‘This is an urgent and compelling account of great bravery and passion. Delphine Minoui has crafted a book that champions books and the individuals who risk everything to preserve them.’ Susan Orlean, author of The Library Book In 2012 the rebel suburb of Daraya in Damascus was brutally besieged by Syrian government forces. Four years of suffering ensued, punctuated by shelling, barrel bombs and chemical gas attacks. People’s homes were destroyed and their food supplies cut off; disease was rife. Yet in this man-made hell, forty young Syrian revolutionaries embarked on an extraordinary project, rescuing all the books they could find in the bombed-out ruins of their home town. They used them to create a secret library, in a safe place, deep underground. It became their school, their university, their refuge. It was a place to learn, to exchange ideas, to dream and to hope. Based on lengthy interviews with these young men, conducted over Skype by the award-winning French journalist Delphine Minoui, The Book Collectors of Daraya is a powerful testament to freedom, tolerance and the power of literature.Translated from the French by Lara Vergnaud.
CONTRIBUTORS: Delphine MinouiEAN: 9781529012323COUNTRY: United KingdomPAGES: WEIGHT: 286 gHEIGHT: 234 cm
PUBLISHED BY: Pan MacmillanDATE PUBLISHED: CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Social Activists, BIOGRAPHY & AUTOBIOGRAPHY / Survival, HISTORY / Wars & Conflicts / General, HISTORY / Military / Revolutions & Wars of Independence, HISTORY / Modern / 21st CenturyWIDTH: 152 cmSPINE:
Book Themes:
Syria, c 2010 to c 2019, True war and combat stories, True stories of heroism, endurance and survival, Asian history, Revolutions, uprisings, rebellions, Modern warfare
There is something seductive about the idea of knowledge as a bulwark against brutal force, and it’s an idea that immediately resonates with Minoui . . . She makes up for the lack of on-the-ground access with an abundance of attention and empathy., The Book Collectors of Daraya celebrates the political and therapeutic power of the written word . . . defiant and cautiously optimistic, [An] incredible chronicle . . . The book tells the kind of story that often gets buried beneath images of violence., Just like prisons across the region, rebel strongholds are sometimes universities in exile; witnessing the unexpected joy of learning in such circumstances is both sobering and inspiring., A haunting portrait . . . Fluidly translated and emotionally powerful, this devastating account pays tribute to the "dream of a better world that never fully came true"
Delphine Minoui, a recipient of the Albert Londres Prize for her reporting on Iraq and Iran, is a Middle East correspondent for Le Figaro. Born in Paris in 1974 to a French mother and an Iranian father, she now lives in Istanbul. She is the author of I'm Writing You from Tehran and The Book Collectors of Daraya.
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‘This is an urgent and compelling account of great bravery and passion. Delphine Minoui has crafted a book that champions books and the individuals who risk everything to preserve them.’ Susan Orlean, author of The Library Book In 2012 the rebel suburb of Daraya in Damascus was brutally besieged by Syrian government forces. Four years of suffering ensued, punctuated by shelling, barrel bombs and chemical gas attacks. People’s homes were destroyed and their food supplies cut off; disease was rife. Yet in this man-made hell, forty young Syrian revolutionaries embarked on an extraordinary project, rescuing all the books they could find in the bombed-out ruins of their home town. They used them to create a secret library, in a safe place, deep underground. It became their school, their university, their refuge. It was a place to learn, to exchange ideas, to dream and to hope. Based on lengthy interviews with these young men, conducted over Skype by the award-winning French journalist Delphine Minoui, The Book Collectors of Daraya is a powerful testament to freedom, tolerance and the power of literature.Translated from the French by Lara Vergnaud.
CONTRIBUTORS: Delphine MinouiEAN: 9781529012323COUNTRY: United KingdomPAGES: WEIGHT: 286 gHEIGHT: 234 cm
PUBLISHED BY: Pan MacmillanDATE PUBLISHED: CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Social Activists, BIOGRAPHY & AUTOBIOGRAPHY / Survival, HISTORY / Wars & Conflicts / General, HISTORY / Military / Revolutions & Wars of Independence, HISTORY / Modern / 21st CenturyWIDTH: 152 cmSPINE:
Book Themes:
Syria, c 2010 to c 2019, True war and combat stories, True stories of heroism, endurance and survival, Asian history, Revolutions, uprisings, rebellions, Modern warfare
Delphine Minoui, a recipient of the Albert Londres Prize for her reporting on Iraq and Iran, is a Middle East correspondent for Le Figaro. Born in Paris in 1974 to a French mother and an Iranian father, she now lives in Istanbul. She is the author of I'm Writing You from Tehran and The Book Collectors of Daraya.
Mevrou Smit het Aronspoort toe gekom om vir haarself ’n nuwe lewe en identiteit te bewerk, nie om gewild te wees nie. “Daar is geen wag voor daai mond nie. Al die gedagtes wat in haar kop uitbroei, marsjeer soos mank soldate oor haar tong.” (p.16). Maar dit is juis daardie gedagtes wat al menige moord opgelos het, dit terwyl sy vir haarself streng reëls gestel het vir “goeie” gedrag en verbete daaraan werk om daarby te hou. Reëls soos om te oorleef en te luister na jou instinkte. “My derde reël is om nie my tyd te mors met retrospeksie nie” (p.78), verduidelik sy aan Dario wat in hierdie aflewering weer ’n hoopvolle draai kom maak. Die uitstekende skryfstyl van Elizabeth Wasserman verseker dat mevrou Smit konsekwent, sonder aansien des persoons, hou by haar reëls.
Ek moet bieg dat hierdie derde sage van mevrou Smit vir my ietwat stadig afgeskop het. Daar was nie juis dringendheid rondom die ontdekking van ’n dekade-oue menslike oorskot in die rivierbank nie. Maar wanneer daar ’n vars moord vermoed word, tel mevrou Smit se bloedhond instinkte spoed op. En die krisis na die einde toe is so spannend as wat ’n sogenaamde sagte krimi kan toelaat.
Ek sukkel deesdae toenemend met reekse. Ek vergeet die fynere detail van vorige boeke (ouderdom of té veel storielyne?) en dan sukkel my kop deurentyd om te onthou. Dus sou ek beslis beter gevaar het om die drie boeke agtereenvolgens te lees. Nuwe Mevrou Smit lesers wat nie noodwendig alles wil weet van haar vorige lewe en die voorafgaande avonture op Aronspoort nie, behoort suksesvol te kan volstaan met die intrige soos hier aangebied.