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In My Dreams, Again
In My Dreams, Again is Brian Docherty's fifth full collection of new poems, written in north London over several years. Once again, he takes the reader on a journey to places some readers might be familiar with, and some detours and side trips. His favourite locations, such as San Francisco, are on the tour itinerary, narrated in the blend of politics, social comment and black humour for which his work is noted, but there might also be a few surprises along the way. Brian Docherty is a resident alien . . . Woke up this Morning is a hitch-hiker's guide to cultural alienation and appropriation, from Glasgow to San Francisco and back. It is a book about real and imagined journeys to other worlds that always seem less alien than our own, a series of studies in estrangement and exile - Stanley Spencer in Cookham, Dracula in Whitby, Gauguin on Tahiti, Muddy Waters in Chicago. (Andy Croft, New Poetry column, Morning Star)
R 254.00

Independence Day
Independence Day moves on from previous work, while still retaining some continuities in theme, style and approach. It is a book of journeys, literal and metaphorical, making use of ekphrastic techniques. The poems here start out from north London, taking the reader to San Francisco, New York, Baku, Kuala Lumpur, France, Russia, and back again, while remaining firmly grounded in the writer's locale. As ever, political realities and social issues are not neglected; these poems move to a contemporary music without losing seriousness of purpose without resorting to agit-prop.
R 263.00

Twentieth-Century European Drama
This volume offers critical and theoretical perspectives on some of the major figures in European drama in the 20th century. There are 13 essays, covering Luigi Pirandello, Bertolt Brecht, Stanislaw Witkiewicz, Samuel Beckett, Antonin Artaud, Eugene Ionesco, Jean Anouilh, Fernando Arrabal, Jean Genet, Peter Weiss, Vaclav Havel, contemporary German theatre, and Dario Fo and Franca Fame. These essays combine contemporary theory with a discussion of the dramatic work and theories of theatre and drama of the playwrights who created modern drama in Europe. Brian Docherty is the co-editor of "Nineteenth-Century Suspense: From Poe to Conan Doyle", and editor of "American Crime Fiction: Studies in the Genre", "American Horror Fiction: From Brockden Brown to Stephen King", "Twentieth Century American Drama", "American Modernist Poetry", "Twentieth Century British Poetry 1900-50", Twentieth Century British Poetry 1950-90" and "The Beat Generation".
R 3,086.32

American Horror Fiction
"Insights" brings contemporary criticism on neglected literary and cultural areas. Each contribution concentrates on a study of a particular work, author or genre in its artistic, historical and cultural context.;This criticism on American horror fiction 1798-1983 offers critical and theoretical perspectives. Each essay deals with a major figure in the genre from Gothic to modern feminist reworkings and aim to illustrate the fact that modern theory can usefully be applied to any text or genre.;The essays discuss the work of Charles Brockden Brown, Edgar Allan Poe, H.P.Lovecraft, William Faulkner, Robert Bloch, Patricia Highsmith, Shirley Jackson, Stephen King and S.M.Charnas.
R 1,538.58

American Drama
An introduction to American drama, aimed at students, academics and serious readers, which is also concerned that the unfamiliar names and forgotten voices of those who made a major contribution to its history, have been unfairly neglected.
R 1,406.84

R 748.00

British Poetry from the 1950s to the 1990s
This collection looks at the developments in British poetry from the Movement until the present. The introduction not only provides a context for these changes but also argues that poetry criticism has been debilitated by the quest for political respectability, a trend which can only be reversed by reconsidering the idea of tradition. The essays themselves focus on general themes or individual authors. Written in a clear and informed manner, they provoke the reader into a fresh awareness of the nature of poetry and its relation to society.
R 1,690.92

American Poetry: The Modernist Ideal
Tracing its origins back to Walt Whitman, the Modernist tradition in American poetry is driven by the same concern to engage with the world in revolutionary terms, inspired by the concept of democracy vital to the American dream. But this tradition is not confined to a few writers at the beginning of the century: instead it has been an enduring force, extending from coast to coast and of varying hues: Imagist, Objectivist, Beat. International in flavour but shaped by the language and conditions of America, this poetry continues to speak to us today.This collection of specially commissioned essays brings together leading scholars and critics to define the American Modernist canon, providing a range of perspectives helpful to all those interested in this fascinating poetry.
R 1,689.16

