Search results for "Rafael Pérez Gay"
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Cerebro de Mi Hermano / My Brother's Brain
Último reducto de la memoria y de los sueños: el cerebro, donde todo ocurre, pero también donde todo puede parar cuando se convierte en una casa a oscuras habitada por nada, nadie, nunca. El cerebro de mi hermano es un relato de la evolución de un padecimiento degenerativo en el seno de una familia. Recuerdos, emociones, temores y expectativas, el singular proceso de adaptación a lo impensable, el dolor de atestiguar la extinción de un ser querido, pero también la historia compartida, los años, los lugares, las pasiones conjuntas, la apertura a la conciencia del propio final, el ajuste de cuentas inexorable con lo vivido... Rafael Pérez Gay ha escrito con El cerebro de mi hermano una de sus memorias personales más intensas, un informe final sobre los últimos momentos de José María Pérez Gay (1943-2013): filósofo, escritor, traductor y diplomático; hermano mayor y amigo literario. Una reflexión descarnada y precisa sobre la condición humana, la enfermedad y la muerte.ENGLISH DESCRIPTIONThe last stronghold of memory and dreams: the brain, where everything happens, but also where everything can stop when it becomes a dark house inhabited by nothing, no one, never. El cerebro de mi hermano is a story of the evolution of a degenerative disease within a family. Memories, emotions, fears and expectations, the unique process of adapting to the unthinkable, the pain of witnessing the extinction of a loved one, but also the shared history, the years, the places, the joint passions, the openness to the awareness of one's own end, the inexorable settling of accounts with what has been lived... Rafael Pérez Gay has written one of his most intense personal memoirs with El cerebro de mi hermano, a final report on the last moments of José María Pérez Gay (1943-2013): philosopher, writer, translator and diplomat; older brother and literary friend.A stark and precise reflection on the human condition, illness and death.
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Rethinking Chicana/o and Latina/o Popular Culture
Through a gender, ethnicity, and sexuality lens, Pérez demonstrates that queer Chicana/o and Latina/o identities are much more prevalent in cultural production than most people think. By claiming a variety of characters and texts as queer, he expands the breadth of queer representation in cultural production.
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Rethinking Chicana/o and Latina/o Popular Culture
Through a gender, ethnicity, and sexuality lens, Pérez demonstrates that queer Chicana/o and Latina/o identities are much more prevalent in cultural production than most people think. By claiming a variety of characters and texts as queer, he expands the breadth of queer representation in cultural production.
R 1,599.93
R 1,028.00
Mestizaje
Focusing on the often unrecognized role race plays in expressions of Chicano culture, Mestizaje is a provocative exploration of the volatility and mutability of racial identities. In this important moment in Chicano studies, Rafael Pérez-Torres reveals how the concepts and realities of race, historical memory, the body, and community have both constrained and opened possibilities for forging new and potentially liberating multiracial identities. Informed by a broad-ranging theoretical investigation of identity politics and race and incorporating feminist and queer critiques, Pérez-Torres skillfully analyzes Chicano cultural production. Contextualizing the history of mestizaje, he shows how the concept of mixed race has been used to engage issues of hybridity and voice and examines the dynamics that make mestizo and mestiza identities resistant to, as well as affirmative of, dominant forms of power. He also addresses the role that mestizaje has played in expressive culture, including the hip-hop music of Cypress Hill and the vibrancy of Chicano poster art. Turning to issues of mestizaje in literary creation, Pérez-Torres offers critical readings of the works of Emma Pérez, Gil Cuadros, and Sandra Cisneros, among others. This book concludes with a consideration of the role that the mestizo body plays as a site of elusive or displaced knowledge. Moving beyond the oppositions—nationalism versus assimilation, men versus women, Texans versus Californians—that have characterized much of Chicano studies, Mestizaje synthesizes and assesses twenty-five years of pathbreaking thinking to make a case for the core components, sensibilities, and concerns of the discipline. Rafael Pérez-Torres is professor of English at the University of California, Los Angeles. He is author of Movements in Chicano Poetry: Against Myths, Against Margins, coauthor of To Alcatraz, Death Row, and Back: Memories of an East LA Outlaw, and coeditor of The Chicano Studies Reader: An Anthology of Aztlán, 1970–2000.
