Search results for "Robert Rosenberger"
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Sleep Soundly Every Night, Feel Fantastic Every Day
For those who have trouble falling asleep, awake exhausted, or are awakened throughout the night by a restless or snoring partner, help is here.Do you take a long time to get up and get going in the morning? Do you wake up feeling like you barely slept at all? Do you wake up in the early morning hours and find it difficult to go back to sleep? Do you have uncomfortable feeling in your extremities that keep you from falling or staying asleep? Do recurrent nightmares disturb your sleep? If you or someone you love has trouble sleeping, Dr. Robert S. Rosenberg will help you identify the problem and provide targeted solutions so you can start awakening refreshed and renewed immediately. Based on the most recent research and including real patient stories from Dr. Rosenberg's practice, his new book discusses the most common causes and symptoms of each disorder, answers the most frequently asked questions about each and provides the latest solutions to help you finally get a good night's sleep. A sleep specialist and researcher, Rosenberg also shares the latest research on the connections between sleep disorders and PTSD and ADHD. And his ten-point plan for getting your best sleep will help you improve the quality of your sleep and your health and mood right away.Dr. Rosenberg will help you:Prevent and manage sleep disorders, including insomnia, restless leg syndrome, snoring, sleepwalking, and sleep eating, among othersImprove your sleep habitsFind relief from your symptomsAsk your doctor the right questionsEnhance the quality of sleepManage stress and anxietyFind the right doctor to diagnose and treat your sleep disorder
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Postphenomenological Investigations
Postphenomenological Investigations: Essays on Human–Technology Relations provides an introduction to the school of thought called postphenomenology and showcases projects at the cutting edge of this perspective. Postphenomenology presents a unique blend of insights from the philosophical traditions of phenomenology and American pragmatism, and applies them to studies of user relations to technologies. These studies provide deep descriptions of the ways technologies transform our abilities, augment our experience, and shape the world around us. This book proceeds with a preface by Don Ihde, postphenomenology’s founder, and a detailed review of the main ideas of this perspective by the editors Robert Rosenberger and Peter-Paul Verbeek. The body of this volume is composed of twelve postphenomenological essays which reflect the expansive range, detail-orientation, and interdisciplinarity of this school of thought. These essays confront a broad assortment of topics, both abstract and concrete. Abstract topics addressed include metaphysics, ethics, methodology, and analysis of the notions of selfhood, skill training, speed, and political activism. Just a few of the concrete topics studied include human-like interactive robots, ethics education, image interpretation in radiology, science fiction tropes, transportation history, wearable computing, and organ donation protocols for brain-dead bodies. The volume concludes with constructive critiques of postphenomenology by Andrew Feenberg, Diane Michelfelder, and Albert Borgmann, all figures whose work is relevant to postphenomenological projects.
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Postphenomenological Investigations
Postphenomenological Investigations: Essays on Human–Technology Relations provides an introduction to the school of thought called postphenomenology and showcases projects at the cutting edge of this perspective. Postphenomenology presents a unique blend of insights from the philosophical traditions of phenomenology and American pragmatism, and applies them to studies of user relations to technologies. These studies provide deep descriptions of the ways technologies transform our abilities, augment our experience, and shape the world around us. This book proceeds with a preface by Don Ihde, postphenomenology’s founder, and a detailed review of the main ideas of this perspective by the editors Robert Rosenberger and Peter-Paul Verbeek. The body of this volume is composed of twelve postphenomenological essays which reflect the expansive range, detail-orientation, and interdisciplinarity of this school of thought. These essays confront a broad assortment of topics, both abstract and concrete. Abstract topics addressed include metaphysics, ethics, methodology, and analysis of the notions of selfhood, skill training, speed, and political activism. Just a few of the concrete topics studied include human-like interactive robots, ethics education, image interpretation in radiology, science fiction tropes, transportation history, wearable computing, and organ donation protocols for brain-dead bodies. The volume concludes with constructive critiques of postphenomenology by Andrew Feenberg, Diane Michelfelder, and Albert Borgmann, all figures whose work is relevant to postphenomenological projects.
