The Sunday Times Literary Awards: Non-fiction Longlist

A true crime classic about Daisy de Melker in ragtime Joburg –a city of murder, mayhem and gold. Ted Botha takes the reader into the underbelly of Johannesburg in the 1920s and 1930s as he traces the fascinating story of the mysterious Daisy de Melker, who was hanged for poisoning her son. Many also believed she poisoned two husbands for their life insurance money.In the shadow of ever-growing mine dumps, she went about her business quietly and unnoticed–the most unlikely of killers. Even though people close to her kept dying, no one suspected a thing for twenty years. When someone finally spoke up, it led to one of South Africa’s most sensational trials. De Melker’s story unfolds in tandem with those of colourful Johannesburg characters of the same period such as the Foster Gang, Herman Charles Bosman, the dashing conman Baron von Veltheim and a Bonny-and-Clyde-style couple, Dicky Mallalieu and Gwen Tolputt. Some cross paths with each other and also those of famous writers of era such as Sir Arthur Conan Doyle and Sarah Gertrude Millin.

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'Engaging, absorbing and crammed with marvellous stories, Finding Endurance is a tale about exploring the cold, told with much warmth.' MICK HERRON 'Beautiful, thrilling, heroic and kind, a ripping yarn' CLAIRE ROBERTSON, AUTHOR OF THE SPIRAL HOUSE 'Tender, heartfelt and lyrical' PETINA GAPPAH, AUTHOR OF OUT OF DARKNESS, SHINING LIGHT 'An exhilarating read' HENRIETTA ROSE-INNES, AUTHOR OF GREEN LION. Since the discovery of the wreck of Ernest Shackleton's ship Endurance on the bed of the Antarctic ocean, the world has been enthralled anew by one of the greatest stories of all time. Acclaimed South African writer Darrel Bristow-Bovey, himself a Shackleton aficionado, revisits this dramatic event, which managed to sweep the tide of anger and rancour off the timelines and front pages of the world. He asks how so many ordinary people, who don't know a nunatak from a barquentine, were so moved at the finding of a small wooden ship once sailed by a half-forgotten Irishman? In re-examining the story and its players, he presents new details and a new understanding of the courage and hardship of the Endurance voyage, and reminds us of how extraordinary humans can be. Not all is lost, and what has been lost can be regained: the ocean has given us something back. What's more, we are reminded that miracles still happen: human miracles, performed by flawed people in helpless situations.

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Harry Oppenheimer, the international gold-and-diamond magnate, presided over the corporate dynasty of Anglo American and De Beers for more than 25 years. Famed for his wealth and his companies’ economic power, he straddles the history of 20th-century South Africa like a colossus. Yet, two decades after his death, the Oppenheimer empire is no more. As the political opposition’s key financial backer, the founder (along with Anton Rupert) of the Urban Foundation after the Soweto uprising in 1976, and a ubiquitous philanthropist, Oppenheimer helped propel the process of reform. Nevertheless, in some quarters he is demonised as the archetype of ‘white monopoly capital’ and scapegoated, along with Nelson Mandela, for the country’s disappointing democratic dividends. In the first, full-scale biography of Oppenheimer, based on unrestricted access to his subject’s private papers and extensive interviews with family members and close associates, Michael Cardo eschews both the corporate hype and the political propaganda to produce a vivid, fully rounded portrait. He tackles thorny questions of legacy and Oppenheimer’s complicity with the oppressive racial order of the past. Cardo brings to life the places, people, events and relationships that shaped Harry Oppenheimer’s long and rich career at the intersection of business and politics. From the diamond fields of Kimberley, where Harry’s father, Ernest Oppenheimer, arrived to seek his fortune, through the heir’s long apprenticeship, to his emergence on the world stage as a magnate and ‘monarch’ in his own right, Cardo traces the evolution of a dynasty.

