Search results for "Christopher Bryan"
Items we need to order for you
Preface to Mark
Christopher Bryan examines Mark's Gospel from the standpoint of newer critical methodologies. he has two purposes: to establish what kind of text Mark was seen to have been, by others as well as by Mark himself, when it was written; and to determine if Mark was written to be read aloud. Bryan's conclusions not only show Mark's Gospel in its original settings, but also suggest ways in which contemporary encounters with Mark can be enriched.
R 3,027.92
Son of God
What do Christians mean when they call Jesus "son of God"? In this study of the phrase "son of God" as applied to Jesus of Nazareth, Christopher Bryan examines the testimony of various New Testament witnesses who used this expression to speak of him, and asks where they got it, what they meant by it, and how it might have been understood. In Bryan's view, any attempt to address these questions stands self-condemned if it does not point to both the words and works of Jesus himself in the memory of early Christians, and the Torah of Israel as then understood, centering on Israel's Scriptures. Of course Paul and his fellow believers did not proclaim Jesus in a vacuum. They proclaimed Jesus in the Roman Empire during the decades following the death of Augustus. With regard to the meaning of the phrase "son of God," what becomesclear, Bryan argues, is that whereas "Lord" (another expression frequently used in the New Testament for Jesus of Nazareth) reflects believers' sense of Jesus' relationship to them, "son of God" reflects their sense of his relationship to God. It is a title that reflects their consciousness of Jesus'holiness-that is, his "set-apartness," his consecration, and even his divinity. Readers of Son of God will gain a well-rounded understanding of classic and recent research in Christology and the New Testament, as well as an in-depth, historically situated view of the evidence that paints a clearer picture of what New Testament witnesses meant when they called Jesus "son of God."
R 5,414.00
Preface to Romans
Bryan approaches St. Paul's letter to the Romans with a number of aims in view. First, he wants to show which literary type or genre would have been seen by Paul's contemporaries as being exemplified in the letter. He also determines what we can surmise of Paul's attitude and approach to the Jewish bible. The study involves discussion of and comparison with other literature from Paul's time, place and milieu — including other writings attributed to Paul.
R 7,541.52
Listening to the Bible
The disengagement of recent academic biblical study from church and synagogue has been widely noted. Even within the discipline, there are those who suggest it has lost its way. As the discipline now stands, is it mainly concerned with studying and listening to the texts, or with dissecting them in order to examine hypothetical sources or situations or texts that might lie behind them. Christopher Bryan seeks to address scholars and students who do not wish toavoid the challenges of the Enlightenment, but do wish to relate their work to the faith and mission of the people of God. Is such a combination still possible? And if so, how is the task of biblical interpretation to be understood?Bryan traces the history of modern approaches to the Bible, particularly "historical criticism," noting its successes and failures—and notably among its failures, that it has been no more able to protect its practitioners from (in Jowett's phrase) "bringing to the text what they found there" than were the openly faith-based approaches of earlier generations. Basing his work on a wide knowledge of literature and literary critical theory, and drawing on the insights of the greatest literary critics of the last hundred years, notably Erich Auerbach and George Steiner, Bryan asks, what should be the task of the biblical scholar in the 21st century? Setting the question within this wider context enables Bryan to indicate a series of criteria with which biblical interpreters may do their work, and in the light of which there is no reason why that workcannot relate faithfully to the Church. This does not mean that sound biblical interpretation can ignore the specificity of scientific or historical questions, or dragoon its results into conformity with a set of ecclesial propositions. It does mean that in asking those questions, interpreters ofthe biblical text will not ignore its setting-in-life in the community of faith; and they will concede that although textual interpretation has scientific elements, it is finally an exercise in imagination: an art, and not a science.
R 2,135.64
R 365.00
And God Spoke
His reflections on some of the ways we might answer these questions in the church today became the twelve short chapters of this book. Here scripture scholar and Anglican priest Christopher Bryan looks at the nature of the Bible’s authority and inspiration and how the Bible can inform our decision-making today. He explores common questions about scripture, such as: What do we mean when we say that the scriptures are revelatory, that they are inspired, that they are the Word of God? How do we define the Bible’s authority for the past and the future? What does a church that takes the Bible’s authority seriously actually look like? How does it read, study, and pray with the Bible? And God Spoke offers essential guidelines for everyone who wonders about the authority of the Bible, and who wants to read it with attentiveness and understanding.
