Helen Zhang is the bestselling author who can't write her own happy-ever-after. Grant Shepard is the screenwriter with the movie-star looks who can't afford his therapist. When the two of them are put together to adapt Helen's books for television, it should be a dream come true. Helen can start a new life in Hollywood. Grant can pay his mortgage. Only, Grant Shepard is the last person that Helen wanted to see again. She's never forgiven him for what happened thirteen years ago. So no one is more surprised than her when sparks begin to fly between them in the writers' room. Their history is messy. Their attraction is inescapable. And soon, they're both in too deep . . . This wasn't meant to be a love story. But aren't the best endings the ones you never saw coming?
CONTRIBUTORS: Yulin Kuang
EAN: 9781399716598
COUNTRY: United Kingdom
PAGES:
WEIGHT: 0 g
HEIGHT: 198 cm
PUBLISHED BY: Hodder & Stoughton
DATE PUBLISHED:
CITY:
GENRE: FICTION / Psychological, FICTION / Romance / Contemporary
WIDTH: 129 cm
SPINE:
Book Themes:
Modern and Contemporary romance, Narrative theme: Death, grief, loss, Narrative theme: Interior life
A sharp, sexy debut. Fans of Emily Henry and Colleen Hoover will love Yulin Kuang's wistful second-chance romance, Everything you need in a romance novel: Complex characters, hilariously witty banter, and that spice level? Off the charts!, I was hooked on the very first page of How to End a Love Story, the absurdly delicious debut from Yulin Kuang. The chemistry between Helen and Grant is pure magic, as is Yulin's gorgeous writing, An utterly compelling debut complete with romance secret sauce . . . emotional, relatable and binge-worthy, Impossibly tender, funny, sexy, and heart-wrenching, How to End a Love Story is a gorgeously original romance - and so much more - that will leave you laughing, sobbing, and desperately wishing that it would never end. This is the kind of glorious gut-punch of a book that you'll want to share with all your friends, and reread over and over
Yulin Kuang is a screenwriter and director. She was once fired from a Hallmark movie for being 'too hip for Hallmark' and is the adapting screenwriter of Emily Henry's People We Meet On Vacation, as well as the writer/director of the forthcoming Beach Read feature film for 20th Century Studios. She lives and writes in Pasadena, California.
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