THE SUNDAY TIMES BESTSELLER BOOK OF THE YEAR AT THE BRITISH BOOK AWARDS SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 'A deliciously funny, characterful, topical and thrilling novel for our times' Bernardine Evaristo, winner of the Booker Prize 'Brilliant, timely, funny, heartbreaking' Jojo Moyes 'A must-read novel about sex, selfhood, and the best friendships that get us through it all' Candace Bushnell, author of Sex and the City Queenie is a twenty-five-year-old Black woman living in south London, straddling Jamaican and British culture whilst slotting neatly into neither. She works at a national newspaper where she's constantly forced to compare herself to her white, middle-class peers, and beg to write about Black Lives Matter. After a messy break up from her long-term white boyfriend, Queenie finds herself seeking comfort in all the wrong places. As Queenie veers from one regrettable decision to another, she finds herself wondering, What are you doing? Why are you doing it? Who do you want to be? - the questions that every woman today must face in a world that keeps trying to provide the answers for them. A darkly comic and bitingly subversive take on life, love, race and family, Queenie will have you nodding in recognition, crying in solidarity and rooting for this unforgettable character every step of the way. A disarmingly honest, boldly political and truly inclusive tale that will speak to anyone who has gone looking for love and acceptance and found something very different in its place. ******This book has been printed with two different colour designs, gold and pink. We are unable to accept requests for a specific cover. The different covers will be assigned to orders at random****** LONGLISTED FOR THE JHALAK PRIZE SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR SHORTLISTED FOR FOYLES BOOK OF THE YEAR SHORTLISTED FOR COMEDY WOMAN IN PRINT PRIZE 2020 BLACKWELL'S DEBUT NOVEL OF THE YEAR NAMED ONE OF THE TIMES, GUARDIAN, SUNDAY TIMES, DAILY MAIL AND EVENING STANDARD'S BEST BOOKS OF 2019
CONTRIBUTORS: Candice Carty-WilliamsEAN: 9781409180074COUNTRY: United KingdomPAGES: 400WEIGHT: 283 gHEIGHT: 194 cm
PUBLISHED BY: Orion Publishing CoDATE PUBLISHED: CITY: GENRE: FAMILY & RELATIONSHIPS / Friendship, FAMILY & RELATIONSHIPS / Love & Romance, FICTION / Romance / Multicultural & Interracial, FICTION / Urban & Street Lit, HUMOR / Topic / Marriage & FamilyWIDTH: 126 cmSPINE:
Book Themes:
Modern and contemporary fiction: general and literary
Hilarious, compelling, painful, enlightening, honest. I loved it., Queenie is a masterclass in how to write accessible political fiction about race and gender. Funny, relatable, sad, and hopeful; Candice Carty-Williams is a writer to watch., Brilliant, timely, funny, heartbreaking, Funny, wise and of the moment, this book and this writer are the ones to watch, Queenie has all the things you want in a debut novel - a startlingly fresh voice, characters you fall in love with from the very first page, and a joyous turn of phrase that makes this book almost impossible to put down. In turns hilariously funny and quietly devastating, Queenie is an important, timely story.
Candice Carty-Williams was born in 1989, the result of an affair between a Jamaican cab driver and a dyslexic Jamaican-Indian receptionist. She is a journalist, screenwriter, and author of the Sunday Times bestselling Queenie, a book described as 'vital', 'disarmingly honest' and 'boldly political'. In 2016, Candice created and launched the Guardian and 4th Estate BAME (black, Asian and minority ethnic) Short Story Prize, the first inclusive initiative of its kind in book publishing. As a journalist she has written for the Guardian, i-D, Vogue International, every iteration of the Sunday Times, BEAT Magazine, Black Ballad and more. She will probably always live in South London. She can be found on Twitter and Instagram at @CandiceCW.
