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Format: Hardback
From two of the biggest names in children's publishing, this is an inspiring guide to wordplay for young readers, their parents and teachers.I’m ready for spaghettiWill you getti the spaghetti?Don’t say, “Not yetti spaghetti!”‘cos I’m all setti for spaghetti.Fizzing with rhythm, energy and laughter, the 30 poems in Ready for Spaghetti delight in the details of children's daily routines. "Up, up, uppity-up!", the first poem announces, while the artwork shows a child leaping out of bed, ready to begin their morning; "Hush and a hush, soft and low", chants the final poem, as children snuggle under their blankets after their day's adventures. Full of affectionate observations of young children, which are beautifully continued in Polly Dunbar's warm-hearted pictures, Michael Rosen's poems are ideal for reading aloud with toddlers ... and many grown-ups will soon know them by heart!
CONTRIBUTORS: Michael RosenEAN: 9781406377644COUNTRY: United KingdomPAGES: WEIGHT: 515 gHEIGHT: 10 cm
PUBLISHED BY: Walker Books LtdDATE PUBLISHED: 2022-06-02CITY: GENRE: JUVENILE FICTION / Concepts / General, JUVENILE FICTION / Social Themes / General, JUVENILE FICTION / PoetryWIDTH: 255 cmSPINE:
Ready for Spaghetti: Funny Poems for Funny Kids […] is a fabulous collection of new rhymes for young readers. Michael Rosen has a special understanding of how little ones think and he weaves his wordsmith magic to full effect here. Each short poem captures a moment from childhood from the joy of waking up – "Up up uppity-up!” to being “all setti for spaghetti” at dinnertime. Polly Dunbar’s accompanying artwork perfectly captures the chaos and delights of childhood., "This is a great book for a parent to share with a very young child and for teachers in the early years to read to their class. Children will quickly know their favourites and in no time will be reading along with the adult.", Michael Rosen and Polly Dunbar visit every corner of the small child’s sensory-world – the bathroom, the swings in the park, boiled eggs for breakfast, clouds, sucking up spaghetti, hugging teddy, baking cakes, leaping about, messing in the paddling pool, the sandpit – and weave around them eccentric rhyming spells and pictures which cannot fail to enchant and stimulate children aged three to seven., Michael Rosen’s virtuosic text tracks the joy and wonder of being a toddler, a sense of freedom and excitement captured by Polly Dunbar’s soft yet bubbling illustrations. Rosen’s poems are meant to be read aloud, sung, shouted and giggled over. An absolute riot., Featured in Pen & Inc Autumn/Winter 2022 listings, highlighting the best in diversity and inclusion in children's books.
Michael Rosen is one of the most popular authors of stories and poems for children. His bestselling titles published by Walker Books include We're Going on a Bear Hunt, A Great Big Cuddle, Little Rabbit Foo Foo, Michael Rosen’s Sad Book, This Is Our House, Tiny Little Fly, Dear Mother Goose and its sequel Dear Fairy Godmother. Michael received the Eleanor Farjeon Award for distinguished services to children’s literature in 1997, and was the Children’s Laureate from 2007 to 2009. He is a distinguished critic and academic, co-directing an MA in Children’s Literature at Birkbeck College. He is often called upon to talk about children’s literature and his poetry readings are adored by children and adults. He also presents radio programmes for the BBC.Chris Riddell is one of the country's finest children's book illustrators. He has won the CILIP Kate Greenaway Medal three times – for Pirate Diary, Jonathan Swift's Gulliver (both published by Walker) and most recently for The Sleeper and the Spindle, written by Neil Gaiman. He is a political cartoonist for the Observer and has collaborated with Paul Stewart on the extremely popular Edge Chronicles and Muddle Earth series. In recent years he has had success writing and illustrating his own books, including the Ottoline stories and Goth Girl and the Ghost of a Mouse, which won a Costa Book Award.
