*Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay*Selected as a Book of the Year 2016 by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.'If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities.From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.
CONTRIBUTORS: Lauren ElkinEAN: 9780099593379COUNTRY: United KingdomPAGES: WEIGHT: 303 gHEIGHT: 198 cm
PUBLISHED BY: Vintage PublishingDATE PUBLISHED: 2017-07-27CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs, LITERARY COLLECTIONS / Essays, SOCIAL SCIENCE / Feminism & Feminist TheoryWIDTH: 135 cmSPINE:
Book Themes:
Paris (city), London, Greater London, Venice, Japan, New York, Memoirs, Literary essays, Gender studies: women and girls, Feminism and feminist theory, Social and cultural history, Expeditions: popular accounts
An uplifting, gender-bending critique of how women negotiate public space, Deliciously spiky and seditious, she takes her readers on a rich, intelligent and lively meander through cultural history, biography, literary criticism, urban topography and memoir… I defy anyone to read this celebratory study and not feel inspired to take to the streets in one way or another., Well researched and larded with examples, this picaresque account of a picaresque longing successfully paints women back into the city... Elkin reboots the appetite to go walking and thinking in the city, which can only be a good thing., Flâneuse is not simply a reclaiming of space, but also of a suppressed intellectual and cultural history. Finding ways to reframe images of women walking and to reverse male gazes, Flâneuse builds on recent work by Rebecca Solnit and the artist Laura Oldfield Ford, among others, with striking intellectual vigour and clear, enrapturing prose., The thoughtful urban stroller Lauren Elkin is a self-appointed heir to Woolf's 'street haunter'. A memoir, a travelogue and an eminently likeable work of literary criticism, Flaneuse is more like a song sung under Elkin’s breath. [...] At its best, her book evokes reading aloud... reading your own life through the novels that form part of it.
Lauren Elkin is the author of several books, including Flâneuse: Women Walk the City, a Radio 4 Book of the Week, a New York Times Notable Book of 2017, and a finalist for the PEN/Diamonstein-Spielvogel award for the art of the essay. Her essays on art, literature, and culture have appeared in the London Review of Books, the New York Times, Granta, Harper's, Le Monde, Les Inrockuptibles, and Frieze, among others. She is also an award-winning translator, most recently of Simone de Beauvoir's previously unpublished novel The Inseparables. After twenty years in Paris, she now lives in London.
Format:
*Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay*Selected as a Book of the Year 2016 by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.'If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities.From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.
CONTRIBUTORS: Lauren ElkinEAN: 9780099593379COUNTRY: United KingdomPAGES: WEIGHT: 303 gHEIGHT: 198 cm
PUBLISHED BY: Vintage PublishingDATE PUBLISHED: 2017-07-27CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs, LITERARY COLLECTIONS / Essays, SOCIAL SCIENCE / Feminism & Feminist TheoryWIDTH: 135 cmSPINE:
Book Themes:
Paris (city), London, Greater London, Venice, Japan, New York, Memoirs, Literary essays, Gender studies: women and girls, Feminism and feminist theory, Social and cultural history, Expeditions: popular accounts
Lauren Elkin is the author of several books, including Flâneuse: Women Walk the City, a Radio 4 Book of the Week, a New York Times Notable Book of 2017, and a finalist for the PEN/Diamonstein-Spielvogel award for the art of the essay. Her essays on art, literature, and culture have appeared in the London Review of Books, the New York Times, Granta, Harper's, Le Monde, Les Inrockuptibles, and Frieze, among others. She is also an award-winning translator, most recently of Simone de Beauvoir's previously unpublished novel The Inseparables. After twenty years in Paris, she now lives in London.
My name is Gwendoline Leghlo, from South Africa, I came across this children's book by this author in America and didn't regret the purchased. I purchased it for my grandson who is age 7 and he absolutely loved it, and I could see the excitement in his eyes while reading the book. I genuinely love to put a smile on my grandchildren's faces; He loves reading and mentioned to me that it was fun reading it and it is wonderful to witness that kind of pure joy and engagement. I'm thrilled to share that it is Highly recommended book for children. Thumbs up to the author Charmaine J Forde ***** I am already interested in her next book.
Kan 'n groepie met uitsonderlike vermoëns 'n planeet red?
Die Fluisteraar is ’n baie interessante aanbieding in die toekomsfiksiegenre. Die jaar is 2075. Die wêreld se natuurlike hulpbronne is uitgeput. Natuurrampe, oorloë, plae en voedseltekorte het miljoene uitgewis, lees ons in die Proloog. Kato, ’n intelligente sewentienjarige, leerling by Solaris Internationaal deel nie sy onderwyser, meneer Flink, se geloof dat die klimaatbalans kan herstel nie. “Die harde feit is dat niks lewe nie en niks meer gáán lewe nie.” (p.21 e-boek)
Dit blyk dat Kato oor ’n spesiale vermoë beskik wat plantegroei kan stimuleer en woude herstel. Daarvoor word hy gewerf deur die IPN, Die Instituut vir Planetêre Navigasie, om te gaan “werk” in Uganda. Hy voel dat sy ouers hom opoffer ter wille van die planeet. (p.119 e-boek). Sy opstand daarteen en sy heimwee na die see van die Kaapse kom, gee aanleiding tot ’n spannende verloop van omstandighede wat hom uiteindelik by ’n belangrike morele besluit uitbring.