R 548.00
R 365.00
R 205.00
R 365.00
R 365.00
R 365.00
Stopping the Deportation Machine
It could happen anywhere in America. And it could happen today.Stopping the Deportation Machine tells the true story of one undocumented student’s journey to America to escape death threats, reunite with his family, and pursue an education. In the blink of an eye, Wildin Acosta’s dream of becoming the first member of his family to graduate high school in the United States turned into a nightmare when undercover immigration agents in Durham, North Carolina, arrested him one morning before school, intending to deport him to his native Honduras. This is a book about immigration, education, and community. Written by the school’s journalism teacher, it also tells the story of one educator’s awakening to the plight of undocumented students and a system that sometimes treats them as little more than cogs in a deportation machine. Based in part on accounts by student journalists and extensive interviews with Wildin Acosta, Christopher tells the story of how, with assistance from teachers, community leaders, and elected officials, four high school students fought all the way to Washington, DC, to get Wildin released from a government detention center and back in school.At a time when Americans continue to be deeply divided about the plight of undocumented children, Stopping the Machine breaks through the polarized rhetoric to put a human face on a problem that resides in communities across the nation. It will make readers change the way they think about why people come to America and how our government decides who can and cannot stay.
R 1,060.00
R 457.00
R 364.00
R 523.87
R 451.31
R 416.00
R 519.00
R 396.00
Christopher Bruell
Brings together the most remarkable essays on classical and modern philosophy by noted political philosopher Christopher Bruell.Christopher Bruell (1942–2024) was one of the great modern interpreters of classical and modern political philosophy. This volume includes almost all the essays, lectures, and book chapters that he published during a remarkable scholarly career that spanned more than four decades. Five of these writings focus on Leo Strauss, with whom Bruell studied as a young man. But the scope of the collection extends beyond Bruell's work on Strauss. The essays take up a wide range of topics, including liberal education, the problem of relativism, the American Founding, the nature of citizenship, and the question of happiness. Above all, the collection focuses on the recovery of classical political philosophy and includes pathbreaking essays on Thucydides, Plato, Xenophon, and Aristotle. Also included in this volume are three previously unpublished essays.
R 5,692.10
Principal Characters
As the grandson of actress Ivy Close and son of director Ronald Neame (Straight from the Horse's Mouth; Scarecrow, 2003), Christopher Neame's roots in the film business were already firmly established by the time he joined the family profession. In his first memoir, Rungs on a Ladder, Neame gave readers an insider's look into a number of productions of the 1960s and 70s produced by Hammer Studios. Christopher followed this with A Take on British TV Drama, in which he recounted the challenges and rewards of working on some of the most distinguished works of British television, including The Flame Trees of Thika, Monsignor Quixote, and Danger: U.X.B. In Principal Characters, Neame fills in the gaps of his illustrious career by providing brief intimate portraits of the many important film figures he has worked with. In this charming collection of anecdotes, he asks and answers questions about the stars, who reveal both their carefree and vulnerable moments alike: Was Richard Harris really such a hell-raiser as a young man? What was Peter Sellers like to work with? How did Robert Mitchum find himself in trouble? How many faces did Alec Guinness have? What was behind Peter O'Toole and a bomb threat in Paris? Looking behind the camera lens, Neame captures director Karel Reisz (This Sporting Life) wearing a producer's hat, marvels at cinematographer Geoffrey Unsworth 'painting' Cabaret with light, discloses Kenneth Tynan's unusual predilection, and weighs in on the culinary skills of Ismail Merchant (A Room with a View). Throughout these accounts, Christopher looks both acutely and often amusingly at many who are household names, and when he feels it is appropriate to do so, he doesn't pull punches. This work is a fitting conclusion to an autobiographical "trilogy," and will be of interest to all those curious about the film industry and especially the stars and directors Christopher Neame has worked with over the years.
R 2,746.00
Re-Enchantment of the West
As a book about emergent spirituality in the contemporary West, this books focuses on the nature, evolution and significance of new forms of religion and alternative spiritualities. Part One of the book provides the theoretical background and guides the reader through some of the principal debates. After an overview of the secularization thesis, which argues that the West is becoming increasingly disenchanted, the second chapter turns to the sociological analysis of new religions and alternative spiritualities. Particular attention is given to the ideas of the sociologist of religion Ernst Troeltsch, especially his enigmatic analysis of the emergence mystical religion, which presciently provides helpful insights into understanding the contemporary alternative religious milieu. Against sociologists such as Bryan Wilson and Steve Bruce, this and the subsequent chapter argues that, rather than being insignificant, new forms of spirituality are actually proving to be a significant part of Western re-enchantment. Chapter 3 constructs a general theory of the re-enchantment of the West.
