Search results for "Rosalind E. Krauss"
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Optical Unconscious
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-Francois Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
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Rosalind Krauss and American Philosophical Art Criticism
Rosalind Krauss is, without visible rival, the most influential American art writer since Clement Greenberg. Together with her colleagues at ^IOctober^R, the journal she co-founded, she has played a key role in the introduction of French theory into the American art world. In the 1960s, though first a follower of Greenberg, she was inspired by her readings of French structuralist and post-structuralist materials, revolted against her mentor's formalism, and developed a succession of radically original styles of art history writing. Offering a complete survey of her career and work, ^IRosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism^R comprises the first book-length study of its subject.Written in the lucid style of analytic philosophy, this accessible commentary offers a consideration of her arguments as well as discussions of alternative positions. Tracing Krauss's development in this way provides the best method of understanding the changing styles of American art criticism from the 1960s through the present, and thus provides an invaluable source of historical and aesthetic knowledge for artists and art scholars alike.
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Engine of Scientific Discovery
How do we spark new scientific discoveries? How can we accelerate new breakthroughs in science? These are some of the biggest unsolved questions in science. Many believe that discoveries arise by chance or serendipity. The Engine of Scientific Discovery illustrates, for the first time, how we can actively speed up the pace of new breakthroughs by developing better methods and tools of discovery which enable us to see and think in entirely new ways. New tools are the lenses through which we discover what we often did not even know existed: improved microscopes uncovered microorganisms and viruses, x-ray methods exposed the structure of DNA, particle accelerators detected subatomic particles, and advanced telescopes revealed galaxies. This book explores science's biggest discoveries--spanning all Nobel Prize discoveries and over 200 other major discoveries. The findings are striking: science's over 750 major discoveries have been triggered by first developing a new method or instrument that made the breakthrough possible. In fact, most discoveries are now uncovered within just a few years after designing the needed tool. This pattern reveals how our transformative new tools are The Engine of Scientific Discovery--a fundamental principle of scientific progress overlooked until now. By shifting our attention to inventing new tools as the key to advancing new breakthroughs, we can spark a methodological revolution in science. Instead of waiting for breakthroughs, we can actively design and build new tools of discoveries. What if the next great breakthroughs depend not just on asking better questions, but developing better tools to ask and answer them--on entirely new ways of discovering? A new theory of discovery emerges, offering a roadmap for accelerating progress across science.
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Beyond Separate Spheres
"With superb insight and erudition Rosenberg discerns the connections between social science and feminism which replaced the ideal of ‘true womanhood’ with ‘the new woman’ at the turn of the 20th century. Besides brilliantly illuminating the personalities and ideas which led from one intellectual era to another, the book contributes groundbreaking research to the question of feminism’s fate in the 1920s."-- Nancy F. Cott"Weaving anecdote and analysis, Rosenberg shows how the women’s experiences in academic and institutional settings influenced the direction and content of their theoretical work."-- Kathryn Kish Sklar, The Wilson Quarterly"Brilliant and pioneering. . . . Details a fascinating chapter in American intellectual and educational history, and sensitively depicts the often painful challenges faced by women academics of an earlier age."-- Marie Marmo Mullaney, Library Journal"Forcefully argued and gracefully written, this work . . . not only sheds new light on the intellectual roots of modern feminism, but advances an irrefutable indictment of an academic world that systematically excluded talented women from teaching posts while allowing their male mentors to lay claim to their pioneering scholarship."-- Eric Foner, Commonweal"Fascinating. . . . Deserves the widest possible readership."-- Hamilton Cravens, Science
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Jane Crow
Throughout her prodigious life, activist and lawyer Pauli Murray systematically fought against all arbitrary distinctions in society, channeling her outrage at the discrimination she faced to make America a more democratic country. In this definitive biography, Rosalind Rosenberg offers a poignant portrait of a figure who played pivotal roles in both the modern civil rights and women's movements. A mixed-race orphan, Murray grew up in segregated North Carolina before escaping to New York, where she attended Hunter College and became a labor activist in the 1930s. When she applied to graduate school at the University of North Carolina, where her white great-great-grandfather had been a trustee, she was rejected because of her race. She went on to graduate first in her class at Howard Law School, only to be rejected for graduate study again at Harvard University this time on account ofher sex. Undaunted, Murray forged a singular career in the law. In the 1950s, her legal scholarship helped Thurgood Marshall challenge segregation head-on in the landmark Brown v. Board of Education case. When appointed by Eleanor Roosevelt to the President's Commission on the Status of Women in 1962, she advanced the idea of Jane Crow, arguing that the same reasons used to condemn race discrimination could be used to battle gender discrimination. In 1965, she became the first African American to earn a JSD from Yale Law School and the following year persuaded Betty Friedan to found an NAACP for women, which became NOW. In the early 1970s, Murray provided Ruth Bader Ginsburg with the argumentGinsburg used to persuade the Supreme Court that the Fourteenth Amendment to the Constitution protects not only blacks but also women - and potentially other minority groups - from discrimination. By that time, Murray was a tenured history professor at Brandeis, a position she left to become the firstblack woman ordained a priest by the Episcopal Church in 1976.Murray accomplished all this while struggling with issues of identity. She believed from childhood she was male and tried unsuccessfully to persuade doctors to give her testosterone. While she would today be identified as transgender, during her lifetime no social movement existed to support this identity. She ultimately used her private feelings of being "in-between" to publicly contend that identities are not fixed, an idea that has powered campaigns for equal rights in the United States forthe past half-century.
