A beautifully packaged hardback edition of Haruki Murakami's brilliantly surreal, detective-story classic, now with a new introduction by the author.The man was leading an aimless life, time passing, one big blank. His girlfriend has perfectly formed ears, ears with the power to bewitch, marvels of creation. The man receives a letter from a friend, enclosing a seemingly innocent photograph of sheep, and a request: place the photograph somewhere it will be seen.Then, one September afternoon, the phone rings, and the adventure begins. Welcome to the wild sheep chase.'Murakami's style and imagination are closer to that of Kurt Vonnegut, Raymond Carver and John Irving' New York Times
CONTRIBUTORS: Haruki MurakamiEAN: 9781784878771COUNTRY: United KingdomPAGES: WEIGHT: 223 gHEIGHT: 198 cm
PUBLISHED BY: Vintage PublishingDATE PUBLISHED: 2023-08-03CITY: GENRE: WIDTH: 129 cmSPINE:
Book Themes:
Wonderfully easy to read and just as wonderfully difficult to make sense of...like the narrator, who slowly accepts the presence in his life of mystery, we slowly recognize the possibility of a new kind of world. Like him, we lean forward and topple headlong into magic, It begins as a detective novel, dips into a screwball comedy, and at its close becomes a tale of possession...A highly accomplished piece of craftsmanship, Mr. Murakami's style and imagination are closer to that of Kurt Vonnegut, Raymond Carver and John Irving, A Wild Sheep Chase has the conventional hull of a thriller - a quest, a mystery, an extraordinary woman, and plenty of elegant duress - but its fantastic superstructure transforms it into something quite different...a science fiction fantasy, a romance, a metaphysical tease, or a dramatisation of philosophical ideas, If you consider yourself an intelligent, sensitive common reader but wish to accommodate something a little removed from your experience, and probably your imagination, I dare you to turn your eyes towards Murakami and head off on a wild sheep chase.
In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe.Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.
Format: Hardback
A beautifully packaged hardback edition of Haruki Murakami's brilliantly surreal, detective-story classic, now with a new introduction by the author.The man was leading an aimless life, time passing, one big blank. His girlfriend has perfectly formed ears, ears with the power to bewitch, marvels of creation. The man receives a letter from a friend, enclosing a seemingly innocent photograph of sheep, and a request: place the photograph somewhere it will be seen.Then, one September afternoon, the phone rings, and the adventure begins. Welcome to the wild sheep chase.'Murakami's style and imagination are closer to that of Kurt Vonnegut, Raymond Carver and John Irving' New York Times
CONTRIBUTORS: Haruki MurakamiEAN: 9781784878771COUNTRY: United KingdomPAGES: WEIGHT: 223 gHEIGHT: 198 cm
PUBLISHED BY: Vintage PublishingDATE PUBLISHED: 2023-08-03CITY: GENRE: WIDTH: 129 cmSPINE:
In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe.Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.
My name is Gwendoline Leghlo, from South Africa, I came across this children's book by this author in America and didn't regret the purchased. I purchased it for my grandson who is age 7 and he absolutely loved it, and I could see the excitement in his eyes while reading the book. I genuinely love to put a smile on my grandchildren's faces; He loves reading and mentioned to me that it was fun reading it and it is wonderful to witness that kind of pure joy and engagement. I'm thrilled to share that it is Highly recommended book for children. Thumbs up to the author Charmaine J Forde ***** I am already interested in her next book.
Kan 'n groepie met uitsonderlike vermoëns 'n planeet red?
Die Fluisteraar is ’n baie interessante aanbieding in die toekomsfiksiegenre. Die jaar is 2075. Die wêreld se natuurlike hulpbronne is uitgeput. Natuurrampe, oorloë, plae en voedseltekorte het miljoene uitgewis, lees ons in die Proloog. Kato, ’n intelligente sewentienjarige, leerling by Solaris Internationaal deel nie sy onderwyser, meneer Flink, se geloof dat die klimaatbalans kan herstel nie. “Die harde feit is dat niks lewe nie en niks meer gáán lewe nie.” (p.21 e-boek)
Dit blyk dat Kato oor ’n spesiale vermoë beskik wat plantegroei kan stimuleer en woude herstel. Daarvoor word hy gewerf deur die IPN, Die Instituut vir Planetêre Navigasie, om te gaan “werk” in Uganda. Hy voel dat sy ouers hom opoffer ter wille van die planeet. (p.119 e-boek). Sy opstand daarteen en sy heimwee na die see van die Kaapse kom, gee aanleiding tot ’n spannende verloop van omstandighede wat hom uiteindelik by ’n belangrike morele besluit uitbring.