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Rosenberg File
This highly acclaimed book—hailed as the definitive account of the Julius and Ethel Rosenberg case—now includes a new introduction that discusses the most recent evidence. It provides information from the Khrushchev and Molotov memoirs, the Venona papers, and material contained in a Discovery Channel documentary that was first aired in March 1997.
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Public Burning
A controversial best-seller in 1977, The Public Burning has since emerged as one of the most influential novels of our time. The first major work of contemporary fiction ever to use historical figures as characters, the novel reimagines the three fateful days in 1953 that culminated with the execution of alleged atomic spies Julius and Ethel Rosenberg. Vice-President Richard Nixon - the voraciously ambitious bad boy of the Eisenhower regime - is the dominant narrator in an enormous cast that includes Betty Crocker, Joe McCarthy, the Marx Brothers, Walter Winchell, Uncle Sam, his adversary The Phantom, and Time magazine incarnated as the National Poet Laureate. All of these and thousands more converge in Times Square for the carnivalesque auto-da-fé at which the Rosenbergs are put to death. And not a person present escapes implication in Cold War America's ruthless "public burning."
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Rosenberg/Barthes/Hassan
Jerome Klinkowitz presents an opening attempt to define postmodernism as it applies to the arts and culture. Rosenberg/Barthes/Hassan discusses the work of three critics who came to prominence in the 1960s, an era of social, ideological, and aesthetic turmoil. Sharing a disdain for modernism's authoritarianism, elitism, and sterile preoccupation with despair, the three critics called for a postmodern art that would emphasise action, reality, and immanence and offer fresh envisionings of the world.Klinkowitz traces the progression of thought that links the work of critic Harold Rosenberg, who introduced the concept of ""action painting""; the semiotician Roland Barthes, who redefined art, culture, and ideology as language systems; and visionary literary scholar Ihab Hassan, whose works call for nothing less than a rethinking of man's place within the material and spiritual universe.
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Robert Rauschenberg
Robert Rauschenberg (1925–2008) was a breaker of boundaries and a consummate collaborator. He used silk-screen prints to reflect on American promise and failure, melded sculpture and painting in works called combines, and collaborated with engineers and scientists to challenge our thinking about art. Through collaborations with John Cage, Merce Cunningham, and others, Rauschenberg bridged the music, dance, and visual-art worlds, inventing a new art for the last half of the twentieth century.Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century’s great artists through a series of interviews with key figures in his life—family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators’ reminiscences in conversation, with a focus on the relationship between Rauschenberg’s intense social life and his art. The book opens with a prologue by Rauschenberg’s sister and then shifts to New York City’s 1950s and ’60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg’s eventual move to Florida’s Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others’ art.The narrators share their views on Rauschenberg’s work, explore the curatorial thinking behind exhibitions of his art, and reflect on the impact of the influx of money into the contemporary art market. Included are artists famous in their own right, such as Laurie Anderson and Brice Marden, as well as art-world insiders and lesser-known figures who were part of Rauschenberg’s inner circle. Beyond considering Rauschenberg as an artist, this book reveals him as a man embedded in a series of art worlds over the course of a long and rich life, demonstrating the complex interaction of business and personal, public and private in the creation of great art.
