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J. G. Farrell
When it was originally published in 1986, this book was the first full-length study of Farrell’s fiction. Ronald Binns provides a comprehensive account of the development of this idiosyncratic Anglo-Irish novelist’s career. Farrell’s Empire trilogy was one of the most ambitious literary projects of the 20th Century and Binns examines in detail its component parts – Troubles, The Siege of Krishnapur and The Singapore Grip – showing their structural links and discussing Farrell’s use both of historical materials and of parody, pastiche and symbol in his ironic vision of the end of the empire.
R 3,599.11
J. G. Farrell
When it was originally published in 1986, this book was the first full-length study of Farrell’s fiction. Ronald Binns provides a comprehensive account of the development of this idiosyncratic Anglo-Irish novelist’s career. Farrell’s Empire trilogy was one of the most ambitious literary projects of the 20th Century and Binns examines in detail its component parts – Troubles, The Siege of Krishnapur and The Singapore Grip – showing their structural links and discussing Farrell’s use both of historical materials and of parody, pastiche and symbol in his ironic vision of the end of the empire.
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J.G. Farrell
J.G. Farrell’s Empire Trilogy (1970-78) was one of the major achievements of post-war fiction and inspired new generation of writers keen to explore the legacy of the Empire and the emerging postcolonial spaces created in its wake. This new, invigorating and accessible study excitingly explores the substance and significance of the Empire Trilogy and assesses its damning and influential critique of British colonial rule. Rather than positioning him at the end of a tradition of nostalgic Empire writing, John McLeod shows how Farrell’s novels attempt to satirise the perspectives of those who served the Empire and were caught up in its decline. McLeod also explores Farrell’s intriguing early fiction, as well as his unfinished posthumously-published novel, and accounts for his changing critical legacy since his premature death in 1980, aged 44. This insightful study will stimulate both new and established readers of a much beloved and missed novelist.
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High Cheekbones, Pouty Lips, Tight Jeans
Film reviews from the pages of The Advocate by Alan F. Farrell. By special arrangement with the author, third and expanded edition.This is a collection of reviews written as durable and significant essays, not as newspaper fillers. They are artful and re-readable, funny and highly memorable social-cultural commentary, not plot-description and pro-Studio puff-pieces.Nominated for the 2006 Library of Virginia Literary Awards in Nonfiction
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Singapore Grip
NOW A MAJOR ITV DRAMA, THE SINGAPORE GRIP IS A MODERN CLASSIC FROM THE BOOKER-PRIZE WINNING J.G. FARRELL'Brilliant, richly absurd, melancholy' Observer'Enjoyable on many different levels' Sunday Times'One of the most outstanding novelists of his generation' SpectatorSingapore, 1939: Walter Blackett, ruthless rubber merchant, is head of British Singapore's oldest and most powerful firm. And his family's prosperous world of tennis parties, cocktails and deferential servants seems unchanging. No one suspects it - but this world is poised on the edge of the abyss. This is the eve of the Fall of Singapore.A love story and a war story, a tragicomic tale of a city under siege and a dying way of life, The Singapore Grip is a modern classic.'A narrative of exceptional imagination and scope' Newsweek'A fine piece of work, informative, funny tragic. One of those novels that present a whole world for the reader to inhabit' Margaret Drabble'No writer has swallowed all of Singapore with the verve and wit of the late J.G. Farrell' Time'His brilliant of style places him beside such masters of the modern novel as Patrick White and Saul Bellow' Olivia Manning
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Utopian Dilemma in the Western Political Imagination
In this volume, John Farrell shows that political utopias—societies with laws and customs designed to short-circuit the foibles of human nature for the benefit of our collective existence—have a perennial opponent, the honor-based culture of aristocracy that dominated most of the world from ancient times into early modernity and whose status-based competitive psychology persists to the present day. While utopias aim at equality, the heroic imperative defends the need for personal and collective dignity. It asks the utopian, Do we really want to live in a world without struggle, without heroes, and without the stories they create? Because the utopian dilemma pits essential values against each other—equity versus freedom, dignity versus justice—few who confront it can simply take sides. Rather, the dilemma itself has been a generative stimulus for classic authors from Plato and Thomas More to George Orwell and Aldous Huxley. Farrell follows their struggles with the utopian dilemma and with each other, providing a deepened understanding of the moral and emotional dynamics of the western political imagination.
