Search results for "Terrence Witham"
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God Biographers
The God Biographers presents a sweeping narrative of the Western image of God since antiquity, following the theme of how the "old" biography of God has been challenged by a "new" biography in the twenty-first century. The new biography has made its case in free will theism, process thought, evolutionary doctrines, relational theology, and "open theism"—a story of people, ideas, and events that is brought up to the present in this engaging narrative. Readers will meet the God biographers in the old and new camps. On the one side are Job, Augustine, Boethius, Anselm, Aquinas, and Calvin. On the other side is a group that includes the early Unitarian and Wesleyan thinkers, the process thinkers Alfred North Whitehead, Pierre Teilhard de Chardin and Charles Hartshorne, and finally a new breed of evangelical philosophers. This story looks closely at the cultural and scientific context of each age and how these shaped the images of God. In the twenty-first century, that image is being shaped by new human experiences and the findings of science. Today, the debate between the old biographers and the new is playing out in the forums of modern theology, courtrooms, and social movements. Larry Witham tells that panoramic story in an engaging narrative for specialists and general readers alike.
R 3,825.00
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R 683.96
Federal Theatre Project
Drawing upon archival resources, official correspondence and personal interviews, this 2003 book provides a detailed examination of the operations of the US Federal Theatre Project in the decade of the 1930s. From the colourful bus tours through the Civilian Conservation Corps camps to the turbulent productions of the Living Newspapers, this book recreates the often chaotic but frequently exhilarating story of Uncle Sam as producer. Special attention is given to the controversial Negro unit, the prize-winning production of See How They Run and the mass spectacles that attempted to incorporate Hallie Flanagan's vision of a truly national project rooted in local culture. The Federal Theatre Project: A Case Study illuminates both the ambitions of the programme and the day-to-day details of making art from a new mode - a subsidised national theatre.
R 4,428.75
Terrence Malick and the Examined Life
Terrence Malick is one of American cinema’s most celebrated filmmakers. His films—from Badlands (1973) and Days of Heaven (1978) to The Thin Red Line (1998), The Tree of Life (2011), and, most recently, A Hidden Life (2019)—have been heralded for their artistry and lauded for their beauty, but what really sets them apart is their ideas. Terrence Malick and the Examined Life is the most comprehensive account to date of this unparalleled filmmaker’s intellectual and artistic development.Utilizing newly available archival sources to offer original interpretations of his canonical films, Martin Woessner illuminates Malick’s early education in philosophy at Harvard and Oxford as well as his cinematic apprenticeship at the American Film Institute to show how a young student searching for personal meaning became a famous director of Hollywood films. Woessner’s book presents a rich, interdisciplinary exploration of the many texts, thinkers, and traditions that made this transformation possible—from the novels of Hamlin Garland, James Jones, and Walker Percy to the philosophies of Stanley Cavell, Martin Heidegger, and Søren Kierkegaard to road movies, Hollywood Westerns, and the comedies of Jean Renoir. Situating Malick’s filmmaking within recent intellectual and cultural history, Woessner highlights its lasting contributions to both American cinema and the life of the mind.Terrence Malick and the Examined Life suggests it is time for philosophy to be viewed not merely as an academic subject, overseen by experts, but also as a way of life, open to each and every moviegoer.
R 2,249.00
Who Shall Lead Them?
The clergy today faces mounting challenges in an increasingly secular world, where declining prestige makes it more difficult to attract the best and the brightest young Americans to the ministry. As Christian churches dramatically adapt to modern changes, some are asking whether there is a clergy crisis as well. Whatever the future of the clergy, the fate of millions of churchgoers also will be at stake. In Who Shall Lead Them?, prizewinning journalist Larry Witham takes the pulse of both the Protestant and Catholic ministry in America and provides a mixed diagnosis of the calling's health. Drawing on dozens of interviews with clergy, seminarians and laity, and using newly available survey data including the 2000 Census, Witham reveals the trends in a variety of traditions. While evangelicals are finding innovative paths to ministry, the Catholic priesthood faces a severeshortage. In mainline Protestantism, ministry as a second career has become a prominent feature. Ordination ages in the Episcopal and United Methodist churches average in the 40s today. The quest by female clergy to lead from the pulpit, meanwhile, has hit a "stained glass ceiling" as churches still prefer a man asthe principal minister. While deeply motivated by the mystery of their "call" to ministry, America's priests, pastors, and ministers are reassessing their roles in a world of new debates on leadership, morality, and the powers of the mass media. Who Shall Lead Them? offers a valuable snapshot of this contemporary clergy drama. It will be required reading for everyone concerned about the rapidly shifting ground of our churches and the health of religion in America.
