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Parables of the Gospels in the Light of Modern Criticism
Originally published in 1913, this book presents the content of the Hulsean Prize Essay for 1912. The text provides a concise discussion of the gospels of Jesus and their perception in the light of contemporary critical developments, with particular reference to the works of Adolf Jülicher. This book will be of value to anyone with an interest in biblical criticism and the parables of Jesus.
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Constructive Negations and Paraconsistency
Thetitleofthisbookmentionstheconceptsofparaconsistencyandconstr- tive logic. However, the presented material belongs to the ?eld of parac- sistency, not to constructive logic. At the level of metatheory, the classical methods are used. We will consider two concepts of negation: the ne- tion as reduction to absurdity and the strong negation. Both concepts were developed in the setting of constrictive logic, which explains our choice of the title of the book. The paraconsistent logics are those, which admit - consistent but non-trivial theories, i. e. , the logics which allow one to make inferences in a non-trivial fashion from an inconsistent set of hypotheses. Logics in which all inconsistent theories are trivial are called explosive. The indicated property of paraconsistent logics yields the possibility to apply them in di?erent situations, where we encounter phenomena relevant (to some extent) to the logical notion of inconsistency. Examples of these si- ations are (see [86]): information in a computer data base; various scienti?c theories; constitutions and other legal documents; descriptions of ?ctional (and other non-existent) objects; descriptions of counterfactual situations; etc.The mentioned survey by G. Priest [86] may also be recommended for a ?rst acquaintance with paraconsistent logic. The study of the paracons- tency phenomenon may be based on di?erent philosophical presuppositions (see, e. g. , [87]). At this point, we emphasize only one fundamental aspect of investigations in the ?eld of paraconsistency. It was noted by D. Nelson in [65, p.
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Parachute Rigger Soldier's Manual & Training Guide Skill Level 1/2/3/4 MOS 92R
Parachute Rigger Soldier's Manual and Training Guide is a military manual on sky diving approved for release in March 2003. This manual is in the puplic domain.
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Paradoxe sur le Comedien
Originally published in 1922 as part of the Cambridge Plain Texts series, this volume contains a complete version of Diderot's Paradoxe sur le comédien, an essay in dialogue form on the nature of acting and theatre which first appeared posthumously in 1830. The essay is presented in French, with an editorial introduction and details on actors and actresses mentioned given in English. This book will be of value to anyone with an interest in Diderot and his conception of drama.
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Advances in Bacterial Paracrystalline Surface Layers
This book is a compilation of the research which was presented during the NATO-Advanced Research Workshop (ARW) entitled "Advances in Bacterial Paracrystalline Surface Layers" held in London, Ontario, Canada during September 27 to 30, 1992. The organizing committee consisted of the two Workshop directors, S. F. Kaval and T. J. Beveridge, and H. König, U. B. Sleytr and T. J. Trust; their summary statements about the significance and success of the NATO-ARWare in Chapter 37 of this book. This was the third international workshop on bacterial S-layers and it demonstrated unequivocally how rapidly research is progressing. The Workshop was made possible by financial support from the North Atlantic Treaty Organization (NATO), the Medical Research Council of Canada (MRC), the Natural Seiences and Engineering Research Council of Canada (NSERC), and the Canadian Bacterial Diseases Network (CBDN) which is a Canadian National Centre of Excellence (NCE). We are very grateful for the support from all of these agencies since their financial aid made it possible to bring to London, Canada a truly international group of S-layer experts. We encouraged the attendance and participation of graduate fellows and research associates, and their presentations students, postdoctoral was an intense three constitute the "Poster" section of this book. The NATO-ARW day workshop held at a delightful secluded location (Spencer Hall) so that the delegates had both formal and informal occasions to interact and evolve new ideas.
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Parachute Women
The Rolling Stones have long been considered one of the greatest rock-and-roll bands of all time. At the forefront of the British Invasion and heading up the counterculture movement of the 1960s, the Stones' innovative music and iconic performances defined a generation, and fifty years later, they're still performing to sold-out stadiums around the globe. Yet, as the saying goes, behind every great man is a greater woman, and behind these larger-than-life rockstars were four incredible women whose stories have yet to be fully unpacked. . . until now.In Parachute Women, Elizabeth Winder introduces us to the four women who inspired, styled, wrote for, remixed, and ultimately helped create the legend of the Rolling Stones. Anita Pallenberg, Marianne Faithfull, Marsha Hunt, and Bianca Jagger put the glimmer in the Glimmer Twins and taught a group of straight-laced boys to be bad. They opened the doors to subterranean art and alternative lifestyles, turned them on to Russian literature, occult practices, and LSD. They connected them to cutting edge directors and writers, won them roles in art house films that renewed their appeal. They often acted as unpaid stylists, providing provocative looks from their personal wardrobes. They remixed tracks for chart-topping albums, and sometimes even wrote the actual songs. More hip to the times than the rockers themselves, they consciously (and unconsciously) kept the band current--and confident--with that mythic lasting power they still have today.Lush in detail and insight, and long overdue, Parachute Women is a group portrait of the four audacious women who transformed the Stones into international stars, but who were themselves marginalized by the male-dominated rock world of the late '60s and early '70s. Written in the tradition of Sheila Weller's Girls Like Us, it's a story of lust and rivalries, friendships and betrayals, hope and degradation, and the birth of rock and roll.
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