R 274.00

Radicals for Capitalism
On Wall Street, in the culture of high tech, in American government: Libertarianism,the simple but radical idea that the only purpose of government is to protect its citizens and their property against direct violence and threat, has become an extremely influential strain of thought. But while many books talk about libertarian ideas, none until now has explored the history of this uniquely American movement,where and who it came from, how it evolved, and what impact it has had on our country. In this revelatory book, based on original research and interviews with more than 100 key sources, Brian Doherty traces the evolution of the movement through the unconventional life stories of its most influential leaders, Ludwig von Mises, F.A. Hayek, Ayn Rand, Murray Rothbard, and Milton Friedman,and through the personal battles, character flaws, love affairs, and historical events that altered its course. And by doing so, he provides a fascinating new perspective on American history,from the New Deal through the culture wars of the 1960s to today's most divisive political issues. Neither an exposé nor a political polemic, this entertaining historical narrative will enlighten anyone interested in American politics.
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R 507.74

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R 287.00

R 644.17

Inside the White Cube
When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated-the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States.Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O'Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube.
R 941.00

R 715.11

Eyes Of The Poet
From a slow, sensual kiss to a warm and lasting memory, love and passion are two of the greatest emotions we can experience as human beings. Over 50 gifted poets from nine countries convey the absolute joy and splendor of love as seen through the eyes of a poet. Each poem in this exquisite collection has been selected for its individual style, the wonderful imagery created, a lush use of language, or the ideas and thoughts that are brought forth in the reader. This will be a cherished collection by anyone who appreciates romantic fervor and meaningful affection.
R 518.00

Introduction to Astronomy
An Introduction to Astronomy in 10 chapters, for serious beginners
R 628.67


Ideas and Actions in the Green Movement
The 'Western' green movement has grown rapidly in the last three decades: green ministers are in government in several European countries, Greenpeace has millions of paying supporters, and green direct action against roads, GM crops, the WTO and neo-liberalism, have become ubiquitous.The author argues that 'greens' share a common ideological framework but are divided over strategy. Using social movement theory and drawing on research from many countries, he shows how the green movement became more differentiated over time, as groups had to face the task of deciding what kind of action was appropriate.In the breadth of its coverage and its novel focus on the relationship between green ideas and action, this book makes an important contribution to the understanding of green politics.
R 1,416.17

Docherty
'His face made a fist at the world. The twined remnant of umbilicus projected vulnerably. Hands, feet and prick. He had come equipped for the job.'Newborn Conn Docherty, raw as a fresh wound, lies between his parents in their tenement room, with no birthright but a life's labour in the pits of his small town. But the world is changing, and, lying next to him, Conn's father Tam has decided that his son's life will be different from his own. Gritty, dark and tender, McIlvanney's Docherty is a modern classic.
R 309.00

Literature and Capital
What is the value of literature? In this important new work, Thomas Docherty charts a new economic history of literary culture and its institutions in the modern age. From the literary patronage of the early modern period, through the colonial exploitation of the 18th and 19th centuries to the institutionalisation of “literature” in the neoliberal university of the 21st century, Literature and Capital explores the changing ways in which literary culture has both resisted and become complicit with exploitative economic notions of value. Drawing on the work of economic and political thinkers such as Thomas Piketty, Naomi Klein, Edward Said and Raymond Williams, the book includes readings of work by a wide range of canonical authors from Shakespeare, Donne and Swift to Tolstoy, Woolf and Ishiguro.
R 3,825.00

