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Hollywood and the O.K. Corral
A lot can happen in 30 seconds. In the case of the shoot-out at the O.K. Corral, 30 seconds found three men dead, left two men wounded and ultimately captured the imagination of generations of Americans. Wyatt Earp, an against-all-odds hero who was literally the last man standing; Doc Holliday, Earp's unlikely crony; the tragic tale of the Earp family - all of these elements make the story of the O.K. Corral irresistible to a great many people. Hollywood filmmakers were quick to recognize the legend's attraction - and its potential. As early as 1939 (with the production of ""Frontier Marshal""), movie makers were recreating the gunfight at the O.K. Corral and its attendant happenings in Tombstone, Arizona, on October 26, 1881. The following decades produced various renderings of the story, some more historically accurate than others but all with the American flare for entertainment. This volume examines eight movie renderings of the legendary gunfight. Produced from 1939 to 1994, these movies each use Wyatt Earp and other real-life characters as their sources. The work focuses on the filmmakers' treatment of the history and the skill with which each balances fact with the necessity of entertainment. The ways in which Wyatt Earp is presented in each film and this portrayal's relationship to the period in which the film was made is also examined in detail. Films discussed are ""Frontier Marshal"" (1939), ""Tombstone, the Town too Tough to Die"" (1942), ""My Darling Clementine"" (1946), ""Gunfight at O.K. Corral"" (1957), ""Hour of the Gun"" (1967), ""Doc"" (1971), ""Tombstone"" (1993), and ""Wyatt Earp"" (1994). Period photographs are also included.
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Gunfight at the Eco-Corral
Most film critics point to classic conflicts - good versus evil, right versus wrong, civilization versus savagery - as defining themes of the American Western. In this provocative examination of Westerns from Tumbleweeds (1925) to Rango (2011), Robin L. Murray and Joseph K. Heumann argue for a more expansive view that moves beyond traditional conflicts to encompass environmental themes and struggles. The environment, after all, is the fundamental stage for most western stories, from land rush dramas that pit ""sod busters"" against ranchers to conflicts between mining-town communities and corporations. Because environmental issues lie at the forefront of so many conflicts today, Murray and Heumann believe that the Western is ripe for such new examination.Drawing on perspectives from both film studies and environmental history, the authors show how western films frequently deal with issues related to land use and different ways of looking at the natural world. In films as diverse as Gene Autry musicals, early John Wayne B-Westerns, and revisionist critiques such as the 2010 remake of True Grit, resources are exploited in the name of progress. Beginning with an analysis of two iconic Westerns, Shane and The Searchers, Murray and Heumann identify the environmental dichotomies - previously overlooked by critics - that are broached in both films, and they clarify the history that lies behind the environmental debates in these films and many others.How do Westerns respond to the historical contexts they present? And what do those responses suggest about American views of nature and its exploitation? The conflicts these movies address grow out of differing views of progress, frequently in relation to technology. The authors show that such binary oppositions tend to blur when examined closely, demonstrating that environmental issues are often more complex than we realize.
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Lady at the O.K. Corral
Lady at the O.K. Corral: The True Story of Josephine Marcus Earp by Ann Kirschner is the definitive biography of a Jewish girl from New York who won the heart of Wyatt Earp.For nearly fifty years, she was the common-law wife of Wyatt Earp: hero of the O.K. Corral and the most famous lawman of the Old West. Yet Josephine Sarah Marcus Earp has nearly been erased from Western lore. In this fascinating biography, Ann Kirschner, author of the acclaimed Sala's Gift, brings Josephine out of the shadows of history to tell her tale: a spirited and colorful tale of ambition, adventure, self-invention, and devotion. Reflective of America itself, her story brings us from the post-Civil War years to World War II, and from New York to the Arizona Territory to old Hollywood.In Lady at the O.K. Corral, you'll learn how this aspiring actress and dancer--a flamboyant, curvaceous Jewish girl with a persistent New York accent--landed in Tombstone, Arizona, and sustained a lifelong partnership with Wyatt Earp, a man of uncommon charisma and complex heroism.
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Guillotine
LONGLISTED FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY The astonishing second collection by the author of Slow Lightning, winner of the Yale Younger Poets Prize Guillotine traverses desert landscapes cut through by migrants, the grief of loss, betrayal's lingering scars, the border itself--great distances in which violence and yearning find roots. Through the voices of undocumented immigrants, border patrol agents, and scorned lovers, award-winning poet Eduardo C. Corral writes dramatic portraits of contradiction, survival, and a deeply human, relentless interiority. With extraordinary lyric imagination, these poems wonder about being unwanted or renounced. What do we do with unrequited love? Is it with or without it that we would waste away? In the sequence "Testaments Scratched into Water Station Barrels," with Corral's seamless integration of Spanish and English, poems curve around the surfaces upon which they are written, overlapping like graffiti left by those who may or may not have survived crossing the border. A harrowing second collection, Guillotine solidifies Corral's place in the expanding ecosystem of American poetry.
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