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When André de Ruyter took over as Eskom CEO in January 2020, he quickly realised why it was considered the toughest job in South Africa.Aside from neglected equipment, ageing power stations and an eroded skills base, he discovered that Eskom was crippled by corruption on a staggering scale. Fake fuel oil deliveries at just one power station cost Eskom R100 million per month; kneepads retailing for R150 a pair were purchased for R80 000; billions of rands of equipment supposedly housed in the company’s storerooms was missing. Faced with police inaction, he was compelled to plunge into a world that was foreign to him – a world of spies and safe houses, of bulletproof vests and bodyguards. In Truth to Power, De Ruyter tells the behind-the-scenes story of how he launched a private investigation that exposed at least four criminal cartels feeding off Eskom. While fighting this scourge, he had to deal with political interference, absurd regulations, non-paying municipalities, unfounded accusations of racism, wildcat strikes, sabotage and a poisoning attempt. De Ruyter takes the reader inside the boardrooms and government meetings where South Africa’s future is shaped, with ministers often pulling in conflicting directions. He explains how renewable energy is the cheapest and quickest solution to our power crisis, in spite of fierce opposition from vested coal interests. De Ruyter candidly reflects on his three years at the power utility, his successes and failures, his reasons for leaving and his hopes for the future. As someone who worked at the highest levels of the state but is not beholden to the ruling party, he is uniquely placed to speak truth to power.

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A comprehensive and evocative history of Durban's Casbah area, including the cinemas, markets, sport and politics of the area amongst many other topics.

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Coloured as an ethnicity and racial demographic is intertwined in the creation of the South Africa we have today. Yet often, Coloured communities are disdained as people with no clear heritage or culture — ‘not being black enough or white enough. Coloured challenges this notion and presents a different angle to that narrative. It delves into the history of Coloured people as descendants of indigenous Africans and a people whose identity was shaped by colonisation, slavery, and the racial political hierarchy it created. Although rooted in a difficult history, this book is also about the culture that Coloured communities have created for themselves through food, music, and shared lived experiences in communities such as Eldorado Park, Eersterus, and Wentworth. Coloured culture is an act of defiance and resilience. Coloured is a reflection on, and celebration of Coloured identities as lived experiences. It is a call to Coloured communities to reclaim their identity and an invitation to understand the history and place of Coloured people in the making of South Africa’s future.

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Decolonising the Palestinian Mind is a sharp critique of the Oslo surrender, the Bantustans created by imperialism in the name of a two-state solution, and a recognition that the tokenisation of the Palestinian struggle and emancipation have become ordinary conduct on the part of organisations historically dedicated to the liberation of Palestine.

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Rassie Erasmus has been called a genius. He’s been called reckless. All his life, he’s done things differently. Now, with his trademark candour, Rassie talks openly about his adventures and misadventures. He reveals the turmoil of living with an alcoholic father and growing up in the conservative town of Despatch. He looks back on an exemplary career as a player, whose innate rugby instincts, ability to read a game differently, and appetite for hard work set him apart. While his teammates relaxed, he preferred to watch hours of video to devise winning strategies. When given the opportunity to lead his country as Springbok captain, he refused this honour. Rassie recalls how he became an important cog in Nick Mallett’s record-breaking Springbok team of the late 1990s. He remembers the anguish of the 1999 World Cup and the devastating injuries that cut short his playing career. He discusses his revolutionary coaching methods, which were initially laughed off and then eagerly adopted, how he fought the rugby establishment at the Stormers and earned the grudging respect of Irish fans at Munster. Rassie talks about his greatest contribution to South African rugby, appointing its first black captain, Siya Kolisi, without much fanfare or controversy, as his bold plans for effective racial transformation of the national team achieved immediate success, culminating in triumph at the 2019 Rugby World Cup. Readers will enjoy the behind-the-scenes information about interactions and controversies and previously untold stories from a truly maverick life.

