Search results for "Tim Doherty"
Items we need to order for you
This Breathtaking World: Around the World by Bicycle 1997 - 1999
In the summer of 1997, Tim Doherty set off alone on a daunting round-the-world cycle tour, which turned out to be even more awe-inspiring than he could have hoped. For this book, he has taken the most fascinating and humorous experiences from his diaries and woven them together into a collection of true short-stories. With many beautiful photographs, sketches and maps, "This Breathtaking World" is a vivid and very personal account of life on the road. The title has a double-meaning, as the author is a chronic asthma sufferer. Tim encountered many problems, but the varied cultures and fantastic scenery along the way were his daily rewards. What remains with him most, however, is his impression of the people in each of the countries he cycled across; their remarkable generosity and hospitality. Tim completed his tour successfully, finishing up in his home town of Sheffield, England, more than two years after he'd cycled off from there, having pedalled a total of 21,688 miles.
R 744.00
R 251.00
R 704.00
R 495.00
R 458.00
R 495.00
R 495.00
R 495.00
R 521.00
R 205.00
R 678.00
R 205.00
R 311.00
R 495.00
R 580.00
R 458.00
R 495.00
Cold War, Cool Medium
Conventional wisdom holds that television was a co-conspirator in the repressions of Cold War America, that it was a facilitator to the blacklist and handmaiden to McCarthyism. But Thomas Doherty argues that, through the influence of television, America actually became a more open and tolerant place. Although many books have been written about this period, Cold War, Cool Medium is the only one to examine it through the lens of television programming. To the unjaded viewership of Cold War America, the television set was not a harbinger of intellectual degradation and moral decay, but a thrilling new household appliance capable of bringing the wonders of the world directly into the home. The "cool medium" permeated the lives of every American, quickly becoming one of the most powerful cultural forces of the twentieth century. While television has frequently been blamed for spurring the rise of Senator Joseph McCarthy, it was also the national stage upon which America witnessed-and ultimately welcomed-his downfall.In this provocative and nuanced cultural history, Doherty chronicles some of the most fascinating and ideologically charged episodes in television history: the warm-hearted Jewish sitcom The Goldbergs; the subversive threat from I Love Lucy; the sermons of Fulton J. Sheen on Life Is Worth Living; the anticommunist series I Led 3 Lives; the legendary jousts between Edward R. Murrow and Joseph McCarthy on See It Now; and the hypnotic, 188-hour political spectacle that was the Army-McCarthy hearings. By rerunning the programs, freezing the frames, and reading between the lines, Cold War, Cool Medium paints a picture of Cold War America that belies many black-and-white cliches. Doherty not only details how the blacklist operated within the television industry but also how the shows themselves struggled to defy it, arguing that television was preprogrammed to reinforce the very freedoms that McCarthyism attempted to curtail.
