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"Do Not Judge Anyone"
A monastic approach to everyday living that applies Jesus’s teaching of radical non-judgement as a balm for the polarized environment commonly found in the Church and the world today. Too often Christianity has been hijacked by the superego and the good news of grace has been compromised by fear and the rationalization of violence. In “Do Not Judge Anyone” Cistercian monk Isaac Slater reflects on the desert fathers’ teachings and practice of not judging with a focus on contemporary life. Interweaving sources from East and West, ancient and modern, Slater finds profound points of contact between the first monks and figures like Dostoevsky and Simone Weil, and in the teaching and witness of Pope Francis. “Do Not Judge Anyone” offers a radical, refreshing, and deeply hopeful vision of the gospel for the twenty-first century. Following closely Jesus’s injunction to “Stop judging!” the first Christian monks strongly emphasized the practice of not judging others as central to the gospel ethos. Through captivating and sometimes enigmatic sayings and stories of the desert fathers, Slater shares a monastic approach to everyday living that applies Jesus’s teaching of radical non-judgement as a balm for the polarized environment commonly found in the Church and the world today.
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"Do You Have a Band?"
During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem. Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry.In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City.
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"Doctor George's Magnificent Zeppelin"
Off You Go...A Father's Guide to College and Beyond
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"Does Wednesday Mean Mom's House or Dad's?" Parenting Together While Living Apart
Thorough in coverage and updated with topics that affect today's families, Does Wednesday Mean Mom's House or Dad's?, Second Edition helps you keep your children in the number-one, priority spot before, during, and after your divorce. Nonjudgmental in tone, the new edition will show you how to put your kids' best interests first as you work with your spouse to parent together while living apart.
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"Domostroi"
A manual on household management, the Domostroi is one of the few sources on the social history and secular life of Russia in the time of Ivan the Terrible. It depicts a society that prized religious orthodoxy, reliance on tradition, and absolute subordination of the individual to the family and the state. Specific instructions tell how to arrange hay, visit monasteries, distill vodka, treat servants, entertain clergy, cut out robes, and carry out many other daily activities. Carolyn Johnston Pouncy here offers, with an informative introduction, the first complete English translation.
R 904.00

"Domostroi"
Winner of the 1994 Heldt Prize from the Association of Women in Slavic Studies A manual on household management, the Domostroi is one of the few sources on the social history and secular life of Russia in the time of Ivan the Terrible. It depicts a society that prized religious orthodoxy, reliance on tradition, and absolute subordination of the individual to the family and the state. Specific instructions tell how to arrange hay, visit monasteries, distill vodka, treat servants, entertain clergy, cut out robes, and carry out many other daily activities. Carolyn Johnston Pouncy here offers, with an informative introduction, the first complete English translation.
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