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A dozen years in the making, The Inheritors weaves together the stories of three ordinary South Africans over five tumultuous decades in a sweeping and exquisite look at what really happens when a country resolves to end white supremacy. ]•Political activist Dipuo, who fought to take down history’s strictest segregationist system. •Dipuo’s daughter Malaika, who excels brilliantly after segregation’s collapse but wrestles with her relationship to her mother and her duty to her country. •And Christo, one of the last White South Africans drafted to fight for apartheid as it crumbled around him. All three, and many others, had to remake their own lives while facing huge questions: What do we owe to history? And what will people who care about being good do when the meaning of right action changes nearly overnight? Observing subtle truths about race and power that extend well beyond national borders, Fairbanks explores questions that preoccupy so many of us today: How can we let go of our pasts, as individuals and as countries? How should historical debts be paid? And how can a person live an honorable life in a society that–for better or worse–they no longer recognise? ‘Brave ... ambitious ... [a story of] admirable people, brave in the face of unbearable poverty and determined to rise out of it ... [Fairbanks’s characters] are also capable of savage introspection and, at times, willing to laugh about themselves.’–Rian Malan, Compact Magazine

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“Let us, then, set off together on a series of journeys around South Africa with an old kitbag full of books instead of maps to guide us. Let us follow meandering paths through the landscapes of literature, and celebrate how local authors, characters and readers are shaped and inspired by place …” In this gripping travelogue, Justin Fox goes on a one-of-a-kind journey. Marrying his love for travel and writing, he sets off to explore the places ofhis favourite books. From the mountainous eastern Karoo of Olive Schreiner to the big game lowveld of Sir Percy Fitzpatrick, from Deneys Reitz’s wide-open Cape interior to the bushveld of Eugène Marais’s Waterberg, Fox reveals the majestic power of place. Through the savannah of Herman Charles Bosman’s Marico, the dusty plains of JM Coetzee’sMoordenaars Karoo, the forests of Dalene Matthee’s Garden Route, the subtropical hamlets of Zakes Mda’s Wild Coast, and finally the sandstone crags of Stephen Watson’s Cederberg, he brings to life the settings we’ve only seen through characters’ eyes. Place is a moving love letter to South Africa, merging literature and landscape, and taking the reader on a breath-taking journey – into the heart of South Africa’s spectacular landscape and the inner-worlds of its most celebrated authors.

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The Zondo Commission of Inquiry was one of the most important political developments in modern South African history. The commission sat for years, hearing the evidence of 300 witnesses and gathering a vast quantity of documents. The result is a damning and sometimes searing account of state take over: how the Gupta family found willing acolytes in the state, and set about systematically looting the country and destroying institutions of democracy. There is little doubt that understanding South Africa’s political history, its current malaise and its political future requires an understanding of the commission’s work. The commission’s final findings, however, run to over 5 000 pages. Reading all of this material is a daunting and overwhelming task for even the most dedicated citizen. Zondo at your Fingertips solves this problem. In straightforward and accessible language, author Paul Holden sets out the work of the commission, its findings and recommendations. Holden is well placed to do so: he gave evidence before the Zondo Commission over multiple days, tracing the ways in which the Gupta family captured and looted. Zondo at your Fingertips summarises concisely each volume of the commission’s final findings, and communicates the commission’s sometimes complex legal discussions clearly and candidly. But Holden does not just summarise: he also evaluates the commission’s findings, highlighting the good, the bad and the ugly of it’s work. In so doing, he points to stones left unturned, leads that must be followed and warnings to heed.

