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Soul of Anime
In The Soul of Anime, Ian Condry explores the emergence of anime, Japanese animated film and television, as a global cultural phenomenon. Drawing on ethnographic research, including interviews with artists at some of Tokyo's leading animation studios—such as Madhouse, Gonzo, Aniplex, and Studio Ghibli—Condry discusses how anime's fictional characters and worlds become platforms for collaborative creativity. He argues that the global success of Japanese animation has grown out of a collective social energy that operates across industries—including those that produce film, television, manga (comic books), and toys and other licensed merchandise—and connects fans to the creators of anime. For Condry, this collective social energy is the soul of anime.
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Hip-Hop Japan
In this lively ethnography Ian Condry interprets Japan’s vibrant hip-hop scene, explaining how a music and culture that originated halfway around the world is appropriated and remade in Tokyo clubs and recording studios. Illuminating different aspects of Japanese hip-hop, Condry chronicles how self-described “yellow B-Boys” express their devotion to “black culture,” how they combine the figure of the samurai with American rapping techniques and gangsta imagery, and how underground artists compete with pop icons to define “real” Japanese hip-hop. He discusses how rappers manipulate the Japanese language to achieve rhyme and rhythmic flow and how Japan’s female rappers struggle to find a place in a male-dominated genre. Condry pays particular attention to the messages of emcees, considering how their raps take on subjects including Japan’s education system, its sex industry, teenage bullying victims turned schoolyard murderers, and even America’s handling of the war on terror.Condry attended more than 120 hip-hop performances in clubs in and around Tokyo, sat in on dozens of studio recording sessions, and interviewed rappers, music company executives, music store owners, and journalists. Situating the voices of Japanese artists in the specific nightclubs where hip-hop is performed—what musicians and fans call the genba (actual site) of the scene—he draws attention to the collaborative, improvisatory character of cultural globalization. He contends that it was the pull of grassroots connections and individual performers rather than the push of big media corporations that initially energized and popularized hip-hop in Japan. Zeebra, DJ Krush, Crazy-A, Rhymester, and a host of other artists created Japanese rap, one performance at a time.
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Psychology of Television
This volume addresses the content of television -- both programs and advertisements -- and the psychological effects of the content on the audience. The author not only reports new research, but explains its practical applications without jargon. Issues are discussed and described in terms of psychological mechanisms and causal routes of influence. While primarily referring to the American television industry and American governmental regulations, the psychological principles discussed are applicable to television viewers world wide.
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Families Shamed
This book examines the experiences of relatives of those accused or convicted of serious crimes such as murder, manslaughter, rape and sex offences. A broader literature exists on prisoners' families, but few studies have looked specifically at those related to serious offenders, or considered their experience other than as prison visitors. Many of the difficulties faced by 'mundane' prisoners' families are magnified for the relatives of serious offenders, first by the length of sentence, and secondly by the seriousness and stigmatizing impact through association of the offence itself. Families Shamed draws upon intense qualitative research which combines long, searching interviews with the relatives of serious offenders with ethnographic fieldwork over a period of several years. The book focuses on how relatives made sense of their experiences, individually and collectively: how they described the difficulties they faced; whether they were blamed and shamed and in what manner; how they understood the offence and the circumstances which had brought it about; and how they dealt with the contradiction inherent in supporting someone and yet not condoning his or her actions. This is the first book to tell the story of serious offenders' families, the difficulties they face, and their attempts to overcome them. At the same time a focus on offenders' families also draws our attention to the ways in which women are affected by crime, illuminating the broader effects of crime and the criminal justice process on the proportionately greater number of women involved. It contributes also to wider debates about the social organization of the meanings of crime, and questions the tenability of some core policy assumptions about offenders and their families; the relationship between the state and the family, and its bearing especially on expectations about family responsibilities.
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Families Shamed
This book examines the experiences of relatives of those accused or convicted of serious crimes such as murder, manslaughter, rape and sex offences. A broader literature exists on prisoners' families, but few studies have looked specifically at those related to serious offenders, or considered their experience other than as prison visitors. Many of the difficulties faced by 'mundane' prisoners' families are magnified for the relatives of serious offenders, first by the length of sentence, and secondly by the seriousness and stigmatizing impact through association of the offence itself. Families Shamed draws upon intense qualitative research which combines long, searching interviews with the relatives of serious offenders with ethnographic fieldwork over a period of several years. The book focuses on how relatives made sense of their experiences, individually and collectively: how they described the difficulties they faced; whether they were blamed and shamed and in what manner; how they understood the offence and the circumstances which had brought it about; and how they dealt with the contradiction inherent in supporting someone and yet not condoning his or her actions. This is the first book to tell the story of serious offenders' families, the difficulties they face, and their attempts to overcome them. At the same time a focus on offenders' families also draws our attention to the ways in which women are affected by crime, illuminating the broader effects of crime and the criminal justice process on the proportionately greater number of women involved. It contributes also to wider debates about the social organization of the meanings of crime, and questions the tenability of some core policy assumptions about offenders and their families; the relationship between the state and the family, and its bearing especially on expectations about family responsibilities.
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