Wat die verhaal vir my onderskei, is dat daar wel wetenskapfiksie elemente teenwoordig is, soos hommeltuie, oktokopters en uberbotte, maar dit bly in essensie ’n verhaal oor mense en nie robotte nie. Weliswaar mense met uitsonderlike vermoëns, maar dit is heel geloofwaardig. Daar is familiebande, vriende, selfs troeteldiere.
Skrywer, Jacolet van den Berg, het haarself deeglik bewys as ’n sukses in die liga van jeugboekskrywers. Die Fluisteraar is sopas aangewys as naaswenner in die Lapa Jeugverhaalkompetisie van 2025, ’n prestasie wat sy ook in die 2024 kompetisie behaal het.
Daar is 'n onmiddellike konneksie tussen Elara en Marko, 'n lieflike liefdesverhaal
Na die intensiteit van Mariette Wenhold se Myner van my hart, het Felicia Snyman se nuutste Romanza, Harte in harmonie, gevoel soos ’n sagte bries. ’n Gemaklike, ongekompliseerde storie oor Elara Hartwell en Marko Roos. Totdat dinge naby die einde skielik skeef loop en albei partye in uiterste mistroostigheid beland.
Elara het ná ’n slegte ervaring met ’n man wat haar en haar oorlede pa uitgebuit het, die mansgeslag afgesweer. Sy is nie sosiaal nie en fokus net op haar werk as ouditeur. Marko is die broer van ’n sangeres en vriendin vir wie Elara liede skryf. Sy werk neem hom regoor die wêreld, maar wanneer hy vir Elara ontmoet verander sy prioriteite. Daar is ’n onmiddellike konneksie tussen hulle. “Toe ek jou by die ateljee gesien het, het die vreemdste ding gebeur. Dit was asof ek jou ken.” Hy gaan verder: “Skielik het ek ’n rede om te bly.” (p.21)
Die mooi liefdesverhaal word pragtig ingekleur deur ’n lied of twee wat sorgvuldig gekies is vir bepaalde tonele. Eintlik vat die lirieke die essensie van die storielyn perfek saam. Ek wil jou nooi om Elara en Marko se verhaal te lees en dan te luister na die liede.
As ek Mariette Wenhold se Myner van my hart in een woord moet opsom, sou ek sê dit is intens. Waarom sê ek so? Hoofsaaklik omdat die onverwerkte trauma waarmee Katarien Roos spook, veel erger is as dit wat mens normaalweg in ’n romanse teëkom. Ek het iets redelik aardskuddend begin vermoed toe sy nie by haar huis kan ingaan nie.
Haar volatiele geaardheid, wat ’n paar maal lei tot uitbarstings of onversetlike optrede, kan ook grotendeels toegeskryf word aan dit wat in haar verlede gebeur het en haar genoop het om Suid-Afrika te verlaat. Die skrywer gebruik hierdie element om deurentyd afwagting en spanning te skep deurdat die volle waarheid nie sommer vroeg in die storielyn onthul word nie.
Verder is die liefdestoneel ook nogal intens. Armand du Toit is ’n held waaroor menige romanseleser sal swymel. Hoewel Katarien haarself as “emosioneel onbeskikbaar” beskou (p.141) is hy presies die man wat sy nodig het om deur haar skanse te breek. Hy, en ’n predikant wat as berader optree.
Familiebande kry baie aandag in hierdie verhaal en die tienerseun laat mens sommer weer glo in die jeug. Tweede kanse, op enige ouderdom, laat ’n romantiese leser sommer goed slaap as jy die boek neersit.
Misverstande is volop in romantiese verhale. Dit gee vir ’n skrywer lekker materiaal om die storie mee te weef. Beslis só in Ballade van die liefde, die nuwe Romanza deur Mari Roberts.
Ons vind die hoofkarakter, Carli, in Botswana, waar sy werk by Die Park, ’n privaat wildtuin langs die Kgalagadi. Sommer uit die staanspoor is dit duidelik dat sy hier wegkruip, maar die wat en hoekom word nie sommer dadelik uitgelap nie. Daar is ’n lieflike dogtertjie betrokke en ’n oupa en ouma waarvoor sy baie lief is.
Die storielyn kry momentum wanneer ’n toergroep by die lodge aandoen en die rede vir haar jarelange wegkruipery, skielik voor haar staan. Mens wil aggressie te wagte wees, maar Ruben verras met vasberadenheid en geduld wat voortduur totdat al die misverstande opgeklaar is.
Die skrywer het goed daarin geslaag om spanning en afwagting te skep, en die gelukkige einde is besonder bevredigend. Knap gedaan, Mari.