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THE SUNDAY TIMES BESTSELLER BOOK OF THE YEAR AT THE BRITISH BOOK AWARDS SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 'A deliciously funny, characterful, topical and thrilling novel for our times' Bernardine Evaristo, winner of the Booker Prize 'Brilliant, timely, funny, heartbreaking' Jojo Moyes 'A must-read novel about sex, selfhood, and the best friendships that get us through it all' Candace Bushnell, author of Sex and the City Queenie is a twenty-five-year-old Black woman living in south London, straddling Jamaican and British culture whilst slotting neatly into neither. She works at a national newspaper where she's constantly forced to compare herself to her white, middle-class peers, and beg to write about Black Lives Matter. After a messy break up from her long-term white boyfriend, Queenie finds herself seeking comfort in all the wrong places. As Queenie veers from one regrettable decision to another, she finds herself wondering, What are you doing? Why are you doing it? Who do you want to be? - the questions that every woman today must face in a world that keeps trying to provide the answers for them. A darkly comic and bitingly subversive take on life, love, race and family, Queenie will have you nodding in recognition, crying in solidarity and rooting for this unforgettable character every step of the way. A disarmingly honest, boldly political and truly inclusive tale that will speak to anyone who has gone looking for love and acceptance and found something very different in its place. ******This book has been printed with two different colour designs, gold and pink. We are unable to accept requests for a specific cover. The different covers will be assigned to orders at random****** LONGLISTED FOR THE JHALAK PRIZE SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR SHORTLISTED FOR FOYLES BOOK OF THE YEAR SHORTLISTED FOR COMEDY WOMAN IN PRINT PRIZE 2020 BLACKWELL'S DEBUT NOVEL OF THE YEAR NAMED ONE OF THE TIMES, GUARDIAN, SUNDAY TIMES, DAILY MAIL AND EVENING STANDARD'S BEST BOOKS OF 2019
CONTRIBUTORS: Candice Carty-WilliamsEAN: 9781409180074COUNTRY: United KingdomPAGES: 400WEIGHT: 283 gHEIGHT: 194 cm
PUBLISHED BY: Orion Publishing CoDATE PUBLISHED: CITY: GENRE: FAMILY & RELATIONSHIPS / Friendship, FAMILY & RELATIONSHIPS / Love & Romance, FICTION / Romance / Multicultural & Interracial, FICTION / Urban & Street Lit, HUMOR / Topic / Marriage & FamilyWIDTH: 126 cmSPINE:
Book Themes:
Modern and contemporary fiction: general and literary
Candice Carty-Williams was born in 1989, the result of an affair between a Jamaican cab driver and a dyslexic Jamaican-Indian receptionist. She is a journalist, screenwriter, and author of the Sunday Times bestselling Queenie, a book described as 'vital', 'disarmingly honest' and 'boldly political'. In 2016, Candice created and launched the Guardian and 4th Estate BAME (black, Asian and minority ethnic) Short Story Prize, the first inclusive initiative of its kind in book publishing. As a journalist she has written for the Guardian, i-D, Vogue International, every iteration of the Sunday Times, BEAT Magazine, Black Ballad and more. She will probably always live in South London. She can be found on Twitter and Instagram at @CandiceCW.
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The hook introducing the plot of Here one moment, has to be one of the best I have ever come across. “Later, not a single person will recall seeing the lady board the flight at Hobart Airport. Nothing about her appearance or demeanour raises a red flag or even an eyebrow.” (p.1) What follows is a unique setting of the scene aboard the aircraft. In stead of sketching the passengers, the author focusses on the qualities of the lady who would later be known as the “Death Lady”. We do not read what she does, rather what she does not do. In doing so, the vast cast of characters is introduced to the reader.
Which raises the point that the book should be read with attention to detail as the story is multi-layered. The introducing of even more characters, apart from the passengers on the flight, is intentional and serves to enhance the mystery surrounding the lady who goes unnoticed, “until she does what she does.” (p.6)
I am not into psychics, fortune telling, foreseeing the future, anything esoteric. The story line centres around exactly those aspects, but what saved it for me was the fact that the author does not sell the idea either way. In fact, there is continual mention of the debate about the legitimacy of paranormal practices.
The presentation was also most effective. Alternatively, the main character reveals her life story in the first person narrative, while that of the rest of the passengers and other characters are told in the third person. This definitely helps to propel the reading of the lengthy novel.
I cannot compare this new book to previous books of Liane Moriarty, as this is my first encounter with the writing of the multimillion-copy selling Australian author. Suffice to say that I remained interested throughout the almost 500 pages and appreciated the clever way in which the questions are eventually all answered.
Here one moment is distributed in South Africa by Penguin Fiction, a division of Penguin Random House South Africa.