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    Coleridge and Textual Instability

Coleridge and Textual Instability

Jack Stillinger
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      Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower My Prison, Frost at Midnight, Kubla Khan, Christabel, and Dejection: an Ode. Such multiplicity of versions raises a number of theoreticaland practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work. Providing much new information about thetexts and production of Coleridge's major poems, Stillinger's study offers intriguing new theories about the nature of authorship and the constitution of literary works.
      Format: CONTRIBUTORS: Jack Stillinger EAN: 9780195085839 COUNTRY: United States PAGES: WEIGHT: 565 g HEIGHT: 243 cm
      PUBLISHED BY: Oxford University Press Inc DATE PUBLISHED: 1994-06-30 CITY: GENRE: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, LITERARY CRITICISM / Poetry, POETRY / European / English, Irish, Scottish, Welsh WIDTH: 161 cm SPINE:

      Book Themes:

      English, 19th century, c 1800 to c 1899, Literary studies: c 1800 to c 1900, Literary studies: poetry and poets

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      Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower My Prison, Frost at Midnight, Kubla Khan, Christabel, and Dejection: an Ode. Such multiplicity of versions raises a number of theoreticaland practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work. Providing much new information about thetexts and production of Coleridge's major poems, Stillinger's study offers intriguing new theories about the nature of authorship and the constitution of literary works.
      Format: CONTRIBUTORS: Jack Stillinger EAN: 9780195085839 COUNTRY: United States PAGES: WEIGHT: 565 g HEIGHT: 243 cm
      PUBLISHED BY: Oxford University Press Inc DATE PUBLISHED: 1994-06-30 CITY: GENRE: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, LITERARY CRITICISM / Poetry, POETRY / European / English, Irish, Scottish, Welsh WIDTH: 161 cm SPINE:

      Book Themes:

      English, 19th century, c 1800 to c 1899, Literary studies: c 1800 to c 1900, Literary studies: poetry and poets

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