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Editor's Companion
As the knowledge economy takes shape, editors face many challenges. Technology is transforming publishing, text is losing out to graphics, and writing is distorted by cliché, hype and spin. More than ever, editors are needed to add value to information and to rescue readers from boredom and confusion. The Editor's Companion explains the traditional skills of editing for publication and how to adapt them for digital production. It describes the editorial tasks for print and screen publications, from fantasy novels and academic texts to web pages and government documents. It is an essential tool for professional editors, as well as media and publications officers, self-publishers and writers editing their own work. This revised edition features extended coverage of on-screen editing, single-source publishing and digital rights, a comprehensive glossary of editing terms and a companion website developed especially for students that includes editing exercises, expert 'tips' and essential weblinks.
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Editor
'Much excellent gossip, some of it wildly indiscreet . . . Hastings is a brilliant reporter' – Sunday Telegraph'The acuity of his insights make this book a wholly compelling read' – ObserverIn February 2002 Max Hastings retired from his position as a 'Fleet Street' editor. His is an enormously illustrious career, starting in 1985 when he was offered the Editorship of a national institution – the Daily Telegraph – in a surprise move by its owners.This candid memoir tells the story of what happened to him, and to a great newspaper, over the next decade. It is all here: the rows with prime ministers, the coverage of such world-changing events including the end of the Cold War, the fall of Thatcher, the rise of New Labour and Tony Blair, the Gulf War, and the tribulations of the Royal Family. Max Hastings describes his complex relationship with his proprietor, Conrad Black and offers an extraordinary perspective on the difficulties of dealing with lawyers and celebrities, statesmen and stars.Editor is above all the story of the excitement and exhilaration of almost ten years at the helm of one of the greatest newspapers in the world.
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Editor
Legendary editor Judith Jones, the woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this intimate biography. When twenty-five-year-old Judith Jones began working as a secretary at Doubleday’s Paris office in 1949, she spent most of her time wading through manuscripts in the slush pile and passing on projects—until one day, a book caught her eye. She read it in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture-defining career in publishing. During her more than fifty years as an editor at Knopf, Jones nurtured the careers of literary icons such as Sylvia Plath, Anne Tyler, and John Updike, and helped launched new genres and trends in literature. At the forefront of the cookbook revolution, she published the who’s who of food writing: Edna Lewis, M.F.K. Fisher, Claudia Roden, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Through her quiet and tenacious work behind the scenes, Jones helped turn these authors into household names, changing cultural mores and expectations along the way. Judith’s work spanned decades of America’s most dramatic cultural change—from the end of World War II through the Cold War, from the civil rights movement to the fight for women’s equality—and the books she published acted as tools of quiet resistance. Now, her astonishing career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor tells the riveting behind-the-scenes narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers.
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Editors, Scholars, and the Social Text
An academic book is much more than paper and ink, pixels and electrons. A dynamic social network of authors, editors, typesetters, proofreaders, indexers, printers, and marketers must work together to turn a manuscript into a book. Editors, Scholars, and the Social Text explores the theories and practices of editing, the processes of production and reproduction, and the relationships between authors and texts, as well as manuscripts and books. By bringing together academic experts and experienced practitioners, including editorial specialists, scholarly publishing professionals, and designers, Editors, Scholars, and the Social Text offers indispensable insight into the past and future of academic communication.
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Complete Editor
Filled with abundant exercises, The Complete Editor provides readers with many resources actively learn about copyediting, headline writing, decision-making, relationships with writers, graphic presentations, photo editing and layout and design. It also contains a separate chapter on legal principles that an editor needs to understand. This efficient and well-written text gives readers basic information about the essential topics at hand.
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Editor
Legendary editor Judith Jones, the woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this “surprising, granular, luminous, and path-breaking biography” (Edward Hirsch, author of How to Read a Poem).At Doubleday’s Paris office in 1949, twenty-five-year-old Judith Jones spent most of her time wading through manuscripts in the slush pile and passing on projects—until one day, a book caught her eye. She read it in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture-defining career in publishing. During her more than fifty years as an editor at Alfred A. Knopf, Jones nurtured the careers of literary icons such as Sylvia Plath, Anne Tyler, and John Updike, and helped launched new genres and trends in literature. At the forefront of the cookbook revolution, she published the who’s who of food writing: Edna Lewis, M.F.K. Fisher, Claudia Roden, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Through her tenacious work behind the scenes, Jones helped turn these authors into household names, changing cultural mores and expectations along the way. Judith’s work spanned decades of America’s most dramatic cultural change—from the end of World War II through the civil rights movement and the fight for women’s equality—and the books she published acted as tools of quiet resistance. Now, based on exclusive interviews, never-before-seen personal papers, and years of research, her astonishing career is explored for the first time in this “thorough and humanizing portrait” (Kirkus Reviews).