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In South African higher education, the images of dysfunction are everywhere. Student protests. Violence. Police presence. Rubber or real bullets. Class disruptions. Burning tyres. Damaged buildings. Injury and sometimes death. Reports of wholesale corruption. Year after year, often in the same set of universities; the problem of routine instability seems insoluble. The financial, academic and reputational costs of ongoing dysfunction are high, especially for those universities caught-up in the never-ending struggle to overcome apartheid legacies. Any number of explanations have been ventured, including a lack of resources, shortage of capacity, rural location, corrupt officials, and endemic conflict. Corrupted takes a deeper look at dysfunction in an attempt to unravel the root causes in a sample of South African universities. At the heart of the problem lies the vexed issue of resources or, more pertinently, the relationship between resources and power: who gets what, and why? Whatever else it aspires to be—commonly, a place of teaching, learning, research and public duty—a university in an impoverished community is also a rich concentration of resources around which corrupt staff, students and those outside of campus all vie for access. Taking a political economic approach, Jonathan Jansen describes the daily struggle for institutional resources and offers accessible, sensible insights. He argues that the problem won’t be solved through investments in ‘capacity building’ alone because the combination of institutional capacity and institutional integrity contributes to serial instability in universities. Rather, durable solutions would include the depoliticisation of university councils and appointments of academics with integrity and capacity to manage and lead these fragile institutions. This groundbreaking and long overdue study will offer a promising way forward for universities to better serve their communities and the country more broadly.

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Ella Blumenthal’s story of surviving the Holocaust and building a new life in South Africa could easily be mistaken for fiction. From the ashes of the Warsaw Ghetto uprising to the fires of Majdanek, Bergen-Belsen and Auschwitz; from the abandon of post-war Poland to the refuge of Paris, Palestine and getting married and moving to Johannesburg and eventually Cape Town; from stateless refugee to displaced immigrant, Ella’s 101 years of life have been nothing short of herculean. Together with her niece Roma Rothstein, five years her junior, Ella survived three concentration camps before being liberated by the British Army in 1945. They made their way across Europe to join their last surviving family member in Palestine where Ella met the South African man she would marry after just thirteen days. She followed Isaac Blumenthal to the tip of Africa where they settled in Brakpan, outside Johannesburg where Ella and her husband built a business and raised their four children.

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Early in the Covid-19 pandemic, Salim S. Abdool Karim was catapulted into a prominent position in the media and on television as the face of South African science in the country's response to the pandemic. Up to that point, his groundbreaking research on AIDS had garnered many awards, leading to his recognition as one of the world’s leading epidemiologists, making him ideally positioned to take the scientific lead in the Covid-19 response. Standing Up for Science is Abdool Karim’s personal, behind-the-scenes account of the first three years of the Covid-19 pandemic. It is inspiring and informative, shedding light on the difficulties in providing scientific advice, on the international cooperation that was integral to responding to the pandemic, as well as giving insight to some of the controversies in the science-to-policy process, and drawing lessons from Covid-19 to prepare for future pandemics. Beyond the recent events in which the story is grounded, the book is an ode to the value of science and its power to help us tackle some of the world's biggest problems.

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Buckle up for a tour of South Africa – your guide the inimitable Sihle Khumalo. Born in South Africa, and having lived here for almost fifty years, Khumalo reflects on the past and ponders the future of this captivating yet complex country. He delves into the history of the names given to our towns and cities (from Graaff-Reinet to Schweizer-Reneke to Zastron) and in the process raises issues we might not have interrogated fully.

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After the runaway success of his Afrikaans memoir, Hoerkind, the contrarian journalist and writer Herman Lategan translated and updated his eventful life story, with no holds barred. Herman was conceived illegitimately one warm February night in 1964 in a boarding house in Cape Town. From an early age, he felt disposable, passed from one pair of unstable adult hands to the next, even ending up in an orphanage for a while. At thirteen he was caught in the web of a cunning paedophile, a well-known Afrikaans newspaperman. Shortly after his eighteenth birthday, when his abuser finished with him, Herman was unceremoniously dumped at the door of his alcoholic father. Conscription into the army and a dishonourable discharge followed. During his teenage years, Herman befriended Afrikaans poets like Sheila Cussons, Ina Rousseau, Barend J. Toerien and Casper Schmidt, and later, in New York, he followed Andy Warhol in the street and partied with a ‘smorgasbord of social butterflies’. Back in South Africa, Herman established himself as a journalist, but struggled with alcohol and drug addiction, and was homeless for a while. For many an employer, he became the nightmare they feared most. Son of a Whore is a gripping account of loss, hardship and overcoming both; it will make you laugh and, at times, break your heart. You will despair at the cruelty of a world in which the marginalised are forsaken but stand in awe at the extent of goodness surrounding us, because, ultimately, people depend on each other.