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Queer Emergent
In Queer Emergent, Justin Perez explores how advances in HIV prevention work alongside broader economic and political shifts in global health to shape queer subjectivities. Drawing on ethnographic research among gay and transgender communities in urban Amazonian Peru, Perez describes how queer social worlds emerge through scandalous storytelling-a practice of exaggerating and embellishing stories about everyday life that transgresses social norms and hierarchies. Perez shows that through such storytelling, gay and transgender communities contested the assumptions of global HIV prevention’s shift from the provision of costly antiretrovirals to the mitigation of social conditions like discrimination and stigma. He argues that the global ambition to “End AIDS” by 2030 is not just a technical project oriented at ending the epidemic, but also a project of sexual subjectification and ongoing social transformation. By taking seriously the scandalous stories that gay and transgender Peruvians circulated as they responded to new forms of HIV prevention, Perez reveals how they imagine possibilities of what could be as the effort to end AIDS continues to play out in the present.
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Taste for Brown Bodies
Winner, LGBT Studies Lammy Award presented by Lambda Literary Neither queer theory nor queer activism has fully reckoned with the role of race in the emergence of the modern gay subject. In A Taste for Brown Bodies, Hiram Perez traces the development of gay modernity and its continued romanticization of the brown body. Focusing in particular on three figures with elusive queer histories-the sailor, the soldier, and the cowboy- Perez unpacks how each has been memorialized and desired for their heroic masculinity while at the same time functioning as agents for the expansion of the US borders and neocolonial zones of influence. Describing an enduring homonationalism dating to the "birth" of the homosexual in the late 19th century, Perez considers not only how US imperialist expansion was realized, but also how it was visualized for and through gay men.By means of an analysis of literature, film, and photographs from the 19th to the 21st centuries-including Herman Melville's Billy Budd, Anne Proulx's "Brokeback Mountain," and photos of abuse at the Abu Ghraib prison-Perez proposes that modern gay male identity, often traced to late Victorian constructions of "invert" and "homosexual," occupies not the periphery of the nation but rather a cosmopolitan position, instrumental to projects of war, colonialism, and neoliberalism. A Taste for Brown Bodies argues that practices and subjectivities that we understand historically as forms of homosexuality have been regulated and normalized as an extension of the US nation-state, laying bare the tacit, if complex, participation of gay modernity within US imperialism.
R 1,295.00
Political Animal
During Mardi Gras 1973, Stewart Butler fell in love with Alfred Doolittle—a wealthy socialite and schizophrenic from San Francisco. Their relationship was an improbable love story that changed the course of LGBTQ+ history. With Doolittle’s money, Butler was able to retire and devote his life to political activism in the cause of queer liberation. A survivor of the horrific UpStairs Lounge arson, Butler was a founding member of the first statewide lesbian and gay rights organization in Louisiana and an early champion for transgender rights, playing a key role in the eight-year struggle to persuade PFLAG to become the first national LGBTQ+ organization to include trans people in its mission statement. In Political Animal: The Life and Times of Stewart Butler, author Frank Perez traces Butler’s amazing life from his early childhood in Depression-era New Orleans, his adolescence at Carville where his father worked, his first unsuccessful attempt at college, his time in the army as a closeted gay man, his adventures in Alaska, his transformation into a hippie in the 1960s, his love affair with Doolittle, his decades as a gay rights advocate, and ultimately, his twilight years as an elder statesman. Based on Butler's own personal papers, including hundreds of letters, and dozens of interviews, Political Animal paints an intimate portrait of a legendary figure in gay politics and the times in which he lived.
