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American on Purpose
In "American on Purpose", Craig Ferguson delivers a moving and achingly funny memoir of living the American dream as he journeys from the mean streets of Glasgow, Scotland, to the entertainment capital of the world. Along the way he stumbled through several attempts to make his mark - as a punk rock musician, a modern dancer, a bouncer, a construction worker and a stand-up comedian. To numb the pain of failure, Ferguson found comfort in drugs and alcohol, addictions that eventually led to an aborted suicide attempt. (He forgot to do it when someone offered him a beer.) But his story has a happy ending: in 1993, the washed up Ferguson washed up in the United States - which, from the age of seven, he had always seen as a beacon of goodness and possibility. Finally sober, Ferguson landed a breakthrough role on the hit sitcom "The Drew Carey Show", a success that eventually led to his current starring role as the host of CBS' "The Late Late Show". By far Ferguson's greatest triumph was his decision to become a U.S. citizen, a milestone he achieved in early 2008, just before his command performance.
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Ryan Craig: Plays Against the Tide
'A scared playwright won’t write a good play. We’re going to have to try to find a bit more steel.' – Telegraph Ryan Craig is not afraid of controversial topics. Described as a 'playwright with the ability to become one of the best of his generation' (British Theatre Guide), his work to date is known to probe both social norms and ethical issues. Since being nominated for the Evening Standard's Most Promising Playwright Award in 2005 his plays have been produced at venues of all sizes from London's National Theatre and the Hampstead to Theatre Royal Bath and the Menier Chocolate Factory. In this first collection of his works, Craig brings together four plays that go 'against the tide', offering an insight into the power of contemporary drama that doesn't shy away from the most contentious and hot-button debates of the age. Complete with a new introduction by the author, it begins with his hit National Theatre play The Holy Rosenbergs and includes his piece, Charlotte and Theodore which premiered in 2023, published here for the first time. The Holy Rosenbergs (2011): 'buzzes with discussion and debate ... In the clarity of its construction, the tension of its climax and the slow unveiling of its emotional core, this is a very fine play indeed' (Aleks Sierz, Arts Desk) Filthy Business (2017): 'A superbly modern Mother Courage…If plays survive by creating meaty roles for actors, Ryan Craig’s new work is destined for a long life' (Michael Billington, Guardian) What We Did to Weinstein (2005): 'There is no more compelling or politically significant drama in town than Ryan Craig’s What We Did to Weinstein….fascinates because it reflects the complex passions of Jews in more than two minds about what Jewishness entails' (Nicholas de Jongh, Evening Standard) Charlotte and Theodore (2023): 'cancel-culture drama that bravely captures the acrimonious mood of today' (Dominic Cavendish, Telegraph)
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Daniel Craig
He's charismatic, talented and extremely sexy. His breathtaking performance as the latest James Bond won him legions of fans and proved that, as well as being an outstanding actor, he coud cut it as an action hero and redefine a cinematic icon to huge critical acclaim. This year, he will be thrust into the spotlight once more as he takes the lead role in the hotly anticipated remake of Stieg Larsson's The Girl with the Dragon Tattoo. Having attended London's prestigious Guildhall School of Music and Drama, he hit the big time when he secured a role in the award-winning BBC drama Our Friends in the North. His subsequent roles in Layer Cake and Munich have cemented his position as one of the UK's finest actors.
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Craig & Fred
The uplifting and unforgettable true story of a US Marine, the stray dog he met on an Afghan battlefield, and how they saved each other and now travel America together, spreading the message of stubborn positivity. In 2010, Sergeant Craig Grossi was doing intelligence work for Marine RECON--the most elite fighters in the Corps--in a remote part of Afghanistan. While on patrol, he spotted a young dog with a big goofy head and little legs who didn't seem vicious or run in a pack like most strays they'd encountered. After eating a piece of beef jerky Craig offered--against military regulations--the dog began to follow him. Looks like you made a friend, another Marine yelled. Grossi heard, Looks like a 'Fred.' The name stuck, and a beautiful, life-changing friendship was forged. Fred not only stole Craig's heart; he won over the RECON fighters, who helped Craig smuggle the dog into heavily fortified Camp Leatherneck in a duffel bag--risking jail and Fred's life. With the help of a crew of DHL workers, a sympathetic vet, and a military dog handler, Fred eventually made it to Craig's family in Virginia. Months later, when Craig returned to the U.S., it was Fred's turn to save the wounded Marine from Post-Traumatic Stress. Today, Craig and Fred are touching lives nationwide, from a swampy campground in a Louisiana State Park to the streets of Portland, Oregon, and everywhere in between. A poignant and inspiring tale of hope, resilience, and optimism, with a timeless message at its heart--it is not what happens to us that matters, but how we respond to it--Craig & Fred is a shining example of the power of love to transform our hearts and our lives.
