Search results for "Eric Manders"
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Coining Images of Power
Current scholarship on Roman imperial representation addresses both the ways in which individual rulers presented themselves to their subjects and how particular aspects of imperial representation developed over time. This book combines these two approaches. It examines the diachronic development of the representation of Roman imperial power as a whole in one medium over a longer period of time. Through a quantitative and qualitative analysis of coin types issued between A.D. 193 and 284, patterns in the representation of third-century Roman emperors on imperial coinage are made visible. The result is a new perspective on the development of imperial ideology in times of crisis.
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Dashing to the End
Born Alfred Reginald John Truscott-Jones, Welsh American actor Ray Milland (1907–1986) appeared in more than 135 theatrical releases between 1929 and 1985 and on radio, television, and the stage, while also becoming a film director; Milland’s extensive canon across such a period is remarkable, especially considering his lack of formal training, his belated start in show business in his late twenties, and the fact he only lived to age seventy-nine. Perhaps best remembered for his Oscar-winning performance as the tortured alcoholic in Billy Wilder’s The Lost Weekend (1945) or his outstanding collaboration with Alfred Hitchcock in Dial M for Murder (1954), there is much more to Milland’s life and career than the few films which elevated him from star to icon. Despite his prolific and successful career, Dashing to the End: The Ray Milland Story is the first comprehensive biography of the star. Milland’s personal and professional trajectory epitomize quintessential Hollywood lore: the British army soldier-turned-actor who went from unknown, struggling bit player to Oscar-winning star to aging, scandal-haunted "has-been" to comeback character actor to present-day cult figure. Using interviews with Milland’s costars and colleagues, as well as research from several major archives, author Eric Monder brings into sharp relief both the positive and negative aspects of the Hollywood film and television industries and paints a well-rounded portrait of this complex man and artist.
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Borrowed Gods and Foreign Bodies
To the Victorians, the Chinese were invariably "inscrutable." The meaning and provenance of this impression--and, most importantly, its workings in nineteenth-century Protestant missionary encounters with Chinese religion--are at the center of Eric Reinders's Borrowed Gods and Foreign Bodies, an enlightening look at how missionaries' religious identity, experience, and physical foreignness produced certain representations of China between 1807 and 1937. Reinders first introduces the imaginative world of Victorian missionaries and outlines their application of mind-body dualism to the dualism of self and other. He then explores Western views of the Chinese language, especially ritual language, and Chinese ritual, particularly the kow-tow. His work offers surprising and valuable insight into the visceral nature of the Victorian response to the Chinese--and, more generally, into the nineteenth-century Western representation of China.
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I'll Be Damned
In this startling candid and poignant memoir, the legendary Emmy Award-winning star of The Young and The Restless, America's #1 soap opera, chronicles his amazing life, from his birth in World War II Germany to his arrival in America to his rise to humanitarian and daytime superstar for the past thirty-five years.For nearly four decades, fans have welcomed the star of television's number-one daytime show, The Young and the Restless, into their living rooms. While they've come to know and love the suave Victor Newman, few truly know the man behind the character, the supremely talented Eric Braeden. I'll Be Damned is his story--a startling and uplifting true tale of war, deprivation, determination, fame, and social commitment that spans from Nazi Germany to modern Hollywood. Braeden's journey from a hospital basement in Kiel to the soundstages of Los Angeles has taught him more about joy, heartbreak, fear, dignity, loss, love, loneliness, exhilaration, courage, persecution, and profound responsibility to the global community than he could have hoped to learn in several lifetimes. Growing up in the years after Germany's defeat, Braeden knew very little about the atrocities of his parents' generation, until he arrived in America as a teenager--a discovery that horrified and transformed him. Trying to redress the wrongs of his homeland, he has dedicated his life to humanitarian work--even forming the German American Culture Society--working for decades to show the world that what we share as humans is far more important than what separates us from one another. Told with openness, candor, humor, heart, and occasional raw vulnerability, I'll Be Damned reveals a man committed to making the world a better, more loving place. Filled with sixteen pages of photos from his decorated life and career, I'll Be Damned will be a treasured keepsake for Y&R fans, and is an inspiring testament to the goodness within us all.
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Wes Anderson Collection
Wes Anderson is the most influential comedic voice from the past two decades of American cinema. A true auteur, his intimate involvement in each of his films; Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox and Moonrise Kingdom, includes scriptwriting, set design, soundtrack selections and unit photography. Anderson’s visual artistry, inimitable tone and idiosyncratic characterisations make each of his films instantly recognisable as “Andersonian.”The Wes Anderson Collection is the first in-depth overview of Anderson’s work, guiding readers through the life and career of one of the most talked-about contemporary filmmakers. Previously unpublished photos, artwork and ephemera complement a book-length interview between Anderson and award-winning film critic Matt Zoller Seitz, who offers insights into Anderson’s creative process, influences, and the production of his films. These elements come together in a meticulously designed object in the spirit of Anderson’s movies: melancholy and playful, wise and childish—and thoroughly original.
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