Search results for "Brian H. Butler"
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Butlerian Jihad
It began in the Time of Tyrants, when ambitious men and women used high-powered computers to seize control of the heart of the Old Empire including Earth itself. The tyrants translated their brains into mobile mechanical bodies and created a new race, the immortal man-machine hybrids called cymeks. Then the cymeks' world-controlling planetary computers - each known as Omnius - seized control from their overlords and a thousand years of brutal rule by the thinking machines began. But their world faces disaster. Impatient with human beings' endless disobedience and the cymeks' continual plotting to regain their power, Omnius has decided that it no longer needs them. Only victory can save the human race from extermination.
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Rhetoric and the Arts of Design
The design arts -- from the design of buildings and machines to software and interfaces -- are associated with types of knowledge and performance thought to be structured, modular, and systematic. Such arts have become increasingly prestigious in our technocratic society. Since Aristotle, the art of rhetoric was conceived as a loosely structured "practical" art thought to be limited in the extent to which it could mimic more precise subject matters. The art of rhetoric has been controversial since classical times, but its status has sunk even lower since the industrial revolution -- a point when civic cultures began to cede authority and control to the cultures of specialized experts. Many sympathizers of rhetoric have resisted its decline by calling for a civic art of public discourse to stand in opposition to a technocratic specialized discourse that has come, increasingly, to disenfranchise the ordinary citizen. This is the first book to question the rhetoric/technical knowledge split from a more fundamental perspective. To get some perspective on what is at stake in rhetoric's traditional classification as a "practical" art, the authors: * explore the distinction between practical and design arts; * enumerate the various criteria cited in the literature for qualifying a cluster of knowledge and performative skills to count as an art of design; * show how the knowledge and performative skills associated with the art of rhetoric meet the major requirements of design knowledge; * propose a general architecture of rhetorical design, one descriptive both of civic address and specialized academic argument; * turn to the Lincoln/Douglas debates to embody and provide some empirical support and illustration for their architecture; * demonstrate how Lincoln and Douglas can be thought of as expert designers whose rhetoric is highly structured and modular; and * explain how the rhetoric of both rhetorical agents can be represented in the layers and modules that one needs to display plans for buildings, software, or other design artifacts. These layers and modules are not just post hoc annotations of the debates; they also illuminate new and systematic ways for viewing the debates -- and by implication, other specimens of rhetoric -- in terms of strategies of artistic production. Kaufer and Butler conclude their presentation by citing some of the research and educational implications that follow from housing rhetoric within the family of design arts.
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Designing Interactive Worlds With Words
No two writing situations are exactly the same and skilled writers, like skilled painters, must develop the know-how to represent the objects of their writing as part of a flexible art. This special art of writing lies hidden between grammar--the well-formedness of sentences--and genre--the capacity of texts to perform culturally holistic communicative functions (e.g., the memo, the strategic report, the letter to the editor). Concealed between grammar and genre, this less visible art of writing is what Kaufer and Butler call "representational composition." Texts within this hidden art are best viewed not primarily as grammatical units or as genre functions, but as bearers of design elements stimulating imagistic, narrative, and information-rich worlds, and as an invitation to readers to explore and interact with them. This volume presents a systematic study of the principles that underlie writing as representational composition. Drawing from student models derived from a studio method, the authors use each chapter to present a different aspect of what unfolds--across the course of the book--into a cumulative, interactive, and unified body of representational principles underlying the design of texts. They reveal what makes the textual representations achieved by expert writers worthwhile, and, at the same time, difficult for novice writers to reproduce. Extending the framework of their 1996 volume, Rhetoric and the Arts of Design, into a realm of textual design, this volume will interest students and instructors of writing, rhetoric, and information design.