Who's Oliver?
Brian Dawtrey with his wife and three children spent twenty four years working in the Overseas Aid programme in Africa. Brian was an Honorary Wildlife Ranger and a onetime Chairman of the Wildlife Conservation Society of Zambia, in addition to his normal duties. Brian loves the natural world which led him to feel sympathy for the ostriches that have to eek-out a living in desert environments. His imagination led him to visualize a holiday for an ostrich, with his grandchildren, in England's `green and pleasant land'. Brian has published three biographical books in his series headed Wild Africa, and Life At Home Farm.
R 681.23

Universities at War
"Docherty is not only is a brilliant critic of those forces that would like to transform higher education into an extension of the market-place... he is also a man of great moral and civic courage, who under intense pressure from the punishing neoliberal state has risked a great deal to remind us that higher education is a civic institution crucial to creating the formative cultures necessary for a democracy to survive, if not flourish."- Henry Giroux, McMasters University"Docherty engages with the secular university in its present crisis, reflecting on its origins and on its role in the future of democracy. He tackles the urgent issue of inequality with a compelling denunciation of the ways of entrenched privilege; he offers a view of governance and representation from the perspective of those who are silenced; and exposes the fundamental damage done to thought by management-speak. Docherty is moral, passionate and committed and this is a fierce and important book."- Mary Margaret McCabe, King′s College LondonThere is a war on for the future of the university worldwide. The stakes are high, and they reach deep into our social condition.On one side are self-proclaimed modernisers who view the institution as vital to national economic success. Here the university is a servant of the national economy in the context of globalization, its driving principles of private and personal enrichment necessary conditions of ‘progress’ and modernity.Others see this as a radical impoverishment of the university’s capacities to extend human possibilities and freedoms, to seek earnestly for social justice, and to participate in the endless need for the extension of democracy.This book analyses the former position, and argues for the necessity of taking sides with the latter. It does so with a sense of urgency, because the market fundamentalists are on the march. The fundamental war that is being fought is not just for scholars, but for a better – more democratic, more just, more emancipatory – form of life.Choose sides.
R 2,882.38

Confessions
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com.This book explores what is at stake in our confessional culture. Thomas Docherty examines confessional writings from Augustine to Montaigne and from Sylvia Plath to Derrida, arguing that through all this work runs a philosophical substratum - the conditions under which it is possible to assert a confessional mode - that needs exploration and explication. Docherty outlines a philosophy of confession that has pertinence for a contemporary political culture based on the notion of 'transparency'. In a postmodern 'transparent society', the self coincides with its self-representations. Such a position is central to the idea of authenticity and truth-telling in confessional writing: it is the basis of saying, truthfully, 'here I take my stand'. The question is: what other consequences might there be of an assumption of the primacy of transparency? Two areas are examined in detail: the religious and the judicial. Docherty shows that despite the tendency to regard transparency as a general social and ethical good, our contemporary culture of transparency has engendered a society in which autonomy (or the very authority of the subject that proclaims 'I confess') is grounded in guilt, reparation and victimhood.
R 1,558.00

R 533.83

Who's Oliver?
Brian Dawtrey with his wife and three children spent twenty four years working in the Overseas Aid programme in Africa. Brian was an Honorary Wildlife Ranger and a onetime Chairman of the Wildlife Conservation Society of Zambia, in addition to his normal duties. Brian loves the natural world which led him to feel sympathy for the ostriches that have to eek-out a living in desert environments. His imagination led him to visualize a holiday for an ostrich, with his grandchildren, in England's `green and pleasant land'. Brian has published three biographical books in his series headed Wild Africa, and Life At Home Farm.
R 717.00

Confessions
This book explores what is at stake in our confessional culture. Thomas Docherty examines confessional writings from Augustine to Montaigne and from Sylvia Plath to Derrida, arguing that through all this work runs a philosophical substratum - the conditions under which it is possible to assert a confessional mode - that needs exploration and explication. Docherty outlines a philosophy of confession that has pertinence for a contemporary political culture based on the notion of 'transparency'. In a postmodern 'transparent society', the self coincides with its self-representations. Such a position is central to the idea of authenticity and truth-telling in confessional writing: it is the basis of saying, truthfully, 'here I take my stand'. The question is: what other consequences might there be of an assumption of the primacy of transparency? Two areas are examined in detail: the religious and the judicial.Docherty shows that despite the tendency to regard transparency as a general social and ethical good, our contemporary culture of transparency has engendered a society in which autonomy (or the very authority of the subject that proclaims 'I confess') is grounded in guilt, reparation and victimhood.
R 4,414.00