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Juno's Aeneid
A major new interpretation of Vergil's epic poem as a struggle between two incompatible versions of the Homeric heroThis compelling book offers an entirely new way of understanding the Aeneid. Many scholars regard Vergil's poem as an attempt to combine Homer’s Iliad and Odyssey into a single epic. Joseph Farrell challenges this view, revealing how the Aeneid stages an epic contest to determine which kind of story it will tell—and what kind of hero Aeneas will be.Farrell shows how this contest is provoked by the transgressive goddess Juno, who challenges Vergil for the soul of his hero and poem. Her goal is to transform the poem into an Iliad of continuous Trojan persecution instead of an Odyssey of successful homecoming. Farrell discusses how ancient critics considered the flexible Odysseus the model of a good leader but censured the hero of the Iliad, the intransigent Achilles, as a bad one. He describes how the battle over which kind of leader Aeneas will prove to be continues throughout the poem, and explores how this struggle reflects in very different ways on the ethical legitimacy of Rome’s emperor, Caesar Augustus.By reframing the Aeneid in this way, Farrell demonstrates how the purpose of the poem is to confront the reader with an urgent decision between incompatible possibilities and provoke uncertainty about whether the poem is a celebration of Augustus or a melancholy reflection on the discontents of a troubled age.
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J.G. Farrell in His Own Words
The novelist J.G. Farrell - known to his friends as Jim - was drowned on August 11 1979 when he was swept off rocks by a sudden storm while fishing in the West of Ireland. He was in his early forties. Had he lived to write more, assessed the "Daily Telegraph" obituary at the time, 'he might well have been regarded as the greatest historical novelist of his generation'. Thirty years on, with a new and younger readership, that accolade rings true. "The Siege of Krishnapur", the second of Farrell's "Empire Trilogy", won the Booker Prize in 1973, and it was selected as one of only six previous winners to compete in the 2008 international 'Best of Booker' competition. The strength of American interest in Farrell's books is underlined by the inclusion of all three Trilogy novels in the Classics imprint of the "New York Review of Books". Many of these collected letters are written to women whom Jim Farrell loved and whom he inadvertently hurt. His ambition to be a great writer in an age of minimal author's earnings ruled out the expense of marriage and fatherhood, because for an unconventional novelist he had remarkably conventional standards. Self-sufficiency was his answer.Books Ireland has astutely portrayed him as 'a mystery wrapped in an enigma, a man who wanted solitude and yet did not want it, wanted love but feared commitment, reached out again and again but, possibly through fear of rejection, was always the first to cut the cord'. But Farrell's kindness, deft humour and gift for friendship reached across rejection, which must account for why so many such letters were kept. Funny, teasing, anxious and ambitious, these previously unpublished letters give the reader a glimpse of this private man.
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James T. Farrell - American Writers 29
James T. Farrell - American Writers 29 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
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Grammatical Relations
Patrick Farrell shows how grammatical relations are characterized in competing theories of grammar and reveals the different theories' merits and limitations. He compares mainstream generative-transformational theory with formalist and functionalist approaches, showing points of convergence and divergence. This is an ideal introduction to the field for graduate students and will be a useful reference for theoretical syntacticians of all persuasions.
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JG Farrell in His Own Words
The novelist J.G. Farrell - known to his friends as Jim - was drowned on August 11, 1979 when he was swept off rocks by a sudden storm while fishing in the West of Ireland. He was in his early forties. Had he not sadly died so young,A" remarked Salman Rushdie in 2008, there is no question that he would today be one of the really major novelists of the English language. The three novels that he did leave are all in their different way extraordinary.A" The Siege of Krishnapur, the second of Farrell's Empire Trilogy, won the Booker Prize in 1973, and it was selected as one of only six previous winners to compete in the 2008 international 'Best of Booker' competition. The strength of American interest in Farrell's books is underlined by the inclusion of all three Trilogy novels in the Classics imprint of the New York Review of Books. Troubles won the Lost Man Booker Prize in 2010. Many of these selected letters are written to women whom Jim Farrell loved and whom he inadvertently hurt. His ambition to be a great writer in an age of minimal author's earnings ruled out the expense of marriage and fatherhood, so self-sufficiency was his answer.Books Ireland has astutely portrayed him as 'a mystery wrapped in an enigma, a man who wanted solitude and yet did not want it, wanted love but feared commitment, reached out again and again but, possibly through fear of rejection, was always the first to cut the cord.' But Farrell's kindness, deft humour and gift for friendship reached across rejection, which must account for why so many such letters were kept. Funny, teasing, anxious and ambitious, these previously unpublished letters to a wide range of friends give the reader a glimpse of this private man. Ranging from childhood to the day before his death, Farrell's distinctive letters have the impact of autobiography.
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