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Editor in Chief
Packed with specific how-tos, examples and illustrations, The Editor in Chief vividly presents the guiding principles of editorial management. Authors Patterson and Patterson combine their extensive publishing and management expertise to update and enrich this best selling text, providing help and insight to future and present journalists working in the editorial department of a magazine. New to this edition is a chapter on one of the most popular and fastest growing areas of magazine publishing - online publishing. Readers will learn about e-zines, and online editions of printing magazines: Launching Funding Organizing a staff Increasing readership Aimed at students interested in careers as magazine editors and at novice working editors seeking to produce better magazines, The Editor in Chief, 2nd Edition prepares budding professionals for the arduous, but rewarding, task of magazine management
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Collins Dictionary for Writers and Editors
The essential reference work for writers, editors and proofreaders. Well-known or well known? Affect or effect? Majorca or Mallorca? Royal Family or royal family? Spell check cannot be relied upon to help you with the trickier aspects of the English language. Even the most sophisticated writers of English will be faced with questions and problems in the quest for clear, elegant and correct writing. The new paperback edition of the Collins Dictionary for Writers and Editors answers these questions, and thousands of other usage conundrums, with a comprehensive collection of entries designed to sweep the minefield of the English language. Whether you're a writer, proofreader or editor, for books, periodicals or websites, the Collins Dictionary for Writers and Editors will be your essential reference. It contains accessible information covering everything from style and Americanization (or Americanisation), to proofreading marks and transliterations. It also includes: abbreviations and acronymsmisspellingscompound wordspluralscapitalisationapostrophestitles
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Editor
London, July 1826: Lady Sophia Raffles is left widowed and in debt after the sudden death of her husband, Sir Thomas Stamford Raffles, later remembered as the ‘founder of Singapore’. Determined to restore his name after he is cleared of the East India Company’s charges, Sophia takes on the formidable challenge of compiling an account of his life. Her Memoir of the Life and Public Service of Sir Thomas Stamford Raffles is published to critical acclaim in 1830. Accomplished at enormous personal and financial cost, at a time when women did not write memoirs, it is a remarkable feat. It becomes the single most important source for all later accounts of her husband, saving him from obscurity and shaping his legacy. But Sophia must also confront shadowy truths behind the glory she feels bound to uphold, and face doubts about the marriage she thought she knew. Set against vivid impressions of Sumatra, Java, Penang and Singapore, her journey spans the transformation from grief-stricken widow to powerful arbiter of history.
R 368.00
Texts, Editors, and Readers
This book re-examines the most traditional area of classical scholarship, offering critical assessments of the current state of the field, its methods and controversies, and its prospects for the future in a digital environment. Each stage of the editorial process is examined, from gathering and evaluating manuscript evidence to constructing the text and critical apparatus, with particular attention given to areas of dispute, such as the role of conjecture. The importance of subjective factors at every point is highlighted. An Appendix offers practical guidance in reading a critical apparatus. The discussion is framed in a way that is accessible to non-specialists, with all Latin texts translated. The book will be useful both to classicists who are not textual critics and to non-classicists interested in issues of editing.
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Censor, the Editor, and the Text
In The Censor, the Editor, and the Text, Amnon Raz-Krakotzkin examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Hebrew literature made the transition to print in Italian print houses, most of which were owned by Christians. These became lively meeting places for Christian scholars, rabbis, and the many converts from Judaism who were employed as editors and censors.Raz-Krakotzkin examines the principles and practices of ecclesiastical censorship that were established in the second half of the sixteenth century as a part of this process. The book examines the development of censorship as part of the institutionalization of new measures of control over literature in this period, suggesting that we view surveillance of Hebrew literature not only as a measure directed against the Jews but also as a part of the rise of Hebraist discourse and therefore as a means of integrating Jewish literature into the Christian canon.On another level, The Censor, the Editor, and the Text explores the implications of censorship in relation to other agents that participated in the preparation of texts for publishing—authors, publishers, editors, and readers. The censorship imposed upon the Jews had a definite impact on Hebrew literature, but it hardly denied its reading, in fact confirming the right of the Jews to possess and use most of their literature.By bringing together two apparently unrelated issues—the role of censorship in the creation of print culture and the place of Jewish culture in the context of Christian society—Raz-Krakotzkin advances a new outlook on both, allowing each to be examined through the conceptual framework usually reserved for the other.
R 3,287.00
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, by sungano kanjere In Conversation with Cameron Capello
Content creator and debut author Cameron Capello – known by most as @chamberofsecretbooks on Instagram and TikTok – is known for her witty personality, outrageous...