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Since populist factions claim to be the people, judges confronting them do not just decide against the people; they are against the people. The judiciary faces a barrage of attacks not just from the ruling ANC but from other political parties clamouring for power. There comes a predictable phase in the cycle of politics where this is most likely to occur. Dan Mafora provides much-needed insight.

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Johannesburg. Easter weekend. 1993. Chris Hani, the charismatic ANC leader, is shot and killed outside his home by white supremacist Janusz Walus in an attempt to stop talks to transform South Africa into a multiracial democracy. The aim of the assassination is simple and chilling: to tip the country into all-out civil war. Twenty-two-year-old rookie journalist Justice Malala was one of the first people at the crime scene and he covered the growing chaos of the next nine days – the protests and police brutality, reprisal killings, arson and calls for paramilitary units to get combat-ready. On the 30th anniversary of Hani’s death, Malala revisits the unforgettable events of these nine days. Unspooling political history in the style of a thriller, he takes the reader into the thought processes and consequential actions of the key players – from Nelson Mandela and FW de Klerk to dangerous right-wingers such as Clive Derby-Lewis and prominent struggle leaders Cyril Ramaphosa, Bantu Holomisa and Tokyo Sexwale. Through vivid archival research and revealing original interviews, Malala digs into questions that were never fully answered amid the tumult of the time: how influential were far-right elements within the government in inciting and even planning the assassination? And as the time bomb ticked, how did Mandela, De Klerk and their close confidants – despite provocation and their own fears – work together to choose the path of peace?

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Shoot to Kill: Police and Power in South Africa is a vivid and ambitious survey of the complex politics of security, crime and social control in South Africa. Nearly three decades after the formal end of apartheid, policing in South Africa continues to be defined by brutality, incompetence and corruption. Featuring unapologetic critiques of elite power and the stifling politics of fear, while informed by global discussions on police abolition, Shoot to Kill: Police and Power in South Africa calls for a society based on democracy and justice.

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In December, 2017, Walter Meyer was stabbed in the heart with a kitchen knife by his wife, Sophia. Dubbed "South Africa's own van Gogh" and critically acclaimed as the finest landscape artist to emerge from this country in the last century, his brutal death left a deep void. Born in the mid 60's, Meyer was frequently seen as part of the "Voelvry" Afrikaans rebel generation. He however preferred to dedicate his being to one thing only – to paint. His substantial body of work often explored the desolate Karoo. It broke landscape traditions by using light and shadows to depict the often futile attempts of humans to conquer the hinterland. Like countless creatives, Meyer struggled with his demons and increasingly turned to the bottle which would eventually lead to his brutal ending. Written by his brother, Frans, along with rare insights from Walter's rehab journals, Impossible Skies explores the artist's roots, his genius as a painter and a poignant relationship between two brothers.

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Statues and Storms offers a gripping insider’s account of Max Price’s tenure as Vice-Chancellor of the University of Cape Town during a transformative period in South African higher education. In the wake of the Rhodes Must Fall protests, universities across the country were engulfed in sustained and often violent demonstrations, challenging institutional cultures and sparking a global movement. This book provides a unique perspective on the protests, delving into the reasons behind the decolonising movement’s emergence at liberal universities two decades after the democratic transition. With a focus on leadership and the difficult decisions leaders must make during rapid transformation, the book also explores enduring themes in academia, including academic and artistic freedom, the limits of protest rights, institutional racism, culture and inclusiveness, and the funding of higher education.

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Most books on the Angolan Bush War present the South African perspective of events. Now a former MiG-23 Squadron Commander of the Cuban Air Force has collaborated with and ex-SAAF pilot to paint a remarkable new picture of the aerial conflict over Angola in the 1980s. The sketches by Sean Thackwray, himself a former SAAF fighter pilot, helps to bring this unique story to life, along with select images, including many not seen in print in South Africa.