R 4,120.00
When Elves Attack
Few can give with the generosity and creativity of bighearted psychopath Serge Storms. Like Santa, Serge knows who's been naughty and who's been nice. As December 24 rolls around, he is to be found filling up the Serge sleigh with an unforgettable bag of presents.Dorsey offers the perfect antidote for all those sappy feel-good holiday stories with this zany blockbuster extravaganza in which his wonderfully deranged local historian-serial killer delivers his special brand of Christmas cheer.More outrageous than Santa Claus in a Speedo, When Elves Attack serves up a Yuletide feast of the “pure gonzo humor” the New York Times Book Review enthusiastically attributes to this fearlessly funny writer.Welcome to Tim Dorsey’s slice of America – where nobody gets out unscathed and un-Santa-Claused!What people are saying about Serge Storms:“Over-the-top, off-the-wall, too-much-is-never-enough, Florida insanity was never described so authentically and with such enthusiasm.”“Humor really doesn't get better than this. Dorsey has a style all to his own that is simply not replicated anywhere.”“Serge and Coleman are a match made in heaven and I am still laughing … truly a great read and I can't wait to delve into more of Dorsey's work.”“This is Pulp Fiction on steroids with an acid tab chaser. There is insanity on every page and every page is a good time. Twists and turns, and some of the most creative homicidal mayhem I have ever read.”“… for pure pleasure and entertainment you just can't beat the maniacal style of the Serge Storm series.”Editorial reviews:“Hilarious. ... Serge Storms is, hands down, one of the most original and just-plain-captivating characters in modern crime fiction.” Booklist“Entertaining … funny … irreverent and loving at the same time … [Dorsey] leaves the reader gasping for breath.” Washington Post Book World“The characters in Tim Dorsey’s raucous novel would be shot on sight in any other state.” The New York Times Book Review“Excellent … I almost exploded with laughter as I read Dorsey’s novel. It’s manic, hysterical, and puts Dorsey well up there with the cream of comic writers who seem to have made Florida the centre for satirizing America in the 21st century.” Independent“Twisted hilarity … a compelling page-turner … Tim Dorsey is one sick bunny.” Belfast News Letter
R 247.00
Show Trial
In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door—or had it shut in their faces.In Show Trial, Thomas Doherty takes us behind the scenes at the first full-on media-political spectacle of the postwar era. He details the theatrical elements of a proceeding that bridged the realms of entertainment and politics, a courtroom drama starring glamorous actors, colorful moguls, on-the-make congressmen, high-priced lawyers, single-minded investigators, and recalcitrant screenwriters, all recorded by newsreel cameras and broadcast over radio. Doherty tells the story of the Hollywood Ten and the other witnesses, friendly and unfriendly, who testified, and chronicles the implementation of the postwar blacklist. Show Trial is a rich, character-driven inquiry into how the HUAC hearings ignited the anti-Communist crackdown in Hollywood, providing a gripping cultural history of one of the most transformative events of the postwar era.
R 3,825.00
Nuclear Jellyfish
"Dorsey's brilliantly, profanely funny 11th novel...zips along like P.G. Wodehouse's best work." --Richmond Times-Dispatch Tim Dorsey's outrageously zany, gleefully violent, and uproariously funny Nuclear Jellyfish marks the triumphant return of lovable, thrill-killing Florida historian and tireless civic booster Serge A. Storms. The bestselling author of Atomic Lobster, Triggerfish Twist, and Florida Roadkill, Dorsey can match Carl Hiaasen punch-for-punch when it comes to fictionally depicting Sunshine State madness--and he's taken his rightful place alongside Christopher Moore in the pantheon of top American humorists. Nuclear Jellyfish is a veritable WMD of radioactive hilarity--as Denver's Rocky Mountain News so aptly puts it, "It doesn't get any better."
R 495.00
Atomic Lobster
Hunter S. Thomson meets Carl Hiaasen meets the Marx Brothers meets...well, what's the point in making comparisons? There's nothing quite like Tim Dorsey. "Atomic Lobster" takes the series to new heights (lows) as Dorsey's legendary 'hero' Serge A. Storms and sidekick Coleman take a cruise like no other. Aboard the SS Serendipity oversexed retirees prowl the decks; drug cartels ferry cocaine in souvenirs; grandmothers are unsuspecting drug mules; and when not bellied up to the bar, Serge and Coleman leave bodies bobbing in their wake in oh-so creative ways. Also, Serge becomes a mentor to a 'Non-Confrontational Anonymous' group, a fugitive murderer named Tex is on the loose, the Feds are on Coleman's tail, ...in other words Tim Dorsey is in top form.
R 205.00
How Film Became History
By the 1930s, filmmakers had access to a backlog of footage from around thirty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history.Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era’s restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton’s The Film Parade (1933), Laurence Stallings and Truman Talley’s The First World War (1934), Cornelius Vanderbilt Jr.’s Hitler’s Reign of Terror (1934), Max Eastman and Herbert Axelbank’s Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past.
