People Person is a triumph. Caleb Azumah Nelson | Wonderful. Marian Keyes | I loved it. Sara CollinsTHE SUNDAY TIMES BESTSELLER FROM THE BRITISH BOOK AWARD WINNING AUTHOR OF QUEENIEIf you could choose your family, you wouldn't choose the Penningtons Dimple, Nikisha, Danny, Lizzie and Prynce are half-siblings who don't have much in common except abandonment issues. But when a catastrophic event forces them to reconnect with each other and with Cyril Pennington, the absent father they never really knew, things start to get complicated fast . . . People Person is a propulsive story of heart, humour and homecoming, about the true nature of family and the complexities of belonging.
CONTRIBUTORS: Candice Carty-WilliamsEAN: 9781409180128COUNTRY: United KingdomPAGES: 368WEIGHT: 257 gHEIGHT: 196 cm
PUBLISHED BY: Orion Publishing CoDATE PUBLISHED: CITY: GENRE: FICTION / Coming of Age, FICTION / Urban & Street Lit, FICTION / African American & Black / Women, FICTION / FeministWIDTH: 128 cmSPINE:
Book Themes:
Fiction: general and literary, Modern and contemporary fiction: general and literary
Wonderful. People Person is about 5 half-siblings (1 dad, 4 mothers) who, in response to a crisis, meet as adults and start shaping themselves into a family. It's a warm novel, funny and full of emotional intelligence. The tone is light-hearted, even comic at times, but underneath there's an undertow, a steady drumbeat reminding us of all the microaggressions black people experience on a daily basis - and that white people are mostly oblivious of. I cannot recommend it highly enough., People Person is a triumph. I was so moved by this tender, often humorous, portrait of these five siblings, their burgeoning relationships and all their complexities. I loved every one of these beautifully rendered characters and I'm sure the world will too. I couldn't put it down., People Person is fresh, funny and tender - Candice is the voice British fiction needs., People Person is a portrait of a family that is as poignant as it is hilarious. It had me belly-laughing, then picking up my jaw from the floor, then nodding in delighted agreement. Candice is a writer who is not only revealing modern Britain with each of her novels; she is defining it. Cyril Pennington is a character for the ages, but this story truly belongs to the children he never managed to parent. I loved it., I loved People Person. Candice is so gifted at pulling you in as a writer. The storyline is hugely arresting and I was gripped immediately. Candice is remarkably perceptive in the way she writes people; her characters that are so well drawn, and so believable. When I wasn't reading People Person I was thinking about it and I had to finish it at the earliest opportunity.
Candice Carty-Williams was born in 1989, the result of an affair between a Jamaican cab driver and a dyslexic Jamaican-Indian receptionist. She is a journalist, screenwriter, and author of the Sunday Times bestselling Queenie, a book described as 'vital', 'disarmingly honest' and 'boldly political'. In 2016, Candice created and launched the Guardian and 4th Estate BAME (black, Asian and minority ethnic) Short Story Prize, the first inclusive initiative of its kind in book publishing. As a journalist she has written for the Guardian, i-D, Vogue International, every iteration of the Sunday Times, BEAT Magazine, Black Ballad and more. She will probably always live in South London. She can be found on Twitter and Instagram at @CandiceCW.
Book Partnerships
For the Fans
People Person is a triumph. Caleb Azumah Nelson | Wonderful. Marian Keyes | I loved it. Sara CollinsTHE SUNDAY TIMES BESTSELLER FROM THE BRITISH BOOK AWARD WINNING AUTHOR OF QUEENIEIf you could choose your family, you wouldn't choose the Penningtons Dimple, Nikisha, Danny, Lizzie and Prynce are half-siblings who don't have much in common except abandonment issues. But when a catastrophic event forces them to reconnect with each other and with Cyril Pennington, the absent father they never really knew, things start to get complicated fast . . . People Person is a propulsive story of heart, humour and homecoming, about the true nature of family and the complexities of belonging.
CONTRIBUTORS: Candice Carty-WilliamsEAN: 9781409180128COUNTRY: United KingdomPAGES: 368WEIGHT: 257 gHEIGHT: 196 cm
PUBLISHED BY: Orion Publishing CoDATE PUBLISHED: CITY: GENRE: FICTION / Coming of Age, FICTION / Urban & Street Lit, FICTION / African American & Black / Women, FICTION / FeministWIDTH: 128 cmSPINE:
Book Themes:
Fiction: general and literary, Modern and contemporary fiction: general and literary
Candice Carty-Williams was born in 1989, the result of an affair between a Jamaican cab driver and a dyslexic Jamaican-Indian receptionist. She is a journalist, screenwriter, and author of the Sunday Times bestselling Queenie, a book described as 'vital', 'disarmingly honest' and 'boldly political'. In 2016, Candice created and launched the Guardian and 4th Estate BAME (black, Asian and minority ethnic) Short Story Prize, the first inclusive initiative of its kind in book publishing. As a journalist she has written for the Guardian, i-D, Vogue International, every iteration of the Sunday Times, BEAT Magazine, Black Ballad and more. She will probably always live in South London. She can be found on Twitter and Instagram at @CandiceCW.
Mevrou Smit het Aronspoort toe gekom om vir haarself ’n nuwe lewe en identiteit te bewerk, nie om gewild te wees nie. “Daar is geen wag voor daai mond nie. Al die gedagtes wat in haar kop uitbroei, marsjeer soos mank soldate oor haar tong.” (p.16). Maar dit is juis daardie gedagtes wat al menige moord opgelos het, dit terwyl sy vir haarself streng reëls gestel het vir “goeie” gedrag en verbete daaraan werk om daarby te hou. Reëls soos om te oorleef en te luister na jou instinkte. “My derde reël is om nie my tyd te mors met retrospeksie nie” (p.78), verduidelik sy aan Dario wat in hierdie aflewering weer ’n hoopvolle draai kom maak. Die uitstekende skryfstyl van Elizabeth Wasserman verseker dat mevrou Smit konsekwent, sonder aansien des persoons, hou by haar reëls.
Ek moet bieg dat hierdie derde sage van mevrou Smit vir my ietwat stadig afgeskop het. Daar was nie juis dringendheid rondom die ontdekking van ’n dekade-oue menslike oorskot in die rivierbank nie. Maar wanneer daar ’n vars moord vermoed word, tel mevrou Smit se bloedhond instinkte spoed op. En die krisis na die einde toe is so spannend as wat ’n sogenaamde sagte krimi kan toelaat.
Ek sukkel deesdae toenemend met reekse. Ek vergeet die fynere detail van vorige boeke (ouderdom of té veel storielyne?) en dan sukkel my kop deurentyd om te onthou. Dus sou ek beslis beter gevaar het om die drie boeke agtereenvolgens te lees. Nuwe Mevrou Smit lesers wat nie noodwendig alles wil weet van haar vorige lewe en die voorafgaande avonture op Aronspoort nie, behoort suksesvol te kan volstaan met die intrige soos hier aangebied.