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Wicker Man
First published in 1978, five years after the release of the classic horror film from which it is adapted, The Wicker Man by director Robin Hardy and screenwriter Anthony Shaffer, is a gripping horror classic. A novelization of the haunting Anthony Shaffer script, which drew from David Pinner's Ritual, it is the tale of Highlands policeman, Police Sergeant Neil Howie, on the trail of a missing girl being lured to the remote Scottish island of Summerisle. As May Day approaches, strange, magical, shamanistic and erotic events erupt around him. He is convinced that the girl has been abducted for human sacrifice. Yet he is soon to find that he may be the revellers' quarry . . .
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Wicker Man
Many fans of Robin Hardy’s The Wicker Man (1973) may know that this classic is considered a fine sample of folk horror. Few will consider that it’s also a prime example of holiday horror. Holiday horror draws its energy from the featured festive day, here May Day. Sergeant Neil Howie (Edward Woodward), a “Christian copper,” is lured to the remote Scottish island Summerisle where, hidden from the eyes of all, a thriving Celtic, pagan religion holds sway. His arrival at the start of the May Day celebration is no accident. The clash between religions, fought on the landscape of the holiday, drives the story to its famous conclusion. In this Devil’s Advocate, Steve A. Wiggins delineates what holiday horror is and surveys various aspects of “the Citizen Kane of horror movies” that utilize the holiday. Beginning with a brief overview of Beltane and how May Day has been celebrated, this study considers the role of sexuality and fertility in the film. Conflicting with Howie’s Christian principles, this leads to an exploration of his theology as contrasted with that of Lord Summerisle (Christopher Lee) and his tenants. Such differences in belief make the fiery ending practically inevitable.
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Wicker Man
Many fans of Robin Hardy’s The Wicker Man (1973) may know that this classic is considered a fine sample of folk horror. Few will consider that it’s also a prime example of holiday horror. Holiday horror draws its energy from the featured festive day, here May Day. Sergeant Neil Howie (Edward Woodward), a “Christian copper,” is lured to the remote Scottish island Summerisle where, hidden from the eyes of all, a thriving Celtic, pagan religion holds sway. His arrival at the start of the May Day celebration is no accident. The clash between religions, fought on the landscape of the holiday, drives the story to its famous conclusion. In this Devil’s Advocate, Steve A. Wiggins delineates what holiday horror is and surveys various aspects of “the Citizen Kane of horror movies” that utilize the holiday. Beginning with a brief overview of Beltane and how May Day has been celebrated, this study considers the role of sexuality and fertility in the film. Conflicting with Howie’s Christian principles, this leads to an exploration of his theology as contrasted with that of Lord Summerisle (Christopher Lee) and his tenants. Such differences in belief make the fiery ending practically inevitable.
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Quest for the Wicker Man
One of the greatest films ever to be made in Scotland, The Wicker Man immediately garnered a cult following on its release for its intense atmosphere and shocking denouement. This book explores the roots of this powerful, enduring film. With contributors including The Wicker Man director Robin Hardy, it is a thorough and informative read for all fans of this indispensable horror masterpiece.
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Wicker King
Written in vivid micro fiction with a stream of consciousness feel and multimedia elements, The Wicker King explores a codependent friendship fraught with madness, love, and darkness.When August learns that his best friend, Jack, shows signs of degenerative hallucinatory disorder, he is determined to help Jack cope. Jack’s vivid and long-term visions take the form of an elaborate fantasy world layered over our own - a world ruled by the Wicker King. As Jack leads them on a quest to fulfill a dark prophecy in this alternate world, even August begins to question what is real and what is not.August and Jack struggle to keep afloat as they teeter between fantasy and their own emotions. In the end, each must choose his own truth.
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Elish and the Wicker Tales
Elish is a small boy who lives in a small village, a boy who prefers not to socialise, a boy who's a little scared and clumsy, one that sits alone in a shed... wickering? For him, that is his only true talent and passion, the only thing that really matters. It all changes when Elish meets the Rider, a strong warrior from a distant land. After the Rider learns of Elish's talents, he sets off with a new wickered bridle to discuss important matters with the King. The Rider learns of a great threat lurking in the far north... The Dark Wizard, a man who's said to be imprisoning the creative people of his land, where they stay for life and are made to look for a stone. But why a stone? Is something no one can answer. Vashag, the Rider, sets out on a quest to make peace with the Wizard and perhaps also learn of his dark truth. However a couple months have passed and not a sighting or word has been heard from Vashag, people are beginning to fear the worst... Whilst trouble is steering, not all have realised the dangers that are coming, and during a great festival the King holds a competition for the best saddle. Elish hesitantly agrees and after arriving to the city, impresses the King with his excellent wickerwork. Whilst they enjoy a great feast, Babir, Vashag's brother and warden of the land, interrupts the dining and speaks of a wickered bridle he found, belonging to Vashag. People are scared and suggest Elish has something that Vashag needs. Thus with an unwilling purpose and Babir by his side. Elish sets out on an adventure that has him trembling, one to save Vashag and put an end to the Dark Wizard's devious deeds.
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