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Rosenberg by Any Other Name
Winner, 2019 Saul Viener Book Prize, given by the American Jewish Historical SocietyA groundbreaking history of the practice of Jewish name changing in the 20th century, showcasing just how much is in a nameOur thinking about Jewish name changing tends to focus on clichés: ambitious movie stars who adopted glamorous new names or insensitive Ellis Island officials who changed immigrants’ names for them. But as Kirsten Fermaglich elegantly reveals, the real story is much more profound. Scratching below the surface, Fermaglich examines previously unexplored name change petitions to upend the clichés, revealing that in twentieth-century New York City, Jewish name changing was actually a broad-based and voluntary behavior: thousands of ordinary Jewish men, women, and children legally changed their names in order to respond to an upsurge of antisemitism. Rather than trying to escape their heritage or “pass” as non-Jewish, most name-changers remained active members of the Jewish community. While name changing allowed Jewish families to avoid antisemitism and achieve white middle-class status, the practice also created pain within families and became a stigmatized, forgotten aspect of American Jewish culture. This first history of name changing in the United States offers a previously unexplored window into American Jewish life throughout the twentieth century. A Rosenberg by Any Other Name demonstrates how historical debates about immigration, antisemitism and race, class mobility, gender and family, the boundaries of the Jewish community, and the power of government are reshaped when name changing becomes part of the conversation. Mining court documents, oral histories, archival records, and contemporary literature, Fermaglich argues convincingly that name changing had a lasting impact on American Jewish culture. Ordinary Jews were forced to consider changing their names as they saw their friends, family, classmates, co-workers, and neighbors do so. Jewish communal leaders and civil rights activists needed to consider name changers as part of the Jewish community, making name changing a pivotal part of early civil rights legislation. And Jewish artists created critical portraits of name changers that lasted for decades in American Jewish culture. This book ends with the disturbing realization that the prosperity Jews found by changing their names is not as accessible for the Chinese, Latino, and Muslim immigrants who wish to exercise that right today.
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Political Diary of Alfred Rosenberg and the Onset of the Holocaust
In December 2013, after years of exhaustive search, the U.S. Holocaust Memorial Museum received more than four hundred pages of diary notes written by one of the most prominent Nazis, the Party’s chief ideologue and Reich minister for the occupied Soviet territories Alfred Rosenberg. By combining Rosenberg’s diary notes with additional key documents and in-depth analysis, this book shows Rosenberg’s crucial role in the Nazi regime’s anti-Jewish policy. In the second half of 1941 the territory administered by Rosenberg became the region where the mass murder of Jewish men, women, and children first became a systematic pattern. Indeed, months before the emergence of German death camps in Poland, Nazi leaders perceived the occupied Soviet Union as the area where the “final solution of the Jewish question” could be executed on a European scale. Covering almost the entire duration of the Third Reich, these previously inaccessible sources throw new light on the thoughts and actions of the leading men around Hitler during critical junctures that led to war, genocide, and Nazi Germany’s final defeat.
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Land Use and the States
An enlarged and revised book which looks at some programs of state land use control. Focusing on the problems that have caused the public to demand such controls, on the variety of legislative responses, and on the problems of implementation that arise, this study presents a rationale for the role of the state government in the land use field. Originally published in 1979
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Vigilance and Vengeance
The world is awash with ethnic and religious conflict. Nearly 5 million people have lost their lives and more than 50 million have been displaced in the maelstrom of intergroup conflict since 1990. During that same period, there have been about 60 civil wars and war-like intrastate battles. While ethnic, religious, and cultural fratricide remain a constant global theme, there are regions where preventive diplomacy has avoided, limited, or restrained such hostilities. In some situations, early warning was timely, but no one listened. In others, early warning was converted into effective action.What lessons can be learned for the future of early warning, early action, and preventive diplomacy? This volume examines whether those lessons can be discerned, whether continuing hostilities around the globe can be held in check, and in particular whether nongovernmental organizations (NGOs) can contribute to peace through preventive diplomacy. The contributors explore the role of NGOs in reducing ethnic and religious conflict and diminishing bloodshed and killings in troubled countries. Using case studies on Burundi, Guatemala, Macedonia, Nigeria, Rwanda, Sri