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Queer Emergent
In Queer Emergent, Justin Perez explores how advances in HIV prevention work alongside broader economic and political shifts in global health to shape queer subjectivities. Drawing on ethnographic research among gay and transgender communities in urban Amazonian Peru, Perez describes how queer social worlds emerge through scandalous storytelling-a practice of exaggerating and embellishing stories about everyday life that transgresses social norms and hierarchies. Perez shows that through such storytelling, gay and transgender communities contested the assumptions of global HIV prevention’s shift from the provision of costly antiretrovirals to the mitigation of social conditions like discrimination and stigma. He argues that the global ambition to “End AIDS” by 2030 is not just a technical project oriented at ending the epidemic, but also a project of sexual subjectification and ongoing social transformation. By taking seriously the scandalous stories that gay and transgender Peruvians circulated as they responded to new forms of HIV prevention, Perez reveals how they imagine possibilities of what could be as the effort to end AIDS continues to play out in the present.
R 1,009.00
Gay Latino Studies
The authors of the essays in this unique collection explore the lives and cultural contributions of gay Latino men in the United States, while also analyzing the political and theoretical stakes of gay Latino studies. In new essays and influential previously published pieces, Latino scholars based in American studies, ethnic studies, history, performance studies, and sociology consider gay Latino scholarly and cultural work in relation to mainstream gay, lesbian, and queer academic discourses and the broader field of Chicano and Latino studies. They also critique cultural explanations of gay Latino sexual identity and behavior, examine artistic representations of queer Latinidad, and celebrate the place of dance in gay Latino culture. Designed to stimulate dialogue, the collection pairs each essay with a critical response by a prominent Latino/a or Chicana/o scholar. Terms such as gay, identity, queer, and visibility are contested throughout the volume; the significance of these debates is often brought to the fore in the commentaries. The essays in Gay Latino Studies complement and overlap with the groundbreaking work of lesbians of color and critical race theorists, as well as queer theorists and gay and lesbian studies scholars. Taken together, they offer much-needed insight into the lives and perspectives of gay, bisexual, and queer Latinos, and they renew attention to the politics of identity and coalition.Contributors. Tomás Almaguer, Luz Calvo, Lionel Cantú,, Daniel Contreras, Catriona Rueda Esquibel, Ramón García, Ramón A. Gutiérrez, Michael Hames-García, Lawrence La Fountain-Stokes, María Lugones, Ernesto J. Martínez, Paula M. L. Moya, José Esteban Muñoz, Frances Negrón-Muntaner, Ricardo L. Ortiz, Daniel Enrique Pérez, Ramón H. Rivera-Servera, Richard T. Rodríguez, David Román, Horacio N. Roque Ramírez, Antonio Viego
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R 6,341.49
Rising Up
Joe Perez looks at the common issues facing gays in personal, cultural, social, and political dimensions within a "theory of everything" called STEAM. Building on the work of integral theorists including Ken Wilber, Don Beck, and Jim Marion, Perez shows how STEAM can build bridges across the divides. The topics include responding to religious conservatives; why liberals and conservatives alike miss the big picture; how to make HIV/AIDS prevention efforts more effective; how to renew faith, purpose, and dedication to truth.
R 526.00
R 769.00
Taste for Brown Bodies
Winner, LGBT Studies Lammy Award presented by Lambda Literary Neither queer theory nor queer activism has fully reckoned with the role of race in the emergence of the modern gay subject. In A Taste for Brown Bodies, Hiram Perez traces the development of gay modernity and its continued romanticization of the brown body. Focusing in particular on three figures with elusive queer histories-the sailor, the soldier, and the cowboy- Perez unpacks how each has been memorialized and desired for their heroic masculinity while at the same time functioning as agents for the expansion of the US borders and neocolonial zones of influence. Describing an enduring homonationalism dating to the "birth" of the homosexual in the late 19th century, Perez considers not only how US imperialist expansion was realized, but also how it was visualized for and through gay men.By means of an analysis of literature, film, and photographs from the 19th to the 21st centuries-including Herman Melville's Billy Budd, Anne Proulx's "Brokeback Mountain," and photos of abuse at the Abu Ghraib prison-Perez proposes that modern gay male identity, often traced to late Victorian constructions of "invert" and "homosexual," occupies not the periphery of the nation but rather a cosmopolitan position, instrumental to projects of war, colonialism, and neoliberalism. A Taste for Brown Bodies argues that practices and subjectivities that we understand historically as forms of homosexuality have been regulated and normalized as an extension of the US nation-state, laying bare the tacit, if complex, participation of gay modernity within US imperialism.