R 1,136.26
Cultural Left and the Reagan Era
The Reagan era is usually seen as an era of unheralded prosperity, and as a high-watermark of Republican success. President Ronald Reagan's belief in "Reaganomics", his media-friendly sound-bites and "can do" personality have come to define the era. However, this was also a time of domestic protest and unrest. Under Reagan the US was directly involved in the revolutions which were sweeping the Central Americas- El Salvador, Honduras and Guatemala -and in Nicaragua Reagan armed the Contras who fought the Sandinistas. This book seeks to show how the left within the US reacted and protested against these events. The Nation, Verso Books and the Guardian exploded in popularity, riding high on the back of popular anti-interventionist sentiment in America, while the film-maker Oliver Stone led a group of directors making films with a radical left-wing message. The author shows how the1980s in America were a formative cultural period for the anti-Reaganites as well as the Reaganites, and in doing so charts a new history.
R 5,591.00
Federal Theatre Project
Drawing upon archival resources, official correspondence and personal interviews, this 2003 book provides a detailed examination of the operations of the US Federal Theatre Project in the decade of the 1930s. From the colourful bus tours through the Civilian Conservation Corps camps to the turbulent productions of the Living Newspapers, this book recreates the often chaotic but frequently exhilarating story of Uncle Sam as producer. Special attention is given to the controversial Negro unit, the prize-winning production of See How They Run and the mass spectacles that attempted to incorporate Hallie Flanagan's vision of a truly national project rooted in local culture. The Federal Theatre Project: A Case Study illuminates both the ambitions of the programme and the day-to-day details of making art from a new mode - a subsidised national theatre.
R 1,748.80
Sustainable Theatre
Begun as an audacious experiment, for thirty years the Hedgerow Theatre prospered as America's most successful repertory company. While known for its famous alumnae (Ann Harding and Richard Basehart), Hedgerow's legacy is a living library of over 200 productions created by Jasper Deeter's idealistic and determined pursuit of 'truth and beauty.'
R 1,254.00
Sustainable Theatre
Begun as an audacious experiment, for thirty years the Hedgerow Theatre prospered as America's most successful repertory company. While known for its famous alumnae (Ann Harding and Richard Basehart), Hedgerow's legacy is a living library of over 200 productions created by Jasper Deeter's idealistic and determined pursuit of 'truth and beauty.'
R 1,254.00
Terrence McNally
This collection of essays and interviews is the first book about the drama of American playwright Terrence McNally; it examines his career to date (30-plus years), focusing particularly on the two plays for which McNally won Tony Awards for Best Play of 1995, Love! Valour! Compassion!, and Best Play of 1996, Master Class. Toby Zinman, a distinguished scholar and critic, has invited none respected authorities to write about McNally's work, and has included records of the long conversations she had with the playwright about his work, his love of opera, his ideas about acting and education, and life in general. Also included are two interviews she conducted with two of his leading actors: one with the legendary Zoe Caldwell, who played the even more legendary Maria Callas in Master Class, a performance that earned her the Tony Award for Best Actress in 1996, a role McNally wrote for her, and another with the great American comic actor, Nathan Lane, whom McNally considers his foremost interpreter.The collection moves chronologically, beginning with Howard Stein's essay on the promise of the plays of the first decade, through to Cary Mazer's essay on the diva in Master Class , a play about Maria Callas' master classes at Juilliard; that essay is preceded by an essay on those famous master classes by John Ardoin, the world's foremost authority on Maria Callas.In between there are two essays debating McNally's position as a gay playwright, one by John Clum and one by Steven Drukman, both centering on the firestorm of controversy generated by Love! Valour! Compassion! In addition, there is an essay on The Lisbon Traviata by Sam Abel which discusses the play's much-revised conclusion (to murder or not to murder) and another on McNally's screenplays of Frankie and Johnny in the Clair de Lune, and The Ritz, by Helen Buttel, a film critic. This is followed by Stephen Watt's examination of McNally as a postmodernist, using Lips Together, Teeth Apart as his focus, and Benilde Montgomery's essay on Indian myth as it informs McNally's play (soon to be a film) A Perfect Ganesh The volume also includes in its introduction the latest information on McNally's newest projects, an extensive bibliography, and a chronology of the playwright's career.