Lanka, and the Sudan, they explore theory and practice, drawing out lessons for preventive diplomacy and early warning. The cases reveal that preventive diplomacy represents ambitious efforts on the part of both local and international NGOs. They also illustrate that early warning embraces a kaleidoscope of early, not-so-early, and belated signals. In Rwanda those signals were heeded too late; in Macedonia, and Burundi, early warning has been sufficient. The case studies represent a combination of failures and successes and of different and significant lessons for enhancing the effectiveness of early warning, early action, and preventive diplomacy. In addition to Rotberg, the contributors are Melissa E. Crow, International Tribunal for Rwanda; Francis M. Deng, the Brookings Institution; Alison L. Des Forges, Africa Watch; Eran Fraenkel, Search for Common Ground, Macedonia; Darren Kew, Council on Foreign Relations; Tom Lent, Save the Children; Rachel M. McCleary, Georgetown University; Kalypso Nicolaidis, Harvard University; Clement Nwankwo, Constitutional Rights Project, Nigeria; Violeta Petroska Beska, University of Skopje, Macedonia; Richard A. Sollom, Tufts University; Neelan Tiruchelvam, International Centre for Ethnic Studies, Sri Lanka. A Brookings Institution and World Peace Foundation copublication
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FBI-KGB War
The names, we sometimes say, have been changed "to protect the innocent". As regards those agents in KGB networks in the U.S. during and following World War II, their presence and their deeds (or misdeeds) were known, but their names were not. The FBI-KGB War is the exciting, true (which often really is stranger than fiction), and authentic story of how those names became known and how the not-so-innocent persons to whom those names belonged were finally called to account. Following World War II, FBI Special Agent Robert J. Lamphere set out to uncover the extensive American networks of the KGB. Lamphere used a large file of secret Russian messages intercepted during the war. The FBI-KGB War is the detailed (but never boring) story of how those messages were finally decoded and made to reveal their secrets, secrets that led to persons with such now-infamous names as Judith Coplon, Klaus Fuchs, Harry Gold, and Ethel and Julius Rosenberg.
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Robert the Devil
Samuel N. Rosenberg, one of the premier translators of Old French, presents in this volume the first modern English-language version of the thirteenth-century French romance Robert le Diable, a tale of supernatural birth and spiritual redemption.Robert is born after his mother, a childless noblewoman, secretly calls upon Satan to help her conceive. His wicked behavior as a boy and, later, as a destructive young man is so brutal that one day Robert prevails upon his mother to reveal the secret of his birth and thus the source of his wickedness. Upon learning the truth, he leaves his privileged home in Normandy to seek salvation. Robert’s lengthy penance—under the aegis of the Pope and a pious hermit—begins with his acting as a mute fool in the Roman Emperor’s court and ends with his sainthood. In between he plays the hero’s role in defeating the Turks in battle and turns down the hand of the Emperor’s daughter in marriage, choosing instead to return to the hermit’s abode.The legend of Robert le Diable was extraordinarily influential in the seven hundred years after its creation, generating new versions and adaptations in various languages, ranging from sixteenth-century English adaptations by Wynken de Worde and Thomas Lodge to Giacomo Meyerbeer’s esteemed 1831 opera. Framed by a thoughtful introduction and thorough bibliography, this accessible translation renders the original octosyllabic rhymed couplets of the metrical Old French romance in energetic free verse.
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Enemies Within
There is a hunger for conspiracy news in America. Hundreds of Internet websites, magazines, newsletters, even entire publishing houses, disseminate information on invisible enemies and their secret activities, subversions, and coverups. Those who suspect conspiracies behind events in the news—the crash of TWA Flight 800, the death of Marilyn Monroe—join generations of Americans, from the colonial period to the present day, who have entertained visions of vast plots. In this enthralling book Robert Goldberg focuses on five major conspiracy theories of the past half-century, examining how they became widely popular in the United States and why they have remained so.In the post–World War II decades conspiracy theories have become more numerous, more commonly believed, and more deeply embedded in our culture, Goldberg contends. He investigates conspiracy theories regarding the Roswell UFO incident, the Communist threat, the rise of the Antichrist, the assassination of President John Kennedy, and the Jewish plot against black America, in each case taking historical, social, and political environments into account. Conspiracy theories are not merely the products of a lunatic fringe, the author shows. Rather, paranoid rhetoric and thinking are disturbingly central in America today. With media validation and dissemination of conspiracy ideas, and federal government behavior that damages public confidence and faith, the ground is fertile for conspiracy thinking.
