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Introduction To Linear Optimization
The book presents a graduate level, rigorous, and self-contained introduction to linear optimization (LO), the presented topics being
R 6,165.17

Introduction To Linear Optimization
The book presents a graduate level, rigorous, and self-contained introduction to linear optimization (LO), the presented topics being
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Robust Optimization
Robust optimization is still a relatively new approach to optimization problems affected by uncertainty, but it has already proved so useful in real applications that it is difficult to tackle such problems today without considering this powerful methodology. Written by the principal developers of robust optimization, and describing the main achievements of a decade of research, this is the first book to provide a comprehensive and up-to-date account of the subject. Robust optimization is designed to meet some major challenges associated with uncertainty-affected optimization problems: to operate under lack of full information on the nature of uncertainty; to model the problem in a form that can be solved efficiently; and to provide guarantees about the performance of the solution. The book starts with a relatively simple treatment of uncertain linear programming, proceeding with a deep analysis of the interconnections between the construction of appropriate uncertainty sets and the classical chance constraints (probabilistic) approach.It then develops the robust optimization theory for uncertain conic quadratic and semidefinite optimization problems and dynamic (multistage) problems. The theory is supported by numerous examples and computational illustrations. An essential book for anyone working on optimization and decision making under uncertainty, Robust Optimization also makes an ideal graduate textbook on the subject.
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Vladimir Nemirovich-Danchenko and the Moscow Art Theatre
This is an authorized translation of Nemirovich-Danchenko (Moscow, 1979) by Inna Solovyova, historian, author, and senior researcher of the Moscow Art Theatre Archives.Untranslated before now, it is the only comprehensive account of the life and work of Vladimir Nemirovich-Danchenko (1858–1943), co-founder with Konstantin Stanislavsky of the Moscow Art Theatre and one of the pioneers of the art of directing. Nemirovich-Danchenko was one of the few prominent theatre practitioners who lived and worked from Russia’s Tsarist period through the inception and consolidation of its Soviet period. Thus, it is also a story about the development of Russian society and culture during the last half of the nineteenth century and the Soviet half of the twentieth century. Additionally, it explores the Moscow Art Theatre’s interpretive and production work on the plays of Chekhov, Shakespeare, Ibsen, Dostoevsky, Leo Tolstoy, Maxim Gorky, and many others. The central theme of the book focuses on the contingent dialectical relationship between artists and their changing socio-political realities.The author’s narrative is stylistically informal and based on archival documents, most of which are referenced here for the first time in English and will be of great interest to students and scholars in theatre and performance studies.
R 9,314.53

Vladimir Nemirovich-Danchenko and the Moscow Art Theatre
This is an authorized translation of Nemirovich-Danchenko (Moscow, 1979) by Inna Solovyova, historian, author, and senior researcher of the Moscow Art Theatre Archives.Untranslated before now, it is the only comprehensive account of the life and work of Vladimir Nemirovich-Danchenko (1858–1943), co-founder with Konstantin Stanislavsky of the Moscow Art Theatre and one of the pioneers of the art of directing. Nemirovich-Danchenko was one of the few prominent theatre practitioners who lived and worked from Russia’s Tsarist period through the inception and consolidation of its Soviet period. Thus, it is also a story about the development of Russian society and culture during the last half of the nineteenth century and the Soviet half of the twentieth century. Additionally, it explores the Moscow Art Theatre’s interpretive and production work on the plays of Chekhov, Shakespeare, Ibsen, Dostoevsky, Leo Tolstoy, Maxim Gorky, and many others. The central theme of the book focuses on the contingent dialectical relationship between artists and their changing socio-political realities.The author’s narrative is stylistically informal and based on archival documents, most of which are referenced here for the first time in English and will be of great interest to students and scholars in theatre and performance studies.
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Political Biography of Arkadij Maslow, 1891-1941
This book is a political biography of Arkadij Maksimovich Maslow (1891-1941), a German Communist politician and later a dissident and opponent to Stalin. Together with his political and common-law marriage partner, Ruth Fischer, Maslow briefly led the Communist Party of Germany, the KPD, and brought about its submission to Moscow. Afterwards Fischer and Maslow were removed from the KPD leadership in the fall of 1925 and expelled from the party a year later. Henceforth they both lived as communist outsiders—persecuted by both Hitler and Stalin. Maslow escaped to Cuba via France and Portugal and was murdered under dubious circumstances in Havana in November 1941. He died as a communist dissident committed to the cause of a radical-socialist labor movement that lay in ruins. Kessler considers Maslow's role in pivotal events such as the Bolshevik Revolution, in Soviet revolutionary parties and organizations, through to the rise of Stalinism and Cold War anti-communism. What results is a deep dive into the life of a key yet understudied figure in dissident communism.
