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    Lure of Illustration in the Nineteenth Century

Lure of Illustration in the Nineteenth Century

L. Brake, M. Demoor
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      This volume tackles the subject of illustration, technically, metaphorically and historically in nineteenth-century periodicals, displaying the ubiquity of the visual in the press: the articles cover material illustration, graphics, and design and metaphorical use of images in the letterpress, offering specific examples and theoretical approaches.
      Format: CONTRIBUTORS: L. Brake, M. Demoor EAN: 9780230217317 COUNTRY: United Kingdom PAGES: WEIGHT: 528 g HEIGHT: 216 cm
      PUBLISHED BY: Palgrave Macmillan DATE PUBLISHED: 2009-01-15 CITY: GENRE: ARCHITECTURE / Design, Drafting, Drawing & Presentation, LITERARY CRITICISM / General, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, LITERARY CRITICISM / Modern / 19th Century, SOCIAL SCIENCE / Media Studies WIDTH: 140 cm SPINE:

      Book Themes:

      19th century, c 1800 to c 1899, Illustration, Literary studies: c 1800 to c 1900, Literary studies: fiction, novelists and prose writers

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      LAUREL BRAKE is a Senior Research Fellow at Birkbeck, University of London, UK. Her research interests are in print culture, gender, computing in the humanities, and Walter Pater. Publications include Nineteenth-Century Serials Edition (www. ncse.ac.uk) with Jim Mussell, Suzanne Paylor, and Mark Turner (2008) and Print in Transition (2001). With Marysa Demoor, she is currently editing the Dictionary of Nineteenth-Century Journalism.   MARYSA DEMOOR is Professor of English Literature at Ghent University, Belgium. Her recent publications include Their Fair Share: Women, Power and Criticism in the Athenaeum, from Millicent Garrett Fawcett to Katherine Mansfield, 1870-1920 (2000) and Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880-1930 (2004). With Laurel Brake she is currently working on the Dictionary of Nineteenth-Century Journalism.
      This volume tackles the subject of illustration, technically, metaphorically and historically in nineteenth-century periodicals, displaying the ubiquity of the visual in the press: the articles cover material illustration, graphics, and design and metaphorical use of images in the letterpress, offering specific examples and theoretical approaches.
      Format: CONTRIBUTORS: L. Brake, M. Demoor EAN: 9780230217317 COUNTRY: United Kingdom PAGES: WEIGHT: 528 g HEIGHT: 216 cm
      PUBLISHED BY: Palgrave Macmillan DATE PUBLISHED: 2009-01-15 CITY: GENRE: ARCHITECTURE / Design, Drafting, Drawing & Presentation, LITERARY CRITICISM / General, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, LITERARY CRITICISM / Modern / 19th Century, SOCIAL SCIENCE / Media Studies WIDTH: 140 cm SPINE:

      Book Themes:

      19th century, c 1800 to c 1899, Illustration, Literary studies: c 1800 to c 1900, Literary studies: fiction, novelists and prose writers

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      LAUREL BRAKE is a Senior Research Fellow at Birkbeck, University of London, UK. Her research interests are in print culture, gender, computing in the humanities, and Walter Pater. Publications include Nineteenth-Century Serials Edition (www. ncse.ac.uk) with Jim Mussell, Suzanne Paylor, and Mark Turner (2008) and Print in Transition (2001). With Marysa Demoor, she is currently editing the Dictionary of Nineteenth-Century Journalism.   MARYSA DEMOOR is Professor of English Literature at Ghent University, Belgium. Her recent publications include Their Fair Share: Women, Power and Criticism in the Athenaeum, from Millicent Garrett Fawcett to Katherine Mansfield, 1870-1920 (2000) and Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880-1930 (2004). With Laurel Brake she is currently working on the Dictionary of Nineteenth-Century Journalism.

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