Search results for "Raphael Edinger"
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Sustainable Mobility
With energy consumption rising and with it our dependence on crude oil from politically uncertain regions, and faced with the threat to the environment from polluting emissions, it is becoming ever more evident that fuels from renewable resources are an increasingly attractive option to fossil fuels. Edinger and Kaul, like a growing number of other experts, hold the mobility of populations—transportation, in other words—responsposible for the rise in the rate of greenhouse gas emissions, a condition that can only get worse as less developed regions of the world emerge with their own needs and demands for mobility. What to do? Edinger and Kaul outline in sharp detail the shortcomings of current vehicular technologies and dominant fossil fuels. They present a careful, authoritative examination of innovative technologies that in their opinion have the best chance of combating dangerous reliance on conventional means of power, not only for transportation but other purposes as well. And they focus on special forms of fuel cell drive systems, with their high efficiencies and reduced consumptions, and on other emerging renewable technologies and their innovative, sustainable power sources—such as fuels from biomass and renewable electricity, a particularly promising source of energy for newly growing economies. Wide ranging in coverage, forthright in style, the book is an important review of how things are today, why they could get worse, but perhaps most importantly, what we can do about it.
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Renewable Resources for Electric Power
The liberalization of U.S. and European electric power markets presents a critical challenge for renewable sources of energy. Edinger and Kaul survey the technological state-of-the-art and economic aspects of renewable electricity generation, and outline the role of other renewable sources, such as solar, wind, and micro-hydroelectric technologies. Offering an empirical and theoretical assessment of these technologies and their assets and liabilities, the book shows how it is possible to restructure our electric power systems and reorient them toward sustainable and environmentally friendly alternatives.International climate conferences such as those in Rio de Janeiro and Kyoto have proclaimed the need for environmentally hospitable technologies. A new electricity system, based on renewable resources and small-scale power technologies, is needed badly; their economics and other efficiencies over conventional central power generation with fossil fuels is clear. Edinger and Kaul assess the rewards and risks associated with renewable technologies and outline a feasible path toward a more environmentally friendly, and reasonable, use of limited natural resources and the global ecosystem. One promising approach for industrialized countries is the decentralization of our current public grid systems. This offers an opportunity for developing countries to leapfrog the stage of fossil fuel, held responsible now for environmental pollution, resource depletion and possibly global climate change. The authors present theoretical analyses and empirical evidence to buttress their contentions, mainly, that electric power systems founded on renewable resources are vital prerequisites if we are to achieve the United Nations' target of globally sustained development.
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Raphael
In art history, we tend to be on first name terms only with the most revered of masters. The Renaissance painter and architect Raphael Santi (1483–1520) is one such star. The man we call simply Raphael has for centuries been hailed as a supreme Renaissance artist. For some, he even outstrips his equally famous, equally first-named, contemporaries, Leonardo and Michelangelo. From 1500 to 1508, Raphael worked throughout central Italy, particularly in Florence where he secured his reputation as a painter of portraits and beautifully rendered Madonnas, archetypical icons within the Catholic faith. In 1508 he was summoned to Rome by Pope Julius II and later embarked on an ambitious mural scheme for the Stanza della Segnatura in the Vatican. Within this room, Raphael’s The School of Athens is considered a paradigm of the High Renaissance, merging Classical philosophy with perfected perspectival space, animated figures, and a composition of majestic balance. This essential introduction explores how in just two decades of work, Raphael painted his way to legendary greatness. With highlights from his prolific output, it presents the mastery of figures and forms that secured his place not only in the trinity of Renaissance luminaries but also among the most esteemed artists of all time.