R 2,865.45
Conversations with Terrence McNally
Arriving in New York at the tail end of what has been termed the "Golden Age" of Broadway and the start of the Off Broadway theater movement, Terrence McNally (1938–2020) first established himself as a dramatist of the absurd and a biting social critic. He quickly recognized, however, that one is more likely to change people’s minds by first changing their hearts, and—in outrageous farces like The Ritz and It’s Only a Play—began using humor more broadly to challenge social biases. By the mid-1980s, as the emerging AIDS pandemic called into question America’s treatment of persons isolated by suffering and sickness, he became the theater’s great poet of compassion, dramatizing the urgent need of human connection and the consequences when such connections do not take place. Conversations with Terrence McNally collects nineteen interviews with the celebrated playwright. In these interviews, one hears McNally reflect on theater as the most collaborative of the arts, the economic pressures that drive the theater industry, the unique values of music and dance, and the changes in American theater over McNally’s fifty-plus year career. The winner of four competitive Tony Awards as the author of the Best Play (Love! Valour! Compassion! and Master Class) and author of the book for the Best Musical (Kiss of the Spider Woman and Ragtime), McNally holds the distinction of being one of the few writers for the American theater who excelled in straight drama as well as musical comedy. In addition, his canon extends to opera; his collaboration with composer Jake Heggie, Dead Man Walking, has proven the most successful new American opera of the last twenty-five years.
R 3,237.00
Who Shall Lead Them?
The clergy today faces mounting challenges in an increasingly secular world, where declining prestige makes it more difficult to attract the best and the brightest young Americans to the ministry. As Christian churches dramatically adapt to modern changes, some are asking whether there is a clergy crisis as well. Whatever the future of the clergy, the fate of millions of churchgoers also will be at stake. In Who Shall Lead Them?, prizewinning journalist Larry Witham takes the pulse of both the Protestant and Catholic ministry in America and provides a mixed diagnosis of the calling's health. Drawing on dozens of interviews with clergy, seminarians and laity, and using newly available survey data including the 2000 Census, Witham reveals the trends in a variety of traditions. While evangelicals are finding innovative paths to ministry, the Catholic priesthood faces a severeshortage. In mainline Protestantism, ministry as a second career has become a prominent feature. Ordination ages in the Episcopal and United Methodist churches average in the 40s today. The quest by female clergy to lead from the pulpit, meanwhile, has hit a "stained glass ceiling" as churches still prefer a man asthe principal minister. While deeply motivated by the mystery of their "call" to ministry, America's priests, pastors, and ministers are reassessing their roles in a world of new debates on leadership, morality, and the powers of the mass media. Who Shall Lead Them? offers a valuable snapshot of this contemporary clergy drama. It will be required reading for everyone concerned about the rapidly shifting ground of our churches and the health of religion in America.
R 1,347.56
Work of Terrence Malick
The Work of Terrence Malick: Time-Based Ecocinema develops a timely ecocinema approach to film analysis illuminated by Benjamin's notion of the turn of time. Current work on Malick's films emphasizes the spatial dynamics of his cinema, particularly as it pertains, from within a phenomenological framework, to the viewer's experience of films. This book redirects scholarly attention to the way Malick's directorial work shapes time and duration, laying new groundwork for the analysis of how films unsettle nature-culture binaries in modernity. The study performs this intervention through a rigorous engagement with Walter Benjamin's work on time, violence and technologies and the emergent figural approach to aesthetics in film studies. Each of these methods has important precedents in film studies and other fields. The combination of methods performed in this book contributes to understanding the relevance of a time-based approach to Malick's films and the practical implications of a time-based relation to history in contemporary ecocinema discourses.