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Changing the Subject
This remarkable story begins in the years following the Civil War, when reformers-emboldened by the egalitarian rhetoric of the post-Civil War era-pressed New York City's oldest institution of higher learning to admit women in the 1870s. Their effort failed, but within twenty years Barnard College was founded, creating a refuge for women scholars at Columbia, as well as an academic beachhead "from which women would make incursions into the larger university." By 1950, Columbia was granting more advanced degrees to women and hiring more female faculty than any other university in the country. In Changing the Subject, Rosalind Rosenberg shows how this century-long struggle transcended its local origins and contributed to the rise of modern feminism, furthered the cause of political reform, and enlivened the intellectual life of America's most cosmopolitan city. Surmounting a series of social and institutional obstacles to gain access to Columbia University, women played a key role in its evolution from a small, Protestant, male-dominated school into a renowned research university.At the same time, their struggles challenged prevailing ideas about masculinity, femininity, and sexual identity; questioned accepted views about ethnicity, race, and rights; and thereby laid the foundation for what we now know as gender. From Lillie Devereux Blake, Annie Nathan Meyer, and Virginia Crocheron Gildersleeve in the first generation, through Ruth Benedict, Margaret Mead, and Zora Neale Hurston in the second, to Kate Millett, Gerda Lerner, and Ruth Bader Ginsburg in the third, the women of Columbia shook the world.
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Neutral
"I define the Neutral as that which outplays the paradigm, or rather I call Neutral everything that baffles paradigm." With these words, Roland Barthes describes a concept that profoundly shaped his work and was the subject of a landmark series of lectures delivered in 1978 at the College de France, just two years before his death. Not published in France until 2002, and appearing in English for the first time, these creative and engaging lectures deepen our understanding of Roland Barthes's intellectual itinerary and reveal his distinctive style as thinker and teacher. The Neutral (le neutre), as Barthes describes it, escapes or undoes the paradigmatic binary oppositions that structure and produce meaning in Western thought and discourse. These binaries are found in all aspects of human society ranging from language to sexuality to politics. For Barthes, the attempt to deconstruct or escape from these binaries has profound ethical, philosophical, and linguistic implications.The Neutral is comprised of the prewritten texts from which Barthes lectured and centers around 23 "figures," also referred to as "traits" or "twinklings," that are possible embodiments of the Neutral (sleep, silence, tact, etc.) or of the anti-Neutral (anger, arrogance, conflict, etc.). His lectures draw on a diverse set of authors and intellectual traditions, including Lao-tzu, Tolstoy, German mysticism, classical philosophy, Rousseau, Baudelaire, Walter Benjamin, and John Cage. Barthes's idiosyncratic approach to his subjects gives the lectures a playful, personal, and even joyous quality that enhances his rich insights. In addition to his reflections on a variety of literary and scholarly works, Barthes's personal convictions and the events of his life shaped the course and content of the lectures. Most prominently, as Barthes admits, the recent death of his mother and the idea of mourning shape several of his lectures.
