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My Outdoor Life
'If Ray Mears isn't a Great Living Englishman, then goodness me, who is? Ray is a persuader, pragmatist and populariser in the Durrell-Attenborough-Bellamy tradition.' - Robert Crampton, The TimesRay Mears is a household name through his television series Tracks, World of Survival, Bushcraft Survival, The Real Heroes of Telemark and many more. He is a private individual who shuns publicity whenever possible and would prefer to let his many skills tell their own tale - until now.In My Outdoor Life, Ray tells of his childhood and the formative years when he first developed a passion for both bushcraft and the martial arts skills that are central to his life. Having travelled the world several times over, he is no stranger to risk and has had more than his fair share of dangerous and life-threatening encounters to share with his readers. But his life is so much more than a tale of derring-do. Shortly after he returned to England having narrowly survived a serious helicopter crash, his father died. Just a year later, he had to face the death of his first wife Rachel. The book conveys the many sides of Ray Mears, taking us up to the present day - including the previously untold story of his involvement in the man-hunt for murderer Raoul Moat. My Outdoor Life gives us all a chance to share a life-story as rich and as inspirational as a walk in woods with the man himself, Ray Mears.
R 402.00

Real Heroes Of Telemark
Sixty years ago, four men parachuted onto a Norwegian glacier, carrying only the most basic equipment. Their mission was to prevent the Nazi regime from building an atomic bomb. Now wilderness expert Ray Mears tells the true story of this gruelling campaign, showing how these men's ability to survive in extreme conditions influenced the outcome of the Second World War.The Telemark campaign was an example of the bravery and skill of the SOE trainees. The Norwegians transformed a military disaster into a triumph. This book tells the full story for the first time.
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How the SEC Became Goliath
A veteran sports journalist explores the real reason why college football can't shake the attitude of "SEC vs Everyone Else" size does matter. How the SEC Became Goliath covers the Southeastern Conference and how the league became dominant, winning seven straight national championships. Size matters. That's why the SEC is Goliath, because the Southeastern Conference, top to bottom, has better coaches, better stadiums, better bank accounts, and better weather, but the difference maker is the bigger and better players. The SEC has walked off with the big crystal prize in college football for seven straight years and will not give it back. The talk of "big boy football" grinds on the Buckeyes, Sooners, Longhorns, and Ducks. All they can come back with is "Wait until next year." Then next year comes and the SEC tribe is chanting in the closing minutes of the National Championship Game, "SEC, SEC, SEC!" The national championship trophy has been in the South for so long it has sunburn. That is why college football is thick with the acrimony: SEC vs. Everyone Else. The domi-nance of the SEC has a lot more to do with the South's culture than just the rock-'em, sock-'em of football played one day a week. The South lost the Civil War, and sociolo-gists will tell you that there is still a regional angst, an "us against them" mentality, a spirit of "those damn Yankees." It is not just about championships. The SEC is about culture and competitiveness. . . . It is about players.
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Meet Me At Ray's
Stories and trivia from a beloved Kent Institution Meet Me at Ray’s celebrates more than seventy-five successful years (and counting) of Ray’s Place, a restaurant and bar located near the Kent State University campus in Kent, Ohio. Once referred to as the place “where the hustlers meet to hustle the hustlers,” Ray’s Place has survived decades of trends, changes, and events. Hundreds of students have worked there, thousands of customers have dined there, and millions of glasses have been raised there.In Meet Me at Ray’s, author Patrick O’Connor features the stories, memories, and experiences of the legions of customers and employees who have made Ray’s Place what it’s been since 1937. Rooted in the hearts, minds, and experiences of the people who know it best, it is an “organic” story. Through humorous and poignant personal anecdotes, readers will come to know what makes Ray’s Place special and how important that is to the surrounding community. O’Connor has collected stories dating from 1943 to the present, including one declaring Ray’s Place the first sports bar in the United States. This book features the history of the eatery and its owners, including Charlie Thomas, the owner since 1978.Through the long history of the restaurant, four different owners have sustained the connections between local residents and Kent State University employees, students, and alumni. For literally thousands, Ray’s Place is synonymous with Kent State University and Kent, Ohio.A wealth of Ray’s Place trivia, traditions, and fun facts are complemented by photographs and original artwork that help tell the unique story of this Northeast Ohio institution.
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Last Saturday In America
For fans of Americana music and a beer after mowing the lawn, The Last Saturday in America confronts the long shadow of Southern masculinity.The Last Saturday in America is set in a nation on the precipice of great change. Through examinations of suburban neighbors, bullies, gun violence, and vasectomy appointments, Ray McManus draws a portrait of American masculinity in the face of political division, pandemic, and cultural warfare. McManus’s speaker is caught between the way he was raised and the future he wants to see for who he is raising. He can no longer rely on what he thought he knew, nor does he know what to do about it. The man rendered in these pages is a father, a son, a Southerner. And he is willing to burn it all down and start something new, only to see that the new start he is looking for has been with him the whole time.
