of interest and importance to a wide range of scholars in history, philosophy, politics, and literary theory. Professor Skinner has been awarded the Balzan Prize Life Time Achievement Award for Political Thought, History and Theory. Full details of this award can be found at http://www.balzan.it/Newseng.aspx?ID=2474.
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Hobbes and Republican Liberty
Quentin Skinner is one of the foremost historians in the world, and in Hobbes and Republican Liberty he offers a dazzling comparison of two rival theories about the nature of human liberty. The first originated in classical antiquity, and lay at the heart of the Roman republican tradition of public life. Thomas Hobbes was the most formidable enemy of this pattern of thought, and his successive attempts to discredit it constitute a truly epochal moment in the history of Anglophone political thought. Hobbes and Republican Liberty develops several of the themes announced by Quentin Skinner in his celebrated inaugural lecture on Liberty before Liberalism of 1997. Cogent, engaged, accessible, and indeed exhilarating, this new book will appeal to readers of history, politics, and philosophy at all levels from upper-undergraduate upwards, and provides an excellent introduction to the work of one of the most celebrated thinkers of our time.
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Visions of Politics
The third of three volumes of essays by Quentin Skinner, one of the world's leading intellectual historians. This collection includes some of his most important essays on Thomas Hobbes, each of which has been carefully revised for publication in this form. In a series of writings spanning the past four decades Professor Skinner examines, with his customary perspicuity, the evolution and character of Hobbes's political thought. An indispensable work in its own right, this volume also serves as a demonstration of those methodological theories propounded in Volume I, and as an appositional commentary on the Renaissance values of civic virtue treated in Volume II. All of Professor Skinner's work is characterised by philosophical power, limpid clarity, and elegance of exposition; these essays, many of which are now recognised classics, provide a fascinating and convenient digest of the development of his thought. Professer Skinner has been awarded the Balzan Prize Life Time Achievement Award for Political Thought, History and Theory. Full details of this award can be found at http://www.balzan.it/Newseng.aspx?ID=2474
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Quentin by Tarantino
In a first-person account, Amazing Améziane leads us through the life story of this iconic auteur, from his humble beginnings as a video shop clerk, to his rise through iconic indie blockbusters, all the way to global superstar. Discover the influences, opinions, and history of one of the world’s most acclaimed filmmakers, unmistakable in his style and talent.
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From Humanism to Hobbes
The aim of this collection is to illustrate the pervasive influence of humanist rhetoric on early-modern literature and philosophy. The first half of the book focuses on the classical rules of judicial rhetoric. One chapter considers the place of these rules in Shakespeare's The Merchant of Venice, while two others concentrate on the technique of rhetorical redescription, pointing to its use in Machiavelli's The Prince as well as in several of Shakespeare's plays, notably Coriolanus. The second half of the book examines the humanist background to the philosophy of Thomas Hobbes. A major new essay discusses his typically humanist preoccupation with the visual presentation of his political ideas, while other chapters explore the rhetorical sources of his theory of persons and personation, thereby offering new insights into his views about citizenship, political representation, rights and obligations and the concept of the state.
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Quentin Tarantino
Here, in his own colorful, slangy words, is the true American Dream saga of a self-proclaimed ""film geek,"" with five intense years working in a video store, who became one of the most popular, recognizable, and imitated of all filmmakers. His dazzling, movie-informed work makes Quentin Tarantino's reputation, from his breakout film, Reservoir Dogs (1992), through Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), his enchanted homages to Asian action cinema, to his rousing tribute to guys-on-a-mission World War II movie, Inglourious Basterds (2009). For those who prefer a more mature, contemplative cinema, Tarantino provided the tender, very touching Jackie Brown (1997). A masterpiece--Pulp Fiction (1994). A delightful mash of unabashed exploitation and felt social consciousness--his latest opus, Django Unchained (2012).From the beginning, Tarantino (b. 1963)--affable, open, and enthusiastic about sharing his adoration of movies--has been a journalist's dream. Quentin Tarantino: Interviews, revised and updated with twelve new interviews, is a joy to read cover to cover because its subject has so much interesting and provocative to say about his own movies and about cinema in general, and also about his unusual life. He is frank and revealing about growing up in Los Angeles with a single, half-Cherokee mother, and dropping out of ninth grade to take acting classes. Lost and confused, he still managed a gutsy ambition: young Quentin decided he would be a filmmaker.Tarantino has conceded that Ordell (Samuel L. Jackson), the homicidal African American con man in Jackie Brown, is an autobiographical portrait. ""If I hadn't wanted to make movies, I would have ended up as Ordell,"" Tarantino has explained. ""I wouldn't have been a postman or worked at the phone company. . . . I would have gone to jail.""
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Liberty before Liberalism
This extended essay by one of the world's leading historians seeks, in its first part, to excavate and to vindicate, the neo-Roman theory of free citizens and free states as it developed in early modern Britain. This analysis leads on to a powerful defence of the nature, purposes and goals of intellectual history and the history of ideas. As Quentin Skinner says, 'the intellectual historian can help us to appreciate how far the values embodied in our present way of life, and our present ways of thinking about those values, reflect a series of choices made at different times between different possible worlds'. This essay provides one of the most substantial statements yet made about the importance, relevance and potential excitement of this form of historical enquiry. Liberty before Liberalism is based on Quentin Skinner's Inaugural Lecture as Regius Professor of Modern History in the University of Cambridge, delivered in 1997.
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Quentin Durward
Quentin Durward is a young Scotsman seeking fame and fortune in the France of Louis XI in the fifteenth century. He knows little and understands less, but Scott represents his ignorance and naivete as useful to 'the most sagacious prince in Europe' who needs servants motivated solely by the desire for coin and credit and lacking any interest in France which would interfere with the execution of his political aims. In Quentin Durward Scott studies the first modern state in the process of destroying the European feudal system. By far the most important of Scott's sources for Quentin Durward is the splendid Memoirs of Philippe de Comines. Comines, who has more than a walk-on role in the novel itself, was trusted councillor of Charles the Bold of Burgundy until 1472, when Louis XI persuaded him to enter his service. Scott's contrasting portraits of Louis and Charles, crafty king and fiery duke, essentially derives from Comines, whose memoirs are generally regarded as the first example of modern analytical history rather than chronicle. But it is as story that Quentin Durward succeeds, and it is one of Scott's most absorbing tales.
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![Quintin Doonrise. a Study in Human Nature. [A Novel.]](http://exclusivebooks.co.za/cdn/shop/products/9781241200749_0f13e5f5-8d47-49fe-a1ef-7949762df72a.jpg?height=645&pad_color=fff&v=1707424635&width=315)