R 2,943.00
Shooting Back
Contributions by Rudyard J. Alcocer, Christopher L. Ballengee, Lázaro J. González, Koby Bryan Hansen, Kim Johnson, Shweta Kishore, Sinah Theres Kloß, Gabriela Martínez, Thomas Matusiak, María Fernanda Miño, Rachel Moseley-Wood, Bernardo Oliveira, Rupa Pillai, Ana Patricia Rodríguez, Keya Saxena, Lisa Tomlinson, Vuk Vuković, and Bartosz Wójcik Shooting Back: Documentary Film in Latin America and the Caribbean brings much-needed critical attention to the documentary and ethnographic filmmaking traditions of Latin America and the Caribbean, regions where fiction cinema has long dominated scholarly discourse. This wide-ranging collection explores the diverse social, cultural, political, and institutional forces that shape nonfiction filmmaking across the hemisphere. Featuring essays from leading and emerging scholars, the volume examines how documentary and ethnographic films have responded to and influenced political movements, national identity, and cultural memory. Contributors investigate how these films affirm or contest colonial legacies, challenge systems of power and inequality, and reflect ongoing struggles around migration, diaspora, and decolonial thought. In addition to thematic explorations, Shooting Back delves into the practical realities of filmmaking in the region, from production and distribution to the roles played by educational and governmental institutions. The collection also considers the impact of film festivals, evolving technologies, and transnational networks, offering comparative analyses of key works and filmmakers. As both a scholarly intervention and an invitation for further research, Shooting Back situates Latin American and Caribbean documentary within broader conversations about global cinema, postcolonial critique, and Global South studies. This volume is an essential resource for film scholars, Latin Americanists, and anyone interested in the political and aesthetic power of nonfiction film.
R 3,237.00
R 770.00
Research in Economic History
In this new volume of Research in Economic History, editors Christopher Hanes and Susan Wolcott bring together a cast of expert contributors to vigorously interrogate and analyze historic economics questions. The volume looks across a range of issues. Two papers address the political economy of the US: one explores how editorials in Business Week encouraged the acceptance of Keynesian policies among US business elites; and one quantifies the role of economics in the political support of William Jennings Bryan. Two papers bring new insight into longstanding debates, looking at the “antebellum puzzle” and why medieval peasants had scattered fields. Finally, two papers explore topics in European history, including the effect of deflation on the distribution of income in Denmark, 1930-1935, and the influence of shareholders on policy at the Banque de France.For researchers and students of economic history, this volume pulls together the latest research on a variety of unanswered questions.
R 5,232.42
R 684.00
R 912.00
Bryant & May - Wild Chamber
Our story begins at the end of an investigation, as the members of London's Peculiar Crimes Unit race to catch a killer near London Bridge Station in the rain, not realising that they’re about to cause a bizarre accident just yards away from the crime scene. And it will have repercussions for them all…One year later, in an exclusive London crescent, a woman walks her dog – but she’s being watched. When she’s found dead, the Peculiar Crimes Unit is called in to investigate. Why? Because the method of death is odd, the gardens are locked, the killer had no way in - or out - and the dog has disappeared.So a typical case for Bryant & May. But the hows and whys of the murder are not the only mysteries surrounding the dead woman - there's a missing husband and a lost nanny to puzzle over too. And it seems very like that the killer is preparing to strike again.As Arthur Bryant delves in to the history of London’s ‘wild chambers’ - its extraordinary parks and gardens, John May and the rest of the team seem to have caused a national scandal. If no-one is safe then all of London’s open spaces must be closed…With the PCU placed under house arrest, only Arthur Bryant remains at liberty – but can a hallucinating old codger catch the criminal and save the unit before it’s too late?