Complicity
Complicity argues that all existing modes of cultural critique are regarded as legitimate and productive if and only if they are complicit with the very ideologies and values that the criticism sets out to undermine. Through philosophical, literary and theoretical analysis, Thomas Docherty shows how easy it has been for criticism to become essentially an act of political collaboration with existing governmental power. The book explores the various ways in which, both historically and theoretically, critical activity has become complicit with the over-arching social and political norms that it aims to undermine. Philosophically, ethically and politically, criticism’s fundamental impulse is too often intrinsically negated. In extreme political form, this places criticism in line with collaborationist activity. Docherty then finds a productive way out of the double-bind in which criticism has traditionally found itself, through an idea of criticism as a mode of ‘reserve’, a mode of commitment that eschews fundamentalism of all kinds.
R 1,411.00

R 814.00

R 456.00

R 651.00

Complicity
Complicity argues that all existing modes of cultural critique are regarded as legitimate and productive if and only if they are complicit with the very ideologies and values that the criticism sets out to undermine. Through philosophical, literary and theoretical analysis, Thomas Docherty shows how easy it has been for criticism to become essentially an act of political collaboration with existing governmental power. The book explores the various ways in which, both historically and theoretically, critical activity has become complicit with the over-arching social and political norms that it aims to undermine. Philosophically, ethically and politically, criticism’s fundamental impulse is too often intrinsically negated. In extreme political form, this places criticism in line with collaborationist activity. Docherty then finds a productive way out of the double-bind in which criticism has traditionally found itself, through an idea of criticism as a mode of ‘reserve’, a mode of commitment that eschews fundamentalism of all kinds.
R 4,414.00

R 487.00

Aesthetic Democracy
Aesthetic Democracy argues that art and the aesthetic in general are the founding condition of the possibility of establishing social and political democracy. The book examines contemporary criticism and finds that it is historically shaped by colonialism, and that it sets up an opposition of east and west that shapes all contemporary cultural politics. The author argues for a way of outwitting this potentially dangerous struggle of east and west grounded in an aestheticism and a validation of sensory experience. Docherty proposes a new model of cultural critique, based on a revitalized and positively valorized notion of "hypocrisy," whose roots lie in Machiavelli, but whose contemporary strength lies in its potential for an ethical encounter with alterity as such.
R 713.00

New Deal for Transport?
Comprising contributions from a range of experts, this volume offers a critical commentary on the government's sustainable transport policy. A critical commentary on the Blair government's sustainable transport policy and its implementation.Firmly rooted in an appreciation of the politics of this controversial field.Experts contribute up-to-the-minute analyses of the key issues.Will inform debate over the future of transport policy.Includes a Foreword by David Begg, Chair of the Commission for Integrated Transport.
R 1,865.00

Political English
From post-truth politics to “no-platforming” on university campuses, the English language has been both a potent weapon and a crucial battlefield for our divided politics. In this important and wide-ranging intervention, Thomas Docherty explores the politics of the English language, its implication in the dynamics of political power and the spaces it offers for dissent and resistance. From the authorised English of the King James Bible to the colonial project of University English Studies, this book develops a powerful history for contemporary debates about propaganda, free speech and truth-telling in our politics. Taking examples from the US, UK and beyond - from debates about the Second Amendment and free-speech on campus, to the Iraq War and the Grenfell Tower fire - this book is a powerful and polemical return to Orwell’s observation that a degraded political language is intimately connected to an equally degraded political culture.
R 3,384.00