R 3,102.00
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R 897.00
Santa Tarantula
The poems in Santa Tarantula grant an urgent and haunting voice to the voiceless, explore ancient narratives, delve into Cuban history and identity, and confront trauma and violence.Jordan Pérez explores the tension between fear and reprieve, between hopelessness and light, in her debut collection, Santa Tarantula, the tenth winner of the Andrés Montoya Poetry Prize. Pérez lends voices to the forgotten: to the political dissidents, gay men, and religious minorities imprisoned in the forced-labor camps of 1960s Cuba; to biblical women who were deemed unworthy to name; to survivors of sexual violence who grapple with paralyzing fear and isolation.With rich detail, these poems weave together the stories of those who go unheard with family memories, explore moments of unspeakable tragedy with glimpses of a life beyond the trauma, and draw out what it means to be vulnerable and the strength it takes to endure. Santa Tarantula pushes through the darkness, cataloging unspoken pain and multigenerational damage, and revealing that, sometimes, survival is in the telling.
R 548.59
Santa Tarantula
The poems in Santa Tarantula grant an urgent and haunting voice to the voiceless, explore ancient narratives, delve into Cuban history and identity, and confront trauma and violence.Jordan Pérez explores the tension between fear and reprieve, between hopelessness and light, in her debut collection, Santa Tarantula, the tenth winner of the Andrés Montoya Poetry Prize. Pérez lends voices to the forgotten: to the political dissidents, gay men, and religious minorities imprisoned in the forced-labor camps of 1960s Cuba; to biblical women who were deemed unworthy to name; to survivors of sexual violence who grapple with paralyzing fear and isolation.With rich detail, these poems weave together the stories of those who go unheard with family memories, explore moments of unspeakable tragedy with glimpses of a life beyond the trauma, and draw out what it means to be vulnerable and the strength it takes to endure. Santa Tarantula pushes through the darkness, cataloging unspoken pain and multigenerational damage, and revealing that, sometimes, survival is in the telling.
R 3,237.63
Normas Y Diferencias
Este volumen constituye una contribución innovadora y esencial al campo de los Estudios Culturales al abordar la intersección entre la discapacidad y la creación escénica, literaria y audiovisual. Es el resultado de una investigación rigurosa y profunda que, atendiendo de manera preferente al contexto español contemporáneo, examina con detalle el papel que la diversidad funcional puede llegar a desempeñar en los ámbitos de la teoría y de la práctica artística. Los trabajos de este volumen abarcan una amplia gama de campos temáticos: el impacto del marco jurídico sobre la creación artística; la existencia y, en su caso, el cuestionamiento y/o la transgresión de determinadas normas estéticas dominantes; las labores de traducción y adaptación; la producción y recepción de imágenes de la diversidad funcional, así como el problema de las taxonomías y la accesibilidad y, en último término, la intersección entre la discapacidad y otras condiciones personales o sociales relevantes. Los once capítulos que componen este libro están vertebrados por los conceptos de norma y diferencia, lo que proporciona al conjunto una estructura coherente y rigurosa. La obra es una invitación a cuestionar el statu quo actual (resultado de una evolución histórica específica) y, sobre todo, una reflexión acerca del papel fundamental que, para bien o para mal, desempeñan las normas en la construcción y representación de nuestra realidad colectiva.
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