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Aged eighteen, Caster Semenya shot to fame on the global sporting stage for her blistering speed. But shrouding her monumental win were fierce rumours about her physical body rather than her phenomenal performance. Called ‘a threat to the sport’ and ‘not woman enough’, she found herself at the centre of the debate around the newly drawn line between gender and sport. Throughout the intense speculation, harmful rumours and long legal battle she has remained quiet, letting her running do the talking until she was banned from competing and defending her Olympic title in 2020. Now, Caster is ready to own her story and tell it in full. In this book, Caster speaks openly about growing up in a loving family and community that never regarded her as different, just Caster; of her early years understanding her agency, sexuality and athletic ability; and of her infectious spirit and tenacity to be the best. Told with conviction and humour, The Race To Be Myself is the story of a life lived in the spotlight, a manifesto for acceptance and change for all. This is the unforgettable story of one of the most recognisable athletes in the world, and of a woman’s journey to run free.

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Kwa Mai Mai is the embodiment of everything Johannesburg is meant to be – the City of Gold, a place where dreams deferred come true. It is a constellation of people’s cultures, imbued with beautiful memories of life in villages left behind but cherished by those who refuse to forget. This book tells the story of how cultural memory, sacredly preserved and transported to new geographies, can be used both as a cultural weapon to resist subjugation and as an economic weapon to turn those priceless traditions into tradeable commodities. The book explores how the keepers of cultural memory can use it not only to survive but to invoke the entrepreneurial and creative spirit buried deep within their souls. Moreover, it builds on the assumption that if cultural memory can be stored and retrieved through artefacts, sites, ceremonies, myths and rituals, then Kwa Mai Mai is the place where these elements converge in inspiring displays of craftsmanship, worship and healing. Yet, Kwa Mai Mai has a darker side. It is a place of painful memories and ignored pleas – where its members are in a constant battle to be acknowledged by the city that created it. This book reveals how the subversive, socio-economic order that epitomised Kwa Mai Mai turned class theory upside down. In an interesting reversal of roles, the Kwa Mai Mai community, who used to be a migrant working class, wrested the power and control over the means of production from the dominant class. Through their heightened cultural consciousness, this marginalised migrant community has reimagined new economic realities and possibilities, forever distancing themselves from the painful, repressive past.

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‘Unlikely to be superseded in a long time.’ – JM Coetzee One of the most celebrated political leaders of our time, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie Madikizela-Mandela. During his years in prison, Nelson grew ever more in love with an idealised version of his wife, courting her in his letters as if they were young lovers frozen in time. But Winnie, every bit his political equal, found herself increasingly estranged from her jailed husband’s politics. Behind his back, she was trying to orchestrate an armed seizure of power, a path he feared would lead to an endless war. Jonny Steinberg tells the tale of this unique marriage – its longings, its obsessions, its deceits – making South African history a page-turning political biography. Winnie and Nelson is a modern epic in which trauma doesn’t affect just the couple at its centre, but an entire nation. It is also a Shakespearean drama in which bonds of love and commitment mingle with timeless questions of revolution, such as whether to seek retribution or a negotiated peace. Steinberg reveals, with power and tender emotional insight, how far these forever-entwined leaders would go for each other and where they drew the line. For in the end, both knew theirs was not simply a marriage, but a struggle to define anti-apartheid policy itself.