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Politics of the Unpolitical
Craig deals with a question that has always been a point of controversy: do political writers have responsibility and are they obliged to show political engagement in their works? Craig answers this question by studying ten German writers from 1770-1871, among them Goethe, Schiller, Kleist, and Heine and finds that these `unpolitical' writers were actively engaged in their politics.
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Project 2 Craigs
Project 2 Craigs is a compilation of a collaborative project that offered two distinct visions--one armed with pencil, pen, brush, and paper--the other with lens, light, and the physical world. Over 52 weeks, the efforts of photographer Craig Cutler and illustrator Craig Frazier, converged into something more than just shared images--a celebration of the art of visual dialogue. Over 116 images and production notes describe a sustained conversation between mediums, thinking, and the unique approach each Craig brings to their work. It reminds us that making images is not just about output, but about intention, attention, and response.
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Riding The Elephant
In Riding the Elephant, Craig regales readers with new essays, rendered in the voice fans have come to love. In lyrical prose that is at once hilarious and unexpectedly moving, he discusses his deep love for his native Glasgow, the psychological changes of fatherhood, and looks at ageing and mortality with a perspective that he was incapable of as a younger man. Each story is strung together in a colourful tapestry that ultimately reveals a complicated man and the personal progress he's made. For fans of Craig, comedy, and inventive storytelling, Riding the Elephant is a must-read memoir.
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George Craig of Galashiels
What was it like to practise as a lawyer and bank agent in a rural Scottish community on the cusp of modernity? George Craig was Sir Walter Scott's local banker, a writer, insurance agent, election agent and baron bailie of Galashiels. Based on thousands of recently discovered letters, this is the first study of a provincial nineteenth-century Scots lawyer and the community he served. Craig's many correspondents, from manufacturers, bankers, lawyers and law agents in London, Dublin, Jamaica and the US to weavers, tenant farmers and town clerks reflect Borders life in all its intensity and his letters paint a detailed picture of everyday existence. His story affords a fascinating glimpse of legal practice and estate management across the Borders, during a time of economic and political change, as Galashiels grew from a village into an important manufacturing centre.
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I an Actor
The new revised edition of the uncensored 'Acto-biography' of the most controversial thespian of his generation. The memoirs of Nicholas Craig - theatrical eminence best known for his Trueplate in The Cuckolde of Leicester and more popularly as Gob in Oh No! It's the Neighbours! - are re-released for a grateful audience, updated with a wealth of new and controversial material. Startlingly truthful, unflinchingly illustrated, I, An Actor' is a piton up the slope of creativity for theatre fans and aspiring actors alike, revealing everything that most theatrical autobiographies cravenly avoid.
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Edith Craig and the Theatres of Art
This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women’s suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women’s suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women’s suffrage movement receives timely reappraisal in Katharine Cockin’s meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig’s death.
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Index to the Story of My Days
Edward Gordon Craig (1872–1966) was the most brilliant and influential stage designer this century. Always a controversial figure, he set out to revolutionise the theatre by creating a new art, the art of the theatre. Almost single-handed he formulated the principles on which a modern approach to stage design would be based. In his writings and engravings he transformed stage scenery from painted back-cloth into an abstract three-dimensional world of form and light. Craig's reputation as a designer is firmly established; his brilliance as a writer is only beginning to be recognised. Index to the Story of My Days shows him at his most self-revealing. As the original edition announced, 'Anything less like the conventional book of memoirs it would be difficult to imagine'. This 1981 reissue includes a specially written introductory essay by Peter Holland assessing the importance of Craig's career in the history of stage design.
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