R 773.00

Literature and Capital
What is the value of literature? In this important new work, Thomas Docherty charts a new economic history of literary culture and its institutions in the modern age. From the literary patronage of the early modern period, through the colonial exploitation of the 18th and 19th centuries to the institutionalisation of “literature” in the neoliberal university of the 21st century, Literature and Capital explores the changing ways in which literary culture has both resisted and become complicit with exploitative economic notions of value. Drawing on the work of economic and political thinkers such as Thomas Piketty, Naomi Klein, Edward Said and Raymond Williams, the book includes readings of work by a wide range of canonical authors from Shakespeare, Donne and Swift to Tolstoy, Woolf and Ishiguro.
R 1,117.00

Political English
From post-truth politics to “no-platforming” on university campuses, the English language has been both a potent weapon and a crucial battlefield for our divided politics. In this important and wide-ranging intervention, Thomas Docherty explores the politics of the English language, its implication in the dynamics of political power and the spaces it offers for dissent and resistance. From the authorised English of the King James Bible to the colonial project of University English Studies, this book develops a powerful history for contemporary debates about propaganda, free speech and truth-telling in our politics. Taking examples from the US, UK and beyond - from debates about the Second Amendment and free-speech on campus, to the Iraq War and the Grenfell Tower fire - this book is a powerful and polemical return to Orwell’s observation that a degraded political language is intimately connected to an equally degraded political culture.
R 1,088.00

Scottish Migration Since 1750
Scottish Migration since 1750: Reasons and Results begins a fresh chapter in migration studies using new methods and unpublished sources to map the course of Scottish migration between 1750 and 1990. It explains why the Scottish population grew after 1650, why most Scots continued to be female, and the underlying economic reasons for Scottish emigration after 1820. It surveys migration to England, Canada, United States, South Africa, Australia, and New Zealand. It explores their names, marriages, family structures, and religions, and assesses how well they really fared compared to other British migrants. Far from being just another Celtic sob story, this book offers a model about how the histories of other migrant groups might be reappraised.
R 1,501.00

Better Banking
Why did the financial crisis happen? Why did no one see it coming? And how did our banks lose so much of our money? What's being done to sort out the banking industry? And will it work? These are the questions that industry experts Adrian Docherty and Franck Viort cover in Better Banking: Understanding and Addressing the Failures in Risk Management, Governance and Regulation. They give a clear and thorough run-through of some of the key concepts and developments in banking, to enable the reader to understand better this vital yet perilous industry. Without excessive detail or jargon, they explain the most important issues in risk management, regulation and governance and build a comprehensive description of how failings in these areas resulted in the current financial crisis. In order to make the diagnosis clear, the authors illustrate their descriptions with a series of informative case studies. The book revolves around a critique of the current regulatory developments, which the authors feel will be ineffective in fixing the structural flaws in banking. Crucially, and as the title of the book suggests, they set out their own series of proposals to contribute to the development of a better, safer and more effective banking industry. Docherty and Viort's book fills an important gap in the literature on banking and its role in the current financial crisis. It is at once a history, a primer, a critique and a manifesto. It does not take sides but works through a constructive diagnosis towards ideas that could lead to major improvements in the quality and stability of the financial world. Better Banking: Understanding and Addressing the Failures in Risk Management, Governance and Regulation is a technical yet accessible book that seeks to engage interested readers of all kinds -- students, professionals, bankers and regulators but also politicians and the broader audience of citizens outside the banking industry, who are keen to inform themselves and understand what needs to be done to avoid a repeat of this crisis.
R 2,312.00


Gender Theory
'Beautifully captures the pain of growing into yourself, and the intensity of all-consuming female friendship' ROSE WILDINGYou lose your virginity to a boy from your gender theory seminar, and the first person you tell is Ella.Ella's with you at the party when you first kiss a girl. And Ella takes you to the hospital the first time you're diagnosed. Over the next few years you have a string of relationships and jobs, but you can always count on Ella to be there for you - until the drinking and the parties, the hospital visits and late-night calls, blur the lines of your friendship into something unbalanced and fragile, at risk of breaking altogether.The worst part is you can see it coming. The worst part is you don't know how to stop.From a blazing new voice in Scottish fiction, Gender Theory is an incisive, affecting debut about illness, identity and how we care for those around us.
R 309.00















