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Edible Landscaping
Since Rosalind Creasy popularized the concept of landscaping with edibles a quarter-century ago, interest in eating healthy, fresh, locally grown foods has swept across the nation. More and more Americans are looking to grow clean, delicious produce at home, saving money and natural resources at the same time. And food plants have been freed from the backyard, gracing the finest landscapes--even the White House grounds! Creasy's expertise on edibles and how to incorporate them in beautifully designed outdoor environments was first showcased in the original edition of Edible Landscaping (Sierra Club Books, 1982), hailed by gardeners everywhere as a groundbreaking classic. Now this highly anticipated new edition presents the latest design and how-to information in a glorious full-color format, featuring more than 300 inspiring photographs. Drawing on the author's decades of research and experience, the book presents everything you need to know to create an inviting home landscape that will yield mouthwatering vegetables, fruits, nuts, and berries. The comprehensive Encyclopedia of Edibles--a book in itself--provides horticultural information, culinary uses, sources, and recommended varieties; and appendices cover the basics of planting and maintenance, and of controlling pests and diseases using organic and environmentally friendly practices.
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Fearless Choices
When did you say YES? When did you make a fearless choice that changed your life? Barbara Krauss asked this question to about 46 women in countries all over the world. Their stories of fearless choices are in this book. Krauss says, ""At its core, a fearless choice is simply about saying yes."" The women's stories told in their own raw, heartfelt voices are partnered together with Krauss' own personal reflections to create a dance of honest discovery. Back and forth, the stories and reflections move across the pages in a tenacious tango. ""Making a soul-driven choice is a gift. It's a gift to yourself, and a gift to people in your life as you become your best self. It's a gift to all the people who will be touched through the ripples of your bravery. Fearless choices are your legacy."" from Fearless Choices
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Hiding in the Mirror
An exploration of mankind's fascination with worlds beyond our own-by the bestselling author of The Physics of Star Trek Lawrence Krauss -an international leader in physics and cosmology-examines our long and ardent romance with parallel universes, veiled dimensions, and regions of being that may extend tantalizingly beyond the limits of our perception. Krauss examines popular culture's current embrace (and frequent misunderstanding) of such topics as black holes, life in other dimensions, strings, and some of the more extraordinary new theories that propose the existence of vast extra dimensions alongside our own. BACKCOVER: "An astonishing and brilliantly written work of popular science." -Science a GoGo "A brilliant, thrilling book . . . You'll have so much fun reading that you'll hardly notice you're getting a primer on contemporary physics and cosmology." -Walter Isaacson, author of Benjamin Franklin: An American Life
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Rosalind Franklin
Rosalind Franklin: air-raid warden, scientist, pioneer. Uncover fascinating facts about the extraordinary life of trailblazing scientist, Rosalind Franklin. A Life Story: this gripping series throws the reader directly into the lives of modern society's most influential figures. With striking black-and-white illustration along with timelines and never-heard-before facts. Also in the series: Katherine Johnson: A Life Story Stephen Hawking: A Life Story Alan Turing: A Life Story
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Philosophy of Joseph Petzoldt
This volume is the first English resource to shed light on the philosophy of Joseph Petzoldt (1862-1929), the main pupil of Ernst Mach and founder of the Gesellschaft für wissenschaftliche Philosophie, later the association of Berlin logical positivists. A central figure in the early debate on the theory of relativity, his work was praised by Einstein himself. Tracing the development of Petzoldt’s ideas, starting from his early acceptance of materialism and Kantian agnosticism, Chiara Russo Krauss presents a comprehensive reconstruction of his philosophy in the context of the German milieu. She examines his attempt to develop a new philosophy following Gustav Fechner and the empiriocriticism of Richard Avenarius and Ernst Mach. In the final chapter, she sets out how Petzoldt proposed relativistic positivism as the official interpretation of Einstein’s relativity. By illuminating key elements of Petzoldt’s work, this is a valuable case study for students and scholars of philosophy of science and late 19th-century and early 20th-century philosophy. It reveals the complex interplay of two different tendencies of the time: neo-Kantianism and its struggle to overcome the notion of thing-in-itself, as well as the need for an epistemological foundation for the new advances of science.
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Known Unknowns
Our understanding of cosmology has advanced immeasurably over the last five hundred years of modern science, yet many fundamental mysteries of existence persist. How did our Universe begin, if it even had a beginning? How big is it? What's at the bottom of a black hole? How did life on Earth arise? Are we alone? Is time travel possible?These mysteries define the threshold of the unknown. To explore that threshold is to gain a deeper understanding of just how far science has progressed. In The Known Unknowns, bestselling popular science writer Lawrence Krauss explores cosmology's greatest known unknowns. Covering time, space, physical law, life and consciousness, Krauss introduces readers to the topics that will shape the state of science of the next few decades, and invites us to ponder and appreciate the universe in which we live.