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Poucher's Perfumes, Cosmetics and Soaps
The first edition of this work was written by W.A. Poucher in 1923. His aim was to produce a comprehensive coverage of products giving simple background theories with basic formulations and their methods of manufacture. This new edition follows in this tradition and maintains the simplicity of approach aimed at students or specialists in one discipline, with some knowledge of science, who need an introduction to cosmetic science and technology. In the 17 years since the publication of the last edition, cosmetic science has developed to such an extent that men and women working in research and the industry, specialize in different disciplines and selected product categories, therefore each chapter has been written by specialist authors. Part 1 deals with products in alphabetical order, following previous editions. In the respective chapters, an outline of the biology and function of the skin and its appendages, ie hair, teeth and nails, is given, followed by descriptions of the needs for products, their formulation and manufacture. In Part 2 there are seven chapters covering the knowledge required and the procedures to follow when marketing cosmetics.They are analytical methods, efficacy testing, emulsion theory, microbial control, legislation, safety and stability. Part 3 contains three chapters covering historical background, the perfuming of products and lastly the psychology of fragrance. This book provides a basic knowledge of "cosmetics" - a word which covers any product used to cleanse, protect or adorn the human body. It aims to serve as a valuable introduction and source of reference for all those involved in the cosmetics and toiletries industry, including suppliers of raw materials, manufacturers of finished products, R&D laboratories in industry and educational institutions as well as beauty clinics and schools.
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Sol Butler
A little-known Black athlete's fearless commitment to integration through sports A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur.
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Power of Words
In 1888, Mark Twain reflected on the writer's special feel for words to his correspondent, George Bainton, noting that "the difference between the almost-right word and the right word is really a large matter." We recognize differences between a politician who is "willful" and one who is "willing" even though the difference does not cross word-stems or parts of speech. We recognize that being "held up" evokes different experiences depending upon whether its direct object is a meeting, a bank, or an example. Although we can notice hundreds of examples in the language where small differences in wording produce large reader effects, the authors of The Power of Words argue that these examples are random glimpses of a hidden systematic knowledge that governs how we, as writers or speakers, learn to shape experience for other human beings.Over the past several years, David Kaufer and his colleagues have developed a software program for analyzing writing called DocuScope. This book illustrates the concepts and rhetorical theory behind the software analysis, examining patterns in writing and showing writers how their writing works in different categories to accomplish varying objectives. Reflecting the range and variety of audience experience that contiguous words of surface English can prime, the authors present a theory of language as an instrument of rhetorically priming audiences and a catalog of English strings to implement the theory. The project creates a comprehensive map of the speaker and writer's implicit knowledge about predisposing audience experience at the point of utterance. The book begins with an explanation of why studying language from the standpoint of priming--not just meaning--is vital to non-question begging theories of close reading and to language education in general. The remaining chapters in Part I detail the steps taken to prepare a catalog study of English strings for their properties as priming instruments. Part II describes in detail the catalog of priming categories, including enough examples to help readers see how individual words and strings of English fit into the catalog. The final part describes how the authors have applied the catalog of English strings as priming tools to conduct textual research.
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( R. ) Butler Reveals All Homoerotic Poetry
A collection of poetry and illustrations of Boys interactions with Sir. ( r. ) Butler collected the writings and has chosen to share them with the public. A follow up to Feyer Eisen in my Blood.
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Butler
The Butler is an extraordinary tale of family, difficult decisions and destiny, from the world's favourite storyteller, Danielle Steel.Joachim von Hartmann was born and raised in Buenos Aires by his loving German mother, Liese, along with his identical twin. But when Joachim moves to Paris with Liese in his late teens, his twin enters a dark world and refuses to leave his beloved Argentina. Joachim begins training to be a butler, fascinated by the meticulous precision and intense demands it involves, and goes on to work in some of the grandest homes in England.Olivia White has given ten years of her life to her magazine, which failed, taking all of her dreams with it. A bequest from her mother allows her a year in Paris to reinvent herself. She needs help setting up a home in a charming Parisian apartment. It is then that her and Joachim’s paths cross.Joachim, on a whim, takes a job working for Olivia for a few weeks, which turn to months as the unlikely pair discover they enjoy working side by side. At the same time, Joachim is shocked to learn the family history he never knew, involving his grandfather’s sinister wartime activity, and also to hear news of the dangerous criminal his twin has become. While Olivia struggles to put her life back together, Joachim’s falls apart.Stripped of their old roles, they strive to discover the truth about each other and themselves, first as employer and employee, then as friends. Their paths no longer sure, they are a man and woman who reach a place where the past doesn’t matter and only what they are living now is true.
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Sandworms of Dune
As the no-ship Ithaca flees through space, the heroes of HUNTERS OF DUNE finally meet the Enemy who followed the violent fanatics, the Honored Matres, back to their universe. The thinking machines vanquished by Serena Butler's jihad were not destroyed, only driven into exile - and now, tens of thousands of years later, they are back. Can the resurrected heroes on board the Ithaca save our race from annihilation?
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