R 340.00
Breaking Bad
Breaking Bad (2008-2013), a remarkable synthesis of the crime film, the sitcom, the western, and the family melodrama, is a foundational example of new television in the early twenty-first century. Receiving multiple Emmy Awards, it launched the careers of its creators and stars, most notably Bryan Cranston as high school teacher turned drug manufacturer Walter White, whose attempt to grab the American dream results in the destruction of family, home, community, and himself. In this book, Christopher Sharrett examines the innovations of Breaking Bad through a study of its main character, using psychoanalysis, genre study, gender studies, American studies, and the graphic arts to assist an exploration of the supreme danger of modern, postindustrial toxic masculinity embodied in Walter White. Serving as a fresh start for the American Movie Classics (AMC) cable outlet, Breaking Bad is probably the most uncompromised rendering of the white American male's rage in early twenty-first-century fiction. Set against a deindustrialized American landscape, its conflicted morality can seem less ambiguous than repugnant when we note the use of humor throughout, particularly as characters are introduced and killed off. Walter's relationships with his son, who has cerebral palsy, his former student turned business partner, his long-suffering wife, and his DEA brother-in-law are layered on top of the show's reflection of the very real challenges facing America today, which are not limited to the opioid epidemic, lax gun laws, and racial violence. Some critics have accused Breaking Bad of inciting a disturbance rather than criticizing, as it relies heavily on the audience's humor. Sharrett's argument for why the show is the canniest dramatic insight of our times is worth the price of admission for scholars and students of media studies and superfans alike.
R 719.81
Poetical Works of Christopher Smart: Volume IV. Miscellaneous Poems, English and Latin
This volume contains miscellaneous verse, arranged in chronological order, showing the pattern of Smart`s evolution from both academic and popular roles into a poet dedicated to Christian service.
R 11,623.06
Christopher Bruell
Brings together the most remarkable essays on classical and modern philosophy by noted political philosopher Christopher Bruell.Christopher Bruell (1942–2024) was one of the great modern interpreters of classical and modern political philosophy. This volume includes almost all the essays, lectures, and book chapters that he published during a remarkable scholarly career that spanned more than four decades. Five of these writings focus on Leo Strauss, with whom Bruell studied as a young man. But the scope of the collection extends beyond Bruell's work on Strauss. The essays take up a wide range of topics, including liberal education, the problem of relativism, the American Founding, the nature of citizenship, and the question of happiness. Above all, the collection focuses on the recovery of classical political philosophy and includes pathbreaking essays on Thucydides, Plato, Xenophon, and Aristotle. Also included in this volume are three previously unpublished essays.
R 1,663.06
R 1,562.00
Shooting Back
Contributions by Rudyard J. Alcocer, Christopher L. Ballengee, Lázaro J. González, Koby Bryan Hansen, Kim Johnson, Shweta Kishore, Sinah Theres Kloß, Gabriela Martínez, Thomas Matusiak, María Fernanda Miño, Rachel Moseley-Wood, Bernardo Oliveira, Rupa Pillai, Ana Patricia Rodríguez, Keya Saxena, Lisa Tomlinson, Vuk Vuković, and Bartosz Wójcik Shooting Back: Documentary Film in Latin America and the Caribbean brings much-needed critical attention to the documentary and ethnographic filmmaking traditions of Latin America and the Caribbean, regions where fiction cinema has long dominated scholarly discourse. This wide-ranging collection explores the diverse social, cultural, political, and institutional forces that shape nonfiction filmmaking across the hemisphere. Featuring essays from leading and emerging scholars, the volume examines how documentary and ethnographic films have responded to and influenced political movements, national identity, and cultural memory. Contributors investigate how these films affirm or contest colonial legacies, challenge systems of power and inequality, and reflect ongoing struggles around migration, diaspora, and decolonial thought. In addition to thematic explorations, Shooting Back delves into the practical realities of filmmaking in the region, from production and distribution to the roles played by educational and governmental institutions. The collection also considers the impact of film festivals, evolving technologies, and transnational networks, offering comparative analyses of key works and filmmakers. As both a scholarly intervention and an invitation for further research, Shooting Back situates Latin American and Caribbean documentary within broader conversations about global cinema, postcolonial critique, and Global South studies. This volume is an essential resource for film scholars, Latin Americanists, and anyone interested in the political and aesthetic power of nonfiction film.
R 883.00
R 1,985.00
R 3,664.00
R 1,171.00
R 457.00
Christopher Fry plays 3
To coincide with the centenary of his birth in December 1907, Oberon is pleased to be publishing three volumes of plays by Christopher Fry, one of the most influential playwrights of Britain in the twentieth century. This third volume of Fry's original plays brings together his only fully-fledged tragedy - "The Firstborn", based on the Biblical story of the plagues of Egypt - and his six one-act plays.
R 823.00