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Samuel Rosenberg
While other artists moved to New York or Paris, painter Samuel Rosenberg (1896-1972) never left the city he called home. From the age of twelve, when he took his first art class at a settlement house in Pittsburgh's Hill District, through a vigorous career that spanned six decades, Rosenberg was challenged by the complex city whose artistic legacy he did much to shape. In Pittsburgh, Rosenberg created more than five hundred paintings, engaged with the dynamic progress of American painting in the twentieth century, and inspired generations of students. This book is the first full study of his work and influence.The constancyof Rosenberg's career was change. He began as a portraitist (1915-1930), influenced by Velazquez, Rembrandt, Matisse, and later, Picasso. In the 1930s, however, Rosenberg turned to portray the city around him. Inspired by the steep hills, densely polluted atmosphere, crooked houses, and layered immigrant populations with intersecting poverties, he created emotional urban landscapes that ensured Pittsburgh's place in the American regionalist art movement.Rosenberg's focus was the Hill District, where he lived as a young man. In poignant, socially conscious paintings, he traced the transitions of this gritty, multiethnic neighborhood through the Great Depression and Pittsburgh's early experiments in urban renewal. "Yes, I know there are artists in town who sneer at Pittsburgh, who want to go to Venice and paint canals," Rosenberg told a reporter. "But the artist who dislikes the town should . . . stay here and put his hate into pictures of the Pittsburgh scene. In doing so, he would have something to say."In the 1940s, responding to the horrors of World War II, Rosenberg's subjects became more universal and allegorical. In paintings such as Israel (1945), his most reproduced work, haunting human figures do not allow viewers to remain indifferent to the world situation. Here he began experiments with abstraction and the quality of light, a search he would continue for the rest of his life.From 1949 until his death in 1972, Rosenberg developed his own form of abstract expressionism, translating emotion with color, but without entirely abandoning representation. Using sequential layers of translucent color and transparent glazes, Rosenberg was able to achieve a penetrating, shimmering effect in his work. His paintings from this period are reminiscent of stained glass windows in that they seem to emit light rather than reflect it.Samuel Rosenberg's paintings were exhibited widely, from the World's Fair (1939) to the nation's preeminent museums, including the Museum of Modern Art, the Whitney Museum of American Art, the Corcoran Gallery in Washington, D.C., and the Pennsylvania Academy of Fine Arts in Philadelphia. He had twenty-six solo exhibitions during his lifetime, and he was accepted into the prestigious Carnegie International in 1920, 1925, and every subsequent exhibition from 1933 to 1967.But it is possible that Rosenberg's mo
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Holy Rosenbergs
As big-hearted patriarch David clings to a deal that could save both his ailing catering firm and his cherished standing in the Edgware Jewish community, his children are at loggerheads."You must have heard him banging on about the long line of Rosenbergs, stretching back to the Bible. He reckons some ancient relative catered the Last Supper."While eldest son Danny fights for the Israelis in Gaza, his sister investigates war crimes in the same conflict. Their brother drinks and brawls and refuses to join their father's business. But when tragedy strikes, each family member is forced to confont head-on the clash between individual identity and the demands and expectations of community.The Holy Rosenbergs explores tribal loyalties, the culpability of family and the consequences of standing up for what you believe to be right.