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Ray
Nominated for the American Book Award, Ray is the bizarre, hilarious, and consistently adventurous story of a life on the edge. Dr. Ray--a womanizer, small-town drunk, vigilante, poet, adoring husband--is a man trying to make sense of life in the twentieth century. In flight from the death he dealt flying over Vietnam, Dr. Ray struggles with those bound to him by need, sickness, lunacy, by blood and by love.
R 365.00

Hired Gun
While much is known about the frontline of politics, little is revealed about the professionals who labor in secret to make the system work. Hired Gun: A Political Odyssey examines how political parties function and how elections are won or lost. This book follows the adventures of one man's behind-the-scenes political consulting career from local, to state, to national politics. As a political practice, the democratic system remains the most successful form of government in the history of civilization. However, as a profession, politics is still in its youth and riddled with flaws. By offering readers an insider's perspective, Alex Ray challenges us to draw our own conclusion as to whether or not this country's method of selecting leaders is current or fair. In today's political campaigns few decisions are ever as simple as black and white. Hired Gun is an exclusive look at what goes on in the grey.
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Founding Myths
First published ten years ago, award-winning historian Ray Raphael's Founding Myths has since established itself as a landmark of historical myth-busting. With the author's trademark wit and flair, Founding Myths exposes the errors and inventions in America's most cherished tales, from Paul Revere's famous ride to Patrick Henry's Liberty or Death' speech. For the 70 thousand readers who have been captivated by Raphael's eye-opening accounts, history has never been the same. A welcome resource for anyone seeking to separate historical fact from fiction.'
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Pricing Beauty
Sociologist Ashley Mears takes us behind the brightly lit runways and glossy advertisements of the fashion industry in this insider's study of the world of modeling. Mears, who worked as a model in New York and London, draws on observations as well as extensive interviews with male and female models, agents, clients, photographers, stylists, and others, to explore the economics and politics - and the arbitrariness - behind the business of glamour. Exploring a largely hidden arena of cultural production, she shows how the right 'look' is discovered, developed, and packaged to become a prized commodity. She examines how models sell themselves, how agents promote them, and how clients decide to hire them. An original contribution to the sociology of work in the new cultural economy, "Pricing Beauty" offers rich, accessible analysis of the invisible ways in which gender, race, and class shape worth in the marketplace.
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I Was Interrupted
One of the most original, rebellious, and idiosyncratic directors in the American cinema, Nicholas Ray lived and worked with an intensity equal to that of his films. Best known for his direction of James Dean in "Rebel Without a Cause" (1955), he is also well regarded for his cult western "Johnny Guitar" (1954), and such prestigious noir classics as "On Dangerous Ground" (1951). "I Was Interrupted" offers a provocative selection of the filmmaker's writings, lectures, interviews, and more.
R 999.00

Investigating the Truth
In the World Library of Psychologists series, international experts present career-long collections of what they judge to be their finest pieces – extracts from books, key articles, salient research findings, and their major practical theoretical contributions.The Selected Works of Professor Ray Bull include some of the most influential insights into the psychology of investigative interviewing. Whether it has been determining whether a suspect is lying or telling the truth, enabling children to provide reliable testimony, or understanding how the dynamics of the interview process itself can affect what is achieved, Professor Bull has been at the forefront in researching this fascinating area of applied psychology for over 40 years, his work informing practice internationally. An elected Honorary Fellow of the British Psychological Society and the first Honorary Life Member of the International Investigative Interviewing Research Group, Professor Bull also drafted parts of the government’s Memorandum of Good Practice and of Achieving Best Evidence on Video Recorded Interviews with Child Witnesses for Criminal Proceedings.Including a specially written introduction in which Professor Bull reflects on a wide-ranging career and contextualises how the field has evolved, this collection will be a valuable resource for students and researchers of forensic psychology.
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Ray Arcel
Without Ray Arcel (1899-1994), the world of boxing during the 20th century would have been markedly different. Indeed, the credibility professional boxing as a sport would have been greatly lessened. Arcel's prominence is all the more interesting because he made his mark not as a fighter, promoter, or manager, but as a trainer. From Benny Leonard to Roberto Duran and Larry Holmes, Arcel stood in the corner for champions of every weight division that existed in his lifetime, a record that remains unprecedented. This biography chronicles Arcel's life inside the ring, and out--where he remained a highly secretive man and maintained ambiguous relationships with some of the chief mob figures of his day. Through a wealth of information from Arcel's unpublished memoir, this work offers an extraordinary portrait of one of boxing's most influential and enigmatic figures.
