Search results for "Roving Printer"
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Printer to the House
Everyone knows the name of Hansard, the famous record of Parliamentary proceedings. Very few people know how it began. Originally published in 1952, here was for the first time, the authoritative history of the Hansard family and of its work, for nearly 100 years, as Parliamentary printers in charge of the Journals of the House of Commons and of the full record of debates that still bears the family name. Full of surprising and important detail, it was written largely from unpublished papers, letters, and the manuscript diaries of Luke Graves Hansard, son of old Luke, founder of the printing dynasty.Luke Hansard (1752–1828), a young man from Norwich, succeeded his partner Henry Hughs as Printer to the House. His name was known to all the politicians and many of the authors of his day, for he was a remarkable character, vigorous and forthright; and this book contains, among much else, a transcript of the brief autobiography he wrote in old age. He and his descendants printed the Journals of the House of Commons until 1890. His eldest son Thomas Curson Hansard, in partnership with William Cobbett, began to print the Parliamentary Debates early in the nineteenth century, and later became sole proprietor. His descendants carried on the business until 1889.This is an authoritative and extremely readable book which will be of value to all students of politics wherever the name Hansard is known – and there are “Hansards” in Australia, Canada and many other parts of the Commonwealth and Empire as well as in Great Britain. It touches on constitutional questions of great importance and explores some fascinating byways of parliamentary history.
R 6,673.56
R 2,134.00
Pioneer Printer
Samuel Bangs, the first printer in the territory that is now Texas, once owed his life to his printing press. One of the few survivors of the Mina Expedition to Mexico in 1817, Bangs wrote to Servando de Mier, “I had the good fortune, through the will of God, to have my life saved, as I was a printer.” Bangs was not always so fortunate. Losses and disappointments plagued him throughout his career, and he spent many miserable months in Mexican jails. But his ingenuity in the face of adversity, his courage and charm, stamped him not only as a storybook hero but as a man whose virtues were large enough to be their own reward. Lota Spell’s fine biography of Samuel Bangs is at the same time a fascinating history of northern Mexico (including Texas) in the first half of the nineteenth century. Through the successes and failures of an individual it presents the facts about the operation of a business during a time of important political and economic change. Even more important is its contribution to our knowledge of printing and of the contemporary periodical press. Although first of all a printer, Samuel Bangs was also involved in the production of newspapers, making this book a detailed history of journalism in the Mexico and Texas of his day. His printing office also functioned as a typographer’s school, through which he instituted the apprentice system in the Southwest; and as a result of his interest in presses as a commodity of trade, the first business for merchandising and servicing printing presses in the area was developed. This narrative, combining the story of a man’s life, the history of his times, and the development of his profession, fills a gap in our knowledge of Mexico and Texas, and does it with perception and charm.
R 736.00
Counter Print
The history of contemporary art is also a history of its newsletters, manifestos, magazines, pamphlets, and journals. Those periodical publications do not simply communicate or record ideas but have worked in exciting ways to shape art’s practices, histories and communities. As a new generation of artists, activists and scholars seek to uncover the histories of alternative publishing and artistic networks, this book gathers original archival discoveries while offering methodologies for studying and thinking with those artefacts. As the first essay collection to focus on the periodical art press and the ways we study it, Counter Print offers readers an alternative route into the past fifty years of contemporary art, one that is defiantly collaborative, border crossing and disruptive.
R 5,801.00
R 579.00
Dr Johnson's Printer
William Strahan was one of the leading figures in the book trade of the eighteenth century. As King’s Printer, a member of Parliament and the owner of the greatest printing house in London, he stood at the head of his craft: in addition to his long friendship and business connection with Johnson, he was the publisher of Gibbon, Adam Smith, Hume and Robertson. His intimacy with Benjamin Franklin led him to extend to America his lively interest in politics as well as trade.Originally published in 1964, Strahan’s career had for the most part been relegated to footnotes in the biographies of other men. This was the first full length survey of his life as a whole. The author, who had himself been both publisher and printer, had been able to draw upon much hitherto unpublished material in collections in this country and the United States, Strahan was an admirable letter writer, and his correspondence with authors, booksellers and printers touches on many problems still relevant at the time – the earnings of writers, bestsellers and flops, price-cutting and piracy, long credit and bad debts. The book is thus a portrait of the book trade at a particularly interesting stage of its development as well as the story of a remarkable career.
