Search results for "Shelli"
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Unbelievable & True Story Behind Shelly Garrett's "Beauty Shop"
A look at how "The Godfather Of Black Theatre" started the trend of all the touring stage plays in America. There were so many people who laughed at him when he mentioned he was writing a stage play called "BEAUTY SHOP," but Shelly Garrett got the last laugh, as his historical stage production went on to gross more than 33 million dollars and that was in the late 1980's. That figure today would equal more than 100 million dollars. Find out how he would "woo" the radio and television stations to promote his production. Also, his relationships with promoters across the country and one who stole more than a million dollars from him, without his knowledge. His rocky marriage to singer Me'Lisa Morgan ("Do Me Baby") is a mouth-dropping subject in this book and what was done to end the nuptials. "The entire book will keep you on the edge of your seat; it is definitely interesting reading and some of the incidents are truly incredible," states a well-noted reviewer. By far, worth every penny.
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Metaverse of Consciousness
An exploration of the entirety of the conscious universe• Develops the concept of the metaverse, the “transcendental universe,” composed of additional hidden dimensions operating in parallel with space and time• Integrates and maps the theories of consciousness developed by Carl Jung, David Bohm, Pierre Teilhard de Chardin, and other scientists• Offers the reader a path into the hidden dimensions through detailed maps of psyche, mind, and cosmosThe "metaverse"—as this wider universe is now coming to be known—is rooted in one interconnected consciousness that encompasses space and time as well as previously unknown dimensions only recently detected. In this book, Shelli Renée Joye, Ph.D., offers ways in which to visualize, enter, and explore a multitude of these transcendent, nonspatial, and nontemporal states and stages of consciousness as she reveals vast webs of interlinked consciousness forming a single universal psyche.Joye integrates the ideas of modern scientist-philosophers who view reality as a projection of a single multidimensional consciousness: Carl Jung and his concept of the psychoids, Pierre Teilhard de Chardin and his vision of an integrated noosphere of consciousness, and the quantum maps of consciousness developed by Karl Pribram and David Bohm. The book culminates with a call to explore transcendental consciousness by developing and following our own uniquely personal paths with which we too can enter the wider dimensions of awareness in the metaverse.
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Day of Shelly's Death
This deeply moving collection of poetry by Renato Rosaldo focuses on the shock of his wife Michelle (Shelly) Rosaldo's sudden death on October 11, 1981. Just the day before, Shelly and her family had arrived in the northern Philippine village of Mungayang, where she and her husband Renato, both accomplished anthropologists, planned to conduct fieldwork. On October 11, Shelly died after losing her footing and falling some sixty feet from a cliff into a swollen river. Renato Rosaldo explored the relationship between bereavement and rage in his canonical essay, "Grief and a Headhunter's Rage," which first appeared in 1984 and is reprinted here. In the poems at the heart of this book, he returns to the trauma of Shelly's death through the medium of free verse, maintaining a tight focus on the events of October 11, 1981. He explores not only his own experience of Shelly's death but also the imagined perspectives of many others whose lives intersected with that tragic event and its immediate aftermath, from Shelly herself to the cliff from which she fell, from the two young boys who lost their mother to the strangers who carried and cared for them, from a tricycle taxi driver, to a soldier, to priests and nuns. Photographs taken years earlier, when Renato and Shelly were conducting research across the river valley from Mungayang, add a stark beauty. In a new essay, "Notes on Poetry and Ethnography," Rosaldo explains how and why he came to write the harrowing yet beautiful poems in The Day of Shelly's Death. More than anything else though, the essay is a manifesto in support of what he calls antropoesía, verse with an ethnographic sensibility. The essay clarifies how this book of rare humanity and insight challenges the limits of ethnography as it is usually practiced.
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