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Ball
Originally published in 1999, Daniel Paisner's THE BALL: Mark McGwire's 70th Home Run Ball and the Marketing of the American Dream was hailed as "one of the great quirky masterpieces of baseball journalism" by the editors of Sportsjones.com, and named an Amazon.com "Top Ten Sports Book of the Year." THE BALL is a wistful parable about our national pastime. It chronicles the distinctly American path of Mark McGwire's record-setting seventieth home run ball—from the moment it was stitched in a Rawlings factory in Costa Rica and shipped (eventually) to St. Louis; to the moment it left the hands of Montreal rookie hurler Carl Pavano and collided with McGwire's "Big Stick" bat; to the moment it was "caught" by a researcher working on the heralded Human Genome Research Project; to the moment it was won at auction for $3.08 million dollars by a comic-book maven. Shot through with colorful characters, high drama and rich baseball history, it is must-reading for anyone interested in what drove our various marketplaces—and collective fantasies—at the end of the twentieth century. As baseball fans commemorate the twentieth anniversary of the historic home run race of 1998, they look back as well to a more innocent time in the game—a time before the taint of steroids and the reliance on sabermetrics that has transformed the way the game is played and the way it is remembered.
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Ball
"The Ball" takes us to the farthest reaches of the globe and the deepest recesses of our ancient past to answer a question asked by every child on Earth: Why do we play ball? Inspired by the curiosity of his sports-obsessed 8-year-old son, anthropologist John Fox sets off on a global adventure to explore the untold history of our favorite ball games, investigate their origins and evolutionary tracks, and discern how one of humanity's simplest inventions - the humble, ubiquitous ball - has staked an unrivaled claim on our history, our passions, our money, and our lives. From the jungles of Mexico to the farm country of Ohio, from the courts of the ancient Pharaohs to the virtual playing fields of Second Life, Rolling Heads and Pigskins puts us center court for the gritty, ritualistic, violent, bizarre, primal drama of ball games as we've played them across the centuries. Part history, part travelogue, and part sportscast, "The Ball" spins tales of the ball itself as actor and instigator, a player who taps our human urge to hit, kick, throw, and tackle.In the end, "The Ball" removes us from the scandals, corruption, and commercialism of today's sports to uncover the true reasons we play ball, helping us reclaim our fundamental human connection to the games we love.
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Plie Ball!
From the vaudeville gyrations of New York Giants star pitchers Rube Marquard and Christy Mathewson, to Gene Kelly and Frank Sinatra as hoofing infielders in Take Me Out to the Ball Game, to the stage and screen versions of Damn Yankees, the connection between baseball and dance is an intimate, perhaps surprising one. Covering more than a century of dancing ballplayers and baseball-inspired dance, this entertaining study examines the connection in film and television, in theatrical productions and in choreography created for some of the greatest dancers and dance companies in the world.
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Cricket Ball
No object encapsulates the subtle, mysterious richness of cricket as much as its most famous character, the cricket ball: the swinging, bouncing, spinning heart of the glorious game. Gary Cox tells us the life story of the ball in its many guises: new ball, old ball, live ball, dead ball, no-ball, lost ball, swing ball and dot ball. He untangles the complexities of spin bowling (with a little help from Shane Warne), the tricks and cheats involved in ball tampering (including a look at the 2018 Australian scandal) and explores the multi-coloured future of a rapidly changing game. A kaleidoscopic look at the ball through the lenses of everything from philosophy and science to history, politics and biography and the myriad facts and figures of the vast cricket universe, Cox brings you a brimming biography of this legendary leathern orb and the heroes, fools and villains it has created along the way.
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Dragon Ball (3-in-1 Edition), Vol. 3
The World's Most Evil Crime Organization You do not want to mess with the Red Ribbon Army. To get what they want, they'll sic you with scary thugs, machine gunfire, and even torpedoes! Only Son Goku would think nothing of challenging this evil crime organization-anything to get back the one Dragon Ball his grandfather gave him. As the Red Ribbon Army closes in on Goku and his friends, Goku must face an array of opponents while preventing all seven Dragon Balls from falling into evil hands. First, there's cruel General Blue, who has a mysterious power up his sleeve. Then there's master assassin Taopaipai, so strong that Goku's blasts barely faze him. But neither of these opponents compare to the masked challenger Goku faces at Baba Uranai's-he'll give Goku the shock of his life!