R 6,652.69
Conversations with Terrence McNally
Arriving in New York at the tail end of what has been termed the "Golden Age" of Broadway and the start of the Off Broadway theater movement, Terrence McNally (1938–2020) first established himself as a dramatist of the absurd and a biting social critic. He quickly recognized, however, that one is more likely to change people’s minds by first changing their hearts, and—in outrageous farces like The Ritz and It’s Only a Play—began using humor more broadly to challenge social biases. By the mid-1980s, as the emerging AIDS pandemic called into question America’s treatment of persons isolated by suffering and sickness, he became the theater’s great poet of compassion, dramatizing the urgent need of human connection and the consequences when such connections do not take place. Conversations with Terrence McNally collects nineteen interviews with the celebrated playwright. In these interviews, one hears McNally reflect on theater as the most collaborative of the arts, the economic pressures that drive the theater industry, the unique values of music and dance, and the changes in American theater over McNally’s fifty-plus year career. The winner of four competitive Tony Awards as the author of the Best Play (Love! Valour! Compassion! and Master Class) and author of the book for the Best Musical (Kiss of the Spider Woman and Ragtime), McNally holds the distinction of being one of the few writers for the American theater who excelled in straight drama as well as musical comedy. In addition, his canon extends to opera; his collaboration with composer Jake Heggie, Dead Man Walking, has proven the most successful new American opera of the last twenty-five years.
R 883.00
Terrence McNally
This collection of essays and interviews is the first book about the drama of American playwright Terrence McNally; it examines his career to date (30-plus years), focusing particularly on the two plays for which McNally won Tony Awards for Best Play of 1995, Love! Valour! Compassion!, and Best Play of 1996, Master Class. Toby Zinman, a distinguished scholar and critic, has invited none respected authorities to write about McNally's work, and has included records of the long conversations she had with the playwright about his work, his love of opera, his ideas about acting and education, and life in general. Also included are two interviews she conducted with two of his leading actors: one with the legendary Zoe Caldwell, who played the even more legendary Maria Callas in Master Class, a performance that earned her the Tony Award for Best Actress in 1996, a role McNally wrote for her, and another with the great American comic actor, Nathan Lane, whom McNally considers his foremost interpreter.The collection moves chronologically, beginning with Howard Stein's essay on the promise of the plays of the first decade, through to Cary Mazer's essay on the diva in Master Class , a play about Maria Callas' master classes at Juilliard; that essay is preceded by an essay on those famous master classes by John Ardoin, the world's foremost authority on Maria Callas.In between there are two essays debating McNally's position as a gay playwright, one by John Clum and one by Steven Drukman, both centering on the firestorm of controversy generated by Love! Valour! Compassion! In addition, there is an essay on The Lisbon Traviata by Sam Abel which discusses the play's much-revised conclusion (to murder or not to murder) and another on McNally's screenplays of Frankie and Johnny in the Clair de Lune, and The Ritz, by Helen Buttel, a film critic. This is followed by Stephen Watt's examination of McNally as a postmodernist, using Lips Together, Teeth Apart as his focus, and Benilde Montgomery's essay on Indian myth as it informs McNally's play (soon to be a film) A Perfect Ganesh The volume also includes in its introduction the latest information on McNally's newest projects, an extensive bibliography, and a chronology of the playwright's career.
