Search results for "T. Dacosta Kaufmann"
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Rudolf II
Rudolf II: The Life and Legend of the Mad Emperor offers a fresh perspective on the Habsburg ruler, shedding new light on a reign often coloured by myths of madness. Contrary to popular belief, Rudolf was not a passive recluse but an engaged monarch, navigating the complexities of state affairs with a moderate hand amid turbulent times. By contextualizing his interests in astrology, alchemy and magic, Thomas DaCosta Kaufmann offers new insights into Rudolf’s support for scientific endeavours and his quest for power. It also demonstrates that Rudolf’s assembling of the greatest Kunstkammer and painting collection of his time and his patronage of artists were essential elements of Renaissance rulership. This book will appeal to a diverse audience, including enthusiasts of the occult, as well as those fascinated by Renaissance history, the Habsburg dynasty and art history.
R 562.00
Toward a Geography of Art
Art history traditionally classifics works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art history, Thomas DaCosta Kaufmann's book offers essays that focus on the intricacies of accounting for the geographical dimension of art history during the early modern period in Europe, Latin America, and Asia. Toward a Geography of Art presents a historical overview of these complexities, debates contemporary concerns, and completes its exploration with a diverse collection of case studies. Employing the author's expertise in a variety of fields, the book delves into critical issues such as transculturation of indigenous traditions, mestizaje, the artistic metropolis, artistic diffusion, transfer, circulation, subversion, and center and periphery.What results is a foundational study that establishes the geography of art as a subject and forces us to reconsider assumptions about the place of art that underlic the longstanding narratives of art history.
R 2,522.00
Toward a Geography of Art
Art history traditionally classifics works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art history, Thomas DaCosta Kaufmann's book offers essays that focus on the intricacies of accounting for the geographical dimension of art history during the early modern period in Europe, Latin America, and Asia. Toward a Geography of Art presents a historical overview of these complexities, debates contemporary concerns, and completes its exploration with a diverse collection of case studies. Employing the author's expertise in a variety of fields, the book delves into critical issues such as transculturation of indigenous traditions, mestizaje, the artistic metropolis, artistic diffusion, transfer, circulation, subversion, and center and periphery.What results is a foundational study that establishes the geography of art as a subject and forces us to reconsider assumptions about the place of art that underlic the longstanding narratives of art history.
R 1,752.00
Painterly Enlightenment
Franz Anton Maulbertsch (1724-1796) was an Austrian fresco painter known for his bold use of color. Although he has been recognized in the Central European regions where he worked, Maulbertsch has remained outside the general canon of art history. With Painterly Enlightenment, Thomas DaCosta Kaufmann recovers the story of Maulbertsch, offering the first comprehensive English-language study of the long-neglected artist. Kaufmann situates Maulbertsch as a fresco painter at a time of transition to easel painting, a colorist at a time when color was not fully appreciated by contemporary observers, and an interpreter of religious themes at a time when secular subjects were becoming more popular. In this analysis, he is shown caught between the intellectual forces of the Enlightenment and the waning power of the traditional church, thus helping to illuminate the relationship between the Enlightenment and the arts. Kaufmann provides a thorough foundation for the fresh recognition of one of the great painters of eighteenth-century Europe, a leading fresco painter who is a colorist worthy of comparison to the best of his contemporaries, including the celebrated Venetian artist Giovanni Battista Tiepolo.
R 1,585.08
Court, Cloister and City
A heavily-illustrated guide to the art and culture of Central Europe between the years 1450 and 1800, this text looks at Central Europe as a cultural entity. It chronicles more than 300 years of painting, sculpture and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, the Ukraine, Lithuania and western parts of the Russian Federation. It surveys a remarkable range of artifacts from the coming of the Renaissance to the Enlightenment.
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R 870.12
Circulations in the Global History of Art
The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.