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Only the Ball Was White
Early in the 1920s, the New York Giants sent a scout to watch a young Cuban play for Foster's American Giants, a baseball club in the Negro Leagues. During one at-bat this talented slugger lined a ball so hard that the rightfielder was able to play it off the top of the fence and throw Christobel Torrienti out at first base. The scout liked what he saw, but was disappointed in the player's appearance. "He was a light brown," recalled one of Torrienti's teammates,"and would have gone up to the major leagues, but he had real rough hair." Such was life behind the color line, the unofficial boundary that prevented hundreds of star-quality athletes from playing big-league baseball. When Only the Ball Was White was first published in 1970, Satchel Paige had not yet been inducted into the Hall of Fame and there was a general ignorance even among sports enthusiasts of the rich tradition of the Negro Leagues. Few knew that during the 1930s and '40s outstanding black teams were playing regularly in Yankee Stadium and Brooklyn's Ebbets Field. And names like Cool Papa Bell, Rube Foster, Judy Johnson, Biz Mackey, and Buck Leonard would bring no flash of smilingrecognition to the fan's face, even though many of these men could easily have played alongside Ty Cobb, Walter Johnson, Hack Wilson, Lou Gehrig—and shattered their records in the process. Many baseball pundits now believe, for example, that had Josh Gibson played in the major leagues, he would have surpassedBabe Ruth's 714 home runs before Hank Aaron had even hit his first. And the great Dizzy Dean acknowledged that the best pitcher he had ever seen was not Lefty Grove or Carl Hubbell, but rather "old Satchel Paige, that big lanky colored boy." In Only the Ball Was White, Robert Peterson tells the forgotten story of these excluded ballplayers, and gives them the recognition they were so long denied. Reconstructing the old Negro Leagues from contemporary sports publications, accounts of games in the black press, and through interviews with the men who actually played the game, Peterson brings to life the fascinating period that stretched from shortly after the Civil War to the signing of Jackie Robinson in 1947. Wewatch as the New York Black Yankees and the Philadelphia Crawfords take the field, look on as the East-West All-Star lineups are announced, and listen as the players themselves tell of the struggle and glory that was black baseball. In addition to these vivid accounts, Peterson includes yearly Negro Leaguestandings and an all-time register of players and officials, making the book a treasure trove of baseball information and lore. A monumental and poignant book, Only the Ball Was White reminds us that what was often considered the "Golden Age" of baseball was also the era of Jim Crow. It is a book that must be read by anyone hoping not only to understand the story of baseball, but the story of America.
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Cinderella Ball
For most of the twentieth century, West Virginia was a college basketball hotbed. Its major programs were a success, but perhaps even more successful was the West Virginia Intercollegiate Athletic Conference, composed of fifteen schools that rarely earned headlines but set many records and became an identifiable part of small town culture and a source of state pride. This ethos exists today in small town Kentucky and Indiana but struggles to survive in West Virginia. Part of the reason is the state's population decline since the 1950s. That, author Bob Kuska argues, along with the rise of cable and satellite TV and the major college basketball empire, stole the thunder--and the crowds--from these small town communities. And yet, these teams play on in obscurity and still find success. Against the backdrop of West Virginia's great small college history, Kuska chronicles the day-to-day struggles and triumphs of one modern school, Alderson-Broaddus College in Philippi, West Virginia. What happened to that team during a rags-to-riches yearlong stretch would've been remarkable at any level, let alone at a school with very low athletic department budgets and low visibility that makes recruiting talented players almost impossible. As he alternates between coaches and players, past and present, Kuska contrasts the fan enthusiasm of the conference's early years with the apathy that plagues the teams of the twenty-first century. If sports fans can get past the media and the madness that has made college basketball increasingly similar to professional basketball in its self-indulgence and sensationalism, they are left with leagues like the West Virginia Intercollegiate Athletic Conference--scrappy, intelligent, and spirited--and still finding ways to succeed and thrive.
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