Search results for "Ricky Conlin"
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Artists of the Ara Pacis
The Ara Pacis Augustae, or Altar of Augustan Peace, was built to commemorate the return to Rome of the emperor Augustus and his general Agrippa, who had been away for many years on military campaigns. Dedicated in 9 B.C., the monument consists of an altar and surrounding wall, both decorated with a series of processional friezes. Art historians and archaeologists have made the Ara Pacis one of the best-known, most-studied monuments of Augustan Rome, but Diane Conlin's reassessment of the artistic traditions in which its sculptors worked makes a groundbreaking contribution to this scholarship. Illustrated with over 250 photographs, Conlin's innovative analysis demonstrates that the carvers of the monument's large processional friezes were not Greek masters, as previously assumed, but Italian-trained sculptors influenced by both native and Hellenic stonecarving practices. Her systematic examination of the physical evidence left by the sculptors themselves--the traces of tool marks, the carving of specific details, the compositional formulas of the friezes--also incorporates an informed understanding of the historical context in which these artists worked.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
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Conversations with Rick Veitch
From his roots in underground comics to his high-profile runs on mainstream characters, Rick Veitch (b. 1951) has carved out a career unlike anyone else’s. Collecting thirteen interviews—including three published here for the first time—Conversations with Rick Veitch offers a wealth of insight not only into the development of Veitch’s graphic innovations and metaphysical explorations, but also into the upheavals and transformations of American comics from the 1970s to today. In acclaimed comics such as The Maximortal, Army@Love, and Can’t Get No, Veitch employs a style that synthesizes Jack Kirby at his most cosmic, the mind-bending graphic sensibility of European innovators such as Jean (Moebius) Giraud and Philippe Druillet, and the brass-tacks realism of classic war cartoonists such as John Severin and Russ Heath. His comics defamiliarize popular genres—especially superheroes, war stories, and science fiction—with his philosophical musings and pointedly satirical political perspective. Yet Veitch’s capacious mind reaches beyond these familiar genres, too, as his long-running autobiographical dream comic Roarin’ Rick’s Rare Bit Fiends attests. Ranging across topics such as his early days at the Joe Kubert School, the controversial end of his Swamp Thing run, his muckraking work as a comics journalist, and his educational comics publishing venture, Eureka Comics, the interviews collected here reveal Veitch to be both a shrewd observer of the pitfalls of the marketplace and an eloquent spokesman for the boundless potential of creativity. A comics maker since childhood and a fierce advocate of creator’s rights and the possibilities of self-publishing, Veitch knows all too well the many persistent obstacles to creating comics that challenge readers instead of condescending to them. Yet Veitch remains optimistic about the potential of comics. According to Veitch, comics "might be the form of the future." If that’s the case, then his work is a map to that future.
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Counterweight: The Art and Concepts of Rick O'Brien
"Counterweight" is a collection of images, observations, and concepts by artist/creator Rick O'Brien. For the last eight years, Rick has been a one-man art department in Hollywood, designing, constructing, and painting sets and props for such clients as Victoria's Secret, Luxor Las Vegas, Nikon, London IMAX, Konica, Tevo, Motorola, Honda, United States Postal Service, Proctor & Gamble, The Contender, and The Apprentice. Compiling stunning images from experiences, environments, and the emotions perceived on these diverse projects, as well as from his everyday life, Rick captures the human condition like no one else. Through traditional mediums ranging from egg tempera and oil to gouache, wood, ink, resin, and plaster, "Counterweight" beautifully scrutinizes Man and his journey, showcasing captivating images that unequivocally resound O'Brien's motto, "Fortitude."
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Conversations with Rick Veitch
From his roots in underground comics to his high-profile runs on mainstream characters, Rick Veitch (b. 1951) has carved out a career unlike anyone else’s. Collecting thirteen interviews—including three published here for the first time—Conversations with Rick Veitch offers a wealth of insight not only into the development of Veitch’s graphic innovations and metaphysical explorations, but also into the upheavals and transformations of American comics from the 1970s to today. In acclaimed comics such as The Maximortal, Army@Love, and Can’t Get No, Veitch employs a style that synthesizes Jack Kirby at his most cosmic, the mind-bending graphic sensibility of European innovators such as Jean (Moebius) Giraud and Philippe Druillet, and the brass-tacks realism of classic war cartoonists such as John Severin and Russ Heath. His comics defamiliarize popular genres—especially superheroes, war stories, and science fiction—with his philosophical musings and pointedly satirical political perspective. Yet Veitch’s capacious mind reaches beyond these familiar genres, too, as his long-running autobiographical dream comic Roarin’ Rick’s Rare Bit Fiends attests. Ranging across topics such as his early days at the Joe Kubert School, the controversial end of his Swamp Thing run, his muckraking work as a comics journalist, and his educational comics publishing venture, Eureka Comics, the interviews collected here reveal Veitch to be both a shrewd observer of the pitfalls of the marketplace and an eloquent spokesman for the boundless potential of creativity. A comics maker since childhood and a fierce advocate of creator’s rights and the possibilities of self-publishing, Veitch knows all too well the many persistent obstacles to creating comics that challenge readers instead of condescending to them. Yet Veitch remains optimistic about the potential of comics. According to Veitch, comics "might be the form of the future." If that’s the case, then his work is a map to that future.