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Crockett Johnson and Ruth Krauss
Crockett Johnson (born David Johnson Leisk, 1906-1975) and Ruth Krauss (1901-1993) were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Separately, Johnson created the enduring children's classic Harold and the Purple Crayon and the groundbreaking comic strip Barnaby. Krauss wrote over a dozen children's books illustrated by others, and pioneered the use of spontaneous, loose-tongued kids in children's literature. Together, Johnson and Krauss's style--whimsical writing, clear and minimalist drawing, and a child's point-of-view--is among the most revered and influential in children's literature and cartooning, inspiring the work of Maurice Sendak, Charles M. Schulz, Chris Van Allsburg, and Jon Scieszka. This critical biography examines their lives and careers, including their separate achievements when not collaborating. Using correspondence, sketches, contemporary newspaper and magazine accounts, archived and personal interviews, author Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. Their mentorship of now-famous illustrator Maurice Sendak (Where the Wild Things Are) is examined at length, as is the couple's appeal to adult contemporaries such as Duke Ellington and Dorothy Parker. Defiantly leftist in an era of McCarthyism and Cold War paranoia, Johnson and Krauss risked collaborations that often contained subtly rendered liberal themes. Indeed, they were under FBI surveillance for years. Their legacy of considerable success invites readers to dream and to imagine, drawing paths that take them anywhere they want to go.
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Crockett Johnson and Ruth Krauss
Crockett Johnson (born David Johnson Leisk, 1906-1975) and Ruth Krauss (1901-1993) were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Separately, Johnson created the enduring children's classic Harold and the Purple Crayon and the groundbreaking comic strip Barnaby. Krauss wrote over a dozen children's books illustrated by others, and pioneered the use of spontaneous, loose-tongued kids in children's literature. Together, Johnson and Krauss's style--whimsical writing, clear and minimalist drawing, and a child's point-of-view--is among the most revered and influential in children's literature and cartooning, inspiring the work of Maurice Sendak, Charles M. Schulz, Chris Van Allsburg, and Jon Scieszka. This critical biography examines their lives and careers, including their separate achievements when not collaborating. Using correspondence, sketches, contemporary newspaper and magazine accounts, archived and personal interviews, author Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. Their mentorship of now-famous illustrator Maurice Sendak (Where the Wild Things Are) is examined at length, as is the couple's appeal to adult contemporaries such as Duke Ellington and Dorothy Parker. Defiantly leftist in an era of McCarthyism and Cold War paranoia, Johnson and Krauss risked collaborations that often contained subtly rendered liberal themes. Indeed, they were under FBI surveillance for years. Their legacy of considerable success invites readers to dream and to imagine, drawing paths that take them anywhere they want to go.
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Biochemistry of Signal Transduction and Regulation
Originally based on a graduate course taught by the author, this true classic has once again been extensively updated to incorporate key new findings in biological signaling. With over half of the content re-written, plus 70 brand new and 50 revised figures, this is the most up-to-date textbook on signaling available anywhere. Thanks to its clear structure, hundreds of illustrative drawings, as well as chapter introductions and newly added study questions, this text excels as a companion for a course on biological signaling, and equally as an introductory reference to the field for students and researchers. Generations of students and junior researchers have relied on "the Krauss" to find their way through the bewildering complexity of biological signaling pathways.
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Quintessence
Will the universe continue to expand forever, reverse its expansion and begin to contract, or reach a delicately poised state where it simply persists forever? The answer depends on the amount and properties of matter in the universe, and that has given rise to one of the great paradoxes of modern cosmology: there is too little visible matter to account for the behavior we can see. Over ninety percent of the universe consists of "missing mass" or "dark matter" - what Lawrence Krauss, in his classic book, termed "the fifth essence."In this new edition of The Fifth Essence, retitled Quintessence after the now widely accepted term for dark matter, Krauss shows how the dark matter problem is now connected with two of the hottest areas in recent cosmology: the fate of the universe and the "cosmological constant." With a new introduction, epilogue, and chapter updates, Krauss updates his classic for 1999 and shares one of the most stunning discoveries of recent years: an anti-gravity force that explains recent observations of a permanently expanding universe.
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Wundt, Avenarius, and Scientific Psychology
This book reconstructs the rise and fall of Wilhelm Wundt’s fortunes, focusing for the first time on the role of Richard Avenarius as catalyst for the so-called “positivist repudiation of Wundt.” Krauss specifically looks at the progressive disavowal of Wundtian ideas in the world of scientific psychology, and especially by his former pupils.This book provides important historical context and a critical discussion of the current state of research, in addition to a detailed consideration of Wundt’s and Avenarius’ systems of thought, as well as on their personal relationship. The author outlines the reception of Avenarius’ conceptions among Wundt’s pupils, such as Külpe, Münsterberg and Titchener, and among other psychologists of the time, such as Ward, James and Ebbinghaus. Finally, this book presents Wundt’s two-fold attempt to respond to the new trend through a criticism of the “materialistic” psychology, and a reformulation of his own ideas.
