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Daniel Defoe
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.
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Daniel Defoe
Published in the first series of English Men of Letters in 1879, a time when a complete edition of Daniel Defoe's works was yet to be collated, this biograhical account by William Minto (1845–93) was a significant achievement in literary scholarship as well as an engaging portrait of a colourful and outspoken polemicist. Himself a journalist and essayist for the pioneering Pall Mall Gazette and the Daily News, Minto combines the critical insight of a literary scholar with the empathy and understanding of a fellow writer. Spanning the novelist's entire life (c. 1659–1731), from the passions of his youth to the publication of Robinson Crusoe, his 'later journalistic labours' and the impact of literary success, this biography tells how Defoe disproved the rule that the lives of men of letters are rarely eventful.
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Daniel Defoe in Context
Innovative in its structure and approach, Daniel Defoe in Context contains 42 essays by leading scholars illuminating the life, times, and world of Daniel Defoe. Defoe is one of the most important literary figures in English history, thanks not only to his pioneering novels Robinson Crusoe and Moll Flanders, but also to his notable works in journalism, travel writing, conduct literature, and verse, both satiric and serious. Written with general readers and students in mind, the essays in this volume provide up-to-date knowledge about eighteenth-century literature, culture, and history in a high quality, clearly written, but completely accessible form. Together they demonstrate the ways not only in which Defoe's world shaped his writing, but also in which Defoe's writings profoundly affected his world, and therefore our world.
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Daniel Defoe
This book offers a comprehensive analysis of Defoe's oeuvre from the perspective of the historian. Clark presents Defoe by recovering the theological basis of his intellectual commitments, establishing him as a crucial figure in the evolution of theories about war and property, conquest and commerce, religious toleration and civil society.
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Selected Writings of Daniel Defoe
Paradoxically, Daniel Defoe is diminished by his popularity as the author of a handful of important novels, since the remainder of his voluminous writings suffer undue neglect. Fully to understand him he should be taken whole but his authorship of over 500 publications renders this feat well nigh impossible. The purpose of this selection, then, is to enable the reader to make or renew the acquaintance of Defoe on some of his favourite topics such as trade and politics, manners and morality, in poetry as well as prose, and in works like A True Relation of the Apparition of One Mrs Veal and Memoirs of a Cavalier, which are characteristic blends of fact and fiction. Equipped with the insights possible from this sample, the reader - it is hoped - will return to the major novels with a keener appreciation of their distinctive quality and a livelier sense of their author.
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Daniel Defoe
In this book, Paula Backscheider considers Daniel Defoe's entire canon as related, developing, and in close dynamic relationship to the literature of its time. In so doing, she revises our conception of the contexts of Defoe's work and reassesses his achievement and contribution as a writer.By restoring a literary context for modern criticism, Backscheider argues the intensity and integrity of Defoe's artistic ambitions, demonstrating that everything he wrote rests solidly upon extensive reading of books published in England, his understanding of the reading tastes of his contemporaries, and his engagement with the issues and events of his time. Defoe, the dedicated professional writer and innovator, emerges with a new wholeness, and certain of his novels assume new significance.Defoe's literary status continues to be debated and misunderstood. Even critical studies of the novel often begin with Richardson rather than Defoe. By moving from Defoe's poetry, pamphlets, and histories to the novels, Backscheider offers an argument for the thematic and stylistic coherency of his oeuvre and for a recognition of the dominant place he held in shaping the English novel. For example, Defoe deserves to be recognized as the true originator of the historical novel, for three of his fictions are deeply engaged with just those conceptual and technical issues common to all later historical fiction. And Roxana now appears as Defoe's deliberate attempt to enter the fastest growing market for fiction -- that for women readers.What have been powerfully significant for the history of the novel, then, are the very characteristics of his writing that have been held against his literary stature: its contemporaneity, its mixed and untidy form, its formal realism, its concentration on the life of an individual, and its probing of the individual's psychological interaction with the empirical world, making that world representative even as it is referential. It is exactly these characteristics most original, prominent, and subsequently imitated in Defoe's fiction that define the form we call "novel."
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Cambridge Companion to Daniel Defoe
Daniel Defoe had an eventful and adventurous life as a merchant, politician, spy and literary hack. He is one of the eighteenth century's most lively, innovative and important authors, famous not only for his novels, including Robinson Crusoe, Moll Flanders, and Roxana, but for his extensive work in journalism, political polemic and conduct guides, and for his pioneering 'Tour through the Whole Island of Great Britain'. This volume surveys the wide range of Defoe's fiction and non-fiction, and assesses his importance as writer and thinker. Leading scholars discuss key issues in Defoe's novels, and show how the man who was once pilloried for his writings emerges now as a key figure in the literature and culture of the early eighteenth century.
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Novels of Daniel Defoe, Part I Vol 5
Daniel Defoe is known as the father of the English novel. This is the modern critical edition of Defoe's novels. It brings together all three parts of "Robinson Crusoe" and examines their relationship. The editorial material includes an introduction to each novel, explanatory endnotes, textual notes, and a consolidated index in volume 10.
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Daniel Defoe's An Essay Upon Projects
Daniel Defoe is most well-known for his classic novels Robinson Crusoe and Moll Flanders. Born circa 1659, he was also a journalist, a pamphleteer, a businessman, a spy ... and a writer of short stories. His life was long and colourful, and the breadth of his work, still highly regarded, is infused with similar vigour. In this essay however another side of Defoe is revealed. It's very well thought out and as a social document a priceless recording of the problems facing the Country at that time as well as a possible solution. Defoe unfortunately often ran up large bills which could then not be repaid. He was often most seen on Sundays when bailiffs and the like legally could make no move on him. Allegedly whilst hiding from creditors he died on April 24th 1731. He was interred in Bunhill Fields, London.
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Novels of Daniel Defoe, Part II vol 9
Brings together three parts of "Robinson Crusoe" and examines their relationship. This work contains editorial material that includes a substantial introduction to each novel, explanatory endnotes, textual notes, and a consolidated index.
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Daniel Defoe, Contrarian
A highly conscious wordsmith, Daniel Defoe used expository styles in his fiction and non-fiction that reflected his ability to perceive material and intellectual phenomena from opposing, but not contradictory perspectives. Moreover, the boundaries of genre within his wide-ranging oeuvre can prove highly fluid. In this study, Robert James Merrett approaches Defoe's body of work using interdisciplinary methods that recognize dialectic in his verbal creativity and cognitive awareness. Examining more than ninety of Defoe's works, Merrett contends that this author's literariness exploits a conscious dialogue that fosters the reciprocity of traditional and progressive authorial procedures. Along the way, he discusses Defoe's lexical and semantic sensibility, his rhetorical and aesthetic theories, his contrarian theology, and more. Merrett proposes that Defoe's contrarian outlook celebrates a view of consciousness that acknowledges the brain's bipartite structure, and in so doing illustrates how cognitive science may be applied to further explorations of narrative art.
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