Format: Hardback
From two of the biggest names in children's publishing, this is an inspiring guide to wordplay for young readers, their parents and teachers.I’m ready for spaghettiWill you getti the spaghetti?Don’t say, “Not yetti spaghetti!”‘cos I’m all setti for spaghetti.Fizzing with rhythm, energy and laughter, the 30 poems in Ready for Spaghetti delight in the details of children's daily routines. "Up, up, uppity-up!", the first poem announces, while the artwork shows a child leaping out of bed, ready to begin their morning; "Hush and a hush, soft and low", chants the final poem, as children snuggle under their blankets after their day's adventures. Full of affectionate observations of young children, which are beautifully continued in Polly Dunbar's warm-hearted pictures, Michael Rosen's poems are ideal for reading aloud with toddlers ... and many grown-ups will soon know them by heart!
CONTRIBUTORS: Michael RosenEAN: 9781406377644COUNTRY: United KingdomPAGES: WEIGHT: 515 gHEIGHT: 10 cm
PUBLISHED BY: Walker Books LtdDATE PUBLISHED: 2022-06-02CITY: GENRE: JUVENILE FICTION / Concepts / General, JUVENILE FICTION / Social Themes / General, JUVENILE FICTION / PoetryWIDTH: 255 cmSPINE:
Michael Rosen is one of the most popular authors of stories and poems for children. His bestselling titles published by Walker Books include We're Going on a Bear Hunt, A Great Big Cuddle, Little Rabbit Foo Foo, Michael Rosen’s Sad Book, This Is Our House, Tiny Little Fly, Dear Mother Goose and its sequel Dear Fairy Godmother. Michael received the Eleanor Farjeon Award for distinguished services to children’s literature in 1997, and was the Children’s Laureate from 2007 to 2009. He is a distinguished critic and academic, co-directing an MA in Children’s Literature at Birkbeck College. He is often called upon to talk about children’s literature and his poetry readings are adored by children and adults. He also presents radio programmes for the BBC.Chris Riddell is one of the country's finest children's book illustrators. He has won the CILIP Kate Greenaway Medal three times – for Pirate Diary, Jonathan Swift's Gulliver (both published by Walker) and most recently for The Sleeper and the Spindle, written by Neil Gaiman. He is a political cartoonist for the Observer and has collaborated with Paul Stewart on the extremely popular Edge Chronicles and Muddle Earth series. In recent years he has had success writing and illustrating his own books, including the Ottoline stories and Goth Girl and the Ghost of a Mouse, which won a Costa Book Award.
Lani en Elliot balanseer nie en die vonke spat uit die staanspoor
Elliot tree totaal buite karakter op toe hy langs die hoofpad stop om ’n ryloper op te laai. Hy neem haar boonop na sy ouerhuis toe en vind aanhoudend redes om haar binne sy sfeer te hou. Mens sou dit liefde met die eerste opslag wou noem, maar gewilde skrywer, Madelie Human, noem dit Kortpadliefde.
Moenie verwag dat alles glad gaan verloop nie. “Hy en Lani is beslis nie die twee kante van ’n wiskundige vergelyking nie. Hulle balanseer nie. Kyk maar net hoe die vonke tussen hulle van die eerste oomblik af gespat het.” (p.50)
Moet verder nie verwag dat dit die standaard romanse is nie. Daar is baie diepgaande kwessies wat oopgeskryf word, soos ouer-kind verhoudings, beroepsbedrewendheid, soeke na sosiale aansien, selfs ’n cougar wat skaamteloos die mooi verhouding tussen Lani en Elliot verontagsaam. Dwelmsmokkelary, verdagmaking en vooroordeel is dinge wat negatief inwerk op die ontwikkelende verhouding, maar gelukkig gee die skrywer dit in kleinerige porsies deur aan die leser.
Kortpadliefde is die nuutste in ’n lang lys van suksesvolle Romanzas deur Madelie Human, wat uitgegee is deur Lapa.