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Tales of Two Cities
Paris and London have long held a mutual fascination, and never more so than in the period from 1700 to 1914, when each vied to be the world's greatest city. Each city has been the focus of countless books, yet here Jonathan Conlin explores the complex relationship between them for the first time. The reach and influence of both cities was such that the story of their rivalry has global implications. By borrowing, imitating and learning from each other, Paris and London invented the modern metropolis. Tales of Two Cities examines and compares six urban spaces--the street, the cemetery, the apartment, the restaurant, the underworld and the music hall--that defined urban modernity in the nineteenth century. The citizens of Paris and London first created these essential features of the modern cityscape and, in doing so, defined urban living for all of us.
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Mike Donlin
Mike Donlin was a brash, colorful, and complicated personality. He was the most popular athlete in New York and was a star on the powerful New York Giants teams of 1905 and 1908. Though haunted by tragedy, including the deaths of both of his parents as a boy, Donlin was a charming, engaging, and kind-hearted man who also had successful careers on the stage and in film. One of the early “bad boys” among professional athletes, Donlin’s temper and combativeness—compounded by alcoholism—led to battles with umpires and fans, numerous suspensions from the game, and even jail time. In 1906, when Donlin married vaudeville actress Mabel Hite, his life changed for the better, and their love story captivated the nation. Donlin left baseball after his sensational comeback for the dramatic 1908 season and joined Mabel on the stage, likely losing a Hall of Fame career. Then in 1912, at the age of twenty-nine, Mabel died of intestinal cancer. After making a final comeback as a player in 1914, Donlin starred in baseball’s first feature film. He became a drinking buddy of actors John Barrymore and Buster Keaton and married actress Rita Ross. The couple moved to Hollywood, where Donlin became a beloved figure and appeared in roughly one hundred movies, mostly in minor roles. Despite his Hollywood career, Donlin stayed connected to the game he loved and was seeking a coaching job with the Giants when he died of a heart attack in 1933. At the dawn of the celebrity era of sports, Donlin was one of the nation’s first athletes to capture the public’s attention. This biography by Steve Steinberg and Lyle Spatz shows why.
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Einstein Constraints and Ricci Flow
This book contains a self-consistent treatment of a geometric averaging technique, induced by the Ricci flow, that allows comparing a given (generalized) Einstein initial data set with another distinct Einstein initial data set, both supported on a given closed n-dimensional manifold. This is a case study where two vibrant areas of research in geometric analysis, Ricci flow and Einstein constraints theory, interact in a quite remarkable way. The interaction is of great relevance for applications in relativistic cosmology, allowing a mathematically rigorous approach to the initial data set averaging problem, at least when data sets are given on a closed space-like hypersurface. The book does not assume an a priori knowledge of Ricci flow theory, and considerable space is left for introducing the necessary techniques. These introductory parts gently evolve to a detailed discussion of the more advanced results concerning a Fourier-mode expansion and a sophisticated heat kernel representation of the Ricci flow, both of which are of independent interest in Ricci flow theory. This work is intended for advanced students in mathematical physics and researchers alike.
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One Nation Divided by Slavery
In the two decades before the Civil War, free Americans engaged in “history wars” every bit as ferocious as those waged today over the proposed National History Standards or the commemoration at the Smithsonian Institution of the atomic bombing of Hiroshima. In One Nation Divided by Slavery, author Michael F. Conlin investigates the different ways antebellum Americans celebrated civic holidays, read the Declaration of Independence, and commemorated Revolutionary War battles, revealing much about their contrasting views of American nationalism.While antebellum Americans agreed on many elements of national identity—in particular that their republic was the special abode of liberty on earth—they disagreed on the role of slavery. The historic truths that many of the founders were slaveholders who had doubts about the morality of slavery, and that all thirteen original states practiced slavery to some extent in 1776, offered plenty of ambiguity for Americans to “remember” selectively. Fire-Eaters defended Jefferson, Washington, and other leading patriots as paternalistic slaveholders, if not “positive good” apologists for the institution, who founded a slaveholding republic. In contrast, abolitionists cited the same slaveholders as opponents of bondage, who took steps to end slavery and establish a free republic. Moderates in the North and the South took solace in the fact that the North had managed to end slavery in its own way through gradual emancipation while allowing the South to continue to practice slavery. They believed that the founders had established a nation that balanced free and slave labour. Because the American Revolution and the American Civil War were pivotal and crucial elements in shaping the United States, the intertwined themes in One Nation Divided By Slavery provide a new lens through which to view American history and national identity.
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Rick and Morty Compendium Vol. 2
This massive tome of interdimensional mayhem collects issues #16–30 of the hit Rick and Morty comic book series, which boldly answers the question “Can a comic book ever satisfy the emotional and psychological needs of Rick and Morty fans?” (The answer is, “Sure, why not!”)Follow the foibles of universally deranged, time-traveling, portal-hopping genius Rick Sanchez, his incompetent fourteen-year-old grandson and half-hearted sidekick Morty, self-absorbed granddaughter Summer, horse surgeon daughter Beth, and . . . adjectiveless son-in-law Jerry.Featuring stories from Eisner Award-nominated writer Kyle Starks (Kill Them All, Sexcastle) including “Desperately Meeseeking Ruin,” “Honey I Shrunk the Ricks,” and “Interdimensional Cable 3: The Threequel.”
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