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    Music and Society in Early Modern England

Music and Society in Early Modern England

Christopher Marsh
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      FORMAT: Paperback / softback

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      Music and Society in Early Modern England is the first comprehensive survey of English popular music during the early modern period to be published in over one hundred and fifty years. Christopher Marsh offers a fascinating and broad-ranging account of musicians, the power of music, broadside ballads, dancing, psalm-singing and bell-ringing. Drawing on sources ranging from ballads, plays, musical manuscripts and diaries to wills, inventories, speeches and court records, he investigates the part played by music in the negotiation of social relations, revealing its capacity both to unify and to divide. The book is lavishly illustrated and is accompanied by a website featuring forty-eight specially commissioned recordings by the critically acclaimed Dufay Collective. These include the first ever attempts to reconstruct the distinctively early-modern sounds of 'rough music' and unaccompanied congregational psalm-singing.

      Format: Paperback / softback CONTRIBUTORS: Christopher Marsh EAN: 9781107610248 COUNTRY: United Kingdom PAGES: 624 WEIGHT: 1100 g HEIGHT: 244 mm
      PUBLISHED BY: Cambridge University Press DATE PUBLISHED: 2013-05-02 CITY: GENRE: HISTORY / Social History, MUSIC / Genres & Styles / Classical WIDTH: 170 mm SPINE:

      Book Themes:

      England, 16th century, c 1500 to c 1599, Medieval style, Renaissance style, Art music, orchestral and formal music, Social and cultural history

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      Christopher Marsh is a Reader in Early Modern History at Queen's University Belfast. His previous publications include The Family of Love in English Society (Cambridge University Press, 1994) and Popular Religion in Sixteenth-Century England (1998). He is also the author of the satirical novel A Year in the Province (2009).

      Music and Society in Early Modern England is the first comprehensive survey of English popular music during the early modern period to be published in over one hundred and fifty years. Christopher Marsh offers a fascinating and broad-ranging account of musicians, the power of music, broadside ballads, dancing, psalm-singing and bell-ringing. Drawing on sources ranging from ballads, plays, musical manuscripts and diaries to wills, inventories, speeches and court records, he investigates the part played by music in the negotiation of social relations, revealing its capacity both to unify and to divide. The book is lavishly illustrated and is accompanied by a website featuring forty-eight specially commissioned recordings by the critically acclaimed Dufay Collective. These include the first ever attempts to reconstruct the distinctively early-modern sounds of 'rough music' and unaccompanied congregational psalm-singing.

      Format: Paperback / softback CONTRIBUTORS: Christopher Marsh EAN: 9781107610248 COUNTRY: United Kingdom PAGES: 624 WEIGHT: 1100 g HEIGHT: 244 mm
      PUBLISHED BY: Cambridge University Press DATE PUBLISHED: 2013-05-02 CITY: GENRE: HISTORY / Social History, MUSIC / Genres & Styles / Classical WIDTH: 170 mm SPINE:

      Book Themes:

      England, 16th century, c 1500 to c 1599, Medieval style, Renaissance style, Art music, orchestral and formal music, Social and cultural history

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      Christopher Marsh is a Reader in Early Modern History at Queen's University Belfast. His previous publications include The Family of Love in English Society (Cambridge University Press, 1994) and Popular Religion in Sixteenth-Century England (1998). He is also the author of the satirical novel A Year in the Province (2009).

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