As ’n gesoute leser van romanses, mag jy dalk dink dat jy ’n goeie idee het oor romantiese liefde. Lees jy egter René van Zyl se nuutste Romanza, Sigeunerliefde, gaan jy ’n nuwe definisie raaklees wat die skrywer gaan leen het uit die opera, Carmen. “Liefde is ’n sigeuner se kind wat hom nie aan wette steur nie en nie gedwing kan word om lief te hê nie.” (p.182)
Karmen se verhaal het my skoon nostalgies gehad. Ek het self die voorreg gehad om Spanje te besoek en goeie herinneringe het kom aanklop: Flamenco-dansers, Gaudi, die Sagrada Familia-basilika, metrotreinritte deur Barcelona, sangria by ‘n kafee, stap met La Rambla langs. Jy hoef egter nie te vrees dat dit gaan lees soos ’n reisbrosjure nie. Die agtergrond is presies dit, die verhoog waarop ’n hartroerende verhaal afspeel van ’n jong vrou wat geteister word deur verwyte, gemis van haar ouers en veroordeling deur haar ouma.
Die straatmusikant wat haar hart kom steel, leer haar ook dat sy nie mag het oor lewe en dood nie. Sy moet die skuldlas laat vaar wat haar dryf om soos ’n sigeuner rond te swerf en nêrens rus te vind nie.
Die skrywer gee subtiele wenke oor sekere elemente van die storie, net genoeg om nie die oomblik te bederf wanneer die kloutjie en die oortjie mekaar vind nie. Hierdie is ’n heel oorspronklike storielyn wat ek geweldig baie geniet het, selfs ’n traan afgevee het.
This is one of the best books I've ever read.
At first, it seems like a simple story about farm animals who rebel against their owner in search of a better life. However, as the story progresses it becomes clear that Orwell is making a much deeper point about politics, corruption and power.
What I found most interesting was how the pigs slowly become just as bad as the humans they replaced. Napoleon’s rise to power feels frustrating to watch, especially because the other animals trust him so easily. Characters like Boxer are particularly memorable because they show how loyalty and hard work can be taken advantage of by those in authority.
Although Animal Farm is based on historical events, its message still feels relevant today. The book highlights how propaganda, misinformation, and blind trust in leaders can allow people to gain and abuse power. Orwell presents these ideas in a way that is easy to understand without making the story feel like a history lesson.
Overall, I really enjoyed Animal Farm. Its simple writing style makes it accessible, but the themes are complex and thought-provoking. I would recommend it to anyone who enjoys books that make you think about society and human nature or just people that really enjoy political satire.
Met die pragtige Helene de Kock Inspirasie-omnibus in my hand, het ek vrymoedigheid geneem om by die skrywer aan te klop met ’n paar vrae, wat sy goedgunstiglik beantwoord het.
Ek wou in die eerste plek weet of sy sulke romans wat vir herpublikasie oorweeg word, moet redigeer. Haar antwoord was baie duidelik en goed gemotiveer: sy skaaf nooit aan heruitgawes nie omdat dit goed is dat lesers ’n boek binne sy tydvak lees. “Al beweeg die karakters teen die tydsgees in”, het sy gesê.
Verder wou ek weet of sy, as skrywer, insae het in die keuse van boeke vir ‘n omnibus, waarop sy positief geantwoord het dat sy wel insae het en dit moet goedkeur.
Die produk van hierdie proses is die kombinasie van Kruispad vir Kara, oorspronklik uitgegee in 2018, en Engel op die drumpel, uitgegee in 1999. Daar is nogal heelwat raakpunte tussen hierdie twee romans in die geestelike fiksie genre. Die hoofkarakters in albei is studente aan Tukkies en albei is pratige meisies wat die aandag trek van mansstudente wat sosiale en akademiese aansien geniet. Jannes Conradie en Hein Leroux deel egter ’n swakte: hulle is nie ouens wat erns maak met verhoudings nie.
Liriese taalgebruik en goeie kennis van die Woord asook die gawe om dit toepaslik in die storielyn te verweef, maak van Helene de Kock se boeke iets besonders, sonder om prekerig oor te kom. Haar karakters ly verlies, hulle voer ’n geloofstryd, het baie wroeging, en hulle moet indringend selfondersoek doen alvorens daar uiteindelik oorwinning kom. Vir die romantiese siele is daar ook die belofte van liefde wat oorwin.
Die Inspirasie-omnibus is uitgegee deur Lux Verbi, die geestelike druknaam van Jonathan Ball Uitgewers. Jy sal dit oral in goeie boekwinkels kan opspoor.
