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This volume examines the use of citation formulae in the Old Testament. After demonstrating the lack of consensus and method in the treatment of such exegetical devices, the author addresses the need for a sustained examination of citation formulae and related expressions. This inquiry focuses on the careful identification of the referents of citation bases as a basis for the study of inner-biblical exegesis. Further insights are offered on the development of such exegetical devices, the hermeneutics of the post-exilic community, and the syntax of comparative statements in Hebrew.

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In a period during which a play previously staged very traditionally was represented in a variety of original ways, Robert Smallwood looks at what we could call the 'Seven Ages of As You Like It' by considering just what directors, designers and actors did differently to make their vision original. How are the environments of the court and the Forest of Arden presented; bleak and chilling or welcoming and celebratory? What does each actress bring to the crucial role of Rosalind that will help show the journey from her relationship with Celia to that with Orlando? How are the anti-romantic Touchstone and Jaques portrayed? How successfully is Hymen, the god of marriage, brought to the stage? This engaging volume celebrates the rich performance history of an always popular play. In a period during which a play previously staged very traditionally was represented in a variety of original ways, Robert Smallwood looks at what we could call the 'Seven Ages of As You Like It' by considering just what directors, designers and actors did differently to make their vision original.How are the environments of the court and the Forest of Arden presented; bleak and chilling or welcoming and celebratory? What does each actress bring to the crucial role of Rosalind that will help show the journey from her relationship with Celia to that with Orlando? How are the anti-romantic Touchstone and Jaques portrayed? How successfully is Hymen, the god of marriage, brought to the stage? This engaging volume celebrates the rich performance history of an always popular play.

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Veinticinco mil personas fueron desplazadas de Uraba, Colombia, en los primeros cinco meses de 1994 bautizado como el ano de la tolerancia en los sermones domingueros y el discurso presidencial. El campo se desocupo cuando detras de los soldados de la patria, los paramilitares mochita comenzaron su diabolica limpieza por las minas de Aurodo al amparo de los hombres de acero del Ejercito de Colombia. Cientos de familias desintegradas por un exodo forzoso salpicaban las charcas de sangre de 1.567 patriotas martirizados en lo que creyeron su tierra de promision en Uraba, Colombia, donde continua la consigna genocida del "quitate tu pa'meterme yo" como componente de la Teoria del Espacio Vital que alimenta el Plan-Colombia o Acuerdo Pastrana-Clinton desde Junio 13 del 2000.

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Albert Hoffstädt, a classicist by training and polylingual humanist by disposition, has for 25 years been the editor chiefly responsible for the development and acquisition of manuscripts in Asian Studies for Brill. During that time he has shepherded over 700 books into print and has distinguished himself as a figure of exceptional discernment and insight in academic publishing. He has also become a personal friend to many of his authors. A subset of these authors here offers to him in tribute and gratitude 22 essays on various topics in Asian Studies. These include studies on premodern Chinese, Indian, Japanese, and Korean literature, history, and religion, extending also into the modern and contemporary periods. They display the broad range of Mr. Hoffstädt's interests while presenting some of the most outstanding scholarship in Asian Studies today.

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