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Kaufmann's
In 1868, Jacob Kaufmann, the nineteen-year-old son of a German farmer, stepped off a ship onto the shores of New York. His brother Isaac soon followed, and together they joined an immigrant community of German Jews selling sewing items to the coal miners and mill workers of western Pennsylvania. After opening merchant tailor shops in Pittsburgh’s North and South sides, the Kaufmann brothers caught the wave of a new type of merchandising - the department store - and launched what would become their retail dynasty with a downtown storefront at Fifth Avenue and Smithfield Street. In just two decades, Jacob and his brothers had ascended Pittsburgh’s economic and social ladder, rising from hardscrabble salesmen into Gilded Age multimillionaires.Generous and powerful philanthropists, the Kaufmanns left an indelible mark on the city and western Pennsylvania. From Edgar and Liliane’s famous residence, the Frank Lloyd Wright masterpiece called Fallingwater, to the Kaufmann clock, a historic landmark that inspired the expression “meet me under the clock,” to countless fond memories for residents and shoppers, the Kaufmann family made important contributions to art, architecture, and culture. Far less known are the personal tragedies and fateful ambitions that forever shaped this family, their business, and the place they called home. Kaufmann’s recounts the story of one of Pittsburgh’s most beloved department stores, pulling back the curtain to reveal the hardships, triumphs, and complicated legacy of the prominent family behind its success.
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Walter Kaufmann
The first complete account of the ideas and writings of a major figure in twentieth-century intellectual lifeWalter Kaufmann (1921–1980) was a charismatic philosopher, critic, translator, and poet who fled Nazi Germany at the age of eighteen, emigrating alone to the United States. He single-handedly rehabilitated Nietzsche's reputation after World War II and was enormously influential in introducing postwar American readers to existentialism. Stanley Corngold provides the first in-depth study of Kaufmann's thought, showing how he speaks to many issues that concern us today. Kaufmann was astonishingly prolific until his untimely death at age fifty-nine, writing some dozen major books, all marked by breathtaking erudition and a provocative essayistic style. Corngold introduces Kaufmann to a new generation of readers, vividly portraying the intellectual life of one of the twentieth century's most engaging and neglected thinkers.
R 1,225.27
Saved and the Damned
Thomas Kaufmann, the leading European scholar of the Reformation, argues that the main motivations behind the Reformation rest in religion itself.The Reformation began far from Europe's traditional political, economic, and cultural power centres, and yet it threw the whole continent into turmoil. There has been intense speculation over the last century focusing onthe political and social causes that lay at the root of this revolution. Thomas Kaufmann, one of the world's leading experts on the Reformation, sees the most important drivers for what happened in religion itself. The reformers were principally concerned with the question of salvation. It could all have ended with the pope's condemnation of Luther and his teaching. But Luther believed the pope was condemned to eternal damnation, and this was the root cause of the great split to come. Hatred ofthe damned drove people to take up arms, while countless numbers left their homes far behind and carried the Reformation message to the furthest corners of the earth in the hope of salvation. In The Saved and the Damned, Thomas Kaufmann presents a dramatic overview of how Europe was transformed by the seismic shock of the Reformation—and of how its aftershocks reverberate right down to the present day.
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T-Cell Paradigms in Parasitic and Bacterial Infections
It has been said that the development of vaccines against a variety of infectious diseases is among the greatest triumphs of immunology. Indeed, several pathogens have lost their horror through the availability of effective vaccination measures. Unfortunately, this does not hold true for the pathogens dealt within this volume. Malaria, schistosomiasis, leishmaniasis, leprosy, and tuberculosis together are prevalent in more than 100 countries, and over 400 million persons suffer from these diseases. It is becoming increasingly clear that the failure to control these infections in a satisfactory way is directly related to the complexity oftheir interactions with the immune system. These agents have lived with their hosts for long enough to give both-host and parasite-ample opportunity to develop a highly sophisticated interrelationship. The central role of T lymphocytes both in acquired resistance to and pathogenesis of these microbes is well appreciated. In the beginning it may have been thought that acq uired resistance against infectious agents is nothing but another aspect of the immune response, studied with soluble and particulate antigens. This simple concept has gradually changed, and it has become clear that the viability not only of the immune cells but also of the 'antigens' adds another dimension to the game. Several achievements in cellular immunology and molecular biology have now made it possible to better understand at least some mechanisms in this intricate interplay.
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