R 9,363.84
Where Darwin Meets the Bible
The conflict between creationists and evolutionists has raged ever since the publication of On the Origin of Species in 1859. And yet, even as generations of Americans have fought and re-fought the same battles, the contours of the debate have in recent years shifted dramatically. Tracking the dizzying rhetorical heights and opportunistic political lows of this controversy, Larry Witham travels to America's churches, schools, universities, museums, and government agencies to present creationists and evolutionists in their own unfiltered voices. We meet leading creationists and proponents of Intelligent Design such as Michael Behe; evolutionists such as Richard Dawkins; and theistic scientists who describe how they reconcile God and Nature. Today, Biblical literalism is tempered by the Intelligent Design movement, which finds evidence of God's presence in nature's patterns. The once-dominant "young earth" school has been replaced by a creationism that conscripts the language of science to advance the creationist cause. Meanwhile, evolutionary scientists hesitate to point out gaps in their theories for fear that such self-scrutiny could serve as fodder for anti-evolution propaganda. In an age marked both by a rising religious tide and daily scientific breakthroughs, Where Darwin Meets the Bible provides the standard account of this lasting conflict.
R 1,663.71
Terence
'A terrific read, bubbling with anecdotes and insight' Daily Mail, 2021's best biographies'Bayley, the author of books on style, design and taste, tells the Habitat story with his customary polycultural panache . . . [Mavity is] good at conveying the experience of being in a room with Conran' Sunday TimesTerence Conran, a visionary and a myopic. A design entrepreneur and imaginative restaurateur, he was a democratising idealist who was also a selfish hedonist. His influence is everywhere in modern Britain from where we live to what we eat. Terence: The Man Who Invented Design is the most definitive, intimate and revelatory biography of this design legend, by two of his closest collaborators, Roger Mavity and Stephen Bayley. Frank, amusing, indiscreet, sharp, rude, respectful and knowing, it tells Terence's story as it evolved, from before Habitat's humble chicken brick to Bibendum's sophisticated poulet de Bresse, via personal successes and corporate calamities, culminating in that peculiar temple to the religion he invented: The Design Museum. It celebrates Terence's genius and immeasurable impact on British life - and ensures his rightful status as national treasure. Terence: The Man Who Invented Design is the most candid, up-close insight into the man and myth.
R 773.00
Theater of Terrence McNally
Terrence McNally’s canon of plays, books for musicals and opera libretti possesses such a breadth of subject matter and diversity of dramatic modes that critics have had difficulty assessing his accomplishment. This book is the first critical study to identify the four major stages of McNally’s development in terms of his understanding of how theater helps the modern person trapped in a seemingly profane existence to find a gateway to the transcendent. Drawing upon such diverse religious thinkers as Martin Buber, Mircea Eliade, Ilia Delio and Carter Heyward, Frontain analyzes the evolution of McNally’s understanding of grace, not as a gift bestowed by an all-powerful deity upon a desperate soul, but as the unwarranted—and, thus, all the more unusual—“act of devotion” (McNally’s phrase) that one person performs for another. By seeking to foment community, most importantly at the height of the AIDS pandemic, McNally’s theater itself proves to be a channel of grace. McNally’s greatest success is shown to be the creation of a theater of empathy and compassion in contradistinction to Artaud’s “theater of cruelty” and Albee’s Americanization of the theater of the absurd.
R 4,414.00
Terrence Malick
Discusses Malick s films as individual objects, as a corpus, within contemporary film studies, and within a wider cultural discussion.
R 5,885.00
R 443.00
Work of Terrence Malick
The Work of Terrence Malick: Time-Based Ecocinema develops a timely ecocinema approach to film analysis illuminated by Benjamin's notion of the turn of time. Current work on Malick's films emphasizes the spatial dynamics of his cinema, particularly as it pertains, from within a phenomenological framework, to the viewer's experience of films. This book redirects scholarly attention to the way Malick's directorial work shapes time and duration, laying new groundwork for the analysis of how films unsettle nature-culture binaries in modernity. The study performs this intervention through a rigorous engagement with Walter Benjamin's work on time, violence and technologies and the emergent figural approach to aesthetics in film studies. Each of these methods has important precedents in film studies and other fields. The combination of methods performed in this book contributes to understanding the relevance of a time-based approach to Malick's films and the practical implications of a time-based relation to history in contemporary ecocinema discourses.
