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Canons and Wisdoms
In Canons and Wisdoms, Albert Cook addresses what is arguable the most profound question about poetry and literature: What is its human value? Cook claims that the value lies in the special yield of wisdom rich, full, and not available in other forms of human discourse. This somewhat traditional position is reinforced by the related arguments of such philosophers as Adorno and Heidegger, and by other works in Renaissance poetry and modern poetry and fiction, where the sense of the work becomes clearer when it is seen in the light of such a question. Cook addresses what can be claimed for poetry and literature after all due allowance has been made for the relativity of canons, the subjectivity of the literary experience, and the subtle and comprehensive effects of received expectations. Such questions have dominated recent discussions about the value of literature. The nature of all human utterance argues for its being aimed at social inclusion, formalized as a canon, even though such a notion must remain ideal. Canons and Wisdoms is an eloquent and original contribution to the ongoing debate about the canon. It is the work of an experienced, erudite, and individualistic scholar working at the intersection of philosophy and literary theory and criticism.
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Dark Voyage and the Golden Mean
Professor Cook develops his philosophical exploration of comedy from the ideas of the probable and the wonderful. These two profoundly different approaches to human experience imply the related poles of rationalism-idealism, society-individual, concept-symbol, and reason-imagination. In discussing the implications of these symbolic attitudes, Professor Cook casts new light on the nature of both tragedy and comedy, their subjects, goals, and techniques.
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Odyssey
"It is always a real pleasure to read a translation which adheres to one basic, important principle, to reflect faithfully what the poet says. Professor Cook's translation does just that.... This is a literal translation, following the original line for line. These lines scan easily and move rapidly, thus reproducing one of the special delights of Homeric style.... Recommended highly." —Francis D. Lazenby, Classics Department, University of Notre Dame
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