William Kentridge
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South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge’s work curated for Sint-Janshospitaal in Bruges—at 800 years one of Europe’s oldest surviving hospital buildings – organized around the themes of trauma, healing, and compassion. The book features an introduction by Margaret K. Koerner, and also includes essays by diverse distinguished contributors: Benjamin H. D. Buchloh considers Kentridge’s alternate reception of the historical avant-garde from a perspective of exile; Joseph Leo Koerner explores the artist’s work as a self-styled process of "working through" in which the past simultaneously disfigures and redeems; and Harmon Siegel examines Kentridge’s approach to film history. Distributed for MercatorfondsExhibition Schedule:Groeningemuseum, Bruges (10/21/17-02/25/18)
CONTRIBUTORS: Margaret K. Koerner, Margaret K. Koerner, Benjamin H. D. Buchloh, Joseph Leo Koerner, Harmon Siegel
EAN: 9780300230253
COUNTRY: United States
PAGES:
WEIGHT: 1315 g
HEIGHT: 305 cm
PUBLISHED BY: Yale University Press
DATE PUBLISHED:
CITY:
GENRE: ART / Collections, Catalogs, Exhibitions / General, ART / History / Contemporary (1945-), ART / Individual Artists / Monographs
WIDTH: 254 cm
SPINE:
Book Themes:
History of art, Individual artists, art monographs, Exhibition catalogues and specific collections
South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge’s work curated for Sint-Janshospitaal in Bruges—at 800 years one of Europe’s oldest surviving hospital buildings – organized around the themes of trauma, healing, and compassion. The book features an introduction by Margaret K. Koerner, and also includes essays by diverse distinguished contributors: Benjamin H. D. Buchloh considers Kentridge’s alternate reception of the historical avant-garde from a perspective of exile; Joseph Leo Koerner explores the artist’s work as a self-styled process of "working through" in which the past simultaneously disfigures and redeems; and Harmon Siegel examines Kentridge’s approach to film history. Distributed for MercatorfondsExhibition Schedule:Groeningemuseum, Bruges (10/21/17-02/25/18)
CONTRIBUTORS: Margaret K. Koerner, Margaret K. Koerner, Benjamin H. D. Buchloh, Joseph Leo Koerner, Harmon Siegel
EAN: 9780300230253
COUNTRY: United States
PAGES:
WEIGHT: 1315 g
HEIGHT: 305 cm
PUBLISHED BY: Yale University Press
DATE PUBLISHED:
CITY:
GENRE: ART / Collections, Catalogs, Exhibitions / General, ART / History / Contemporary (1945-), ART / Individual Artists / Monographs
WIDTH: 254 cm
SPINE:
Book Themes:
History of art, Individual artists, art monographs, Exhibition catalogues and specific collections
Margaret K. Koerner is a specialist in Northern Renaissance painting.
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