R 2,623.41
We Testify with Our Lives
Police killings of unarmed Black people have ignited a national and international response unlike any in decades. But differing from their civil rights-oriented predecessors, today’s activists do not think that the institutions and values of liberal democracy can eradicate structural racism. They draw instead on a Black radical tradition that, Terrence L. Johnson argues, derives its force from its unacknowledged ethical and religious dimensions.We Testify with Our Lives traces Black religion’s sustained influence from SNCC to the present, reconstructing a radical lived ethics of freedom and justice. Johnson demonstrates that Black Power fundamentally contests liberalism’s abstract understanding of democracy, calling instead for new embodied frameworks to achieve human flourishing and dignity. Black bodies represent the primary form of resistance against violent and oppressive regimes of white supremacy and exploitation, and the individual and collective struggles of Black life bear witness to the dogged determination to cultivate beauty, rage, and joy.Considering the writings of Audre Lorde, Toni Cade Bambara, Stokely Carmichael, Martin Luther King Jr., Malcolm X, and James Baldwin, We Testify with Our Lives makes its case through a new narrative of the evolution of Black radicalism from the civil rights movement through the Movement for Black Lives. It forges new insights into Black Power’s vital contributions to debates on ethics, transnational politics, democracy, political solidarity, and freedom—and its potent resources for the ongoing struggle to build democratic possibilities for all.
R 4,120.00
R 825.00
R 318.06
Us
THE NEW YORK TIMES BESTSELLER'The book that we all need' Esther Perel'A road map for all of us who seek true intimacy' Gwyneth Paltrow'A revolutionary guide to happy, thriving couplehood' Lori GottliebNot much is harder than figuring out how to love your partner in all their messy humanness-and there's also not much that's more important.At a time when toxic individualism is rending our society at every level, bestselling author and renowned marriage counsellor Terrence Real sees how it poisons intimate relationships in his therapy practice, where he works with couples on the brink of disaster. The good news: warmer, closer, more passionate relationships are possible if you have the right tools.In Us, Real shares his new science-backed skillset to transform your relationship into one that's based on compassion, collaboration and closeness. If you and your partner are backed into separate corners of 'you' and 'me', or feel like you are living 'alone together', this book will show you the way back to 'us'.
R 371.00
Reframing 1968
The first 50-year retrospective of the most tumultuous year the 1960s for activism and radical politicsThe assassinations of Martin Luther King Jr and Robert Kennedy. Gay rights, women's rights and civil rights. The Black Panthers and the Vietnam War. The New Left and the New Right. 1968 was a tumultuous year for US politics.50 years on, 'Reframing 1968' explores the historical, political and social legacy of 1968 in modern protest movements. The contributors look at how protest has changed in the US, from Students for a Democratic Society and the Civil Rights Movement in the late 1960s, to the Women's Movement in the 1970s, through to the contemporary visibility of the Tea Party and the Occupy movement.14 new interdisciplinary essays investigate the legacy of modern protest movements in the United StatesGives you a micro-history of 1968, framed within a broader historical and political understanding of modern protestSpans political trends, social movements, public figures, ideologies and cultural channelsContributorsStefan M. Bradley, Saint Louis University, Missouri, USA.Simon Hall, University of Leeds, UK.Martin Halliwell, University of Leicester, UK.Penny Lewis, City University of New York, USA.Daniel Matlin, King's College London, UK.Sharon Monteith, University of Nottingham, UK.Andrew Preston, University of Cambridge, UK.Doug Rossinow, University of Oslo, Norway.Elizabeth Tandy Shermer, Loyola University Chicago, USA.Stephen Tuck, University of Oxford, UK.Anne M. Valk, Williams College, Massachusetts, USA.Stephen J. Whitfield, Brandeis University, Massachusetts, USA.Nick Witham, Institute of the Americas, University College London, UK.
