Search results for "Christopher"
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Christopher
Christopher follows an extraordinary family – the January-Miyas, with their fabled strong-willed women – sequentially through several generations. All the characters straddle many worlds which come to shape their existence in the world, starting in the present with Vuyo, the narrator, who is a contemporary young woman; her mother Nontsikelelo, a language professor; and Romance, Nontsikelelo’s older sister, a domestic worker. Vuyo returns to the area where her family origins lie, pregnant with twins, and mourning the drowning death of her husband, Christopher, a transplanted Scot, by drowning. From Vuyo we move back up the rungs of the family tree to learn of the family’s stronghold on the communities around them established by the patriarch of the family; the challenges of authentic existence in volatile spaces and how each member of the family overcomes their common but varied search to be at peace. To deal with their loss, the family member’s journey in reconciling with how to exist in an ever-changing country that is only coming to terms with the multiplicity associated with identity; the misrepresented or untold corners of truth of some histories of people in South Africa and the complexity of evolving as a person who is influenced by many truths.
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Principal Characters
As the grandson of actress Ivy Close and son of director Ronald Neame (Straight from the Horse's Mouth; Scarecrow, 2003), Christopher Neame's roots in the film business were already firmly established by the time he joined the family profession. In his first memoir, Rungs on a Ladder, Neame gave readers an insider's look into a number of productions of the 1960s and 70s produced by Hammer Studios. Christopher followed this with A Take on British TV Drama, in which he recounted the challenges and rewards of working on some of the most distinguished works of British television, including The Flame Trees of Thika, Monsignor Quixote, and Danger: U.X.B. In Principal Characters, Neame fills in the gaps of his illustrious career by providing brief intimate portraits of the many important film figures he has worked with. In this charming collection of anecdotes, he asks and answers questions about the stars, who reveal both their carefree and vulnerable moments alike: Was Richard Harris really such a hell-raiser as a young man? What was Peter Sellers like to work with? How did Robert Mitchum find himself in trouble? How many faces did Alec Guinness have? What was behind Peter O'Toole and a bomb threat in Paris? Looking behind the camera lens, Neame captures director Karel Reisz (This Sporting Life) wearing a producer's hat, marvels at cinematographer Geoffrey Unsworth 'painting' Cabaret with light, discloses Kenneth Tynan's unusual predilection, and weighs in on the culinary skills of Ismail Merchant (A Room with a View). Throughout these accounts, Christopher looks both acutely and often amusingly at many who are household names, and when he feels it is appropriate to do so, he doesn't pull punches. This work is a fitting conclusion to an autobiographical "trilogy," and will be of interest to all those curious about the film industry and especially the stars and directors Christopher Neame has worked with over the years.
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In My Own Time
Emmy Award-winning actor Christopher Lloyd--one of the most iconic performers of his generation--shares an intimate portrait drawn from the defining moments of his life, from his early years in theater to his time on the sets of iconic television and film, his struggles with addiction, and an isolated childhood of privilege. Whether appearing as a disembodied head in Wednesday or taking on the title role in a stage production of King Lear, Christopher Lloyd has become known for portraying larger-than-life characters with a singular intensity and imagination. Now, for the first time, Christopher shares stories from his life that he has rarely spoken about before. In My Own Time begins with Christopher's childhood at Waveny, the sprawling Connecticut estate. Raised primarily by governesses and wandering the grounds, he became a quiet observer of the people and relationships around him, including the complicated dynamic between his creative mother and his stern father. With New York already a familiar part of his world, Christopher immersed himself in the demanding life of the theater. On stage he developed the intensity, imagination, and fearlessness that would come to define his work. From there, Christopher's career expanded across television and film, where audiences came to know him as the intense and unpredictable Taber in One Flew Over the Cuckoo's Nest, the eccentric and beloved Reverend Jim Ignatowski on Taxi, and the wild-eyed genius Doc Brown in the Back to the Future trilogy--performances that helped define some of the most enduring films and television of their time. Christopher Lloyd offers a rare and deeply personal reflection on a life spent both onstage and on screen, told with charm, dry wit, and honesty. In sharing the stories behind his work, his struggles, and the people and places that shaped him, In My Own Time reveals the thoughtful and deeply observant man behind the iconic characters.
