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    Ghosts of Iron Mountain

Ghosts of Iron Mountain

Phil Tinline
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      FORMAT: Hardback

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      "Spellbinding." --Rick Perlstein * "A clever, fast-paced read of dazzling originality." --William I. Hitchcock "An excellent new book, both important and unsettling" (The New York Times), Ghosts of Iron Mountain unravels the astounding origins and far-reaching impacts of a monumental late 1960s hoax, perpetrated by cultural icons including Victor Navasky and E.L. Doctorow--a must-read for anyone curious about the surprising connections between John F. Kennedy, Oliver Stone, Timothy McVeigh, Alex Jones, and Donald Trump. Explore the intricate web of America's conspiracy culture with this investigative masterpiece that unearths the roots of our era's most potent myths. In 1966, amid unrest over the Vietnam War and the alarming growth of the military-industrial complex, little-known writer Leonard Lewin was approached by a group of ingenious satirists on the Left to concoct a document that would pretend to ratify everyone's fears that the government was deceiving the public. Devoting more than a year to the project, Lewin constructed a fiction (passed off as the honest truth) that a government-run Study Group had been charged with examining the "cost of peace," setting its first meetings in the very real Iron Mountain nuclear bunker in upstate New York (which lent the resulting book, Report from Iron Mountain, its name). In Lewin's telling, this gathering of the nation's academic elite concluded that suspending war would be disastrous, forcing all sorts of bizarre measures to compensate. Lewin didn't realize it at the time, but he'd created a narrative that fed the interests of both ends of the political spectrum--by promoting the idea that the government uses centralized power for evil. What fascinates about Phil Tinline's revelation-filled recreation of that ingenious hoax is seeing how it explodes into America's consciousness, dominates media reports, and sends government officials scrambling. And then, how Lewin's fabrication is adopted by a seemingly endless string of extremist organizations which view it as supporting their ideology. In this riveting--and, at times, chilling--tale is an unsettling warning about how, in contemporary times, a deception may no longer be considered a hoax if it can be used to recruit followers to a cause.

      Format: Hardback CONTRIBUTORS: Phil Tinline EAN: 9781668050491 COUNTRY: United States PAGES: 352 WEIGHT: 499 g HEIGHT: 231 mm
      PUBLISHED BY: Simon & Schuster DATE PUBLISHED: 2025-03-25 CITY: GENRE: HISTORY / United States / 20th Century, POLITICAL SCIENCE / American Government / National, POLITICAL SCIENCE / Political Ideologies / Radicalism, TRUE CRIME / Con Artists, Hoaxes & Deceptions WIDTH: 157 mm SPINE:

      Book Themes:

      United States of America, USA, 20th century, c 1900 to c 1999, True crime, Popular beliefs and controversial knowledge, Political ideologies and movements, Central / national / federal government, History of the Americas

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      Phil Tinline is a freelance writer and documentarian. He is the author of The Death of Consensus, which was chosen as The Times (London)'s Politics Book of the Year. Over the course of twenty years working for the BBC, he has made and presented many acclaimed documentaries about how political history shapes our lives. He has also written for The Times (London), The Guardian, The Daily Telegraph (London), The New Statesman (UK), BBC History Magazine, and Prospect. A graduate of Oxford University where he obtained a degree in English language and literature, he lives in London. Kai Bird is a Pulitzer Prize-winning biographer and journalist. With Martin J. Sherwin, he won the Pulitzer Prize for biography in 2006 for American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, the inspiration for Christopher Nolan's Academy Award-winning Best Picture, Oppenheimer. Bird is Executive Director and Distinguished Lecturer at the Leon Levy Center for Biography at the CUNY Graduate Center in New York City. He has won the National Book Critics Circle Award and the Duff Cooper Prize for History and is the recipient of numerous fellowships. His work includes critical writings on the Vietnam War, Hiroshima, nuclear weapons, the Cold War, the Arab-Israeli conflict, and the CIA. He is an elected member of the prestigious Society of American Historians.

