Search results for "Rebecca Klevberg Moeller"
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Rebecca
'The greatest psychological thriller of all time' ERIN KELLY'Rebecca has woven its way into the fabric of our culture with all the troubling power of myth or dream. A stunning book' SARAH WATERS'It's the book every writer wishes they'd written' CLARE MACKINTOSH'Daphne du Maurier created a scale by which modern women can measure their feelings' STEPHEN KING***On a trip to the South of France, the shy heroine of Rebecca falls in love with Maxim de Winter, a handsome widower. Although his proposal comes as a surprise, she happily agrees to marry him. But as they arrive at her husband's home, Manderley, a change comes over Maxim, and the young bride is filled with dread. Friendless in the isolated mansion, she realises that she barely knows him. In every corner of every room is the phantom of his beautiful first wife, Rebecca, and the new Mrs de Winter walks in her shadow.Not since Jane Eyre has a heroine faced such difficulty with the other woman. An international bestseller that has never gone out of print, Rebecca is the haunting story of a young girl consumed by love and the struggle to find her identity.'As a new generation of readers are introduced to the wicked housekeeper Mrs Danvers and learn Maxim de Winter's terrible secret, this chilling, suspenseful tale is as fresh and readable as it was when it was first written' DAILY TELEGRAPH
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Washington D.C. Monsters
Do you know Washington D.C.? The nation's capital attracts people from all over the world—even little monsters! Did you know that? Monsters are masters of camouflage who can easily hide in plain sight. They get lost among the Cherry Blossoms at the Thomas Jefferson Memorial, go undercover in the National Gallery of Art and even stow away at the Smithsonian National Air and Space Museum! Have fun spotting them all as you explore some of The District’s most iconic landmarks and sights, including the United States Capitol Building, the National Mall, the Washington Monument, the Lincoln Memorial, the Smithsonian’s National Zoo, the National Museum of Natural History, the Kennedy Center and Georgetown.
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Black White and Jewish
Hailed as 'compelling' by 'The Washington Post' and 'stunningly honest' by 'The San Francisco Chronicle,' this memoir has hit bestseller lists and earned critical praise from coast to coast. Rebecca Walker was born in 1969 to author Alice Walker and lawyer Mel Leventhal, who met and married in the heyday of the Civil Rights movement. But after their divorce, Rebecca was a lonely only child ferrying between two worlds-and trying to figure out where she fit in. 'Masterfully illuminates differences between black and white America...a heartbreaking tale of self-creation.' ['People '] 'Walker skillfully depicts her tangled upbringing, full of disappointment and privilege.' ['Time'] 'Compelling.' ['The Dallas Morning News'] 'A poignant, spare memoir.' ['Chicago Sun-Times'] 'Powerful.' [Danzy Senna, author of 'Caucasia']
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Iris Murdoch and Harry Weinberger
The novelist and philosopher Iris Murdoch and the painter Harry Weinberger engaged in over twenty years of close friendship and intellectual discourse, centred on sustained discussion of the practice, teaching and morality of art. This book presents a reappraisal of Murdoch’s novels – chiefly, three mature novels, The Sea, The Sea (1978), Nuns and Soldiers (1980) and The Good Apprentice (1985), and two enigmatic late novels, The Green Knight (1993) and Jackson’s Dilemma (1995) – which are perceived through the prism of her discourse with Weinberger. It draws on a run of almost 400 letters from Murdoch to Weinberger, and on Murdoch’s philosophical writings, Weinberger’s private writings, the remarks of both artists in interviews, and other material relating to their views on art and art history, much of which is unpublished and has received no previous critical attention. Scrutiny of their shared values, methods and the imagistic dialogue that takes place in their art provides original perspectives on Murdoch’s creativity, and new ways of understanding her experimentation with the visual arts. This book offers a new line of enquiry into Murdoch's novels, and into the relationship between literature and the visual arts.
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Closed Book
A groundbreaking reinterpretation of early Judaism, during the millennium before the study of the Bible took center stageEarly Judaism is often described as the religion of the book par excellence—a movement built around the study of the Bible and steeped in a culture of sacred bookishness that evolved from an unrelenting focus on a canonical text. But in The Closed Book, Rebecca Scharbach Wollenberg argues that Jews didn’t truly embrace the biblical text until nearly a thousand years after the Bible was first canonized. She tells the story of the intervening centuries during which even rabbis seldom opened a Bible and many rabbinic authorities remained deeply ambivalent about the biblical text as a source of sacred knowledge.Wollenberg shows that, in place of the biblical text, early Jewish thinkers embraced a form of biblical revelation that has now largely disappeared from practice. Somewhere between the fixed transcripts of the biblical Written Torah and the fluid traditions of the rabbinic Oral Torah, a third category of revelation was imagined by these rabbinic thinkers. In this “third Torah,” memorized spoken formulas of the biblical tradition came to be envisioned as a distinct version of the biblical revelation. And it was believed that this living tradition of recitation passed down by human mouths, unbound by the limitations of written text, provided a fuller and more authentic witness to the scriptural revelation at Sinai. In this way, early rabbinic authorities were able to leverage the idea of biblical revelation while quarantining the biblical text itself from communal life.The result is a revealing reinterpretation of “the people of the book” before they became people of the book.
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Cosmopolitan Style
In this broad-ranging and ambitious intervention in the debates over the politics, ethics, and aesthetics of cosmopolitanism, Rebecca L. Walkowitz argues that modernist literary style has been crucial to new ways of thinking and acting beyond the nation. While she focuses on modernist narrative, Walkowitz suggests that style conceived expansively as attitude, stance, posture, and consciousness helps to explain many other, nonliterary formations of cosmopolitanism in history, anthropology, sociology, transcultural studies, and media studies. Walkowitz shows that James Joyce, Joseph Conrad, Virginia Woolf, Salman Rushdie, Kazuo Ishiguro, and W. G. Sebald use the salient features of literary modernism in their novels to explore different versions of transnational thought, question moral and political norms, and renovate the meanings of national culture and international attachment. By deploying literary tactics of naturalness, triviality, evasion, mix-up, treason, and vertigo, these six authors promote ideas of democratic individualism on the one hand and collective projects of antifascism or anti-imperialism on the other.Joyce, Conrad, and Woolf made their most significant contribution to this "critical cosmopolitanism" in their reflection on the relationships between narrative and political ideas of progress, aesthetic and social demands for literalism, and sexual and conceptual decorousness. Specifically, Walkowitz considers Joyce's critique of British imperialism and Irish nativism; Conrad's understanding of the classification of foreigners; and Woolf's exploration of how colonizing policies rely on ideas of honor and masculinity. Rushdie, Ishiguro, and Sebald have revived efforts to question the definitions and uses of naturalness, argument, utility, attentiveness, reasonableness, and explicitness, but their novels also address a range of "new ethnicities" in late-twentieth-century Britain and the different internationalisms of contemporary life. They use modernist strategies to articulate dynamic conceptions of local and global affiliation, with Rushdie in particular adding playfulness and confusion to the politics of antiracism.In this unique and engaging study, Walkowitz shows how Joyce, Conrad, and Woolf developed a repertoire of narrative strategies at the beginning of the twentieth century that were transformed by Rushdie, Ishiguro, and Sebald at the end. Her book brings to the forefront the artful idiosyncrasies and political ambiguities of twentieth-century modernist fiction.
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