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There is an African proverb: ‘Until the lion has a historian of his own, the tale of the hunt will always glorify the hunter.’ This book is an acceptance of that challenge, to write a brand new kind of history, where the author becomes the the lion’s historian. As a species, we are not alone. But for too long our history has been written as though we are. This book insists on a retelling of our more-than-human past, a retelling of a shifting series of significant inter-species relationships – from the odd and quirky connections to those that triggered major changes in history itself. Sandra Swart has scoured the archives to find both the real animal stories and the stories we have told about them for millennia. The animals in this book – elephants, hippos, okapi, lions, jackals, cows, sheep, horses, white ants, quagga, Nazi-bred Heck cattle, police dogs and baboons – are chosen strategically to highlight different facets of our shared past. With this animal-centric lens, decades of research are brought together in a stunning book that take animals seriously. To do this, Swart embraces the natural sciences (biology, ethology, conservation biology, palaeontology) and the social sciences, oral history, indigenous knowledge as well as archival history. This is a book with fangs! It tears through conventional stories to ask: if we are not alone and given our current global crises of mass extinctions, are we prepared to move beyond the convention that ‘history’ is only the story of our own species? Can we, instead, consider a more-than-human past? In our current cataclysmic biodiversity crisis, we humans need to find new ways to live with and relate to other beings. The possibility of our shared future pivots on a reckoning with our shared pasts. This ground-breaking book shows what human–animal history can do, not only to understand our place in the world better but to make our world – however slightly – a better place.

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A revelatory exploration of climate change from the perspective of wild species and natural ecosystems - an homage to the miraculous, vibrant entity that is life on Earth. The stories we usually tell ourselves about climate change tend to focus on the damage inflicted on human societies by big storms, severe droughts, and rising sea levels. But the most powerful impacts are being and will be felt by the natural world and its myriad species, which are already in the midst of the sixth great extinction. Rising temperatures are fracturing ecosystems that took millions of years to evolve, disrupting the life forms they sustain - and in many cases driving them towards extinction. The natural Eden that humanity inherited is quickly slipping away. Although we can never really know what a creature thinks or feels, The End of Eden invites the reader to meet wild species on their own terms in a range of ecosystems that span the globe. Combining classic natural history, firsthand reportage, and insights from cutting-edge research, Adam Welz brings us close to creatures like moose in northern Maine, parrots in Puerto Rico, cheetahs in Namibia, and rare fish in Australia as they struggle to survive. The stories are intimate yet expansive and always dramatic. An exquisitely written and deeply researched exploration of wild species reacting to climate breakdown, The End of Eden offers a radical new kind of environmental journalism that connects humans to nature in a more empathetic way than ever before and galvanizes us to act in defense of the natural world before it's too late.

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A single image taken from a high-rise building in inner-city Johannesburg uncovers layers of history—from its premise and promise of gold to its current improvisations. It reveals the city as carcass and as crucible, where informal agents and processes spearhead its rapid reshaping and transformation. In Wake Up, This Is Joburg, writer Tanya Zack and photographer Mark Lewis offer a stunning portrait of Johannesburg and personal stories of some of the city’s ordinary, odd, and outrageous residents. Their photos and essays take readers into meat markets where butchers chop cow heads; the eclectic home of an outsider artist that features turrets and full of manikins; long-abandoned gold pits beneath the city, where people continue to mine informally; and lively markets, taxi depots, and residential high-rises. Sharing people’s private and work lives and the extraordinary spaces of the metropolis, Zack and Lewis show that Johannesburg’s urban transformation occurs not in a series of dramatic, wide-scale changes but in the everyday lives, actions, and dreams of individuals.

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Louisa Zondo’s work has helped to shape the new South Africa, but she has also faced intense grief and trauma, which came from the underside of the emerging nation’s complex social fabric. As mother of much-loved music star Riky Rick, who tragically took his own life in 2022, Louisa Zondo’s loss was shared by millions, but it was also a uniquely deep, lonely and life-shattering grief. The loss of her beloved MaRiky also brought to the surface cataclysmic trauma from her past. As Louisa Zondo takes her first small steps to facing her grief, she finds herself speaking to her son in a series of letters, gradually finding the words to express her love for him, and the pain of losing him. In expressing that love, she tells the story of her own life and the experiences that shaped her. This brave journey brings Louisa to a deeper understanding of her life’s path, and closer to healing.

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