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Reading Spaces in South Africa, 1850–1920s
Voluntary societies and government initiatives stimulated the growth of reading communities in South Africa in the second half of the nineteenth century. A system of Parliamentary grants to establish public libraries in country towns and villages nurtured a lively reading culture. A condition was that the library should be open free-of-charge to the general public. This became one more reading space, and others included book societies, reading societies, literary societies, debating societies, mechanics institutes, and mutual improvement societies. This Element explains how reading communities used these spaces to promote cultural and literary development in a unique ethos of improvement, and to raise political awareness in South Africa's colonial transition to a Union government and racial segregation.
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Twelve-Cent Archie
For over seventy-five years, Archie and the gang at Riverdale High have been America’s most iconic teenagers, delighting generations of readers with their never-ending exploits. But despite their ubiquity, Archie comics have been relatively ignored by scholars - until now.Twelve-Cent Archie is not only the first scholarly study of the Archie comic, it is an innovative creative work in its own right. Inspired by Archie’s own concise storytelling format, renowned comics scholar Bart Beaty divides the book into a hundred short chapters, each devoted to a different aspect of the Archie comics. Fans of the comics will be thrilled to read in-depth examinations of their favorite characters and motifs, including individual chapters devoted to Jughead’s hat and Archie’s sweater-vest. But the book also has plenty to interest newcomers to Riverdale, as it recounts the behind-the-scenes history of the comics and analyzes how Archie helped shape our images of the American teenager.As he employs a wide range of theoretical and methodological approaches, Beaty reveals that the Archie comics themselves were far more eclectic, creative, and self-aware than most critics recognize. Equally comfortable considering everything from the representation of racial diversity to the semiotics of Veronica’s haircut, Twelve-Cent Archie gives a fresh appreciation for America’s most endearing group of teenagers.
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Understanding Philip K. Dick
This is a guidebook into the fantastic world of a science fiction legend. Author of more than forty novels and myriad short stories over a three-decade literary career, Philip K. Dick (1928-1982) single-handedly reshaped twentieth-century science fiction. His influence has only increased since his death with the release of numerous feature films based on his work, including ""Blade Runner"", ""Total Recall"", ""Minority Report"", and ""Next"". Viewing his subject as foremost a novelist of ideas, Eric Carl Link surveys Dick's own tragicomic biography, his craft and career, and the recurrent ideas and themes that give shape and significance to his fiction. Link addresses Dick's efforts to break into the mainstream in the 1950s, his return to science fiction in the 1960s, and his move toward more theologically oriented work in his final two decades. Link finds in Dick's writing an intellectual curiosity that transformed his bizarre pulp extravaganzas into philosophically challenging explorations of reality.
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Life and Times of Sir Archie
Few Americans triumphed more gallantly over odds, wore honors more gracefully, or were so honestly mourned after death than Sir Archie, forefather of such great horses as Man O'War, Gallant Fox, War Admiral, and Native Dancer. The depiction of the antebellum life of which Sir Archie was a part is as colorful and exciting as his career.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
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Archie Bunker for President
Delving into the intersection of television entertainment and American politics during the 1970s, focusing on the sitcom All in the Family, this book explores how political campaigns, social movements, and legislators leveraged the show’s popularity for their own agendas. From Archie Bunker’s reactionary bigotry, to Edith Bunker’s symbolic role in the Equal Rights Amendment campaign, and the show’s creator and producer Norman Lear’s defiance against government censorship, Oscar Winberg uncovers the profound impact of television on political strategies and institutions. Oscar Winberg’s capacious research, including in Norman Lear’s private archive, shows how All in the Family set the stage for today’s spectacle politics. It also reveals how politicians, from Richard Nixon to Hillary Rodham Clinton, skillfully utilized entertainment television to connect with audiences, demonstrating the evolution of personality politics that culminated in the political rise of Donald Trump. With a keen focus on the transformative power of television entertainment, this multifaceted history expands the discussion on the interconnected roles of media and politics, offering a new exploration into how one television show produced a profound cultural shift in American politics.
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Auto/Biographies of Philip K. Dick
Auto/biographical literature has been theorized with metaphors that reflect its inherent instability as a form of truth‑telling. The best auto/biographies exhibit a metanarrational awareness of this instability and favor the art of writing over the alleged “truth” of a life. The autobiographical nature of Philip K. Dick’s novels and stories has spawned a sizable body of biographical texts, many of which are creative performances that give primacy to the artistic impulse. Most critical biographies about Dick, on the other hand, do not account for this dynamic; instead, they read the fiction as a symptom of the author’s notorious drug use and schizoid tendencies. Bolstered by scholarship on Auto/Biography and Science Fiction Studies as well as psychoanalytic theory, The Auto/Biographies of Philip K. Dick: Infinite Regressions surveys and analyzes the proliferation of “biotexts” written about the science‑fiction icon, who consistently eroded the boundary between lived and imagined experience, turning his own precarious sense of reality into the generative engine for his fiction and the biographical mythology that continues to orbit his work.
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Mariners, Renegades and Castaways
A new edition of a major work of literary and cultural criticism restores C. L. R. James’s reflections about Moby Dick and political persecution. Political theorist and cultural critic, novelist, and cricket enthusiast, C. L. R. James (1901–89) was a brilliant polymath who was described by Edward Said as “a centrally important twentieth-century figure.” Through such landmark works as The Black Jacobins, Beyond a Boundary, and American Civilization, James’s thought continues to influence and inspire scholars in a variety of fields. In this complete edition of his seminal work of literary and cultural criticism, Mariners, Renegades, and Castaways, James anticipated many of the concerns and ideas that have shaped the contemporary fields of American and postcolonial studies. In this provocative study of Moby Dick in which he challenged the prevailing Americanist interpretation that opposed a “totalitarian” Ahab and a “democratic, American” Ishmael, James offers instead a vision of a factory-like Pequod whose “captain of industry” leads the crew to their doom. In addition to demonstrating how such an interpretation supported the United States’ emerging national security state, he also related the narrative of Moby Dick to his own persecuted position at the height of McCarthyism. It is precisely this personal, deeply original material that was excised from the first edition of this book. With a new foreword by Professor Chanda Prescod-Weinstein—theoretical physicist, advocate for a just science, and James’s granddaughter—and an introduction by Professor Donald E. Pease at Dartmouth College that places the work in its critical and cultural context, Mariners, Renegades, and Castaways is once again available in a new edition.
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