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Select Letters of Christopher Columbus
The publications of the Hakluyt Society (founded in 1846) made available edited (and sometimes translated) early accounts of exploration. The first series, which ran from 1847 to 1899, consists of 100 books containing published or previously unpublished works by authors from Christopher Columbus to Sir Francis Drake, and covering voyages to the New World, to China and Japan, to Russia and to Africa and India. Volume 2, published in 1847, consists of letters of Christopher Columbus to the Treasurer of the King and Queen of Spain, describing his first, third and fourth voyages, and a letter from Diego Alvarez Chanca, a royal physician who went on the second voyage and reported his experiences to the town council of Seville. In this edition by R. H. Major, the letters are given in the original Latin and Spanish with an English translation, editor's preface, explanatory notes and index.
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Sleepwalkers
The pacy, sensitive and formidably argued history of the causes of the First World War, from acclaimed historian and author Christopher ClarkFINANCIAL TIMES BOOKS OF THE YEAR 2014SUNDAY TIMES and INDEPENDENT BOOKS OF THE YEAR 2012Winner of the Los Angeles Times History Book Prize 2014The moments that it took Gavrilo Princip to step forward to the stalled car and shoot dead Franz Ferdinand and his wife were perhaps the most fateful of the modern era. An act of terrorism of staggering efficiency, it fulfilled its every aim: it would liberate Bosnia from Habsburg rule and it created a powerful new Serbia, but it also brought down four great empires, killed millions of men and destroyed a civilization. What made a seemingly prosperous and complacent Europe so vulnerable to the impact of this assassination? In The Sleepwalkers Christopher Clark retells the story of the outbreak of the First World War and its causes. Above all, it shows how the failure to understand the seriousness of the chaotic, near genocidal fighting in the Balkans would drag Europe into catastrophe.Reviews:'Formidable ... one of the most impressive and stimulating studies of the period ever published' Max Hastings, Sunday Times'Easily the best book ever written on the subject ... A work of rare beauty that combines meticulous research with sensitive analysis and elegant prose. The enormous weight of its quality inspires amazement and awe ... Academics should take note: Good history can still be a good story' Washington Post'A lovingly researched work of the highest scholarship. It is hard to believe we will ever see a better narrative of what was perhaps the biggest collective blunder in the history of international relations' Niall Ferguson'[Reading The Sleepwalkers], it is as if a light had been turned on a half-darkened stage of shadowy characters cursing among themselves without reason ... [Clark] demolishes the standard view ... The brilliance of Clark's far-reaching history is that we are able to discern how the past was genuinely prologue ... In conception, steely scholarship and piercing insights, his book is a masterpiece' Harold Evans, New York Times Book Review'Impeccably researched, provocatively argued and elegantly written ... a model of scholarship' Sunday Times Books of the Year'Superb ... effectively consigns the old historical consensus to the bin ... It's not often that one has the privilege of reading a book that reforges our understanding of one of the seminal events of world history' Mail Online'A monumental new volume ... Revelatory, even revolutionary ... Clark has done a masterful job explaining the inexplicable' Boston Globe'Superb ... One of the great mysteries of history is how Europe's great powers could have stumbled into World War I ... This is the single best book I have read on this important topic' Fareed Zakaria'A meticulously researched, superbly organized, and handsomely written account Military HistoryClark is a masterly historian ... His acc
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Adventurous Gardener
'The best informed, liveliest and most innovative gardening writer of our times' GUARDIAN'Christopher Lloyd ranks with Gertrude Jekyll and Vita Sackville-West as one of the major figures in twentieth-century British gardening' THE TIMESIn this gardening classic the forever adventurous Christopher Lloyd takes us on a tour through the garden, to encourage, to reveal and to overturn the old and accepted when experience prompts him. He advises on cuttings, pruning, the art of compromise and takes another look at Miss Jekyll. Gardening was a passion, and throughout his life he developed Great Dixter to be one of Britain's greatest gardens. For Christo gardening is nothing if not fun and - pointing out that 'to be roused into an argumentative frame of mind is in itself no bad thing' - he makes it equally stimulating and enjoyable for his readers.