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Raphael
The definitive survey of one of the masters of Italian Renaissance art, featuring groundbreaking new research by a leading expert on Raphael’s life and work Though he lived a mere 37 years, Raphael (Raffaello di Giovanni Santi; 1483–1520) was a towering figure of the Italian Renaissance, achieving meteoric success not only as a painter, draftsman, designer, and architect but also as a humanist, antiquarian, and poet. Raphael: Sublime Poetry surveys the full breadth of his life and career, from his origins in the cultivated and learned city of his native Urbino through his prolific years in Florence, where he emerged as both a peer and a rival to Leonardo and Michelangelo, to his final, magnificent decade at the papal court in Rome. Bringing together more than 200 of his drawings, paintings, tapestries, and decorative arts from public and private collections around the world, renowned scholar Carmen C. Bambach offers a fresh perspective on this beloved artist, reconsidering his well-known masterpieces and uncovering the importance of rarely seen treasures. Drawing on recent archival discoveries and firsthand technical analysis of his work, this lavishly illustrated and meticulously researched volume establishes a new definitive resource on Raphael, his art, and his enduring legacy. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 29–June 28, 2026)
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Raphael
Craving pleasure as well as knowledge, Raphael Sanzio was quick to realize that his talent would only be truly appreciated in the liberal, carefree and extravagantly sensual atmosphere of Rome during its golden age under Julius II and Leo X. Arriving in the city in 1508 at the age of twenty-five, he was entranced and seduced by life at the papal court and within a few months had emerged as the most brilliant star in its intellectual firmament. His art achieved a natural grace that was totally uninhibited and free from subjection. His death, at just thirty-seven, plunged the city into the kind of despair that follows the passing of an esteemed and much loved prince. In this major new biography Antonio Forcellino retraces the meteoric arc of Raphael’s career by re-examining contemporary documents and accounts and interpreting the artist’s works with the eye of an expert art restorer. Raphael’s paintings are vividly described and placed in their historical context. Forcellino analyses Raphael’s techniques for producing the large frescos for which he is so famous, examines his working practices and his organization of what was a new kind of artistic workshop, and shows how his female portraits expressed and conveyed a new attitude to women. This rich and nuanced account casts aside the misconceptions passed on by those critics who persistently tried to undermine Raphael’s mythical status, enabling one of the greatest artists of all time to re-emerge fully as both man and artist.
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Raphael
This is an authoritative account of the Italian painter, architect and draughtsman, Raphael, one of the most influential artists of the High Renaissance. It is a lively study that examines his life, the areas of Italy that shaped his work and the historical context of the times. It explores his innovative style and his compassionate depictions of Madonna and child groups, his portraits and his works based on Bible stories and myths. It features a wonderful gallery of his paintings and drawings with expert analysis, and descriptions of his style and technique. It includes beautiful illustrations of Raphael's great works, those of the painters who influenced him, as well as artists who were inspired by him in turn. Artist, architect and draughtsman, one of the great masters and one of the most influential painters of the High Renaissance, Raphael produced a huge body of work during his short working life. His artistic development took place in Umbria, Rome and Florence, where he met Michelangelo and Leonardo, and was influenced by their dynamic and evocative images. Some of his subsequent work reflected his admiration for them.In Rome, he painted The School of Athens, a major fresco depicting the greatest thinkers and philosophers of the past and present. His beautiful style is reflected in the second part of the book in a gallery of around 300 of Raphael's major paintings and drawings, with an analysis of each in the context of his life, his technique and oeuvre. Raphael was one of the greatest artists of all time; his death in 1520 marked the end of the 16th century.
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Raphael. Paintings, Frescoes, Tapestries. 45th Ed.
Raphael (1483–1520) is considered the most important artist of the Italian High Renaissance alongside Michelangelo and Leonardo. In his short lifetime he created around one hundred paintings and numerous frescoes, including nine fresco cycles, on an unsurpassed variety of themes – from sensual female beauties, antique myths and portraits of wealthy Romans and church dignitaries to history cycles and biblical scenes. He produced altarpieces, as well as designing tapestries for the Sistine Chapel. His Sistine Madonna is one of the most frequently reproduced religious paintings of all time. Raphael was a tireless learner, for whom there could be no standing still, no repetition of tried and tested solutions, but only the constant forward thrust of an inexhaustible imagination. He transformed his central theme, the visionary experience of divine grace, into visible pictorial reality. It was his mature work in Rome, and above all the frescoes in the Vatican Palace, that secured him his place in art history. Admired even during his own lifetime as the most modern artist of his day, Raphael’s mastery would pave the way for Mannerism and the Baroque era.
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Raphael
The third novel in the Philip K. Dick Award–winning author’s fantasy trilogy set in Renaissance Italy, featuring archangels, dragons, and Lucifer. Set against the turbulent backdrop of the Italian Renaissance, this alternate history takes place in a world where real faith-based magic exists. Weakened by his contact with mortals, the Archangel Raphael falls prey to his brother Lucifer, who strips him of his angelic powers. Sold in the Moorish slave markets, confused and humbled by his sudden humanity, Raphael finds his only solace in the friendship of the dark-skinned Berber woman Djoura and the spiritual guardianship of his former pupil Damiano Delstrego. Accompanied by the rakish Gaspare and an ancient black dragon, Damiano’s beloved Saara embarks on a quest to rescue Raphael. Their odyssey leads them to a shattering confrontation with the Father of Lies and a transcendent reckoning with destiny. Blending humor, pathos, adventure, and romance, the two previous volumes in R. A. MacAvoy’s trilogy have evoked admiration and praise from writers and readers. Raphael fulfills the promise of the trilogy to forge a magnificent, moving saga you will never forget. The haunting conclusion of a magnificent fantasy trilogy, which began with Damiano and continued with Damiano’s Lute.
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