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Worst of the Worst
Repressive regimes tyrannize their own citizens and threaten global stability and order. These repositories of evil systematically oppress their own people, deny human rights and civil liberties, severely truncate political freedom, and prevent meaningful individual economic opportunity. Worst of the Worst identifies and characterizes the world's most odious states and singles out which repressors are aggressive and, hence, can truly be called rogues. Previously, determinations have been based on inexact, impressionistic criteria. In this volume, Robert Rotberg and his colleagues define the actions that constitute repression and propose a method of measuring human rights violations. They offer an index of nation-state repressiveness, classifying "gross repressors," "high repressors," and "aggressive repressors" or "rogues" on a ten-point scale. Based on arms and drug trafficking, support of terror, possession of weapons of mass destruction, and crossborder attacks, this valuable diagnostic tool will guide the international community in crafting effective policies to deal with injustice in the developing world. The repressors and rogues profiled include Belarus, Burma, Equatorial Guinea, NorthKorea, Syria, Togo, Tunisia, Turkmenistan, Uzbekistan, and Zimbabwe. Worst of the Worst offers a transparent way to decide which repressive and rogue states are most deserving of strong policy attention. Explicitly measuring and labeling these highly repressive states is the first step toward improving the well-being of millions of the poorest and most abused peoples of the globe. Contributors include Margarita M. Balmaceda (Seton Hall University), Mary Caprioli (University of Minnesota Duluth), Priscilla A. Clapp (Safe Ports, LLC),Yi Feng (Claremont Graduate University), Gregory Gleason (University of New Mexico), John Heilbrunn (Colorado School of Mines), Clement M. Henry (University of Texas at Austin),David W. Lesch (Trinity University), Marcus Noland (Peterson Institute for International Economics and International Food Policy Research Institute), Martha Brill Olcott (Carnegie Endowment for International Peace), Saumik Paul (Claremont Graduate University), and Peter F. Trumbore (Oakland University).
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Rosenberg Letters
First Published in 1994. Compiled and transcribed from 1950-1953, this book contains the letters of the Julius and Ethel Rosenberg during their prison correspondence with surrounding text written and edited by one of their sons. Meeropol states their belief that a complete edition of these letters would be useful for people interested in gaining as full an understanding as possible of the Rosenbergs as human beings.
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When The Shooting Stops ... The Cutting Begins
The story of one of the most important and least-understood jobs in moviemaking,film editing,is here told by one of the wizards, Ralph Rosenblum, whose credentials include six Woody Allen films, as well as The Pawnbroker, The Producers , and Goodbye, Columbus . Rosenblum and journalist Robert Karen have written both a history of the profession and a personal account, a highly entertaining, instructive, and revelatory book that will make any reader a more aware movie-viewer.
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Press, the Rosenbergs, and the Cold War
This book is a study of cold war agenda setting in relation to the Julius and Ethel Rosenberg spy case. Its primary interest is with press coverage of the case from 1950 to 1953, although the historical focus of the case extends before and beyond those years. The purpose of the book is not to debate the Rosenbergs' guilt or innocence, but rather to provide a fresh view of the case in its most political terms: news coverage filtered through the dynamics of cold war patriotism. A large sample of U.S. and foreign newspapers and magazines was monitored to determine if the Rosenbergs were victims of sensational pretrial and during-trial newspaper publicity. Neville also determines if the press reported on the claims of a U.S. left-wing newspaper, the National Guardian, that the Rosenbergs were framed by the U.S. government with the complicity of the news media. His conclusions question whether the mainstream press and news media ignore issues of justice for radicals in time of war and political crisis.
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Studies in Ancient Judaism and Rabbinic Literature
This volume presents a selection of the works of Professor Robert G. Goldenberg, a leading scholar of Rabbinic Judaism. From the rabbinic interpretation of Hebrew Scriptures to the formation of the Babylonian Talmud, Goldenberg explores core themes of Jewish law, history, and religious thought. This collection offers a lasting tribute to Goldenberg's enduring contributions to our understanding of the Jewish tradition.