Wat die verhaal vir my onderskei, is dat daar wel wetenskapfiksie elemente teenwoordig is, soos hommeltuie, oktokopters en uberbotte, maar dit bly in essensie ’n verhaal oor mense en nie robotte nie. Weliswaar mense met uitsonderlike vermoëns, maar dit is heel geloofwaardig. Daar is familiebande, vriende, selfs troeteldiere.
Skrywer, Jacolet van den Berg, het haarself deeglik bewys as ’n sukses in die liga van jeugboekskrywers. Die Fluisteraar is sopas aangewys as naaswenner in die Lapa Jeugverhaalkompetisie van 2025, ’n prestasie wat sy ook in die 2024 kompetisie behaal het.
Daar is 'n onmiddellike konneksie tussen Elara en Marko, 'n lieflike liefdesverhaal
Na die intensiteit van Mariette Wenhold se Myner van my hart, het Felicia Snyman se nuutste Romanza, Harte in harmonie, gevoel soos ’n sagte bries. ’n Gemaklike, ongekompliseerde storie oor Elara Hartwell en Marko Roos. Totdat dinge naby die einde skielik skeef loop en albei partye in uiterste mistroostigheid beland.
Elara het ná ’n slegte ervaring met ’n man wat haar en haar oorlede pa uitgebuit het, die mansgeslag afgesweer. Sy is nie sosiaal nie en fokus net op haar werk as ouditeur. Marko is die broer van ’n sangeres en vriendin vir wie Elara liede skryf. Sy werk neem hom regoor die wêreld, maar wanneer hy vir Elara ontmoet verander sy prioriteite. Daar is ’n onmiddellike konneksie tussen hulle. “Toe ek jou by die ateljee gesien het, het die vreemdste ding gebeur. Dit was asof ek jou ken.” Hy gaan verder: “Skielik het ek ’n rede om te bly.” (p.21)
Die mooi liefdesverhaal word pragtig ingekleur deur ’n lied of twee wat sorgvuldig gekies is vir bepaalde tonele. Eintlik vat die lirieke die essensie van die storielyn perfek saam. Ek wil jou nooi om Elara en Marko se verhaal te lees en dan te luister na die liede.
As ek Mariette Wenhold se Myner van my hart in een woord moet opsom, sou ek sê dit is intens. Waarom sê ek so? Hoofsaaklik omdat die onverwerkte trauma waarmee Katarien Roos spook, veel erger is as dit wat mens normaalweg in ’n romanse teëkom. Ek het iets redelik aardskuddend begin vermoed toe sy nie by haar huis kan ingaan nie.
Haar volatiele geaardheid, wat ’n paar maal lei tot uitbarstings of onversetlike optrede, kan ook grotendeels toegeskryf word aan dit wat in haar verlede gebeur het en haar genoop het om Suid-Afrika te verlaat. Die skrywer gebruik hierdie element om deurentyd afwagting en spanning te skep deurdat die volle waarheid nie sommer vroeg in die storielyn onthul word nie.
Verder is die liefdestoneel ook nogal intens. Armand du Toit is ’n held waaroor menige romanseleser sal swymel. Hoewel Katarien haarself as “emosioneel onbeskikbaar” beskou (p.141) is hy presies die man wat sy nodig het om deur haar skanse te breek. Hy, en ’n predikant wat as berader optree.
Familiebande kry baie aandag in hierdie verhaal en die tienerseun laat mens sommer weer glo in die jeug. Tweede kanse, op enige ouderdom, laat ’n romantiese leser sommer goed slaap as jy die boek neersit.
Misverstande is volop in romantiese verhale. Dit gee vir ’n skrywer lekker materiaal om die storie mee te weef. Beslis só in Ballade van die liefde, die nuwe Romanza deur Mari Roberts.
Ons vind die hoofkarakter, Carli, in Botswana, waar sy werk by Die Park, ’n privaat wildtuin langs die Kgalagadi. Sommer uit die staanspoor is dit duidelik dat sy hier wegkruip, maar die wat en hoekom word nie sommer dadelik uitgelap nie. Daar is ’n lieflike dogtertjie betrokke en ’n oupa en ouma waarvoor sy baie lief is.
Die storielyn kry momentum wanneer ’n toergroep by die lodge aandoen en die rede vir haar jarelange wegkruipery, skielik voor haar staan. Mens wil aggressie te wagte wees, maar Ruben verras met vasberadenheid en geduld wat voortduur totdat al die misverstande opgeklaar is.
Die skrywer het goed daarin geslaag om spanning en afwagting te skep, en die gelukkige einde is besonder bevredigend. Knap gedaan, Mari.