      "Spellbinding." --Rick Perlstein * "A clever, fast-paced read of dazzling originality." --William I. Hitchcock "An excellent new book, both important and unsettling" (The New York Times), Ghosts of Iron Mountain unravels the astounding origins and far-reaching impacts of a monumental late 1960s hoax, perpetrated by cultural icons including Victor Navasky and E.L. Doctorow--a must-read for anyone curious about the surprising connections between John F. Kennedy, Oliver Stone, Timothy McVeigh, Alex Jones, and Donald Trump. Explore the intricate web of America's conspiracy culture with this investigative masterpiece that unearths the roots of our era's most potent myths. In 1966, amid unrest over the Vietnam War and the alarming growth of the military-industrial complex, little-known writer Leonard Lewin was approached by a group of ingenious satirists on the Left to concoct a document that would pretend to ratify everyone's fears that the government was deceiving the public. Devoting more than a year to the project, Lewin constructed a fiction (passed off as the honest truth) that a government-run Study Group had been charged with examining the "cost of peace," setting its first meetings in the very real Iron Mountain nuclear bunker in upstate New York (which lent the resulting book, Report from Iron Mountain, its name). In Lewin's telling, this gathering of the nation's academic elite concluded that suspending war would be disastrous, forcing all sorts of bizarre measures to compensate. Lewin didn't realize it at the time, but he'd created a narrative that fed the interests of both ends of the political spectrum--by promoting the idea that the government uses centralized power for evil. What fascinates about Phil Tinline's revelation-filled recreation of that ingenious hoax is seeing how it explodes into America's consciousness, dominates media reports, and sends government officials scrambling. And then, how Lewin's fabrication is adopted by a seemingly endless string of extremist organizations which view it as supporting their ideology. In this riveting--and, at times, chilling--tale is an unsettling warning about how, in contemporary times, a deception may no longer be considered a hoax if it can be used to recruit followers to a cause.

      Format: Hardback CONTRIBUTORS: Phil Tinline EAN: 9781668050491 COUNTRY: United States PAGES: 352 WEIGHT: 499 g HEIGHT: 231 mm
      PUBLISHED BY: Simon & Schuster DATE PUBLISHED: 2025-03-25 CITY: GENRE: HISTORY / United States / 20th Century, POLITICAL SCIENCE / American Government / National, POLITICAL SCIENCE / Political Ideologies / Radicalism, TRUE CRIME / Con Artists, Hoaxes & Deceptions WIDTH: 157 mm SPINE:

      Book Themes:

      United States of America, USA, 20th century, c 1900 to c 1999, True crime, Popular beliefs and controversial knowledge, Political ideologies and movements, Central / national / federal government, History of the Americas

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      Phil Tinline is a freelance writer and documentarian. He is the author of The Death of Consensus, which was chosen as The Times (London)'s Politics Book of the Year. Over the course of twenty years working for the BBC, he has made and presented many acclaimed documentaries about how political history shapes our lives. He has also written for The Times (London), The Guardian, The Daily Telegraph (London), The New Statesman (UK), BBC History Magazine, and Prospect. A graduate of Oxford University where he obtained a degree in English language and literature, he lives in London. Kai Bird is a Pulitzer Prize-winning biographer and journalist. With Martin J. Sherwin, he won the Pulitzer Prize for biography in 2006 for American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, the inspiration for Christopher Nolan's Academy Award-winning Best Picture, Oppenheimer. Bird is Executive Director and Distinguished Lecturer at the Leon Levy Center for Biography at the CUNY Graduate Center in New York City. He has won the National Book Critics Circle Award and the Duff Cooper Prize for History and is the recipient of numerous fellowships. His work includes critical writings on the Vietnam War, Hiroshima, nuclear weapons, the Cold War, the Arab-Israeli conflict, and the CIA. He is an elected member of the prestigious Society of American Historians.

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