R 1,584.00
101 Contemporary Artists
101 Contemporary Artists Volume 1 features 101 of the most exciting contemporary artists from around the World. Curator Terrence Sanders-Smith has compiled a relevant and important survey of emerging and mid-career artists of the 21st century. 101 Contemporary Artists book has its finger on the pulse of the landscape of Contemporary Art. 101 Contemporary Artists is the go-to guide for collectors, curators, art professionals and enthusiasts interested in the now and next generation of Contemporary Art.
R 912.00
We Testify with Our Lives
Police killings of unarmed Black people have ignited a national and international response unlike any in decades. But differing from their civil rights-oriented predecessors, today’s activists do not think that the institutions and values of liberal democracy can eradicate structural racism. They draw instead on a Black radical tradition that, Terrence L. Johnson argues, derives its force from its unacknowledged ethical and religious dimensions.We Testify with Our Lives traces Black religion’s sustained influence from SNCC to the present, reconstructing a radical lived ethics of freedom and justice. Johnson demonstrates that Black Power fundamentally contests liberalism’s abstract understanding of democracy, calling instead for new embodied frameworks to achieve human flourishing and dignity. Black bodies represent the primary form of resistance against violent and oppressive regimes of white supremacy and exploitation, and the individual and collective struggles of Black life bear witness to the dogged determination to cultivate beauty, rage, and joy.Considering the writings of Audre Lorde, Toni Cade Bambara, Stokely Carmichael, Martin Luther King Jr., Malcolm X, and James Baldwin, We Testify with Our Lives makes its case through a new narrative of the evolution of Black radicalism from the civil rights movement through the Movement for Black Lives. It forges new insights into Black Power’s vital contributions to debates on ethics, transnational politics, democracy, political solidarity, and freedom—and its potent resources for the ongoing struggle to build democratic possibilities for all.
R 1,030.00
Terrence Malick
Terrence Malick's four feature films have been celebrated by critics and adored as instant classics among film aficionados, but the body of critical literature devoted to them has remained surprisingly small in comparison to Malick's stature in the world of contemporary film. Each of the essays in Terrence Malick: Film and Philosophy is grounded in film studies, philosophical inquiry, and the emerging field of scholarship that combines the two disciplines. Malick's films are also open to other angles, notably phenomenological, deconstructive, and Deleuzian approaches to film, all of which are evidenced in this collection. Terrence Malick: Film and Philosophy engages with Malick's body of work in distinct and independently significant ways: by looking at the tradition within which Malick works, the creative orientation of the filmmaker, and by discussing the ways in which criticism can illuminate these remarkable films.
R 1,558.00
Theater of Terrence McNally
Terrence McNally’s canon of plays, books for musicals and opera libretti possesses such a breadth of subject matter and diversity of dramatic modes that critics have had difficulty assessing his accomplishment. This book is the first critical study to identify the four major stages of McNally’s development in terms of his understanding of how theater helps the modern person trapped in a seemingly profane existence to find a gateway to the transcendent. Drawing upon such diverse religious thinkers as Martin Buber, Mircea Eliade, Ilia Delio and Carter Heyward, Frontain analyzes the evolution of McNally’s understanding of grace, not as a gift bestowed by an all-powerful deity upon a desperate soul, but as the unwarranted—and, thus, all the more unusual—“act of devotion” (McNally’s phrase) that one person performs for another. By seeking to foment community, most importantly at the height of the AIDS pandemic, McNally’s theater itself proves to be a channel of grace. McNally’s greatest success is shown to be the creation of a theater of empathy and compassion in contradistinction to Artaud’s “theater of cruelty” and Albee’s Americanization of the theater of the absurd.
R 1,470.00
R 397.00
Big Wild Soul of Terrence Cole
This collection of essays honors beloved Alaska historian Terrence Cole upon his retirement. Contributors include former students and colleagues whose personal and professional lives he has touched deeply. The pieces range from appreciative reflections on Cole's contributions in teaching, research, and service, to topics he encouraged his students to pursue, plus pieces he inspired directly or indirectly. It is an eclectic collection that spans the humanities and social sciences, each capturing aspects of the human experience in Alaska's vast and variable landscape. Together the essays offer readers complementary perspectives that will delight Cole's many fans--and gain him new ones.
R 624.00
R 456.00