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Word Monkey
This is the memoir Christopher Fowler always wanted to write about 'writing'.It's the story of how a young bookworm growing up in a house where there was nothing to read but knitting pamphlets and motorcycle manuals became a writer - a 'word monkey' - and pursued a sort of career in popular fiction. It's a book full of brilliant insights and sharp observations about the highs and lows and pitfalls and pleasures of his profession and about his favourite (and not-so-favourite) novelists. For would-be writers, Word Monkey is a treasure trove of sage advice on what to watch out for, to approach with caution or, indeed, to avoid at all costs.But woven into this hugely entertaining, inspiring and politely opinionated account of a writer's life is an altogether darker thread. Because in Spring 2020, as the world went into lockdown, Chris was diagnosed with terminal cancer and his world was turned upside down. And yet Word Monkey is anything but a misery memoir. In prose as light as air, he recounts with candour, grace and typically self-deprecating humour what he came to realise would be the final chapter in his story. The result is a deeply moving, often very funny and surprisingly uplifting account of someone suddenly having to confront and come to terms with their own mortality.
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Enchanted Places
Now the subject of major Disney film starring Ewan McGregor, this is Christopher Robin in his own words.Millions of readers throughout the world have grown up with the stories and verses of A. A. Milne; have envied Christopher Robin in his enchanted world; laughed at Pooh - a bear of very little brain - and worried about Piglet and his problems. But what was it like to be the small boy with the long hair, smock and wellington boots?At the age of fifty-four Christopher Milne recalled his early childhood, remembering 'the enchanted places' where he used to play in Sussex. The Hundred Acre Wood, Galleon's Lap and Poohsticks Bridge existed not only in the stories and poems but were part of the real world surrounding the Milne home at Cotchford Farm.With deftness and artistry Milne draws a memorable portrait of his father, and an evocative reconstruction of a happy childhood in London and Sussex. The Enchanted Places is a story told with humour and modesty.
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Boris Pasternak
This concluding volume of Christopher Barnes's acclaimed biography of the Russian poet and prose-writer Boris Pasternak covers the period from 1928 to his death, during which he wrote the famous Dr Zhivago and was awarded the Nobel Prize for Literature. Drawing on archive material (including the Pasternak family archive), eyewitness accounts and a huge range of biographical and background information, Barnes brings to light many aspects of Pasternak's personality and private life, while illuminating his relations with the Communist régime and the literary establishment. There is a detailed discussion of Pasternak's original writing (with ample quotation in English translation), and his translations of Goethe, Shakespeare and others. The growth story of Dr Zhivago is traced, and the personal and political implications of the novel's controversial publication explored. The biography concludes with a discussion of Pasternak's Nobel Prize award, final years and death, with a brief account of his posthumous and artistic legacy.
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Complete Works of Christopher Marlowe: Volume II: Dr Faustus
This volume of Christopher Marlowe's works is devoted to "Dr Faustus", which is now edited from the edition of 1604. The play is critically discussed and new theories of the text are outlined. Extracts from "The English Faustbook", the main source of the play, are also appended. Despite the modern fascination with Marlowe, and in particular with "Dr Faustus", there has been no edition of his works which not only gives them in their original spelling with full textual apparatus, but also supplies a detailed commentary. This series, edited in three volumes, attempts to supply the need for a fully annotated scholarly treatment of the works.
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Poetical Works of Christopher Smart: Volume V. The Works of Horace, Translated Into Verse
Published here for the first time since 1767, Christopher Smart's verse translation of Horace was made in the prodigiously creative years between his release from the madhouse and his death. The translation strengthens the impression made by all Smart's later verse of a poet of remarkable lyrical virtuosity and boldness of expression.The translation now emerges as testimony to Smart's tireless creativity and poetic energy, and as a significant contribution to the present reappraisal of Horace's influence on English literature. Smart's contemporaries, however, either ignored the project, or treated it with contempt, and it was never reprinted. This edition includes Smart's own critical preface, which is important for its declaration of the writer's principles as translator, and for its unorthodox ideas about poetic language.Karina Williamson's informative introduction discusses Smart's principles and methods in the context of eighteenth century attitudes to the translation of clasical works. Full scholarly apparatus is provided, together with a detailed and clarifying commentary which explains Smart's more obscurepassages.