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Léonce Rosenberg’s Cubism
The history of modernism has generally been written as a story of artists and their creations alongside the collectors, gallerists, and curators who supported them. This is especially true of Cubism, where the received narrative centers on a tightly circumscribed group of artists and agents connected to the dealer Daniel-Henry Kahnweiler. Léonce Rosenberg’s Cubism shakes up the canon, revealing its artificial nature and pointing to a different, more inclusive understanding of the development of Cubism.Kahnweiler’s Cubism was narrowly focused. In contrast, Giovanni Casini shows us, the influential art dealer Léonce Rosenberg bought virtually any piece that could be labeled “Cubist” and proposed a radically different understanding of the movement. At Rosenberg’s Galerie L’Effort Moderne in Paris, artists such as Joseph Csáky, Auguste Herbin, Jean Metzinger, Diego Rivera, Gino Severini, and Georges Valmier were accorded the same treatment as Pablo Picasso or Georges Braque. In this book, Casini considers Rosenberg’s contribution to the history of Cubism, reflecting on the ways in which artistic movements are manufactured—and interpretive paradigms adopted.Deftly weaving biography with a scholarly analysis built on extensive archival research, Léonce Rosenberg’s Cubism is a fresh look at the history of interwar modernism and the definitive study of a figure who has been unjustly sidelined in the history of art. It will be compulsory reading for scholars of Cubism and Modernism.
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52 McGs.
Among his devoted fans, his pieces were known simply as McGs. With a "genius for illuminating that sometimes ephemeral apogee in people's lives when they prove capable of generating a brightly burning spark" (Columbia Journalism Review), Robert McG. Thomas Jr. commemorated fascinating, unconventional lives with signature style and wit.The New York Times received countless letters over the years from readers moved to tears or laughter by a McG. Eschewing traditionally famous subjects, Thomas favored unsung heroes, eccentrics, and underachievers, including: Edward Lowe, the inventor of Kitty Litter ("Cat Owner's Best Friend"); Angelo Zuccotti, the bouncer at El Morocco ("Artist of the Velvet Rope"); and Kay Halle, a glamorous Cleveland department store heiress who received sixty-four marriage proposals ("An Intimate of Century's Giants"). In one of his classic obituaries, Thomas described Anton Rosenberg as a "storied sometime artist and occasional musician who embodied the Greenwich Village hipster ideal of 1950's cool to such a laid-back degree and with such determined detachment that he never amounted to much of anything." Thomas captured life's ironies and defining moments with elegance and a gift for making a sentence sing. He had an uncanny sense of the passion and personality that make each life unique, and the ability, as Joseph Epstein wrote, to "look beyond the facts and the rigid formula of the obit to touch on a deeper truth."Compiled by Chris Calhoun, one of Thomas's most dedicated readers, and with a fittingly sharp introduction from acclaimed novelist and critic Thomas Mallon, 52 McGs. will win legions of new fans to the masterful writer who transformed the obituary into an art form.
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Robert Danneberg
Danneberg war ein außergewöhnlich kreativer und vielseitiger Politiker der österreichischen Sozialdemokratie in der Ersten Republik. Die Schwerpunkte seines sowohl den österreichischen Bundesstaat als auch das Land Wien gleichermaßen betreffenden Wirkens waren die Jugend-, Bildungs-, Sozial- und Finanzpolitik, die Verfassungsentwicklung, die Analysen der Nationalrats- und Wiener Gemeinderatswahlen sowie die Auseinandersetzungen um den Mieterschutz. Die Auswirkungen dieses hauptsächlich praxisbezogenen Schaffens, das seinen Niederschlag in Dannebergs zahlreichen Publikationen fand, reichen in vielerlei Hinsicht bis in die Gegenwart. In Verbindung mit archivalischen Quellen, der Memoirenliteratur und den Gesprächen mit Zeitzeugen wurden so die Grundlagen für diese Biografie geschaffen.
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