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In Hollywood with Nemirovich-Danchenko 1926-1927
Sergei Bertensson's diary of his trip to Hollywood with Russian theatre great Nemirovich-Danchenko is a unique record of an extraordinary and under-documented chapter in film and theatre history. For a year Bertensson followed his employer as he met with directors, producers, and stars, forever discussing projects that would never be realized. Some of the leading figures in Hollywood history appear in this record, including Charlie Chaplin, Douglas Fairbanks, Mary Pickford, and John Barrymore. Bertensson's observations of life in Hollywood on the eve of the talkies revolution provide us with a compelling snapshot of movie history in the making, seen from the unusual perspective of an outsider.
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Finding Nemon
Oscar Nemon, (born Oscar Neumann, 1906–85), is one of the twentieth century’s greatest sculptors, as testified by his iconic portraits of elder statesmen and major figures displayed all over the world. He was a flamboyant personality who charmed those who came in contact with him, including towering figures such as Winston Churchill, Sigmund Freud, Queen Elizabeth II and countless politicians and celebrities, as well as a host of adoring women. His eldest daughter Aurelia has gone in search of this often infuriating yet charismatic man and reveals the stories behind his artistic and personal encounters with presidents, prime ministers, royalty and others. She chronicles her father’s life from humble origins in the city of Osijek, Croatia to his flight from the Nazis due to his Jewish background and his eventual arrival in southern England, where he made a new life and career for himself with his British wife Patricia.This is an intimate biography of an artist, husband and father complemented by a wealth of fascinating illustrations and anecdotal stories. Nemon's achievements were great and his legacy immense, making Finding Nemon a tribute by his daughter which draws the man out from the shadow of his remarkable body of work.
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Andrei Tarkovsky
Andrei Tarkovsky died in a Paris hospital in 1986, aged just 54. An internationally acclaimed icon of the film industry, the legacy Tarkovsky left for his fans included Andrei Rublev, Stalker, Nostalgia and a host of other brilliant works. In the Soviet Union, however, Tarkovsky was a persona non grata. Longing to be accepted in his homeland, Tarkovsky distanced himself from all forms of political and social engagement, yet endured one fiasco after another in his relations with the Soviet regime. The Soviet authorities regarded the law-abiding, ideologically moderate Tarkovsky as an outsider and a nuisance, due to his impenetrable personal nature. The documentary novel Andrei Tarkovsy: A Life on the Cross provides a unique insight into the life of the infamous film director and a man whose life was by no means free of unedifying behaviour and errors of judgement. Lyudmila Boyadzhieva sets out to reveal his innate talent, and explain why the cost of such talent can sometimes be life itself. Featuring profound comments on history and cinema as an accompaniment to the text, Andrei Tarkovsy: A Life on the Cross enables readers to step into Tarkovsky's shoes as he put together his masterpieces, seeking ways to solve his artistic dilemmas and overcome the obstacles that the Soviet regime put in his way.
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Cinema of Alexander Sokurov
Alexander Sokurov's 'Russian Ark' is generally acclaimed as a milestone in cinematography. In this film Sokurov reversed the idea of montage, creating instead the sensation of an uninterrupted flow of time encompassing three centuries of Russia's cultural history through a single, 90-minute take. Yet this film is but one milestone in the work of this versatile director. Since the 1990s, Sokurov's films have had international recognition at film festivals and through foreign distribution. In this, the first English-language book to cover Sokurov's full oeuvre, leading scholars on Sokurov unravel his work on documentaries; his early films and literary adaptations; his trilogy on leaders focussing on the decaying body; his films on passing youth and approaching age; and, of course, 'Russian Ark'. The book also provides samples of the major Russian-language studies of Sokurov's films to provide the reader with an insight into Russian approaches to Sokurov.
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Russian Criminal Tattoo Archive
The Russian Criminal Tattoo Archive presents highlights from FUEL’s singular collection of authentic material on this subject. Previously unpublished in its original form, this work comprises ink on paper drawings by Danzig Baldaev, the photographic albums of Arkady Bronnikov and prisoner portraits by Sergei Vasiliev. The selection is contextualised with insights from Mark Vincent PhD (author and academic specialising in the Soviet Gulag) and Alison Nordström (photography scholar, writer and curator). The meticulous depictions of tattoos by prison guard Danzig Baldaev are reproduced in facsimile, authenticated by his signature and stamp, alongside his handwritten notes on the reverse. The paper has yellowed with age, giving the exquisite drawings a visceral temporality – almost like skin. Sergei Vasiliev’s photographs portray inmates in startling intimacy. He achieves a remarkable level of trust within the closed criminal society, a strict hierarchy, where outsiders are viewed with hostile suspicion. Arkady Bronnikov’s collection of photographs are shown in the albums in which they were collected. Used exclusively to aid police in their investigations, they depict a motley line-up of assorted body parts. This unique book is the only publication of primary material on this subject, highlighting the pioneering methods of these three individuals used to document this unique phenomenon.
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