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Christopher Morley's New York
A collection of fifty-five essays, written mostly in the mid-twenties but with some later examples as well, Christopher Morley’s New York presents in rich, evocative detail New York at the end of World War I – that heady time after the doughboys returned, the Twenties got roaring, the Volstead Act found itself thwarted, and a lot of progressive life got on with its business before running into the wall of the Great Depression. In the first section of the book, East Side, West Side, All Around the Town, we experience New York just as Morley did: through its bookstores, restaurants, taverns, waterfronts, and other locales that lent the city its unique, rough-and-tumble character. But we’re also treated to a vivid picture of Christopher Morley himself, particularly in the next section, The Three Hours for Lunch Club, in which Morley’s gusto in food, drink, companionship, conversation, and general bonhomie is plainly evident. Finally, in the last section, we experience another, suburban New York: Roslyn, Long Island, where for years Morley lived with his wife and family. Contrasted with the vulgar beauty of the city, the natural splendor Morley encountered on Long Island is particularly affecting. This attractive volume is enhanced by the evocative period illustrations of Walter Jack Duncan, who illustrated so many Morley first editions.
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Carrying the Can
From childhood, Christopher Miles was fascinated by celluloid. This love of the moving image announced itself early: he was just 17 when the BBC screened his first film in 1957. To be a filmmaker, Miles had to sidestep parental plans to enrol him in the family steelworks. He had already been filming in communist China and Argentina when he escaped to Paris where he made his first professional film. Later, working mostly in Europe and America, Miles made a string of intriguing and unusual films, two exploring his obsession with D.H. Lawrence, others bringing works by Jean Anouilh and Jean Genet to the big screen. He writes revealingly of his relationship with his father, of whether he is related to the royal family, and of the host of key figures in the film industry he worked with. Among the stars of his films are Ian McKellen, Ava Gardner, John Gielgud, Susannah York, Franco Nero and Charlotte Rampling. This compelling account goes behind the scenes, setting the films in context and giving the reader a very personal view of contemporary film-making.
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Preface to Mark
Christopher Bryan examines Mark's Gospel from the standpoint of newer critical methodologies. he has two purposes: to establish what kind of text Mark was seen to have been, by others as well as by Mark himself, when it was written; and to determine if Mark was written to be read aloud. Bryan's conclusions not only show Mark's Gospel in its original settings, but also suggest ways in which contemporary encounters with Mark can be enriched.
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Beyond the Moon
The sequel to Brown's debut novel, 'Beyond the River' is finally here.
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Rungs on a Ladder
Rungs on a Ladder looks at part of the movie industry from a unique perspective. Christopher Neame, son of director Ronald, started his career (in the early 1960s) at the very bottom, but determinedly made his way to the top. Neame fondly recalls his learning years at Bray Studios and beyond. Simply and often amusingly, he recounts his days with Hammer Films and observes many of the characters both in front of and behind the camera—names synonymous with those classic tales of Gothic horror: director Terrence Fisher, producers Anthony Hinds, Michael Carreras and Anthony Nelson Keys, screenwriter/producer Jimmy Sangster, and of course, Peter Cushing and Christopher Lee. Along the way, he encounters those less obviously connected to Hammer like Joan Fontaine, Joseph Cotten, Norman Lloyd, and Bette Davis. Never the one to reserve his critical eye for others alone, Neame willingly says mea culpa when deserved. The book begins with his rude awakening to the "string and sealing wax" world of Dracula Prince of Darkness and follows his journey through sixteen subsequent productions including three Frankensteins, The Devil Rides Out (which American distributors thought was going to be a Western!), and a couple of Mummy films. Neame also shares stories of his participation in non-genre ventures like Quatermass and the Pit, The Anniversary, Demons of the Mind and Fear in the Night. Includes 16 pages of photos.
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