R 3,237.00
R 1,527.00
Tropic of Stupid
Serge Storms is a lover of history, so he's decided to investigate his own using one of those DNA services. Excited to construct a family tree, he and his perpetually stoned friend Coleman hit the road in Florida to meet his kin.But as the old saying goes, the apple doesn't fall far... Serge is thrilled to discover he may be related to a notorious serial killer who's terrorized the state for twenty years and never been caught. Which one of his newfound relatives will be the one to help him hunt down this deranged maniac? Serge doesn't know that a dogged investigator from the Florida Department of Law Enforcement is also hot on the trail.Then Serge meets a park ranger who's also longing to make a family re-connection. But all is not as it appears on the surface, and Serge's newfound friendship in the mysterious swamps of Florida may lead to deadly results.Finding his own relatives has made Serge understand the importance of family. Of course he'll do anything to help...What people are saying about Serge Storms: "Over-the-top, off-the-wall, too-much-is-never-enough, Florida insanity was never described so authentically and with such enthusiasm.""Humor really doesn't get better than this. Dorsey has a style all to his own that is simply not replicated anywhere.""Serge and Coleman are a match made in heaven and I am still laughing ... truly a great read and I can't wait to delve into more of Dorsey's work.""This is Pulp Fiction on steroids with an acid tab chaser. There is insanity on every page and every page is a good time. Twists and turns, and some of the most creative homicidal mayhem I have ever read.""... for pure pleasure and entertainment you just can't beat the maniacal style of the Serge Storm series."Editorial reviews: "Hilarious. ... Serge Storms is, hands down, one of the most original and just-plain-captivating characters in modern crime fiction." Booklist"Entertaining ... funny ... irreverent and loving at the same time ... [Dorsey] leaves the reader gasping for breath." Washington Post Book World"The characters in Tim Dorsey's raucous novel would be shot on sight in any other state." The New York Times Book Review"Excellent ... I almost exploded with laughter as I read Dorsey's novel. It's manic, hysterical, and puts Dorsey well up there with the cream of comic writers who seem to have made Florida the centre for satirizing America in the 21st century." Independent"Twisted hilarity ... a compelling page-turner ... Tim Dorsey is one sick bunny." Belfast News Letter
R 457.32
Cold War, Cool Medium
Conventional wisdom holds that television was a co-conspirator in the repressions of Cold War America, that it was a facilitator to the blacklist and handmaiden to McCarthyism. But Thomas Doherty argues that, through the influence of television, America actually became a more open and tolerant place. Although many books have been written about this period, Cold War, Cool Medium is the only one to examine it through the lens of television programming. To the unjaded viewership of Cold War America, the television set was not a harbinger of intellectual degradation and moral decay, but a thrilling new household appliance capable of bringing the wonders of the world directly into the home. The "cool medium" permeated the lives of every American, quickly becoming one of the most powerful cultural forces of the twentieth century. While television has frequently been blamed for spurring the rise of Senator Joseph McCarthy, it was also the national stage upon which America witnessed-and ultimately welcomed-his downfall.In this provocative and nuanced cultural history, Doherty chronicles some of the most fascinating and ideologically charged episodes in television history: the warm-hearted Jewish sitcom The Goldbergs; the subversive threat from I Love Lucy; the sermons of Fulton J. Sheen on Life Is Worth Living; the anticommunist series I Led 3 Lives; the legendary jousts between Edward R. Murrow and Joseph McCarthy on See It Now; and the hypnotic, 188-hour political spectacle that was the Army-McCarthy hearings. By rerunning the programs, freezing the frames, and reading between the lines, Cold War, Cool Medium paints a picture of Cold War America that belies many black-and-white cliches. Doherty not only details how the blacklist operated within the television industry but also how the shows themselves struggled to defy it, arguing that television was preprogrammed to reinforce the very freedoms that McCarthyism attempted to curtail.