R 5,635.98
R 1,445.88
Printer to the House
Everyone knows the name of Hansard, the famous record of Parliamentary proceedings. Very few people know how it began. Originally published in 1952, here was for the first time, the authoritative history of the Hansard family and of its work, for nearly 100 years, as Parliamentary printers in charge of the Journals of the House of Commons and of the full record of debates that still bears the family name. Full of surprising and important detail, it was written largely from unpublished papers, letters, and the manuscript diaries of Luke Graves Hansard, son of old Luke, founder of the printing dynasty.Luke Hansard (1752–1828), a young man from Norwich, succeeded his partner Henry Hughs as Printer to the House. His name was known to all the politicians and many of the authors of his day, for he was a remarkable character, vigorous and forthright; and this book contains, among much else, a transcript of the brief autobiography he wrote in old age. He and his descendants printed the Journals of the House of Commons until 1890. His eldest son Thomas Curson Hansard, in partnership with William Cobbett, began to print the Parliamentary Debates early in the nineteenth century, and later became sole proprietor. His descendants carried on the business until 1889.This is an authoritative and extremely readable book which will be of value to all students of politics wherever the name Hansard is known – and there are “Hansards” in Australia, Canada and many other parts of the Commonwealth and Empire as well as in Great Britain. It touches on constitutional questions of great importance and explores some fascinating byways of parliamentary history.
R 1,575.00
Journalism's Roving Eye
In all of journalism, nowhere are the stakes higher than in foreign news-gathering. For media owners, it is the most difficult type of reporting to finance; for editors, the hardest to oversee. Correspondents, roaming large swaths of the planet, must acquire expertise that home-based reporters take for granted- facility with the local language, for instance, or an understanding of local cultures. Adding further to the challenges, they must put news of the world in context for an audience with little experience and often limited interest in foreign affairs- a task made all the more daunting because of the consequence to national security.In Journalism's Roving Eye, John Maxwell Hamilton- a historian and former foreign correspondent- provides a sweeping and definitive history of American foreign news reporting from its inception to the present day and chronicles the economic and technological advances that have influenced overseas coverage, as well as the cavalcade of colorful personalities who shaped readers' perceptions of the world across two centuries.From the colonial era- when newspaper printers hustled down to wharfs to collect mail and periodicals from incoming ships- to the ongoing multimedia press coverage of the Iraq War, Hamilton explores journalism's constant- and not always successful- efforts at ""dishing the foreign news,"" as James Gordon Bennett put it in the mid-nineteenth century to describe his approach in the New York Herald. He details the highly partisan coverage of the French Revolution, the early emergence of ""special correspondents"" and the challenges of organizing their efforts, the profound impact of the non-yellow press in the run-up to the Spanish-American War, the increasingly sophisticated machinery of propaganda and censorship that surfaced during World War I, and the ""golden age"" of foreign correspondence during the interwar period, when outlets for foreign news swelled and a large number of experienced, independent journalists circled the globe. From the Nazis' intimidation of reporters to the ways in which American popular opinion shaped coverage of Communist revolution and the Vietnam War, Hamilton covers every aspect of delivering foreign news to American doorsteps.Along the way, Hamilton singles out a fascinating cast of characters, among them Victor Lawson, the overlooked proprietor of the Chicago Daily News, who pioneered the concept of a foreign news service geared to American interests; Henry Morton Stanley, one of the first reporters to generate news on his own with his 1871 expedition to East Africa to ""find Livingstone""; and Jack Belden, a forgotten brooding figure who exemplified the best in combat reporting. Hamilton details the experiences of correspondents, editors, owners, publishers, and network executives, as well as the political leaders who made the news and the technicians who invented ways to transmit it. Their stories bring the narrative to life in arresting detail and make this an in
R 1,139.00
Printing in Plastic
