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Saba & Khushal
A tale of how the elements of fate have mystically intertwined the lives of Saba and Khushal. A love story set against the backdrop of the sprawling valleys and bustling cities of Pakistan, two young lovers go against the wishes of their families and choose to run away from home to be together. However, they soon learn that no matter how far they go, the forces seeking to keep them apart will always catch up to them.
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SAB
This tale of a slave's unrequited love for the woman who owns him is set in nineteenth-century colonial Cuba and was the only feminist-abolitionist novel published during the century in Spain or its colonies. This unique text raises important issues concerning power, race, gender and class in colonial societies, colonial and post-colonial subjectivity and identities, feminist appropriations of the abolitionist agenda, human rights discourse, and literary and philosophical issues associated with enlightenment thought. This new annotated critical edition is the first to provide the original Spanish text along with a substantial and authoritative introduction in English, as well as maps and tables relating to nineteenth-century Cuba, a vocabulary list, and suggestions for further reading.
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Learning Senegalese Sabar
Based on extensive ethnographic fieldwork in New York and Dakar, this book explores the Senegalese dance-rhythms Sabar from the research position of a dance student. It features a comparative analysis of the pedagogical techniques used in dance classes in New York and Dakar, which in turn shed light on different aesthetics and understandings of dance, as well as different ways of learning, in each context. Pointing to a loose network of teachers and students who travel between New York and Dakar around the practice of West African dance forms, the author discusses how this movement is maintained, what role the imagination plays in mobilizing participants and how the ‘cultural flow’ of the dances is ‘punctuated’ by national borders and socio-economic relationships. She explores the different meanings articulated around Sabar’s transatlantic movement and examines how the dance floor provides the grounds for contested understandings, socio-economic relationships and broader discourses to be re-choreographed in each setting.
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