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Ray Brown
Ray Brown: His Life and Music is the first full-length biography of Ray Brown, one of the most outstanding practitioners of bass playing in jazz music. Brown's career spans the most popular and creative eras of jazz, from 1940 to the dawn of the 21st century. During his early professional career, Ray Brown first toured with territory bands, and by 1946, he was hired by Dizzy Gillespie to play in his small group and big band. At this time, Brown became the first call New York bassist to accompany other bop musicians like Charlie Parker and Bud Powell. He also served as the bassist with Norman Granz's Jazz at the Philharmonic and frequently recorded with an impressive stable of jazz musicians. In 1947 Ray Brown married legendary singer Ella Fitzgerald and soon divided his time by working as the leader of Fitzgerald's trio while playing with Gillespie, Jazz at the Philharmonic, and as a guest accompanist. After first playing together at Carnegie Hall in 1949, Ray Brown began regularly working with Canadian piano sensation Oscar Peterson until 1965. The Peterson Trio would become one of the most lucrative acts in jazz history. After leaving Peterson, Ray Brown worked as a Los Angeles studio musician and played on numerous commercial recordings but never abandoned swing-based jazz. During these years, he also became involved as a manager, promoter, and teacher. Throughout the mid-1970s until he died in 2002, Ray Brown remained one of the most excellent practitioners of mainstream jazz during a time when some elements of the music moved far away from this style. With so many jazz musicians from his generation succumbing to drugs and tragedy, Ray Brown's longevity and professionalism are a testament to his talents, intelligence, and professionalism.
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King of the Wildcatters
Tom Slick was a legend among the ""independents"" - those who hunted for oil the way mountain men hunted for furs. Ray Miles traces the growth of Slick's career and the modern petroleum industry, including the oil conservation movement, of which Slick was an early proponent. He examines the first generation of oilmen who sought fortunes in Oklahoma, Kansas, and Texas and looks at Slick's unique hands-on business style of brokering on street corners and eschewing stockholders and board members. In 1929, Slick sold his Oklahoma holdings in the Prairie Oil and Gas Company - the largest sale of oil properties by an individual to that date.
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Ray Davies
Ray Davies: Not Like Everybody Else is a critical biography of Ray Davies, with a focus on his music and his times. The book studies Davies’ work from the Kinks’ first singles through his 2006 solo album, from his rock musicals in the early 1970s to his one-man stage show in the 1990s, and from his films to his autobiography. Based on interviews with his closest associates, as well as studies of the recordings themselves, this book creates the most thorough picture of Davies’ work to date. Kitts situates Davies’ work in the context of the British Invasion and the growth of rock in the '60s and '70s, and in the larger context of English cultural history. For fans of rock music and the music of the Kinks, this book is a must have. It will finally place this legendary innovator in the pantheon of the great rock artists of the past half-century.Thomas M. Kitts, Professor of English and Chair of the Division of English/Speech at St. John’s University, NY, is the co-editor of Living on a Thin Line: Crossing Aesthetic Borders with The Kinks, the author of The Theatrical Life of George Henry Boker, articles on American literature and popular culture, reviews of books, CDs, and performances, and a play Gypsies. He is the book review editor of Popular Music and Society and the editor of The Mid-Atlantic Almanack.
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They Called Him Al
Robert J. (Bob) Koster was born in Hollywood, the son of German-born Henry Koster, who escaped Nazi Germany and ultimately became a 1930s Universal Studios director of such major films as Three Smart Girls (1936) and One Hundred Men and a Girl (1937), both starring Deanna Durbin, as well as the Academy Award-nominated director of The Bishop's Wife (1947), Harvey (1950) with James Stewart, My Cousin Rachel (1952) with Richard Burton, The Robe (1953), Desiree (1954) with Marlon Brando, Flower Drum Song (1961), and The Singing Nun (1966). Bob Koster worked for thirty-five years in the movie industry, spanning the time from the big studio system to later independent filmmakers. He worked in various phases of production but mainly in the production department as an Assistant Director and a Unit Production Manager on films such as Child's Play 2 (1990), The Man in the Glass Booth (1975), and War and Remembrance (1988). Bob worked with some of the most famous directors and actors of their time. In his revealing memoir, his insights and comments on these films and the characters involved are fascinating and told as seen through the eyes of a child of the times. His father raised him in an atmosphere of glamour and drama, but he was also distant enough from it to be able to keep an interesting perspective on the fascinating circus surrounding him. His autobiography unfolds as an absorbing read for anyone interested in cinema history and the backstage activities surrounding Hollywood's Golden Era.
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