Search results for "Shams-Azar"
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Shame
The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie’s phantasmagoric epic Omar Khayyam Shakil had three mothers who shared everything. They shared the symptoms of pregnancy, they shared the son that they all claim to have borne on the same night. Raised at their six breasts, Omar's mothers teach him to live a life without shame. And it is training that proves very useful when he leaves his mothers’ fortress and makes the fateful mistake of falling in love. For he finds himself an unwitting player in an ongoing duel between the families of two men – one a celebrated wager of war, the other a debauched lover of pleasure – living in a world caught between honour and humiliation, where a moment of shame could prove fatal.‘Shame is every bit as good as Midnight's Children. It is a pitch-black comedy of public life and historical imperatives’ The Times
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Shame
A late-comer to psychoanalytic theorizing, 'shame' results from a disjunction between the ego and the ego-ideal. A complex psychosocial experience, it is comprised of a painful exposure of one's vulnerable aspects, rupture of self-continuity, and a sense of isolation. The figure-ground harmony of 'going-on-being' is disrupted and the individual feels alone and watched by others. Shame pushes for hiding and thus intensifies the experience of isolation.Seeking to advance clinicians' empathy and therapeutic skills in this realm, in this book ten distinguished analysts discuss shame from various perspectives. These include its developmental substrate, its vicissitudes during adolescence, and its manifestations in the course of aging and infirmity. The authors discuss shame from a cross-cultural viewpoint and note how shame-driven search for power and glory can turn malignant and societally destructive. They also address shamelessness, the link between shame and laziness, and the shame that underlies the inability to apologize. They devote attention to shame in the transference-countertransference axis and highlight the technical challenges in dealing with shame in clinical encounters.
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Kamila Shamsie
In the first book-length study of this major contemporary author, Peter Morey traces the influence of Kamila Shamsie’s formative years, spent under a military dictatorship in 1980s Karachi, on writing with an acute sense of social justice and an awareness of the inescapable influence of the past on the present. Working through her novels from 1998’s In the City by the Sea to Best of Friends (2022), via her best-known work, Home Fire (2017), Morey traces Shamsie’s preoccupation with questions of home and belonging, childhood friendship and its loss, the position of women in patriarchal societies, and the precariousness of citizenship for minorities and migrants in a modern era of populist nationalism fed by revenant forms of imperial nostalgia and racism. Shamsie emerges as a writer firmly rooted in the upheavals of her homeland but who, through political commitment and personal experience of migration, is uniquely positioned to comment on the tenuousness of ideas of home and who, as a result, renounces the false consolations of nationalism, instead endorsing a transnational vision which is worked out in novels of expanding social range and increasing formal sophistication.
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Not Quite Shamans
The forms of contemporary society and politics are often understood to be diametrically opposed to any expression of the supernatural; what happens when those forms are themselves regarded as manifestations of spirits and other occult phenomena? In Not Quite Shamans, Morten Axel Pedersen explores how the Darhad people of Northern Mongolia's remote Shishged Valley have understood and responded to the disruptive transition to postsocialism by engaging with shamanic beliefs and practices associated with the past.For much of the twentieth century, Mongolia's communist rulers attempted to eradicate shamanism and the shamans who once served as spiritual guides and community leaders. With the transition from a collectivized economy and a one-party state to a global capitalist market and liberal democracy in the 1990s, the people of the Shishged were plunged into a new and harsh world that seemed beyond their control. "Not-quite-shamans"—young, unemployed men whose undirected energies erupted in unpredictable, frightening bouts of violence and drunkenness that seemed occult in their excess— became a serious threat to the fabric of community life. Drawing on long-term fieldwork in Northern Mongolia, Pedersen details how, for many Darhads, the postsocialist state itself has become shamanic in nature.In the ideal version of traditional Darhad shamanism, shamans can control when and for what purpose their souls travel, whether to other bodies, landscapes, or worlds. Conversely, caught between uncontrollable spiritual powers and an excessive display of physical force, the "not-quite-shamans" embody the chaotic forms—the free market, neoliberal reform, and government corruption—that have created such upheaval in peoples' lives. As an experimental ethnography of recent political and economic transformations in Mongolia through the defamiliarizing prism of shamans and their lack, Not Quite Shamans is an attempt to write about as well as theorize postsocialism, and shamanism, in a new way.
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Sudanese Zār Ṭumbura Cult
This book offers a historically sensitive ethnography of the zār ṭumbura spirit possession cult, associated with descendants of African slaves who live mainly in the area of Greater Khartoum, Sudan. It considers the history and transformations of ṭumbura, from the 19th-century slaving era to the present post-Islamist autocracy. The chapters examine the ṭumbura spiritual universe and ceremonial life, its relation to the more popular female cult of zār borē and to other now extinct forms of celebrating the zār spirit(s), as well as ṭumbura’s combination of possession, sorcery, ancestor worship and ṣūfī piety. Based on long-term fieldwork, the study shows how successive generations of subaltern cult devotees construct a positive self-identity based on an alternative reading of Sudanese history. The author explores the edges of Sudanese Islamic religiosity and probes the limits of anthropological classifications concerning religious experience. Situating ṭumbura in its wider context, the book discusses subaltern modes of historicity in their articulation with dominant conceptions of history, traces the legacy of slavery and the role of memory and invites comparisons with Middle Eastern, Sahelian and even New World societies regarding stigmatised identities, slavery, race, memory and history. It will be of interest to scholars of anthropology, history, religious studies, Islamic studies and African studies.
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