Printing in Plastic: Build Your Own 3D Printer is your gateway into the exciting world of personal fabrication. The “printer” that you'll build from this book is a personal fabricator capable of creating small parts and other objects from drops of molten plastic. Design a part using a modeling tool such as Google SketchUp. Then, watch while the fabricator head sweeps back and forth and upwards, depositing plastic in all the right places. You can build anything from a replacement tab to hold a bookshelf in place, to a small art project, to a bashguard for your bicycle. If you can conceive it and design it, you can build it, and you'll have fun doing it!Printing in Plastic is aimed at creative people comfortable using power tools such as a table saw, circular saw, and drill press. Authors James Kelly and Patrick Hood-Daniel lead you through building a personal fabrication machine based upon a set of blueprints downloaded from their website. Example projects get you started in designing and fabricating your own parts. Bring your handyman skills, and apply patience during the build process. You too can be the proud owner of a personal fabricator—a three-dimensional printer.Leads you through building a personal fabrication machine capable of creating small parts and objects from plastic Provides example projects to get you started on the road to designing and fabricating your own parts Provides an excellent parent/child, or small group project
R 1,026.00
R 541.35
Mastering 3D Printing in the Classroom, Library, and Lab
Learn how to manage and integrate the technology of 3D printers in the classroom, library, and lab. With this book, the authors give practical, lessons-learned advice about the nuts and bolts of what happens when you mix 3D printers, teachers, students, and the general public in environments ranging from K-12 and university classrooms to libraries, museums, and after-school community programs.Take your existing programs to the next level with Mastering 3D Printing in the Classroom, Library, and Lab. Organized in a way that is readable and easy to understand, this book is your guide to the many technology options available now in both software and hardware, as well as a compendium of practical use cases and a discussion of how to create experiences that will align with curriculum standards. You'll examine the whole range of working with a 3D printer, from purchase decision to curriculum design. Finally this book points you forward to the digital-fabrication future current students will face, discussing how key skills can be taught as cost-effectively as possible.What You’ll LearnDiscover what is really involved with using a 3D printer in a classroom, library, lab, or public spaceReview use cases of 3D printers designed to enhance student learning and to make practical parts, from elementary school through university research labLook at career-planning directions in the emerging digital fabrication arenaWork with updated tools, hardware, and software for 3D printingWho This Book Is ForEducators of all levels, both formal (classroom) and informal (after-school programs, libraries, museums).
R 1,026.00
Printing in London
Originally published in 1960, the early history of news-gathering, of advertisement blocks and displayed advertising, of women’s magazine, are among the varied aspects of the London printing trade discussed in this book. Separate chapters are devoted to jobbing printing and the controversial, competitive Bible patent. The considerable technical information includes detailed descriptions of nineteenth-century presses.Besides an account of the struggle for power in the Stationers’ Company at certain periods, the livelier – and often more ruthless – personalities in the London trade, such as John Wolfe, Robert Barker I, Miles Flesher, Henry Hills and John Bell are vigorously described.Every section is generously illustrated in line and half-tone with material much of which was previously unreproduced.The easy style and wide range of Printing in London will rouse the interest of both the specialist – in advertising, in libraries and in the trade itself – and of the general reader who wants to know more about the history of printing.
R 5,635.83
3D Printing with MatterControl
In 3D Printing With MatterControl, Joan Horvath and Rich Cameron, the team behind Mastering 3D Printing, explain step-by-step how to use the MatterControl program, which allows you to control many common types of 3D printers (including both cartesian and delta style machines). 3D Printing With MatterControl can stand alone, or it can be a companion to Mastering 3D Printing to show you how to install, configure, and use best practices with your printer and printing software. The book includes both step by step software walkthroughs and case studies with typical 3D printed objects.Whether you are a "maker" or a teacher of makers, 3D Printing with MatterControl will show you how to get the most out of your printer with the new standard for open source 3D printing software.While there are books available on 3D printers, and even a few on software to make models for printers, there are few good sources covering the software that actually controls these printers. MatterControl is emerging as the leading open source software for 3D printers, and 3D Printing With MatterControl covers this new standard in this brief book.