R 1,030.00
How Film Became History
By the 1930s, filmmakers had access to a backlog of footage from around thirty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history.Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era’s restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton’s The Film Parade (1933), Laurence Stallings and Truman Talley’s The First World War (1934), Cornelius Vanderbilt Jr.’s Hitler’s Reign of Terror (1934), Max Eastman and Herbert Axelbank’s Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past.
R 824.00
Likely Lad
Peter Doherty's is the last of the great rock 'n' roll stories - bad boy and public enemy. To his devoted fans, he is a cult hero, a modern-day Rimbaud. Musically, he has defined the past twenty years of indie rock with his sound, lyrics, lifestyle and aesthetic. Since The Libertines rose to international fame, Doherty has proved endlessly fascinating. A whirlwind of controversy and scandal has tailed him ever since the early 2000s, so much so that all too often his talents as a songwriter and performer have been overlooked; for every award and accolade, there is a scathing review. Hard drugs, tiny gigs on the hoof, huge stadium shows, collaborations, obliterations, gangsters and groupies - Doherty has led a life of huge highs and incredible lows. With his wildest days behind him, Doherty candidly explores - with sober and sometimes painful insight - some of his greatest and darkest moments, taking us inside the creative process, decadent parties, substance-fuelled nights, his time in prison and tendency for self-destruction. With his trademark wit and humour, Doherty also details his childhood years, key influences, pre-fame London shenanigans, and reflects on his era-defining relationship with Libertines co-founder Carl Barât and other significant people in his life. There is humour, warmth, insight, baleful reflection and a defiant sense of triumph. A Likely Lad is Doherty's version of the story - the genuine man behind the fame and infamy. This is a rock memoir like no other.
R 402.00
R 611.00
R 495.00
R 414.00
R 2,357.71
R 495.00
R 367.00
R 458.00
R 671.32
R 651.00
Show Trial
In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door—or had it shut in their faces.In Show Trial, Thomas Doherty takes us behind the scenes at the first full-on media-political spectacle of the postwar era. He details the theatrical elements of a proceeding that bridged the realms of entertainment and politics, a courtroom drama starring glamorous actors, colorful moguls, on-the-make congressmen, high-priced lawyers, single-minded investigators, and recalcitrant screenwriters, all recorded by newsreel cameras and broadcast over radio. Doherty tells the story of the Hollywood Ten and the other witnesses, friendly and unfriendly, who testified, and chronicles the implementation of the postwar blacklist. Show Trial is a rich, character-driven inquiry into how the HUAC hearings ignited the anti-Communist crackdown in Hollywood, providing a gripping cultural history of one of the most transformative events of the postwar era.
R 942.00
R 650.00
R 519.00
R 678.00
R 261.00
R 645.53
Little Lindy Is Kidnapped
The biggest crime story in American history began on the night of March 1, 1932, when the twenty-month-old son of Charles and Anne Lindbergh was snatched from his crib in Hopewell, New Jersey. The news shocked a nation enthralled with the aviator, the first person to fly solo nonstop across the Atlantic. American law enforcement marshalled all its resources to return “Little Lindy” to the arms of his parents—and perhaps even more energized were the legions of journalists catering to a public whose appetite for Lindbergh news was insatiable.In Little Lindy Is Kidnapped, Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh’s ascent to fame and proceeding through the trial and execution of the accused kidnapper, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.” He casts the affair as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the template for the way the media would treat breaking news ever after. An engrossing account of an endlessly fascinating case, Little Lindy Is Kidnapped sheds new light on an enduring quality of journalism ever since: the media’s eye on a crucial part of the story—itself.
R 2,280.00
R 165.00
Pre-Code Hollywood
Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films-a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema-but the moral terrain is so off-kilter that they seem imported from a parallel universe. In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded-in sum, pretty much the raw stuff of American culture, unvarnished and unveiled.No other book has yet sought to interpret the films and film-related meanings of the pre-Code era-what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression...and afterward.
R 615.00