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Philosophy of Joseph Petzoldt
This volume is the first English resource to shed light on the philosophy of Joseph Petzoldt (1862-1929), the main pupil of Ernst Mach and founder of the Gesellschaft für wissenschaftliche Philosophie, later the association of Berlin logical positivists. A central figure in the early debate on the theory of relativity, his work was praised by Einstein himself. Tracing the development of Petzoldt’s ideas, starting from his early acceptance of materialism and Kantian agnosticism, Chiara Russo Krauss presents a comprehensive reconstruction of his philosophy in the context of the German milieu. She examines his attempt to develop a new philosophy following Gustav Fechner and the empiriocriticism of Richard Avenarius and Ernst Mach. In the final chapter, she sets out how Petzoldt proposed relativistic positivism as the official interpretation of Einstein’s relativity. By illuminating key elements of Petzoldt’s work, this is a valuable case study for students and scholars of philosophy of science and late 19th-century and early 20th-century philosophy. It reveals the complex interplay of two different tendencies of the time: neo-Kantianism and its struggle to overcome the notion of thing-in-itself, as well as the need for an epistemological foundation for the new advances of science.
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Wundt, Avenarius, and Scientific Psychology
This book reconstructs the rise and fall of Wilhelm Wundt’s fortunes, focusing for the first time on the role of Richard Avenarius as catalyst for the so-called “positivist repudiation of Wundt.” Krauss specifically looks at the progressive disavowal of Wundtian ideas in the world of scientific psychology, and especially by his former pupils.This book provides important historical context and a critical discussion of the current state of research, in addition to a detailed consideration of Wundt’s and Avenarius’ systems of thought, as well as on their personal relationship. The author outlines the reception of Avenarius’ conceptions among Wundt’s pupils, such as Külpe, Münsterberg and Titchener, and among other psychologists of the time, such as Ward, James and Ebbinghaus. Finally, this book presents Wundt’s two-fold attempt to respond to the new trend through a criticism of the “materialistic” psychology, and a reformulation of his own ideas.
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Universe From Nothing
Internationally renowned theoretical physicist and bestselling author Lawrence Krauss offers provocative, revelatory answers to the biggest philosophical questions: Where did our universe come from? Why does anything exist? And how is it all going to end? 'Why is there something rather than nothing?' is the question atheists and scientists are always asked,and until now there has not been a satisfying scientific answer. Today, exciting scientific advances provide new insight into this cosmological mystery: not only cansomething arise from nothing, but something willalwaysarise from nothing. A mind-bending trip back to the beginning of the beginning, A Universe from Nothingauthoritatively presents the most recent evidence that explains how our universe evolved - and the implications for how it's going to end. It will provoke, challenge, and delight readers to look at the most basic underpinnings of existence in a whole new way. In the words of Richard Dawkins: this could potentially be the most important scientific book since Darwin's On the Origin of Species.
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New European Cinema
New European Cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990s. Made around the time of the revolutions of 1989 but set in post-World War II Europe, these films grapple with the reunification of Germany, the disintegration of the Balkans, and a growing sense of historical loss and disenchantment felt across the continent. They represent a period in which national borders became blurred and the events of the mid-twentieth-century began to be reinterpreted from a multinational European perspective. Featuring in-depth case studies of films from Italy, Germany, eastern Europe, and Scandinavia, Rosalind Galt reassesses the role that nostalgia, melodrama, and spectacle play in staging history.She analyzes Giuseppe Tornatore's Cinema Paradiso, Michael Radford's Il Postino, Gabriele Salvatores's Mediterraneo, Emir Kusturica's Underground, and Lars von Trier's Zentropa, and contrasts them with films of the immediate postwar era, including the neorealist films of Roberto Rossellini and Vittorio De Sica, socialist realist cinema in Yugoslavia, Billy Wilder's A Foreign Affair, and Carol Reed's The Third Man. Going beyond the conventional focus on national cinemas and heritage, Galt's transnational approach provides an account of how post-Berlin Wall European cinema inventively rethought the identities, ideologies, image, and popular memory of the continent. By connecting these films to political and philosophical debates on the future of Europe, as well as to contemporary critical and cultural theories, Galt redraws the map of European cinema.
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