R 912.00
R 548.59
R 1,220.00
Printer's Devil
Trained as a printer when still a boy, and thrilled throughout his life by the automation of printing and the headlong expansion of American publishing, Mark Twain wrote about the consequences of this revolution for culture and for personal identity. "Printer's Devil" is the first book to explore these themes in some of Mark Twain's best-known literary works, and in his most daring speculations - on American society, the modern condition, and the nature of the self. Playfully and anxiously, Mark Twain often thought about typeset words and published images as powerful forces - for political and moral change, personal riches and ruin, and epistemological turmoil. In his later years, Mark Twain wrote about the printing press as a center of metaphysical power, a force that could alter the fabric of reality. Studying these themes in Mark Twain's writings, Bruce Michelson also provides a fascinating overview of technological changes that transformed the American printing and publishing industries during Twain's lifetime, changes that opened new possibilities for content, for speed of production, for the size and diversity of a potential audience, and for international fame.The story of Mark Twain's life and art, amid this media revolution, is a story with powerful implications for our own time, as we ride another wave of radical change: for printed texts, authors, truth, and consciousness.
R 2,501.00
Pioneers in Printing
Originally published in 1958, through a series of lively biographies of men important in the history of printing – Gutenberg, Caxton, Baskerville, Caslon, Senefelder, Koenig, Mergenthaler, and Lanston – Pioneers in Printing traces the growth and development of the craft of printing from its invention in the fifteenth century to modern times. The aim of the book is not to recount the technicalities of machinery, but rather to present each character as a living man engrossed in his ideas and pursuing them persistently, in conflict or in agreement with his period. The book is written in a clear and easy style, free of technical terms.
R 1,575.00
Roving Editor
While a reporter at Horace Greeley's New York Tribune, James Redpath developed a strong curiosity about slavery and decided that he would travel south "to see slavery with my own eyes." Redpath interviewed slaves, recorded their opinions, and collected these letters into book form, publishing them in 1859 as The Roving Editor. While some historians over the years have utilized Redpath's book, many have treated it as merely another travel account of the antebellum South, dismissing the interviews as the fabrication of a radical abolitionist. John R. McKivigan has uncovered important historical records that certify for the first time the authenticity of Redpath's interviews; he presents here the original newspaper articles that supply the places and times of many of the slave encounters, which Redpath had edited out of the book. Furthermore, using Redpath's unpublished correspondence, McKivigan verifies his residence in southern communities at the times these interviews were reported to have taken place, making The Roving Editor one of the most valuable and compelling sources of the slaves' own testimony regarding their treatment in the late antebellum period.
R 1,029.00
R 647.19
Dr Johnson's Printer
William Strahan was one of the leading figures in the book trade of the eighteenth century. As King’s Printer, a member of Parliament and the owner of the greatest printing house in London, he stood at the head of his craft: in addition to his long friendship and business connection with Johnson, he was the publisher of Gibbon, Adam Smith, Hume and Robertson. His intimacy with Benjamin Franklin led him to extend to America his lively interest in politics as well as trade.Originally published in 1964, Strahan’s career had for the most part been relegated to footnotes in the biographies of other men. This was the first full length survey of his life as a whole. The author, who had himself been both publisher and printer, had been able to draw upon much hitherto unpublished material in collections in this country and the United States, Strahan was an admirable letter writer, and his correspondence with authors, booksellers and printers touches on many problems still relevant at the time – the earnings of writers, bestsellers and flops, price-cutting and piracy, long credit and bad debts. The book is thus a portrait of the book trade at a particularly interesting stage of its development as well as the story of a remarkable career.
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